by Gail Levin
Charred Landscape, 350
The City, 327
collages, 126, 183, 290, 293, 300, 301, 327, 371, 411–15, 427, 432, 447
Combat, 367, 368, 382
Composition, 203–4, 254–55
Continuum, 327
Cool White, 340, 351, 357, 443
Cornucopia, 336
Courtship, 375, 376
CR 127/129/130, 117
critical reviews of, 3, 7–8, 254, 259, 274, 275, 291, 301, 324–26, 351–52, 353–54, 359–60, 373–74, 382–83, 387, 396, 399–400, 403–4, 413–14, 420, 432–33, 438, 443–46
Earth Green series, 322–23, 325
Easter Lillies, 67
Embrace, 323, 353, 354
Entrance, 350
in exhibitions, 5, 10, 121, 146, 165, 178, 184, 220, 258–59, 261, 262, 272–73, 290, 291, 293, 300–301, 321, 322–26, 351, 353–54, 357, 370–75, 377, 382–83, 385, 387, 396–400, 402–3, 408–9, 411–15, 418–21, 423–24, 428–33, 435, 439, 442–46
The Eye Is the First Circle, 33, 76, 350–51, 366
Eyes in the Weeds, 363
Fecundity, 350
Flowering Limb, 363
Forest I, 336
Four, 327
Fourteenth Street, 91, 113
Fragments from a Crucifixion, 359
Free Space, 404
Gaea, 375–76, 384
Gansevoort I, 91, 124; study for, 91–92
Gansevoort II, 98, 124
The Gate, 331–32, 352, 359
Gothic Landscape, 438
The Green Fuse, 384
The Guardian, 350
Happy Lady, 363
“heiroglyphs,” 241, 245–46, 255, 269, 369–70
Igor, 195–96
Image Surfacing, 221
Jungle Lattice, 384
Kufic, 370, 384–85, 433
Listen, 323–24, 325
Little Image series, 7, 241–45, 254–55, 261, 262, 273, 293, 336, 370, 374, 415, 418, 419
Majuscule, 396
Memory of Love, 375
methods used in, 242–44, 363
Milkweed, 300, 301
Mosaic Collage, 183
mosaics, 250, 253–55, 269, 291, 329–30, 371
murals, 95, 96, 97, 371
naming, 368–69
Night Creatures, 369
Night Life, 243
Night Watch, 350
Noon, 336
Number 2, 273
palette of, 324, 331, 349, 350, 359–60, 374, 396, 420, 432
Palingenesis, 396
Polar Stampede, 4, 350
Pollination, 383, 398
Portrait in Green, 386
prices for, 3–4, 327, 336, 351, 359, 437
Prophecy, 297, 305–6, 315, 328
Red, Yellow, Blue, 183
Right Bird Left, 375
Rising Green, 396
Rose Red, 326
The Seasons, 323, 324, 326, 359, 433
Seeded, 350, 351
self-portraits, 11, 12, 51–52, 55, 57–58, 72, 102
Siren, 375, 384
Solstice, 433
Spring Beat, 321, 323
Spring Memory, 336–37
Still Life, 121
Still Life with Apples, 67–68
Stop and Go, 255, 269
Stretched Yellow, 301
Summer Play, 369
Sundial, 402
Sun Woman, 323, 324
Three in Two, 319
Towards One, 384
Triple Goddess, 350, 357
Uncaged, 350
Uncial, 370, 384
Untitled (collage), 427, 442
Untitled (Still Life), 101
Untitled (Surrealist Composition), 100
Untitled, 1940–43, 143
Upstream, 323
Vigil, 350
Visitation, 325
Water series, 428–29
What Beast Must I Adore?, 353
White Rage, 359
Yes & No, 336
Krasner, Riva (sister), 18
Krasner, Rose (sister), 18, 23, 31, 50
Krasner, Ruth [Stein] (sister), 1, 13, 22–23, 25, 50, 63–64, 448
Kroll, Leon, 71, 89–90, 112, 303
Kuhn, Walt, 165
Kuniyoshi, Yasuo, 120, 391
La Farge, John, 65
Lamba, Jacqueline, 225
Landau, Ellen, 10, 418, 423–24, 428, 429–32
Lang, Jack, 439
Langer, Cassandra, 408
Langhorne, Elizabeth, 9, 423
Larkin, Roseanne, 258
Lassaw, Ernestine, 439, 449
Lassaw, Ibram, 49, 73, 88, 144, 327, 385, 397, 434, 449
