by Joan Boswell
Bone
Dance
A Collection
of Musical Mysteries
by the Ladies’ Killing Circle
edited by
Sue Pike and
Joan Boswell
Text © 2003 by the authors
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior consent of the publisher.
Cover art: Christopher Chuckry
We acknowledge the support of the Canada Council for the Arts for our publishing program. We acknowledge the support of the Government of Ontario through the Ontario Media Development Corporation’s Ontario Book Initiative.
Napoleon Publishing/RendezVous Press
Toronto, Ontario, Canada
07 06 05 04 03 5 4 3 2 1
National Library of Canada Cataloguing in Publication
Bone dance : a collection of musical mysteries / the Ladies’ Killing Circle ; edited by Joan Boswell and Sue Pike.
ISBN 1-894917-05-7
1. Detective and mystery stories, Canadian (English). 2. Canadian fiction (English)--21st century. 3. Canadian fiction (English)--Women authors. I. Boswell, Joan, date- II. Pike, Sue, date- III. Ladies’ Killing Circle
PS8323.D4B66 2003 C813’.08720806 C2003-903478-X
In memory of Audrey
Also available by the
Ladies’ Killing Circle:
Fit to Die
(RendezVous Press, 2001)
Menopause is Murder
(General Store Publishing, 1999)
Cottage Country Killers
(General Store Publishing, 1997)
The Ladies’ Killing Circle
(General Store Publishing, 1995)
Table of Contents
Unchained Melody
Joy Hewitt Mann
Knocking on Heaven’s Door
Cecelia Kennedy
There’s No Business Like Show Business
Pat Wilson
In Texas They All Carry Guns
Joy Hewitt Mann
Don’t Cry for Me Argentina
Joan Boswell
When the Red, Red Robin
R.J. Harlick
I’m Forever Blowing Bubbles
Lou Allin
Fry, Fry, Fry
Joy Hewitt Mann
Brian’s Song
Linda Wiken
Summertime
Audrey Jessup
Rock-a-Bye Baby
Susan C. Gates
Jagger he Ain’t: The Saga of a Rock Wannabe
Joy Hewitt Mann
Let Me Drive
Violette Malan
Them There Eyes
Coleen Steele
Who’s Sorry Now?
Joy Hewitt Mann
Two Little Girls in Blue
Sue Pike
When Laura Smiles
Liz Palmer
Sing a Song of Sixpence
Joy Hewitt Mann
Three Coins in the Fountain
Pat Wilson and Kris Wood
The Night Chicago Died
Bev Panasky
Wake Up Little Suzie
Mary Jane Maffini
Basket Case
Joy Hewitt Mann
From This Wicked Fall
Kathryne Finn
Hokey Pokey
Vicki Cameron
The Minstrel Boy
Barbara Fradkin
When the Fat Lady Sings
Joy Hewitt Mann
Unchained Melody
More fortissimo. Lift your voice higher.
Your singing is terrible, where is your fire?
Fill up your lungs. You’ll never get it right.
Practice, more practice, if it takes all the night!
You push me too hard, she gasped, in despair.
You sit there so smug, relaxed in a chair.
But you will get yours, rang out in her head,
And she forced a high C as she thought of him dead.
Well, her sharp note rose high, vibrating the room,
And the acoustic ceiling started to boom,
And the chandelier fell with that lethal note
And his tirade was stopped by a shard in the throat.
Joy Hewitt Mann’s work has appeared in hundreds of publications internationally. She has won the Leacock Award for poetry and the Acorn-Rukeyser Award. Boheme Press, Toronto, published her short story collection, Clinging to Water, in 2000. Boheme will publish her first full-length poetry collection, Bone on Bone, and her first novel, Lacrima Christi, in 2003. She is working on her next novel, Los Penitentes.
Knocking on Heaven’s Door
Cecilia Kennedy
Who set fire to Glen Wylie’s barn? That question brought my boss, Sergeant Carr, to the hospital the night my son was born. He tracked me down at the display case of healthy newborns, where I looked past to the glass room marked INTENSIVE CARE: NO ADMITTANCE. No infant visible, just four white uniforms pulling lights and tubes and equipment toward a tiny hidden table.
Though I’d been on duty that night, I didn’t see the big timbers of Wylie’s barn collapse. Didn’t even hear about it for hours, because I was holding April’s hand in the nightmare light of the delivery room. This baby had showed up weeks ahead of schedule, a frantic arrival nothing like the gentle fiction we’d been prepared for in that birthing class. And then Intensive Care had kidnapped the baby.
So my mind was elsewhere when Carr fired off a rapid, “Hey, Tony, congratulations,” and scanned the lineup for a baby with the Aardehuis label. When he didn’t see one, he skipped straight to quizzing me about Glen Wylie and the likelihood that he might have torched his own barn.
“Fire guys say it was arson. Nothing clever about it: good old gasoline. You think he might a done it? Place is insured to the max.”
