by Harte, Bret
"About how many, George?"
"Don't know."
"How many?"
"Well, p'r'aps three thousand head," says George, reflecting. "We don't know; takes five men to look 'em up and keep run."
"What are they worth?"
"About thirty dollars a head."
I make a rapid calculation, and look my astonishment at the laughing George. Perhaps a recollection of the domestic economy of the Tryan household is expressed in that look, for George averts his eye and says apologetically,—
"I've tried to get the old man to sell and build, but you know he says it ain't no use to settle down just yet. We must keep movin'. In fact, he built the shanty for that purpose, lest titles should fall through, and we'd have to get up and move stakes farther down," Suddenly his quick eye detects some unusual sight in a herd we are passing, and with an exclamation he puts his roan into the centre of the mass. I follow, or rather Chu-Chu darts after the roan, and in a few moments we are in the midst of apparently inextricable horns and hoofs. "Toro!" shouts George, with vaquero enthusiasm, and the band opens a way for the swinging riata. I can feel their steaming breaths, and their spume is cast on Chu-Chu's quivering flank.
Wild, devilish-looking beasts are they; not such shapes as Jove might have chosen to woo a goddess, nor such as peacefully range the downs of Devon, but lean and hungry Cassius-like bovines, economically got up to meet the exigencies of a six-months' rainless climate, and accustomed to wrestle with the distracting wind and the blinding dust.
"That's not our brand," says George; "they're strange stock," and he points to what my scientific eye recognizes as the astrological sign of Venus deeply seared in the brown flanks of the bull he is chasing. But the herd are closing round us with low mutterings, and George has again recourse to the authoritative "Toro," and with swinging riata divides the "bossy bucklers" on either side. When we are free, and breathing somewhat more easily, I venture to ask George if they ever attack any one.
"Never horsemen,—sometimes footmen. Not through rage, you know, but curiosity. They think a man and his horse are one, and if they meet a chap afoot, they run him down and trample him under hoof, in the pursuit of knowledge. But," adds George, "here's the lower bench of the foothills, and here's Altascar's corral, and that white building you see yonder is the casa."
A whitewashed wall inclosed a court containing another adobe building, baked with the solar beams of many summers. Leaving our horses in the charge of a few peons in the courtyard, who were basking lazily in the sun, we entered a low doorway, where a deep shadow and an agreeable coolness fell upon us, as sudden and grateful as a plunge in cool water, from its contrast with the external glare and heat. In the centre of a low-ceiled apartment sat an old man with a black silk handkerchief tied about his head, the few gray hairs that escaped from its folds relieving his gamboge-colored face. The odor of cigarritos was as incense added to the cathedral gloom of the building.
As Senor Altascar rose with well-bred gravity to receive us, George advanced with such a heightened color, and such a blending of tenderness and respect in his manner, that I was touched to the heart by so much devotion in the careless youth. In fact, my eyes were still dazzled by the effect of the outer sunshine, and at first I did not see the white teeth and black eyes of Pepita, who slipped into the corridor as we entered.
It was no pleasant matter to disclose particulars of business which would deprive the old senor of the greater part of that land we had just ridden over, and I did it with great embarrassment. But he listened calmly,—not a muscle of his dark face stirring,—and the smoke curling placidly from his lips showed his regular respiration. When I had finished, he offered quietly to accompany us to the line of demarcation. George had meanwhile disappeared, but a suspicious conversation in broken Spanish and English in the corridor betrayed his vicinity. When he returned again, a little absent-minded, the old man, by far the coolest and most self-possessed of the party, extinguished his black silk cap beneath that stiff, uncomely sombrero which all native Californians affect. A serapa thrown over his shoulders hinted that he was waiting. Horses are always ready saddled in Spanish ranchos, and in half an hour from the time of our arrival we were again loping in the staring sunlight. But not as cheerfully as before. George and myself were weighed down by restraint, and Altascar was gravely quiet. To break the silence, and by way of a consolatory essay, I hinted to him that there might be further intervention or appeal, but the proffered oil and wine were returned with a careless shrug of the shoulders and a sententious "Que bueno? Your courts are always just."
