The Devil Doctor

by Sax Rohmer

  "Then—"

  "They were admitted into the wall cavities and the rafters, from some cellar underneath, Petrie, to which, after a brief scamper under the floors and over the ceilings, they instinctively returned for the food they were accustomed to receive, and for which, even had it been possible (which it was not), they had no occasion to forage."

  I, too, stood up; for excitement was growing within me. I took up the piece of silk from the table.

  "Where did you find this?" I asked, my eyes upon Smith's keen face.

  "In a sort of wine cellar, Petrie," he replied, "under the stair. There is no cellar proper to The Gables—at least no such cellar appears in the plans."

  "But—"

  "But there is one beyond doubt—yes! It must be part of some older building which occupied the site before The Gables was built. One can only surmise that it exists, although such a surmise is a fairly safe one, and the entrance to the subterranean portion of the building is situated beyond doubt in the wine cellar. Of this we have at least two evidences: the finding of the fragment of silk there, and the fact that in one case at least—as I learnt—the light was extinguished in the library unaccountably. This could only have been done in one way: by manipulating the main switch, which is also in the wine cellar."

  "But, Smith!" I cried, "do you mean that Fu-Manchu ...?"

  Nayland Smith turned in his promenade of the floor, and stared into my eyes.

  "I mean that Dr. Fu-Manchu has had a hiding-place under The Gables for an indefinite period!" he replied. "I always suspected that a man of his genius would have a second retreat prepared for him, anticipating the event of the first being discovered. Oh! I don't doubt it! The place probably is extensive, and I am almost certain—though the point has to be confirmed—that there is another entrance from the studio further along the road. We know, now, why our recent searchings in the East End have proved futile; why the house in Museum Street was deserted: he has been lying low in this burrow at Hampstead!"

  "But the hand, Smith, the luminous hand...."

  Nayland Smith laughed shortly.

  "Your superstitious fears overcame you to such an extent, Petrie—and I don't wonder at it; the sight was a ghastly one—that probably you don't remember what occurred when you struck out at that same ghostly hand?"

  "I seemed to hit something."

  "That was why we ran. But I think our retreat had all the appearance of a rout, as I intended that it should. Pardon my playing upon your very natural fears, old man, but you could not have simulated panic half so naturally! And if they had suspected that the device was discovered, we might never have quitted The Gables alive. It was touch-and-go for a moment."

  "But—"

  "Turn out the light!" snapped my companion.

  Wondering greatly, I did as he desired. I turned out the light ... and in the darkness of my study I saw a fiery fist being shaken at me threateningly!... The bones were distinctly visible, and the luminosity of the flesh was truly ghastly.

  "Turn on the light again!" cried Smith.

  Deeply mystified, I did so ... and my friend tossed a little electric pocket-lamp on to the writing table.

  "They used merely a small electric lamp fitted into the handle of a glass dagger," he said with a sort of contempt. "It was very effective, but the luminous hand is a phenomenon producible by anyone who possesses an electric torch."

  "The Gables will be watched?"

  "At last, Petrie, I think we have Fu-Manchu—in his own trap!"

  Chapter XXVII - The Night of the Raid

  *

  "Dash it all, Petrie!" cried Smith, "this is most annoying!"

  The bell was ringing furiously, although midnight was long past. Whom could my late visitor be? Almost certainly this ringing portended an urgent case. In other words, I was not fated to take part in what I anticipated would prove to be the closing scene of the Fu-Manchu drama.

  "Every one is in bed," I said ruefully; "and how can I possibly see a patient—in this costume?"

  Smith and I were both arrayed in rough tweeds, and anticipating the labours before us, had dispensed with collars and wore soft mufflers. It was hard to be called upon to face a professional interview dressed thus, and having a big tweed cap pulled down over my eyes.

  Across the writing-table we confronted one another, in dismayed silence, whilst, below, the bell sent up its ceaseless clangour.

  "It has to be done, Smith," I said regretfully. "Almost certainly it means a journey and probably an absence of some hours."