Laszlo, Violet Staub de, 169, 208
Lee, John Post, 433–35, 436–37
Leen, Nina, 263
Léger, Fernand, 113, 146, 150, 151–53, 156, 167, 184, 229
Lehman, Harold, 104, 105
Lehmann, Margaret, 26
Leigh, William R., 44
Lescaze, William, 152
Levin, Gail, 389, 419, 421, 430, 432
LeWitt, Sol, 412
Lieberman, William Slattery, 380–81, 417, 451
Life, 262, 263, 280, 319–20
Lilith (biblical figure), 383, 384
Lindeberg, Linda, 261, 271, 321
Lindner, Richard, 379
Lippard, Lucy R., 421
Little, John, 8, 129, 140, 175, 179–82, 236, 258, 261, 266, 321, 366, 385, 394, 434, 441, 449
Little, Josephine, 8, 266, 369, 434, 449
Lloyd, Frank, 346–47, 360, 361–62
Loeb, Harold, 198
Loew, Michael, 73, 88, 95–96, 136
Loew-Lewin productions, 224
Long Island, artist colony on, 228–29, 234–35, 236, 251–52, 258, 261, 264, 275–76, 291, 293, 327–28, 362, 377, 385, 394, 396–97, 439–40
Lord, Sheridan, 299, 303–4, 321
Los Angeles County Museum, 4, 367–68, 408
Louchheim, Aline B., 254
Louis, Morris, 283, 350
Low, Will Hicok, 43
Lynd, Robert S., 80
Lynton, Norbert, 374
Macdonald, Dwight and Gloria, 386
Macdonald-Wright, Stanton, 83
Machiz, Herbert, 365
MacIver, Loren, 224, 392
Macpherson, Kenneth, 216, 229
Macy, Happy and Valentine, 255
Maeterlinck, Maurice, 27–28, 33
Mahaut, Henri, 136
Mantegna, Andrea, 310
Marburger, John H., 448, 450
Marcantonio, Vito, 119–20
Marca-Relli, Conrad, 366, 368
Margolis, David, 134
Marin, John, 268
Marisol, 391
Mark, Grant, 276–77, 278
Marlborough Fine Art Limited, London, 346–47, 355, 357, 359
Marlborough Gallery, New York City, 4, 5, 359, 360, 384, 387, 395, 396, 398, 406, 407, 417, 425, Marlborough-Gerson Gallery, New York City, 362, 377, 382, Marsh, Reginald, 116
Martin, Agnes, 406
Mason, Alice Trumbull, 99, 239, 391
Masson, André, 220, 404
Matisse, Henri, 71–72, 129, 135, 146, 165, 178, 319
influence of, 6, 101–2, 167, 188, 196, 218, 326, 349, 382, 385, 396, 413, 415, 419, 444
Matisse, Pierre, 115, 437
Matta, 199–200, 212, 218, 226, 230
Matter, Herbert, 152, 155–57, 158, 160, 173, 189, 203, 205, 210, 211, 214, 233, 252, 281, 288
Matter, Mercedes Carles, see Carles, Jeanne Mercedes Cordoba
Matthiessen, Peter, 292, 294, 299, 312
May Day parades, 103, 104–5, 113
Maynard, George W., 65
McAndrew, William, 37
McBride, Henry, 101–2, 153
McClure, Stella May, 169
McCoy, Arloie, 173, 192, 193, 213, 303, 367
McCoy, Jason, 367, 435, 438, 449, 450
McCoy, Sande, 105, 167, 171, 191, 192, 193, 202, 213, 272, 277, 303
McKinney, Don
ald, 5, 377, 380, 398, 401, 417
McMahon, Audrey, 99, 107, 119, 194
McNeil, Dora, 512
McNeil, George, 123, 129–30, 144, 172, 239, 280
Melville, Herman, 369
Mercer, George, 128, 129, 135–38, 147, 152–53, 155, 157–63, 174, 175, 177–78, 183–85, 192–93, 195, 207, 212, 215, 219, 222–23, 227–28, 241, 247
Metropolitan Museum of Art, 4, 58, 155, 262–63, 264, 267, 317, 380, 434
Metzger, Edith, 311, 312
Michael, Majorie, 405
Michelangelo, 83–84
Miller, Betsy, 438
Miller, Henry, 161
Miller, Lee Anne, 420–21
Miller, Robert, 358, 438, 442
Miró, Joan, 112, 135, 148, 167, 177, 188, 218, 219, 220, 221, 262