The Indian mound of the previous night's discovery was a bearing monument of the new line, and there we halted. We were surprised to find the old man Tryan waiting us. For the first time during our interview the old Spaniard seemed moved, and the blood rose in his yellow cheek. I was anxious to close the scene, and pointed out the corner boundaries as clearly as my recollection served.
"The deputies will be here to-morrow to run the lines from this initial point, and there will be no further trouble, I believe, gentlemen."
Senor Altascar had dismounted and was gathering a few tufts of dried grass in his hands. George and I exchanged glances. He presently arose from his stooping posture, and advancing to within a few paces of Joseph Tryan, said in a voice broken with passion,—
"And I, Fernando Jesus Maria Altascar, put you in possession of my land in the fashion of my country."
He threw a sod to each of the cardinal points.
"I don't know your courts, your judges, or your corregidores. Take the llano!—and take this with it. May the drought seize your cattle till their tongues hang down as long as those of your lying lawyers! May it be the curse and torment of your old age, as you and yours have made it of mine!"
We stepped between the principal actors in this scene, which only the passion of Altascar made tragical, but Tryan, with a humility but ill concealing his triumph, interrupted,—
"Let him curse on. He 'll find 'em coming home to him sooner than the cattle he has lost through his sloth and pride. The Lord is on the side of the just, as well as agin all slanderers and revilers."
Altascar but half guessed the meaning of the Missourian, yet sufficiently to drive from his mind all but the extravagant power of his native invective.
"Stealer of the sacrament! Open not!—open not, I say, your lying Judas lips to me! Ah! half-breed, with the soul of a coyote!—Car-r-r- ramba!" With his passion reverberating among the consonants like distant thunder, he laid his hand upon the mane of his horse as though it had been the gray locks of his adversary, swung himself into the saddle, and galloped away.
George turned to me.
"Will you go back with us to-night?"
I thought of the cheerless walls, the silent figures by the fire, and the roaring wind, and hesitated.
"Well, then, good-by."
"Good-by, George."
Another wring of the hands, and we parted. I had not ridden far, when I turned and looked back. The wind had risen early that afternoon, and was already sweeping across the plain. A cloud of dust traveled before it, and a picturesque figure occasionally emerging therefrom was my last indistinct impression of George Tryan.
PART II
IN THE FLOOD
Three months after the survey of the Espiritu Santo rancho I was again in the valley of the Sacramento. But a general and terrible visitation had erased the memory of that event as completely as I supposed it had obliterated the boundary monuments I had planted. The great flood of 1861-62 was at its height when, obeying some indefinite yearning, I took my carpetbag and embarked for the inundated valley.
There was nothing to be seen from the bright cabin windows of the Golden City but night deepening over the water. The only sound was the pattering rain, and that had grown monotonous for the past two weeks, and did not disturb the national gravity of my countrymen as they silently sat around the cabin stove. Some on errands of relief to friends and relatives wore anxiou
s faces, and conversed soberly on the one absorbing topic. Others like myself, attracted by curiosity, listened eagerly to newer details. But, with that human disposition to seize upon any circumstance that might give chance event the exaggerated importance of instinct, I was half conscious of something more than curiosity as an impelling motive.
The dripping of rain, the low gurgle of water, and a leaden sky greeted us the next morning as we lay beside the half-submerged levee of Sacramento. Here, however, the novelty of boats to convey us to the hotels was an appeal that was irresistible. I resigned myself to a dripping rubber-cased mariner called Joe, and wrapping myself in a shining cloak of the like material, about as suggestive of warmth as court-plaster might have been, took my seat in the stern sheets of his boat. It was no slight inward struggle to part from the steamer, that to most of the passengers was the only visible connecting link between us and the dry and habitable earth, but we pulled away and entered the city, stemming a rapid current as we shot the levee.
