At the foot of this dangerous-looking Amazon, and well placed to look up her skirts, were the busts of four unhappy-looking individuals whom Fitzduane subsequently found out were the Emperor, Sultan, Pope, and Magistrate — the main dispensers of random justice when the fountain was erected in 1543.
At frequent intervals around the city there were fountains, all painted in exotic colors, each unique in itself. In Kramgasse the fountain was identified by a life-size bear, wearing a gold helmet with a barred visor, standing in the pose of a Landsknecht; at his feet was a little bear eating grapes. Everywhere there were bears: carved bears, painted bears, drawn bears, printed bears, stamped bears, wrought-iron bears, big bears, small bears, even real bears. Fitzduane had never seen so many bears.
He read that Duke Berchtold V of Zähringen, the founder of Bern, had organized a hunt and decreed that the city be named after the first animal killed. Fortunately the hunters struck it lucky with a bear; the City of Rabbit just would not have had the same cachet.
Until in-house plumbing and Blick became the fashion, the fountains of Bern had been where you went to fill up with water and all the latest gossip. Perhaps, thought Fitzduane, if I sit by the fountain, all will be revealed.
He tried it for a while, but his bottom got cold.
* * * * *
From habit the Bear checked the incident sheets when he returned from lunch. He did not expect to see much. He had once discussed the Bernese crime rate with a visiting American policeman. Confusion reigned initially when it appeared that the crime rates in their respective cities were roughly comparable. Then in dawned on them: they were comparing apples and oranges. The American was quoting daily statistics; the Bear meant annual figures.
One of the most consistently regular of the Bernese crime statistics was the murder rate. Give or take a few decimal points, the figures came out at two killings per year — year after year after year.
They say, thought the Bear, that Bern has enough of everything, but not too much. Two murders a year is just about right for a well-ordered city like Bern. Many more would create havoc with the tourist trade and would certainly upset the Bürgergemeinde. Any fewer might raise question marks about the manning levels of the Kriminalpolizei. A little fear was good for police job security.
His mind occupied with such weighty matters, the Bear almost missed the new incident sheet that had been pinned up over an elegantly lettered flyer announcing that the desk sergeant was selling his immaculately maintained five-year-old Volvo, with only ninety thousand kilometers on the clock, at a bargain price (four lies).
The bald announcement stated that the mutilated body of a twenty-year-old man had been removed from the River Aare that morning. Death appeared to be due to multiple knife wounds. An autopsy would take place immediately. Formal identification was yet to be made, but documents on the body suggested that the dead man was named Klaus Minder.
It says nothing about bicycles, thought the Bear. Maybe the murderer escaped on a stolen bicycle or stalked his victim through the six kilometers of Bernese arcades while perched inconspicuously on top of a penny-farthing. Then it would be his case, or at least the bicycle part would be.
He searched the incident sheet for signs of stolen penny-farthings, but in vain. No luck with tandems or tricycles either. He cheated a little and tried for mopeds. Nothing.
"Ho-hum," said the Bear to himself.
11
A small brass plate identified the von Graffenlaub office on Marktgasse. It bore just his name and the single word "Notar." The neat nineteenth-century façade of the building belied its earlier origins. The circular stone steps that led to the lawyer's offices on the second floor were heavily worn with use and dipped alarmingly in the center. The lighting on the stairs was dim. There was no elevator. The Bernese, Guido had said, are discreet with their wealth. The lawyer's offices internally might prove luxurious, but the access to them passed discretion and headed toward miserliness. Fitzduane thought that since he might well break his neck on the stairs on the way down, he had better make the most of the next few minutes. He should have brought a flashlight.
Von Graffenlaub's secretary had the long-established look of a faithful retainer. Clearly second wife Erika had endeavored to ensure that her man would not stray in the same way twice; to describe Frau Hunziker as hatchet-faced would be tactful. Her glasses hung from a little chain around her neck like the gorget of a Gestapo man.