Mirsky, Eda, 56–58, 62, 68–69
Mirsky, Kitty, 56–58, 62
Mirsky, Samuel, 56–57
Mitchell, Joan, 319, 409
Modigliani, Amedeo, 165, 178
Mollison, James, 443
Mondale, Joan, 409
Mondrian, Piet, 104, 117, 126–27, 149–53, 179–83, 186, 198, 201
influence of, 130, 148, 167, 172, 178, 181, 184, 188, 203, 221, 273, 274, 275, 326, 419
Monroe, Gerald, 107
Morgan, Mrs. J. P., 42
Morris, Diana, 416
Morris, George L. K., 144–45, 150–51, 152
Morris, Robert, 379
Moss, Howard, 440
Motherwell, Maria Emilia Ferreira y Moyers, 236
Motherwell, Robert, 199, 200, 203, 216–18, 230, 236, 245, 258, 261, 316, 363, 407, 419, 424, 435, 436, 445
Mr. Kenneth (Batelle), 384
Mumford, Lewis, 112, 120, 121, 228
Munro, Eleanor, 138, 174, 300, 420
Münter, Gavriele, 124
Murphy, Thomas D., 35
Museum of Fine Arts, Houston, 442–46
Museum of Living Art, 151
Museum of Modern Art, 4, 58, 71, 73, 125, 130, 156–57, 164, 182, 274, 275
“Fantastic Art, Dada, and Surrealism,” 100–101, 139
inaugural exhibition, 66–68
and Krasner’s work, 370, 402, 418–19, 423–24, 430, 443, 448
Matisse retrospective, 319
Picasso retrospective, 135
picketing against, 144–45, 393, 409
and Pollock’s work, 209, 267, 306, 316, 317, 326, 346, 377, 378–79, 380, 434
and women artists, 393–94
Museum of Non-Objective Painting, New York, 6, 158, 188, 197, 198, 202, 294; later Solomon R. Guggenheim Museum
Myers, John Bernard, 2, 11, 244, 365, 380, 407
Naifeh, Steven W., 441
Namuth, Carmen, 266
Namuth, Hans, 261–62, 266, 403
National Academy of Design, 6, 48, 50, 51, 53–56, 68–71, 390
National Gallery, 4, 267, 438
National Student League, 74–75
Navaretta, Cynthia, 279
Neel, Alice, 77
Neilson, Raymond Perry Rodgers, 54–55, 70
Nemser, Cindy, 244, 273, 333, 385, 392, 393, 401
Netter, Terence, 365–66, 369, 380, 434, 442, 443, 448, 449, 450, 451
Nevelson, Louise, 322, 391, 406, 407, 437
Newman, Annalee, 311, 312, 321
Newman, Barnett, 75, 238, 246, 262–63, 264, 311–12, 321, 342, 350, 363–65, 367–68, 394, 419, 438, 447
Newton, Francis, 228–29
Newton, Saul, 295, 297, 312, 313, 332
New Yorker, The, 263–64, 379
New York School, 3, 226, 367–68, 410–11, 417
Nicholas II (Tsar), 15, 59
Nietzsche, Friedrich, 36, 68
Nivola, Costantino, 265, 321, 385, 397
Nochlin, Linda, 408, 421
Noguchi, Isamu, 229
Noland, Kenneth, 350
O’Connor, Francis V., 377, 417
O’Hara, Frank, 370
O’Keeffe, Georgia, 392, 447
Oldenburg, Claes, 430
Olds, Elizabeth, 121
Olinsky, Ivan Gregorewitch, 65–66, 69, 70
Orozco, José Clemente, 186
Osaka Art Festival, 326
Ossorio, Alfonso, 256–57, 260, 266, 267, 270, 272, 273, 275–76, 278, 291, 302, 306, 307, 321, 328, 332, 337–38, 339, 340, 342, 345, 366, 368, 377, 380, 385, 403, 449
Ozenfant, Amédée, 151
Pace Gallery, New York, 406–7, 411–15, 420, 432–33, 437
Pantuhoff, Igor, 51, 56, 58–64, 376
birth and early years of, 59–61, 169
death of, 450
in Florida, 137–38, 140–41, 159
honors and awards to, 61–62, 70
and money matters, 136–38, 151, 159, 450
mother of, Nina Michailovna Dobrovolskaya, 59, 60, 159
personal traits of, 95–96, 128, 136, 138–39, 173, 190, 192, 340