We glided up the long level of K Street,—once a cheerful busy thoroughfare, now distressing in its silent desolation. The turbid water, which seemed to meet the horizon edge before us, flowed at right angles in sluggish rivers through the streets. Nature had revenged herself on the local taste by disarraying the regular rectangles by huddling houses on street corners, where they presented abrupt gables to the current, or by capsizing them in compact ruin. Crafts of all kinds were gliding in and out of low-arched doorways. The water was over the top of the fences surrounding well-kept gardens, in the first stories of hotels and private dwellings, trailing its slime on velvet carpets as well as roughly boarded floors. And a silence quite as suggestive as the visible desolation was in the voiceless streets that no longer echoed to carriage-wheel or footfall. The low ripple of water, the occasional splash of oars, or the warning cry of boatmen were the few signs of life and habitation.
With such scenes before my eyes and such sounds in my ears, as I lie lazily in the boat, is mingled the song of my gondolier, who sings to the music of his oars. It is not quite as romantic as his brother of the Lido might improvise, but my Yankee Giuseppe has the advantage of earnestness and energy, and gives a graphic description of the terrors of the past week and of noble deeds of self-sacrifice and devotion, occasionally pointing out a balcony from which some California Bianca or Laura had been snatched, half-clothed and famished. Giuseppe is otherwise peculiar, and refuses the proffered fare, for—am I not a citizen of San Francisco, which was first to respond to the suffering cry of Sacramento? and is not he, Giuseppe, a member of the Howard Society? No, Giuseppe is poor, but cannot take my money. Still, if I must spend it, there is the Howard Society, and the women and children without food and clothing at the Agricultural Hall. I thank the generous gondolier, and we go to the Hall,—a dismal, bleak place, ghastly with the memories of last year's opulence and plenty,—and here Giuseppe's fare is swelled by the stranger's mite. But here Giuseppe tells me of the "Relief Boat" which leaves for the flooded district in the interior, and here, profiting by the lesson he has taught me, I make the resolve to turn my curiosity to the account of others, and am accepted of those who go forth to succor and help the afflicted. Giuseppe takes charge of my carpetbag, and does not part from me until I stand on the slippery deck of Relief Boat No. 3.
An hour later I am in the pilot-house, looking down upon what was once the channel of a peaceful river. But its banks are only defined by tossing tufts of willow washed by the long swell that breaks over a vast inland sea. Stretches of tule land fertilized by its once regular channel, and dotted by nourishing ranchos, are now cleanly erased. The cultivated profile of the old landscape had faded. Dotted lines in symmetrical perspective mark orchards that are buried and chilled in the turbid flood. The roofs of a few farmhouses are visible, and here and there the smoke curling from chimneys of half-submerged tenements shows an undaunted life within. Cattle and sheep are gathered on Indian mounds, waiting the fate of their companions, whose carcases drift by us or swing in eddies with the wrecks of barns and outhouses. Wagons are stranded everywhere where the tide could carry them. As I wipe the moistened glass, I see nothing but water, pattering on the deck from the lowering clouds, dashing against the window, dripping from the willows, hissing by the wheels, everywhere washing, coiling, sapping, hurrying in rapids, or swelling at last into deeper and vaster lakes, awful in their suggestive quiet and concealment.
As day fades into night the monotony of this strange prospect grows oppressive. I seek the engine-room, and in the company of some of the few half-drowned sufferers we have already picked up from temporary rafts, I forget the general aspect of desolation in their individual misery. Later we meet the San Francisco packet, and transfer a number of our passengers. From them we learn how inward-bound vessels report to having struck the well-defined channel of the Sacramento fifty miles beyond the bar. There is a voluntary contribution taken among the generous travelers for the use of our afflicted, and we part company with a hearty "God speed" on either side. But our signal lights are not far distant before a familiar sound comes back to us,— an indomitable Yankee cheer,—which scatters the gloom.
