The Devil Doctor

by Sax Rohmer

  How it occurred I cannot hope to make clear, for here my recollections merge into a chaos. I know that Smith seemed to topple forward amid the purple billows of velvet, and his muffled cry came to me:

  "Petrie! My God, Petrie!..."

  The pale face of Kâramanèh looked up into mine and her hands were clutching me, but the glamour of her personality had lost its hold, for I knew—heavens how poignantly it struck home to me!—that Nayland Smith was gone to his death. What I hoped to achieve, I know not, but hurling the trembling girl aside, I snatched the Browning pistol from my coat pocket, and with the ray of the lamp directed upon the purple mound of velvet, I leaped forward.

  I think I realized that the curtains had masked a collapsible trap, a sheer pit of blackness, an instant before I was precipitated into it, but certainly the knowledge came too late. With the sound of a soft, shuddering cry in my ears, I fell, dropping lamp and pistol, and clutching at the fallen hangings. But they offered me no support. My head seemed to be bursting; I could utter only a hoarse groan, as I fell—fell—fell....

  *

  When my mind began to work again, in returning consciousness, I found it to be laden with reproach. How often in the past had we blindly hurled ourselves into just such a trap as this? Should we never learn that, where Fu-Manchu was, impetuosity must prove fatal? On two distinct occasions in the past we had been made the victims of this device, yet although we had had practically conclusive evidence that this studio was used by Dr. Fu-Manchu, we had relied upon its floor being as secure as that of any other studio, we had failed to sound every foot of it ere trusting our weight to its support....

  "There is such a divine simplicity in the English mind that one may lay one's plans with mathematical precision, and rely upon the Nayland Smiths and Dr. Petries to play their allotted parts. Excepting two faithful followers, my friends are long since departed. But here, in these vaults which time has overlooked and which are as secret and as serviceable to-day as they were two hundred years ago, I wait patiently, with my trap set, like the spider for the fly!..."

  To the sound of that taunting voice, I opened my eyes. As I did so I strove to spring upright—only to realize that I was tied fast to a heavy ebony chair inlaid with ivory, and attached by means of two iron brackets to the floor.

  "Even children learn from experience," continued the unforgettable voice, alternately guttural and sibilant, but always as deliberate as though the speaker were choosing with care words which should perfectly clothe his thoughts. "For 'a burnt child fears the fire,' says your English adage. But Mr. Commissioner Nayland Smith, who enjoys the confidence of the India Office, and who is empowered to control the movements of the Criminal Investigation Department, learns nothing from experience. He is less than a child, since he has twice rashly precipitated himself into a chamber charged with an anæsthetic prepared, by a process of my own, from the lycoperdon or Common Puffball."

  I became fully master of my senses, and I became fully alive to a stupendous fact. At last it was ended; we were utterly in the power of Dr. Fu Manchu; our race was run.

  I sat in a low vaulted room. The roof was of ancient brickwork, but the walls were draped with exquisite Chinese fabric having a green ground whereon was a design representing a grotesque procession of white peacocks. A green carpet covered the floor, and the whole of the furniture was of the same material as the chair to which I was strapped, viz. ebony inlaid with ivory. This furniture was scanty. There was a heavy table in one corner of the dungeonesque place, on which were a number of books and papers. Before this table was a high-backed, heavily carven chair. A smaller table stood upon the right of the only visible opening, a low door partially draped with bead-work curtains, above which hung a silver lamp. On this smaller table, a stick of incense, in a silver holder, sent up a pencil of vapour into the air, and the chamber was loaded with the sickly sweet fumes. A faint haze from the incense-stick hovered up under the roof.

  In the high-backed chair sat Dr. Fu Manchu, wearing a green robe upon which was embroidered a design, the subject of which at first glance was not perceptible, but which presently I made out to be a huge white peacock. He wore a little cap perched upon the dome of his amazing skull, and one clawish hand resting upon the ebony of the table, he sat slightly turned toward me, his emotionless face a mask of incredible evil. In spite of, or because of, the high intellect written upon it, the face of Dr. Fu-Manchu was more utterly repellent than any I have ever known, and the green eyes, eyes green as those of a cat in the darkness, which sometimes burnt like witch-lamps, and sometimes were horribly filmed like nothing human or imaginable, might have mirrored not a soul, but an emanation of Hell, incarnate in this gaunt, high-shouldered body.

  Stretched flat upon the floor lay Nayland Smith, partially stripped, his arms thrown back over his head and his wrists chained to a stout iron staple attached to the wall; he was fully conscious and staring intently at the Chinese doctor. His bare ankles also were manacled, and fixed to a second chain, which quivered tautly across the green carpet and passed out through the doorway, being attached to something beyond the curtain, and invisible to me from where I sat.

  Fu-Manchu was now silent. I could hear Smith's heavy breathing and hear my watch ticking in my pocket. I suddenly realized that although my body was lashed to the ebony chair, my hands and arms were free. Next, looking dazedly about me, my attention was drawn to a heavy sword which stood hilt upward against the wall within reach of my hand. It was a magnificent piece, of Japanese workmanship; a long, curved Damascened blade having a double-handed hilt of steel, inlaid with gold, and resembling fine Kuft work. A host of possibilities swept through my mind. Then I perceived that the sword was attached to the wall by a thin steel chain some five feet in length.

  "Even if you had the dexterity of a Mexican knife-thrower," came the guttural voice of Fu-Manchu, "you would be unable to reach me, dear Dr. Petrie."

  The Chinaman had read my thoughts.