My sergeant is a round-the-clock kind of cop. Neither sleet nor snow nor the birth of babies matter when he has a problem to solve. I could be like that too, but, though still wearing my OPP constable’s uniform, that night my mind was down the hall, where April lay in the recovery room. Alone, because she’d sent me to find out what was happening to our son. I watched that glass room for the emergence of some oracle, a good word I could bring her. In my pocket a list of people to call with the news. Except I didn’t know what the news might be.
Still, it was a relief to look away from that bright room and focus on something as uncomplicated as Sergeant Carr and a sixtyish farmer with a rep for thrift, perfectionism and bad temper.
Glen Wylie. The name meant loner. Pristine fence lines. Prize winning Aberdeen Angus herd. A wife who’d left years back, a son and daughter not seen in years. The burned barn yearly painted.
“Wylie wouldn’t do it,” I said, as the curtains on the glass room snapped shut. “That place was his life’s work. Did they get the livestock out?”
“Barbecued,” said Carr.
“Then for sure it wasn’t him.”
Odd how the brain can work on more than one plane: asking what they were doing with that small new person I’d caught the barest glimpse of before they’d abducted him. Simultaneously certain Glen Wylie wouldn’t burn a barn with livestock in it. Memory serving up a 4H show ring from years past, Glen Jr. taking second with a young bull; later, in the calf pens, kicked hard with his father’s steel-toed boot because he’d forgotten to keep the water topped up. That man let nothing trouble his animals.
But what the hell were they doing behind those drapes?
“What day is it?” I asked.
Carr gave me an odd look, but hey, a lot had happened in the last few hours.
“One in the morning, Sunday. They figure
the fire started about ten o’clock last night.” He looked cute for a split second and said, “That was Saturday.”
“Who called it in?”
“Neighbour saw the smoke around half past. Volunteer firemen got there pretty quick, but there wasn’t much left when Wylie came home. Says he was at the Legion.”
“He was. As a matter of fact, I had a run-in with him downtown. Must have been on his way to the Hall. Tried to drive through the intersection closed for that Busker Festival I was working. Bashed his truck into a hot dog stand and took some convincing to pay the damage. But there’s his alibi.”
“Or his cover,” said the sergeant, who liked to harvest my brain for useful local knowledge so he could ignore it. “But thanks.” Then he paused to look through the glass at the sound and healthy newborns in the foreground. “Which one’s yours?”
“Past there in the next room.”
“Just cleaning him up, eh? Shouldn’t you be with the little woman?”
If this turned out all right, I’d smile, telling my independent April she’d been called my little woman. For now I let it pass, let Carr say, “Well, congratulations on the boy. What’s his name?”
The boy. The boy had no name. So far, he was just a blue-faced wiggle of weak complaint who’d panicked the doctor with his feeble breathing. Six pounds, four. Six pounds of person struggling for breath. April waiting for a word. Me standing here stuck in a moment, waiting for the future to show its face.
How had it come to this?
Foolish question. It had come by means of falling in love with April. Small, dark-haired April, fresh as the whole season of spring. Falling into bed more than once. In spite of all precautions, lying beside her one early morning to take in the news that she was pregnant. Thoughts tangling in my mind like coloured electrical wires in a switch box. How had the methods of two well-educated, intelligent people failed? And we weren’t married. Or even close to it, as far as I could tell. Did she want it? The black-wire thought that she might have plotted it.
Then the last strand: this would make me a father. I hung on to that one, turning the idea left and right, and found it hot and frightening to hold, but also tingling with current.
What I said to the still, waiting warmth of woman in the bend of my arm was, “Should we get married?”
And though she said no, not because of this, it appeared I’d said the right thing, jumped a host of fears to land where she felt comfortable.
“What’s his name?” Carr had asked. It seemed wrong to be so unprepared with an answer. For months we’d played name-the-baby like it was the best game in town.
“Thomas?”
“Too plain.”
“Vladimir?”
“If you’re going ethnic, it ought to be Dutch.” Then I’d start rhyming off the names of distant cousins: Wisse, Annemieke, Ysbrandt, Laurens . . .
“Hey, this kid’s half Irish. Seamus, Siobhan, Kieran, Aidan . . .”
“What’s the last name going to be then?”
“Both,” she’d said, decisively. “O’Connor Aardehuis.”
“It’ll end up being Aardehuis every day, just because it comes last,” I told the feminist free thinker but, like always, she surprised me.
“Better that way. Better for a kid to have the father’s name. The world hasn’t changed that much.” She smiled. “Poor thing’ll pay for it by having it mangled all the time.”
Just seven hours ago, we’d still been kicking names around, thinking we had three weeks to get serious. But all along, I thought there was one name she really wanted and just hadn’t put on the table.
She’d met me downtown where I was working extra duty at The Armagh Thanksgiving Busker Festival. A brain wave of the Downtown Business Association, the party shut the main street of our little town to cars so pedestrians could saunter around spending money and enjoying an imported selection of street musicians, jugglers and fire eaters.
Watching the crowds mill across King Street, I had to admit it was looking like a success. The weather had cooperated with a crisp-as-apples October day. The hours stretched with that long weekend feeling. Every twenty minutes, the shuttle bus from the parking lot at the high school discharged a new crew of saunterers. They wandered happily between the apple sellers and craft vendors, pausing to watch the buskers perform.
