rape, puppets on the divine string. It was the play within the
play; they too suffered; He loved them too; they too were
children o f God; He toyed with them too; but we were
D addy’s favorite girl. We had the holy scrolls; and a
synagogue that faced towards Jerusalem, His city, cruel as is
befitting; perpetual murder, as is befitting. The suicide at
Massada was us, His best children, formed by His perfect
love, surrendering: to Him. Annihilation is how I will love
them; He loved loving; the freedom for us was the end o f the
affair, finally dead. Yeah, we defied the Romans, a righteous
suicide it seemed; but that was barely the point; we weren’t
prepared to have them on top, we belonged to Him.
Everything was hidden under the floor o f a cell that we had
sealed off; to protect the holy scrolls from Roman desecration;
to protect the synagogue from Roman desecration; we kept
His artifacts pure and hidden, the signs and symbols o f His
love; we died, staying faithful; only Daddy gets to hurt us bad;
only Daddy gets to put His thing there. First we burned
everything we had, food, clothes, everything; we gathered it
all and we burned it. Then ten men were picked by lot and they
slit the throats o f everyone else. Then one man was chosen by
lot and he slit the throats o f the other nine, then his own. I have
no doubt that he did. There were nearly a thousand o f us; nine
hundred and sixty; men, women, children; proud; obedient to
God. There was discipline and calm, a sadness, a quiet
patience, a tense but quiet waiting for slaughter, like at night,
how a child stays awake, waiting, there is a stunning courage,
she does not run, she does not die o f fear. Some were afraid
and they were held down and forced, o f course; it had to be. It
was by family, mostly. A husband lay with his wife and
children, restrained them, their throats were slit first, then his,
he held them down, tenderly or not, and then he bared his
throat, deluded, thinking it was manly, and there was blood,
the w ay God likes it. There were some w idow s, some
orphans, some lone folks you didn’t especially notice on a
regular day; but that night they stood out; the men with the
swords did them first. It took a long time, it’s hard to kill nearly
a thousand people one by one, by hand, and they had to hurry
because it had to be done before dawn, you can do anything in
the dark but dawn comes and it’s hard to look at love in the
light. We loved God and we loved freedom, we were all G o d ’s
girls you might say and freedom, then as now, was in getting
sliced; a perfect penetration, then death; a voluptuous compliance, blood, death. I f yo u ’re G o d ’s girl you do it the w ay He likes it and H e’s got special tastes; the naked throat and the
thing that tears it open, He likes one clean cut, a sharp, clean
blade; you lay yourself down and the blade cuts into you and
there’s blood and pain; and the eyes, there’s a naked terror in
the eyes and death freezes it there, yo u ’ve seen the eyes. The
blood is warm and it spreads down over you and you feel its
heat, you feel the heat spreading. Freedom isn’t abstract, an
idea, it’s concrete, in life, a sliced throat, a clean blade,
freedom now. G o d ’s girl surrenders and finds freedom where
the men always bragged it was; in blood and death; only they
didn’t expect it to be this w ay, them on their backs too, supine,
girlish; G o d ’s the man here. There’s an esthetic to it too, o f
course: the bodies in voluntary repose, waiting; the big knife,
slicing; the rich, textured beauty o f the anguish against the
amorphous simplicity o f the blood; the emotions disciplined
to submission as murder comes nearer, the blood o f someone
covers your arm or your shoulder or your hand and the glint o f
the blade passes in front o f your eyes and you push your head
back to bare your throat, slow ly so that you will live longer
but it looks sensual and lewd and filled with longing, and he
cuts and you feel the heat spreading, your body cools fast,
before you die, and you feel the heat o f your own blood
spreading. Was Sade God? M aybe I was just seventy; I was
born on the rock but the adults who raised me were new to it
and awkward, not native to the rock, still with roots down
below, on softer ground; I died there, a tough one, old, tough
skin from the awful sun, thick and leathery, with deep furrow s
like dried up streams going up my legs and up my arms and
creasing m y face, scarified you might say from the sun eating
up m y skin, cutting into it with white hot light, ritual scars or a
surgeon’s knife, terrible, deep rivers in my skin, dried out
rivers; and maybe I’d had all the men, religion notwithstanding, men are always the same, filled with God and Law but still
sticking it in so long as it’s dark and fast; no place on earth
darker than Massada at night; no boys on earth faster than the
Jew s; nice boys they were, too, scholars with the hearts o f
assassins. Beware o f religious scholars who learn to fight.