Fitzduane announced himself. Frau Hunziker retrieved her glasses and looked him up and down, then pointedly looked at the wall clock. The Irishman was five minutes late — downright punctual in Ireland, and unusual at that. In Bern such tardiness was apparently grounds for a sojourn in the PrisonTower. Frau Hunziker's manner indicated that she regretted the Tower was no longer in use.
Fitzduane spread out his arms in a gesture of apology. "I'm Irish," he said. "It's a cultural problem."
Frau Hunziker nodded her head several times. "Ja, ja," she said resignedly about what was clearly a lost cause, and rose to show him into von Graffenlaub's office. Fitzduane followed. He was pleased to see that the lawyer had not entirely lost his touch. She had excellent legs.
The lawyer came from behind his desk, shook Fitzduane's hand formally, and indicated some easy chairs gathered around a low table. Coffee was brought in. Fitzduane was asked about his flight. Pleasantries were exchanged with a formality alien to the Irishman.
Von Graffenlaub poured more coffee. Holding the insulated coffeepot, his hand shook slightly. It was the lawyer's only sign of emotion; otherwise he was imperturbable. Fitzduane suppressed a feeling of anger toward the immaculately dressed figure in front of him. Damn it, his son was dead. The lawyer was too controlled.
Fitzduane finished his coffee, replaced the cup and saucer on the low table, and sat back in his chair. Von Graffenlaub did the same, though slowly, as if reluctant for the conversation to enter its next phase; then he looked at the Irishman.
"You want to talk about Rudi, I think," he said.
Fitzduane nodded. "I'm afraid I must."
Von Graffenlaub bowed his head for a few moments. He did not respond immediately. When he did, there was a certain hesitation in his tone, as if he were reluctant to listen to what the Irishman had to say, yet drawn to it nonetheless.
"I would like to thank you for what you did for Rudi," he said. "The school wrote to me and described your sensitive handling of your part in this tragic affair."
"There was little enough I could do," said Fitzduane. As he spoke, his first sight of the hanging boy replayed through his mind.
"It must have been a great shock," said von Graffenlaub.
"It was," said Fitzduane. "I was surprised at my own reaction. I'm used to the sight of death but not, I guess, on my home ground. It had quite an impact."
"I can imagine," said von Graffenlaub. "We are all terribly distressed. What could have possessed Rudi to do such a thing?"
Fitzduane made no response. The question was rhetorical. He knew that the conversation was approaching the moment of truth. They were running out of polite platitudes.
"Nonetheless," said von Graffenlaub, "I am a little puzzled as to why you have come to see me. What is done is done. Nothing can bring Rudi back now. We must try to forget and get on with the business of living."
Von Graffenlaub spoke formally, yet there was a perceptible lack of conviction in his tone, as if he were troubled by some inner doubt. It was the first hint of a chink in a formidable personality. Fitzduane would have to force the issue. Reason alone was not going to work with von Graffenlaub. Indeed, reason dictated letting the whole matter drop. This wasn't about reason; it was about feelings, about a sense of something wrong, about sheer determination — and about the smell of the hunt. It was the first time that the Irishman had admitted this last point to himself, and he didn't know why this certainly had entered his mind, but there it was.
"I regret that I cannot agree," said Fitzduane. "Nobody should die in that hideo
us way without someone attempting to find out why. Why did your son kill himself? Do you know? Do you care?"
The lawyer turned ashen, and beads of sweat broke out on his brow. He abandoned his controlled posture and leaned forward in his chair, his right hand chopping through the air in emphasis. "How dare you!" he said, outrage in his voice. "How dare you — a complete stranger — question my feelings at such a time! Damn you! You know nothing, nothing..." He was shaking with rage.
The atmosphere had suddenly chilled. The pleasantries were forgotten. Von Graffenlaub quickly regained control of himself, but the two men looked at each other grimly. Fitzduane knew that if his investigation wasn't to grind to a premature halt, he must convince the Swiss to cooperate. It would be unpleasant in the short term, but there was little choice. This was a hunt that had already acquired its own momentum. It would lead where it would.