“I’ve been thinking about Benjamin,” April said as we walked away toward the war memorial square, where the main show took place. Sometimes it seemed that, as the rest of her grew, her face narrowed, got more intense and focussed. Sometimes I missed the other look, the soft, unworried, ready-to-laugh face I’d fallen in love with.
“I love the way you move like that,” I teased. “Forward and sideways at the same time.”
“Go to hell, Tony,” she said. “How would you like to drive your cruiser with loose wheels?”
But she refused to be derailed. “So how about Benjamin?”
“Ben. Benny. Benjy?”
“Okay, okay, you don’t like it.”
“I just think a boy’s name should be short. Two syllables max.”
“But girls can be fancy? Okay, then. Isabel, Imogene, Edwina.”
“How about something known to civilized man. Like Emily.” For days, I’d been pushing Emily.
She didn’t answer, because that was when Glen Wylie’s pickup truck came down the side street, saw the green light but not the ROAD CLOSED sign, and bashed into the side of a hot dog stand. By the time I got there, Glen was out of the truck, face to face with Peter Walker, the guy who’d sat beside me in Grade Ten typing, new owner of the greasy spoon on Main Street. Trying to pick up a few extra bucks on the tourists, Pete had brought his business out into the road, and now half his ketchup packets and weiners lay on the pavement.
But it was Wylie cursing. Goddamn road closing. Goddamn clowns from out of town. Goddamn cart blocking the road for a man on his way to his beer and four hours of cribbage like every Saturday night.
Under the tractor cap, Wylie’s face reddened with high blood pressure and rage. I knew Pete had a temper and took no crap from anyone, and he glared right back. “What about my stuff?” he demanded. “A hundred bucks of supplies ruined here. Never mind what I could have made.”
“Never would ’a happened if you stayed on the sidewalk where you belong. What about this dent in my truck? Who’s paying for that?”
It took ten minutes to convince Wylie that he was looking at a failing-to-stop ticket from me if he didn’t settle Pete Walker with a couple of bills. By then he’d insulted pretty well everyone there: me (bloody cops), the parents of the kids who got too close to look at the dented fender (get them brats off there before I whack ’em where it hurts) and the buskers who took a break from their juggling and unicycling to watch the fuss (grow up and get a real job).
“Hippies and sluts, that’s what you are,” the last directed at the only woman on the circuit, a skinny redhead who called herself Circus Daisy.
Daisy just stared at Glen like she was collecting eccentric specimens of rural life, then hopped on her unicycle and rode away, flipping the backside of her skimpy skirt at the old crank. The crowd laughed, and finally he handed over the cash, climbed into his truck and drove off toward the Legion.
The buskers had turned out to be an odd bunch, not the tame kids in clown suits I’d expected. A young fire eater with singed eyebrows and the show name of Flame Sucker Bob told me Armagh was the last big busking party before winter drove them south. Young and mostly male, they wore the signs of life on a hard road: burnt skin, tattoos, flamboyant costumes fraying at the seams. A squinting sarcasm lurked under the patter tossed out with multicoloured balls and disappearing scarves of silk, and a cop’s instinct said these were people to watch, people who travelled on the edge with nothing to lose.
I could tell by the way she perked up and listened that April’s instinct was different.
A juggler with huge plaid pants jumped onto a pair of stilts. The tall sticks clumped the edge
of the crowd with a few fake almost-falls as he grinned fifteen feet above.
“Any Americans with us today?” When someone shyly raised a hand, he formed a mock gun hand aimed straight on, bellowed, “POW!” Grinned again and said, “Just wanted to make you feel at home.”
Then a contrite pout and, “Oops. Don’t worry folks, this is family entertainment . . .”
Flame Sucker Bob came next, dipping the head of his sticks into fuel, setting them ablaze, talking all the while about fire and ashes, sounding now like a crazy circuit preacher (fire, the purifying fire of cleansing and retribution . . .) then, between mouthfuls of flame, yapping out of the side of his mouth (have to do this ’cuz I say so many bad words).
Then Circus Daisy jumped onto a six-foot unicycle.
“Oh! I’m showing my knickers,” she said with mock modesty, smoothing her short skirt over matching pink satin panties as she circled the monument to our glorious dead, talking as she went.
“Well, here we are in beautiful Armagh, Ontario, the first annual beautiful Armagh Busker Festival. Beautiful Armagh, home of good solid family folk, a no-skeleton town with a public library, a post office and four traffic lights.” Her tone cycled right down the wire between upbeat and sneering, and her smile never showed her teeth.
“Five traffic lights,” piped up one of the kids.
“Oh my! This is progress,” she teased, “MacNeill’s Hardware, the IGA, a cute little diner called Sam’s, and the handsome OPP.”
Something odd in that speech. But as she wheeled past, she leaned over and lifted off my Stetson, distracting me and setting April laughing, everyone else watching to see how the cop would react. Just waited patiently while she lifted a tweed cap, then a few ball caps, juggled the lot and finally returned them neatly to their rightful wearers.