as portrait painter, 128, 131, 141–42, 196
relationship with Krasner, 9, 62–64, 73, 74, 79–81, 90, 92, 96, 99, 102, 134, 135–36, 139–41, 195–96, 199, 216, 253, 356
Ventilator #2, 100
Ventilator No. 1, 113–14
and WPA, 93, 96–97, 128
Pantuhoff, Oleg Ivanovich, 59–61, 174
Pantuhoff, Oleg Ivanovich, Jr., 59, 60
Park, Charlotte, 247, 306, 316, 321
Parker, Elizabeth, 321
Parker, Raymond, 357
Parsons, Anne Bowen, 102
Parsons, Betty, 246–47, 249, 250, 251, 256, 257, 258, 259, 262, 263, 267, 272–73, 275, 276, 279, 283, 301, 309, 340, 342, 406, 425
Pascin, Jules, 391
Patiky, Mark, 386–87, 400
Pavia, Philip, 260, 287
Pearce, Jane, 295, 297, 313, 332
Pellicone, William, 435
Pène du Bois, Guy, 73, 116
Penn, Irving, 155
Perard, Victor Semon, 48–49
Pereira, I. Rice, 116, 274–75, 392
Petersen, Vita and Gustave “Peter,” 252–53
Phillips, Helen, 226–27, 316
Picasso, Pablo, 70, 103, 127, 129, 146, 165, 220, 259, 318, 355, 414
Femme au Fauteuil, 178
Femme aux Deux Profils, 178
Guernica, 112, 115, 135, 168, 203
influence of, 148, 167, 168, 172, 178, 188, 196, 218, 326, 413, 419, 444
Les Demoiselles d’Avignon, 102, 168
Portrait of Dora Maar, 178
Roses, 178
and Spanish Civil War, 111, 112
Standing Figure, 125
P.M., 145, 153, 238, 381
Poe, Edgar Allan, 31–33, 139, 218
Pollock, Charles (brother), 170, 171, 192, 193, 272
Pollock, Frank (brother), 267, 272
Pollock, Jackson, 82, 177, 197, 231, 289
and alcohol, 102, 169, 171, 172, 173, 190–92, 206, 211, 212, 214, 216, 217, 226, 227, 237, 247, 253, 257, 258, 260, 266, 270–71, 276–78, 285, 286, 289, 291, 294, 297–300, 313, 320, 362, 403, 404, 436
in analysis, 171–72, 207–8, 218, 270, 276, 295–300, 304, 307–8, 313
art connections of, 166–67, 199, 200, 239, 256–57, 261–62
at Art Students League, 83
and automobiles, 247, 277, 289, 292, 311–13
biographies of, 397–98, 441, 448
birth and background of, 169–70, 171, 263–64
broken bones of, 293, 303–4
and children, 279, 289–90, 298, 308
death of, 311–13, 318, 420
estate of, 272, 316, 317, 333, 336, 341–47, 353, 357–58, 360, 373, 381, 407, 420, 428, 434, 436, 438, 440
and Guggenheim, 199–202, 207, 208–13, 216, 218–20, 225–26, 233–34, 239–40, 246–47, 264, 265, 357–58, 376
influence on Krasner’s work, 219–21, 223, 237, 243, 261, 272–73, 325–26, 335, 352, 382, 408, 419, 435, 436
Krasner’s career after death of, 315–19, 320–28, 331–32, 352, 372, 380, 383, 414, 420
Krasner
’s career as second to, 3, 190, 194, 205, 206, 217, 236–38, 244, 263–65, 283–84, 308, 379–80, 398, 401, 419, 444, 451
Krasner’s introductions to art world, 3, 173, 175, 204, 207, 208, 241, 326
Krasner’s relationship with, 102–3, 167–69, 178, 185–96, 203, 206–21, 251, 279–80, 295, 299–300, 302–3, 308, 315, 319, 320, 384, 404
on Long Island, 226–28, 231–37, 248, 249–50, 260–61, 264, 272, 362
marriage to Krasner, 232, 233
and money matters, 189, 212, 225, 233–34, 249–50, 251, 372–73
neediness of, 9, 169, 171–73, 193, 199, 208, 216, 244, 269, 277, 290, 308, 316
and other women, 279–80, 300, 306–8, 319, 379, 397, 402
and Parsons, 246–47, 249, 250, 257, 258, 259, 267, 272–73, 276, 279, 283