There was silence in the room. There was going to be no viable alternative to something Fitzduane would have preferred not to have had to do. He opened the large envelope he had been carrying and placed the contents facedown on the table.
"I'm sorry," said Fitzduane. "I don't want to hurt you, but I don't see any other way. A twenty-year-old kid killed himself. I found him hanging there, his bowels voided and stinking, his tongue swollen and protruding, his face blue and covered with blood and spittle and mucus. I held him when they cut him down still warm, and I heard the sound he made as the last air left his lungs. To me that sound screamed one question: Why?"
Fitzduane held the photograph of the dead boy just in front of von Graffenlaub's eyes. The remaining vestiges of color drained from the lawyer's face. He stared at the photograph, mesmerized. Fitzduane put it back on the table. Von Graffenlaub's gaze followed it down and rested on it for a minute before he looked up at the Irishman. Tears streamed from his eyes. He tried to speak but could not. He pulled a folded handkerchief from his breast pocket, dislodging the flower from his buttonhole as he did so. Without saying a word, he rose somewhat unsteadily to his feet, brushed aside Fitzduane's efforts to help him, and left the room.
Fitzduane picked up the crumpled rose and held it to his nostrils. The fragrance was gentle, soothing. He did not feel proud of himself. He looked around the silent office. Through the leather padded door he could just hear the sound of an electric typewriter.
On a low cabinet behind von Graffenlaub's desk stood several framed photographs, obviously of his family. One showed a sensual brunette in her mid-twenties with full, inviting lips and unusual sloping eyes — at a guess, Erika, some years earlier. The next photograph showed von Graffenlaub in full military uniform. His hair was less gray, and the long face, with its high forehead and deep-set eyes, projected power, confidence, and vigor — a far cry from the stumbling figure who had just left the room.
The last photograph had been taken on the veranda of an old wooden chalet. Snow-covered mountains could be seen in the background. To judge by the quality, the color print was an enlargement of a thirty-five-millimeter shot. The picture was slightly grainy, but nothing marred the energy and happiness that came through. The four von Graffenlaub children stood in a row, dressed in ski clothes and laughing, with arms around one another's shoulders: Marta, the eldest, her hair pulled back under a bright yellow ski cap and with a striking resemblance to her father; Andreas, taller, darker, and more serious, despite the smile; and then the twins, wearing the same pale blue ski suits and looking strikingly alike despite Vreni's long blonde hair and Rudi's short curls. The photograph bore the inscription “Lenk 1979.” In some ineffable way it strengthened the Irishman's resolve.
* * * * *
Von Graffenlaub splashed cold water on his face and toweled briskly. Some slight color returned to his cheeks. He felt sick and disoriented; none of his previous training seemed to have equipped him for the situation he found himself in. The Irishman, with his sympathetic manner and core of steel, had turned into the voice of his conscience. The Irishman's conviction and resolve were daunting. It was singularly upsetting.
The lawyer refolded the towel and hung it neatly on the heated towel rail. The image in the mirror was familiar again, well groomed, purposeful. He tried to imagine the effect of Fitzduane's pursuing an investigation in Bern. Consider the distress among the family; he could just hear Erika's scathing comments. He had his position in the community to think of, and there were well-established standards of behavior. Suicide in the family was tragic and best handled as discreetly as possible. It hinted at some instability in the victim's immediate circle. It could be bad for business. It was best forgotten, or at least hushed up.
Fortunately Rudi's death had taken place in another country. The impact, so far, had been minimal. Time would further dull the memory. There was no question about it: this man Fitzduane would have to be diverted from his obsession. A discreet phone call and he would no longer be welcome in Switzerland. In Ireland von Graffenlaub was not without influence at the most senior level. This Irishman could be dealt with. It would be the best solution.
Von Graffenlaub breathed in and out deeply several times. He felt better, not quite in full health, as was understandable under the circumstances, but definitely better. He left his private bathroom, then closed and locked the door. It was a pity he had to go through the general office to get to it, but that was the trouble with these old buildings.