T h ey’ve been studying the morals o f a genocidal God. Shrewd
and ruthless, smart and cruel, they will win; tell me, did
Massada ever die and where are the Romans now; profiles on
coins in museums. A scholar who kills considers the long
view; will the dead survive in every tear the living shed? A
scholar knows how it will look in writing; beyond the death
count o f the moment. Regular soldiers who fight to kill don’t
stand a chance. The corpses o f all sides get maggots and turn to
dust; but some stories live forever, pristine, in the hidden
heart. They prayed, the Jew ish boys, they made forays down
the rock to fight the Romans until the military strength o f the
Romans around the rock was unassailable, they took a little
extra on the side when they could get it, like all men. I
probably had m y eye on the younger ones, twenty, virile,
new, they had no m emory o f being Jew s down on the low
ground, they had only this austere existence, they were born
here o f parents who were born here o f parents who either were
born here or came here young and lived their adult years on
this rock. Sometimes Jew s escaped the Romans and got here,
made it to the top; but they didn’t bring profane ideas; they
stripped themselves o f the foreign culture, the habits o f the
invaders; they told us stories o f Roman barbarism, which
convinced us even more; down below the Romans were pigs
rolling in shit, above we were the people o f God. N o one here
doubted it, especially not the young men; they were pure,
glow ing, vibrant animals lit up by a nationalism that enhanced
their physical beauty, it was a single-minded strength. There
were no distracting, tantalizing memories o f before, below.
We lived without the tumult o f social heterodoxy, there was
no cultural relativism as it were. The young men were hard,
cold animals, full o f self-referential pride; they had no
o f remorse; they lived in a small, contained world, geographically limited, flat, all the same, barren, culturally
dogmatic, they had a few facts, they learned dogma by rote, it
was a closed system, they had no need for introspection, there
were no moral dilemmas that confronted them, troubled
them, pulled them apart inside; they were strong, they fought,
they prayed but it was a form o f nationalism, they learned
racial pride, they had the thighs o f warriors, not scholars, and
they used them on women, not Romans, it was the common
kind o f killing, man on girl, as i f by being Jew s alone on this
desolate rock, isolated here, they were, finally, like everyone
else, all the other men, ordinary, like Romans, for instance;
making war on us, brutal and quick if not violent, but they
beat women too, the truth, finally, they did. The sacred was
remote from them except as a source o f national pride; pure
Je w s on a purely Jew ish rock they had a pure God o f the Jew s,
His laws, H oly Books, the artifacts o f a pure and superior
nation. The rock was barren and empty and soon it would be a
cemetery and the bloodletting would become a story; nearly
fiction, nearly a lie; abridged, condensed, cleaned up; as if
killing nine hundred and sixty people, men, women, and
children, by slicing their throats was an easy thing, neat and
clean, simple and quiet; as if there was no sex in it and no
meanness; as if no one was forced, held down, shut up; well,
frankly, murdered; as i f no one was murdered; as if it was
noble and perfect, a bloodless death, a murderless murder, a
mass suicide with universal consent, except for the women
and the children; except for them. Y ou get sad, if you
understand. The men were purely male, noble and perfect, in
behalf o f all the Jew s; the young ones especially, strong
animals, real men, prideful men, physically perfect specimens
dark and icy with glistening thighs, ideologically pure,
racially proud, idealists with racial pride; pure, perfect,
uncorrupted nationalists; beautiful fascists; cold killing boys;
until God, ever wise, ever vicious, turned them into girls. I
was probably an old woman making a fool o f herself with
memories and desires, all the natural grace and learned artifice
o f young women burned away by wear and tear and the awful,
hot sun. Still, sometimes you’d like to feel one o f the young
ones against you, a last time, one last time; nasty, brutish,
short. It’s a dumb nostalgia. They never were very good, not
the fathers, not the sons. O r maybe I was some sentimental old
fool w h o ’d always been a faithful wife, except once, I was
lonely and he was urgent, and I had a dozen grandchildren so
this rock knew m y blood already, I had labored here, and now
I sat, old, under the sun, and m y brain got heated with
foresight and grief and I saw them as they soon would be,
corpses with their throats slit, and maybe I howled in pain, an
animal sound, or I denounced them in real words, and the
young men said she’s an old fool, she’s an old idiot, she’s
loony, ignore her, it’s nonsense, and I tried to tell the girls and
the children how they’d be killed soon, with the awful slice
across the throat; these are fanatic boys, I said, driven by an
idea, I said, it is murder, not suicide, what they will do to you;
and they asked if it was the will o f God and o f course now I see
w hy you must lie but I said yes, it’s His will, always, that we
should suffer and die, the will o f God is wrong, I said, we have