  I threw my cap upon the table, turned up my coat to hide the absence of collar, and started for the door. My last sight of Smith showed him standing looking after me, tugging at the lobe of his ear and clicking his teeth together with suppressed irritability. I stumbled down the dark stairs, along the hall, and opened the front door. Vaguely visible in the light of a street lamp which stood at no great distance away, I saw a slender man of medium height confronting me. From the shadowed face two large and luminous eyes looked out into mine. My visitor, who, despite the warmth of the evening, wore a heavy greatcoat, was an Oriental!

  I drew back, apprehensively; then:—

  "Ah! Dr. Petrie!" he said in a softly musical voice which made me start again, "to God be all praise that I have found you!"

  Some emotion, which at present I could not define, was stirring within me. Where had I seen this graceful Eastern youth before? Where had I heard that soft voice?

  "Do you wish to see me professionally?" I asked—yet even as I put the question, I seemed to know it unnecessary.

  "So you know me no more?" said the stranger—and his teeth gleamed in a slight smile.

  Heavens! I knew now what had struck that vibrant chord within me! The voice, though infinitely deeper, yet had an unmistakable resemblance to the dulcet tones of Kâramanèh—of Kâramanèh, whose eyes haunted my dreams, whose beauty had done much to embitter my years.

  The Oriental youth stepped forward, with outstretched hand.

  "So you know me no more?" he repeated; "but I know you, and give praise to Allah that I have found you!"

  I stepped back, pressed the electric switch, and turned, with leaping heart, to look into the face of my visitor. It was a face of the purest Greek beauty, a face that might have served as a model for Praxiteles; the skin had a golden pallor, which, with the crisp black hair and magnetic yet velvety eyes, suggested to my fancy that this was the young Antinoüs risen from the Nile, whose wraith now appeared to me out of the night. I stifled a cry of surprise, not unmingled with gladness.

  It was Azîz—the brother of Kâramanèh!

  Never could the entrance of a figure upon the stage of a drama have been more dramatic than the coming of Azîz upon this night of all nights. I seized the outstretched hand and drew him forward, then reclosed the door and stood before him a moment in doubt.

  A vaguely troubled look momentarily crossed the handsome face; with the Oriental's unerring instinct, he had detected the reserve of my greeting. Yet, when I thought of the treachery of Kâramanèh, when I remembered how she, whom we had befriended, whom we had rescued from the house of Fu-Manchu, now had turned like the beautiful viper that she was to strike at the hand that caressed her; when I thought how to-night we were set upon raiding the place where the evil Chinese doctor lurked in hiding, were set upon the arrest of that malignant genius and of all his creatures, Kâramanèh amongst them, is it strange that I hesitated? Yet, again, when I thought of my last meeting with her, and of how, twice, she had risked her life to save me....

  So, avoiding the gaze of the lad, I took his arm, and in silence we two ascended the stairs and entered my study ... where Nayland Smith stood bolt upright beside the table, his steely eyes fixed upon the face of the new arrival.

  No look of recognition crossed the bronzed features, and Azîz, who had started forward with outstretched hands, fell back a step and looked pathetically from me to Nayland Smith, and from the grim Commissioner back again to me. The appe
al in the velvet eyes was more than I could tolerate, unmoved.

  "Smith," I said shortly, "you remember Azîz?"

  Not a muscle visibly moved in Smith's face, as he snapped back:

  "I remember him perfectly."

  "He has come, I think, to seek our assistance."

  "Yes, yes!" cried Azîz, laying his hand upon my arm with a gesture painfully reminiscent of Kâramanèh—"I came only to-night to London. Oh, my gentlemen! I have searched, and searched, and searched, until I am weary. Often I have wished to die. And then at last I come to Rangoon...."

  "To Rangoon!" snapped Smith, still with the grey eyes fixed almost fiercely upon the lad's face.

  "To Rangoon—yes; and there I hear news at last. I hear that you have seen her—have seen Kâramanèh—that you are back in London." He was not entirely at home with his English. "I know then that she must be here, too. I ask them everywhere, and they answer 'yes.' Oh, Smith Pasha!"—he stepped forward and impulsively seized both Smith's hands—"You know where she is—take me to her!"