Frau Hunziker looked up as he was about to enter his office. "Herr Doktor," she said, "the Irishman, Herr Fitzduane, has left. He has given me his address and telephone number and asked that you call him when you are ready."
Von Graffenlaub took the note she held out: the Hospiz zur Heimat, a small hotel, though centrally located. Somehow he had expected somewhere more impressive, perhaps the Bellvue or the Schweizerhof.
He sat down at his desk. Facing him were the photographs of the children at Lenk and of Rudi hanging. The living and the dead Rudi stared up at him. Beat von Graffenlaub dropped his head into his hands and wept.
* * * * *
Guido, who seemed to know everybody, had made the necessary arrangements. "There will be some people there you should meet," he had said.
Vernissage: literally varnishing day, when the artist put the final coat of varnish on his paintings — they looked better that way and commanded a higher price — and invited patrons and friends to a preview.
The gallery was on Münstergasse, within three minutes of the Irishman's hotel. He was beginning to enjoy the compact size of old Bern. He had needed neither car nor taxi since his arrival. If he got fed up walking, he could try roller skates.
At the gallery Fitzduane helped himself to a glass of wine and a catalog and started to look around. After examining three pictures in a row for several minutes each, he found himself quite at a loss, or else more than whiskey had been put into the Irish coffee he had enjoyed earlier in the day. He looked at the other ten paintings and was none the wiser. All of the thirteen paintings seemed to be virtually identical rectangles of pure black.
There were nearly thirty other people in the small gallery, circulating, looking at the exhibits, and talking animatedly. None looked obviously baffled. Maybe rectangles of solid black constituted normal art in Bern.
The catalog in German was of little help. It told him he was in the Loeb Gallery, as Guido had directed, and that the artist was Kuno Gonschior, forty-six years of age, who had enough business acumen to charge about seven thousand francs a rectangle.
Fitzduane was about to turn away but to his surprise found the bizarre collection piquing his interest. Subtle differences of texture and shade began to evolve as he looked. Things were not what they seemed. Black was never quite black. What appeared at first as a mat flat surface was a minute, intricate, three-dimensional pattern. He began to smile to himself.
He sensed warmth, and an almost familiar sexual, musky smell teased his nostrils. The woman looked into his eyes with amusement and, for a moment, a startling physical intimacy. She was small and slender. He had no difficulty
recognizing who she was. She wore a black off-the-shoulder cocktail dress, and her skin was deeply tanned. Her breasts were firm and prominent; the nipples pressed against the thin silk. She wore a narrow headband of gold cloth.
Fitzduane wanted to reach out and touch her, to slide black silk off a golden body, to take her there and then. Her physical impact was overwhelming. It was a power over men, a power that was relished, enjoyed, and used. He recognized this, but it made little difference; his desire was strong and immediate. Now he understood why von Graffenlaub had married her.
She gently seized a tall, energetic-looking man by the arm and playfully spun him around to face Fitzduane. It was obvious she was not in need of assertiveness training.
"Simon," she said, "let me introduce you to a famous combat photographer who is visiting our town for a few days. Simon Balac, meet Hugo Fitzduane. Simon is my greatest friend — when he is being nice — and a very successful painter."
"And you, my sweet Erika," said Balac, "are a treasure — at times — and always the most gorgeous woman in Bern."
"Erika von Graffenlaub," said Fitzduane.
She nodded.
"Your photographs do not do you full justice," said Fitzduane. "How did you know my name?"
Erika smiled. "Bern is a small town," she said. "Thank you for being so good about Rudi. It can't have been easy."
Fitzduane felt somewhat nonplussed. It appeared that she was talking about the finding of the body and not about the events of earlier in the day. And there was no sign of her husband.
Erika took his hand in hers and held it for a moment; then she pressed it to her face. "Thank you again," she said.
Fitzduane could still feel the heat of her body as she moved away from him and the fullness of her lips when they briefly brushed the palm of his hand. Simon Balac lifted his glass and winked. "Bern is a very small town."
Games of The Hangman f-1 Page 16