Our course is altered, and we are steaming over the obliterated banks far in the interior. Once or twice black objects loom up near us,—the wrecks of houses floating by. There is a slight rift in the sky towards the north, and a few bearing stars to guide us over the waste. As we penetrate into shallower water, it is deemed advisable to divide our party into smaller boats, and diverge over the submerged prairie. I borrow a pea-coat of one of the crew, and in that practical disguise am doubtfully permitted to pass into one of the boats. We give way northerly. It is quite dark yet, although the rift of cloud has widened.
It must have been about three o'clock, and we were lying upon our oars in an eddy formed by a clump of cottonwood, and the light of the steamer is a solitary bright star in the distance, when the silence is broken by the "bow oar":—
"Light ahead."
All eyes are turned in that direction. In a few seconds a twinkling light appears, shines steadily, and again disappears, as if by the shifting position of some black object apparently drifting close upon us.
"Stern, all!—a steamer!"
"Hold hard, there! Steamer be d—-d!" is the reply of the coxswain.
"It's a house, and a big one too."
It is a big one, looming in the starlight like a huge fragment of the darkness. The light comes from a single candle which shines through a window as the great shape swings by. Some recollection is drifting back to me with it, as I listen with beating heart.
"There's some one in it, by heavens! Give way, boys,—lay her alongside. Handsomely, now! The door's fastened; try the window; no! here's another!"
In another moment we are trampling in the water, which washes the floor to the depth of several inches. It is a large room, at the farther end of which an old man is sitting, wrapped in a blanket, holding a candle in one hand, and apparently absorbed in the book he holds with the other. I spring toward him with an exclamation:—
"Joseph Tryan!"
He does not move. We gather closer to him, and I lay my hand gently on his shoulder, and say,—
"Look up, old man, look up! Your wife and children, where are they?
The boys,—George! Are they here? are they safe?"
He raises his head slowly, and turns his eyes to mine, and we involuntarily recoil before his look. It is a calm and quiet glance, free from fear, anger, or pain; but it somehow sends the blood curdling through our veins. He bowed his head over his book again, taking no further notice of us. The men look at me compassionately and hold their peace. I make one more effort:—
"Joseph Tryan, don't you know me—the surveyor who surveyed your ranch,—the Espiritu Santo? Look up, old man!"
He shuddered and wrapped himself closer in his blanket. Presently he repeated to himself, "The surveyor who surveyed your ranch, Espiritu Santo," over and over again, as though it were a lesson he w
as trying to fix in his memory.
I was turning sadly to the boatmen, when he suddenly caught me fearfully by the hand, and said:—
"Hush!"
We were silent.
"Listen!" He puts his arm around my neck, and whispers in my ear, "I'm a-moving off!"
"Moving off?"
"Hush! Don't speak so loud. Moving off! Ah! wot's that? Don't you hear?—there!—listen!"
We listen, and hear the water gurgle and click beneath the floor.
"It's them wot he sent I—old Altascar sent. They've been here all night. I heard 'em first in the creek, when they came to tell the old man to move farther off. They came nearer and nearer. They whispered under the door, and I saw their eyes on the step,—their cruel, hard eyes. Ah! why don't they quit?"
I tell the men to search the room and see if they can find any farther traces of the family, while Tryan resumes his old attitude. It is so much like the figure I remember on the breezy night, that a superstitious feeling is fast overcoming me. When they have returned, I tell them briefly what I know of him, and the old man murmurs again,—
"Why don't they quit, then? They have the stock,—all gone—gone,— gone for the hides and hoofs," and he groans bitterly.
"There are other boats below us. The shanty cannot have drifted far, and perhaps the family are safe by this time," says the coxswain hopefully.
We lift the old man up, for he is quite helpless, and carry him to the boat. He is still grasping the Bible in his right hand, though its strengthening grace is blank to his vacant eye, and he cowers in the stern as we pull slowly to the steamer, while a pale gleam in the sky shows the coming day.