  Smith's face was a study in perplexity now. In the past we had befriended the young Azîz, and it was hard to look upon him in the light of an enemy. Yet had we not equally befriended his sister?—and she....

  At last Smith glanced across at me where I stood just within the doorway.

  "What do you make of it, Petrie?" he said harshly. "Personally I take it to mean that our plans have leaked out." He sprang suddenly back from Azîz, and I saw his glance travelling rapidly over the slight figure as if in quest of concealed arms. "I take it to be a trap!"

  A moment he stood so, regarding him, and despite my well-grounded distrust of the Oriental character, I could have sworn that the expression of pained surprise upon the youth's face was not simulated but real. Even Smith, I think, began to share my view; for suddenly he threw himself into the white cane rest-chair, and, still fixedly regarding Azîz:

  "Perhaps I have wronged you," he said. "If I have, you shall know the reason presently. Tell your own story!"

  There was a pathetic humidity in the velvet eyes of Azîz—eyes so like those others that were ever looking into mine in dreams—as glancing from Smith to me he began, hands outstretched, characteristically, palms upward and fingers curling, to tell in broken English the story of his search for Kâramanèh....

  "It was Fu-Manchu, my kind gentlemen—it was the hâkîm who is really not a man at all, but an efreet. He found us again less than four days after you had left us, Smith Pasha!... He found us in Cairo, and to Kâramanèh he made the forgetting of all things—even of me—even of me...."

  Nayland Smith snapped his teeth together sharply; then:

  "What do you mean by that?" he demanded.

  For my own part I understood well enough, remembering how the brilliant Chinese doctor once had performed such an operation as this upon poor Inspector Weymouth; how, by means of an injection of some serum, prepared (as Kâramanèh afterwards told us) from the venom of a swamp adder or similar reptile, he had induced amnesia, or complete loss of memory. I felt every drop of blood recede from my cheeks.

  "Smith!" I began....

  "Let him speak for himself," interrupted my friend sharply.

  "They tried to take us both," continued Azîz, still speaking in that soft, melodious manner, but with deep seriousness. "I escaped, I, who am swift of foot, hoping to bring help."—He shook his head sadly—"But, except the All Powerful, who is so powerful as the Hâkîm Fu-Manchu? I hid, my gentlemen, and watched and waited, one—two—three weeks. At last I saw her again, my sister Kâramanèh; but ah! she did not know me, did not know me, Azîz, her brother! She was in an arabeeyeh, and passed me quickly along the Sharia en-Nahhâsin. I ran, and ran, and ran, crying her name, but although she looked back, she did not know me—she did not know me! I felt that I was dying, and presently I fell—upon the steps of the Mosque of Abu."

  He dropped the expressive hands wearily to his sides and sank his chin upon his breast.

  "And then?" I said huskily—for my heart was fluttering like a captive bird.

  "Alas! from that day to this I see her no more, my gentlemen. I travel not only in Egypt but near and far, and still I see her no more until in Rangoon I hear that which brings me to England again"—he extended his palms naïvely—"and here I am—Smith Pasha."

  Smith sprang upright again and turned to me.

  "Either I am growing over-credulous," he said, "or Azîz speaks the truth. But"—he held up his hand—"you can tell me all that at some other time, Petrie! We must take no chances. Sergeant Carter is downstairs with the cab; you might ask him to step up. He and Azîz can remain here until our return."

  Chapter XXVIII - The Samurai's Sword

  *

  The muffled drumming of sleepless London seemed very remote from us, as side by side we crept up the narrow path to the studio. This was a starry but moonless night, and the little dingy white building with a solitary tree peeping, in silhouette above its glazed roof, bore an odd resemblance to one of those tombs which form a city of the dead so near to the city of feverish life, on the slopes of the Mokattam Hills. This line of reflection proved unpleasant, and I dismissed it sternly from my mind.