to defy the will o f God, we have to defy the Romans and the
Je w s and the will o f God, we have to find a w ay to live, us, you
see, us; she’s loony, they said; you’ll be stretched out, I said,
beautiful and young, too soon, dressed and ornamented, and
your throats will be naked as if your husbands are going to use
your mouths but it will be a sword this time, a real one, not his
obscene bragging, one clean cut, and there will be blood, the
w ay God likes. I didn’t want to see the children die and I was
tired o f God. Enough, I said to Him; enough. I didn’t want to
see the wom en die either, the girls who came after me, you get
old and you see them different, you see how sad their
obedience is, how pitiful; you see them whole and human,
how they could be; you see them chipped aw ay at, broken bit
by bit, slowed down, constrained; tamed; docile; bearing the
weight o f invisible chains; you see it is terrible that they obey
these men, love these men, serve these men, who, like their
God, ruin whatever they touch; don’t believe, I say, don’t
obey, don’t love, let him put the sword in your hand, little
sister, let Him put the sword in your hand; then see. Let him
bare his throat to you; then see. The day before it happened I
quieted down, I didn’t howl, I didn’t rant or rave, I didn’t
want them to lock me up, I wanted to stay out on the rock,
under the hot sun, the hot, white sun; m y companion, the
burning sun. I was an old woman, wild, tough, proud, strong,
illiterate, ah, yes, the people o f the Book, except for the
women and girls, God says it’s forbidden for us, the Book,
illiterate but I wanted to write it down today, quiet, in silence,
not to have to howl but to curl up and make the signs on the
page, to say this is what I know, this is what has happened
here, but I couldn’t write, or read; I was an old woman, tough,
proud, strong, fierce, quiet now as if dumb, a thick quiet, an
intense, disciplined quiet; I was an old woman, wild, tough,
proud, with square shoulders muscled from carrying, from
hard labor, sitting on a rock, a hard, barren rock, a terrible
rock; there was a wom an sitting on a rock, she was strong, she
was fierce, she was wild, she wasn’t afraid, she looked straight
ahead, not down like wom en now , she was dark and dirty,
maybe mad, maybe just old, near naked with rags covering
her, her hair was long and shining and dirty, a gleaming silver
under the hot, white sun; but wild is perhaps not the right
word because she was calm, upright, quiet, in intentional
solitude, her eyes were big and fearless and she faced the world
head-on not averting her eyes the w ay women do now; she
could see; she didn’t turn her eyes away. She was sitting on a
hard, barren rock under a hot, white sun, and then the sun
went down, got lower in the sky, lower and lower yet, a little
lower; the sun got lower and the light got paler, then duller;
the sun got low and she took a piece o f rock, a sharp piece o f
rock, and she cut her throat; I cut my throat. N o Romans; no
fascist Jew ish boys however splendid their thighs or pristine
their ideals; no. Mine was a righteous suicide; a political refusal
to sanction the current order; to say black was white. Theirs
was mass murder. A child can’t commit suicide. You have to
murder a child. I co
uldn’t watch the children killed; I couldn’t
watch the women taken one last time; throats bared; heads
thrown back, or pushed back, or pulled back; a man gets on
top, who knows what happens next, any time can be the last
time, slow murder or fast, slow rape or fast, eventual death, a
surprise or you are waiting with a welcome, an open
invitation; rape leading, inexorably, to death; on a bare rock,
invasion, blood, and death. Massada; hear my heart beat; hear
me; the women and children were murdered, except me, I was
not, when you say Massada you say m y name, I discovered
pride there, I outlined freedom, out from under, Him and him
and him; let him put the sword in your hand, little sister, then
see; don’t love them; don’t obey. It wasn’t delirium; or fear; I
saw freedom. Does Massada thrill you, do you weep with
pride and sorrow for the honor o f the heroes, the so-called
suicides? Then you weep for me, I make you proud, the
woman on the rock; a pioneer o f freedom; a beginning; for
those who had no say but their throats were ripped open; for
the illiterate in invisible chains; a righteous suicide; a resistance
suicide; mad woman; mad-dog suicide; this girl here’s got a
ripped throat, Andrea, the zealot, freedom is the theory,
suicide the practice; m y story begins at Massada, I begin there,
I see a woman on a rock and I was born in blood, the blood
from her throat carried by time; I was born in blood, the slit
between the legs, the one God did H im self so it bleeds forever,
one clean cut, a perfect penetration, the m emory o f Massada
marked on me, my covenant with her; God sliced me, a
perfect penetration, then left me like carrion for the others, the
ones He made like Him, in His own image as they always say,
as they claim with pride, or vanity I would say, or greed; pride
is me, deciding at Massada, not Him or him or him. Y o u ’re
born in blood, washed in it, you swim out in it, immersed in
it, it’s your first skin, warm , hot on fragile, wrinkled,
discolored flesh; w e’re born to bleed, the ones He sliced
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