  The shriek of a train-whistle reached me, a sound which breaks the stillness of the most silent London night, telling of the ceaseless, febrile life of the great world-capital whose activity ceases not with the coming of darkness. Around and about us a very great stillness reigned, however, and the velvet dusk—which, with the star-jewelled sky, was strongly suggestive of an Eastern night—gave up no sign to show that it masked the presence of more than twenty men. Some distance away on our right was The Gables, that sinister and deserted mansion which we assumed, and with good reason, to be nothing less than the gateway to the subterranean abode of Dr. Fu Manchu; before us was the studio, which, if Nayland Smith's deductions were accurate, concealed a second entrance to the same mysterious dwelling.

  As my friend, glancing cautiously all about him, inserted the key in the lock, an owl hooted dismally almost immediately above our heads. I caught my breath sharply, for it might be a signal; but, looking upward, I saw a great black shape float slantingly from the tree beyond the studio into the coppice on the right which hemmed in The Gables. Silently the owl winged its uncanny flight into the greater darkness of the trees, and was gone. Smith opened the door and we stepped into the studio. Our plans had been well considered, and in accordance with these, I now moved up beside my friend, who was dimly perceptible to me in the starlight which found access through the glass roof, and pressed the catch of my electric pocket-lamp....

  I suppose that by virtue of my self-imposed duty as chronicler of the deeds of Dr. Fu Manchu—the greatest and most evil genius whom the later centuries have produced, the man who dreamt of a universal Yellow Empire—I should have acquired a certain facility in describing bizarre happenings. But I confess that it fails me now as I attempt in cold English to portray my emotions when the white beam from the little lamp cut through the darkness of the studio, and shone fully upon the beautiful face of Kâramanèh!

  Less than six feet away from me she stood, arrayed in the gauzy dress of the harêm, her fingers and slim white arms laden with barbaric jewelry! The light wavered in my suddenly nerveless hand, gleaming momentarily upon bare ankles and golden anklets, upon little red-leather shoes.

  I spoke no word, and Smith was as silent as I; both of us, I think, were speechless rather from amazement than in obedience to the evident wishes of Fu-Manchu's slave-girl. Yet I have only to close my eyes at this moment to see her as she stood, one finger raised to her lips, enjoining us to silence. She looked ghastly pale in the light of the lamp, but so lovely that my rebellious heart threatened already to make a fool of me.

  So we stood in that untidy studio, with canvases and easels heaped against the wall and with all sorts of litter about us, a trio strangely met, and one to have amused the high gods watching through the windows of the stars.

  "Go back!"
came in a whisper from Kâramanèh.

  I saw the red lips moving and read a dreadful horror in the widely opened eyes, in those eyes like pools of mystery to taunt the thirsty soul. The world of realities was slipping past me; I seemed to be losing my hold on things actual; I had built up an Eastern palace about myself and Kâramanèh, wherein, the world shut out, I might pass the hours in reading the mystery of those dark eyes. Nayland Smith brought me sharply to my senses.

  "Steady with the light, Petrie!" he hissed in my ear. "My scepticism has been shaken to-night, but I am taking no chances."

  He moved from my side and forward toward that lovely, unreal figure which stood immediately before the model's throne and its background of plush curtains. Kâramanèh started forward to meet him, suppressing a little cry, whose real anguish could not have been simulated.

  "Go back! go back!" she whispered urgently, and thrust out her hands against Smith's breast. "For God's sake, go back! I have risked my life to come here to-night. He knows, and is ready...."

  The words were spoken with passionate intensity, and Nayland Smith hesitated. To my nostrils was wafted that faint, delightful perfume which, since one night, two years ago, it had come to disturb my senses, had taunted me many times as the mirage taunts the parched Sahara traveller. I took a step forward.

  "Don't move!" snapped Smith.

  Kâramanèh clutched frenziedly at the lapels of his coat.

  "Listen to me!" she said beseechingly, and stamped one little foot upon the floor—"listen to me! You are a clever man, but you know nothing of a woman's heart—nothing—nothing—if seeing me, hearing me, knowing, as you do know, what I risk, you can doubt that I speak the truth. And I tell you that it is death to go behind those curtains—that he...."

  "That's what I wanted to know!" snapped Smith. His voice quivered with excitement.

  Suddenly grasping Kâramanèh by the waist, he lifted her and set her aside; then in three bounds he was on to the model's throne and had torn the plush curtains bodily from their fastenings.