  Smith turned his eyes upon me momentarily, only to look away again in the direction of Fu Manchu. My friend's face was slightly pale beneath the tan, and his jaw muscles stood out with unusual prominence. By this fact alone did he reveal the knowledge that he lay at the mercy of this enemy of the white race, of this inhuman being who himself knew no mercy, of this man whose very genius was inspired by the cool, calculated cruelty of his race, of that race which to this day disposes of hundreds, nay, thousands, of its unwanted girl-children by the simple measure of throwing them down a well specially dedicated to the purpose.

  "The weapon near your hand," continued the Chinaman imperturbably, "is a product of the civilization of our near neighbours the Japanese, a race to whose courage I prostrate myself in meekness. It is the sword of a samurai, Dr. Petrie. It is of very great age, and was, until an unfortunate misunderstanding with myself led to the extinction of the family, a treasured possession of a noble Japanese house...."

  The soft voice, into which an occasional sibilance crept, but which never rose above a cool monotone, gradually was lashing me into fury, and I could see the muscles moving in Smith's jaws as he convulsively clenched his teeth; whereby I knew that, impotent, he burned with a rage at least as great as mine. But I did not speak, and did not move.

  "The ancient tradition of seppuku," continued the Chinaman, "or hara-kira, still rules, as you know, in the great families of Japan. There is a sacred ritual, and the samurai who dedicates himself to this honourable end, must follow strictly the ritual. As a physician, the exact nature of the ceremony might possibly interest you, Dr. Petrie, but a technical account of the two incisions which the sacrificant employs in his self-dismissal, might, on the other hand, bore Mr. Nayland Smith. Therefore I will merely enlighten you upon one little point, a minor one, but interesting to the student of human nature. In short, even a samurai—and no braver race has ever honoured the world—sometimes hesitates to complete the operation. The weapon near to your hand, my dear Dr. Petrie, is known as the Friend's Sword. On such occ
asions as we are discussing, a trusty friend is given the post—an honoured one—of standing behind the brave man who offers himself to his gods, and should the latter's courage momentarily fail him, the friend with the trusty blade (to which now I especially direct your attention) diverts the hierophant's mind from his digression, and rectifies his temporary breach of etiquette by severing the cervical vertebræ of the spinal column with the friendly blade—which you can reach quite easily, Dr. Petrie, if you care to extend your hand."

  Some dim perception of the truth was beginning to creep into my mind. When I say a perception of the truth, I mean rather of some part of the purpose of Dr. Fu-Manchu; of the whole horrible truth, of the scheme which had been conceived by that mighty, evil man, I had no glimmering, but I foresaw that a frightful ordeal was before us both.

  "That I hold you in high esteem," continued Fu-Manchu, "is a fact which must be apparent to you by this time, but in regard to your companion, I entertain very different sentiments...."

  Always underlying the deliberate calm of the speaker, sometimes showing itself in an unusually deep guttural, sometimes in an unusually serpentine sibilant, lurked the frenzy of hatred which in the past had revealed itself occasionally in wild outbursts. Momentarily I expected such an outburst now, but it did not come.

  "One quality possessed by Mr. Nayland Smith," resumed the Chinaman, "I admire; I refer to his courage. I would wish that so courageous a man should seek his own end, should voluntarily efface himself from the path of that world-movement which he is powerless to check. In short, I would have him show himself a samurai. Always his friend, you shall remain so to the end, Dr. Petrie. I have arranged for this."

  He struck lightly a little silver gong, dependent from the corner of the table, whereupon, from the curtained doorway, there entered a short, thickly built Burman whom I recognized for a dacoit. He wore a shoddy blue suit, which had been made for a much larger man; but these things claimed little of my attention, which automatically was directed to the load beneath which the Burman laboured.

  Upon his back he carried a sort of wire box rather less than six feet long, some two feet high, and about two feet wide. In short, it was a stout framework covered with fine wire-netting on the tops, sides and ends, but open at the bottom. It seemed to be made in five sections, or to contain four sliding partitions which could be raised or lowered at will. These were of wood, and in the bottom of each was cut a little arch. The arches in the four partitions varied in size, so that whereas the first was not more than five inches high, the fourth opened almost to the wire roof of the box or cage; and a fifth, which was but little higher than the first, was cut in the actual end of the contrivance.

  So intent was I upon this device, the purpose of which I was wholly unable to divine, that I directed the whole of my attention upon it. Then, as the Burman paused in the doorway, resting a corner of the cage upon the brilliant carpet, I glanced toward Dr. Fu-Manchu. He was watching Nayland Smith, and revealing his irregular yellow teeth—the teeth of an opium smoker—in the awful mirthless smile which I knew.

  "God!" whispered Smith, "the Six Gates!"

  "Your knowledge of my beautiful country serves you well," replied Fu-Manchu gently.

  Instantly I looked to my friend ... and every drop of blood seemed to recede from my heart, leaving it cold in my breast. If I did not know the purpose of the cage, obviously Smith knew it all too well. His pallor had grown more marked, and although his grey eyes stared defiantly at the Chinaman, I, who knew him, could read a deathly horror in their depths.

  The dacoit, in obedience to a guttural order from Dr. Fu Manchu, placed the cage upon the carpet, completely covering Smith's body, but leaving his neck and head exposed. The seared and pock-marked face set in a sort of placid leer, the dacoit adjusted the sliding partitions to Smith's recumbent form, and I saw the purpose of the graduated arches. They were intended to divide a human body in just such fashion, and, as I realized, were most cunningly shaped to that end. The whole of Smith's body lay now in the wire cage, each of the five compartments whereof was shut off from its neighbour.

  The Burman stepped back and stood waiting in the doorway. Dr. Fu Manchu, removing his gaze from the face of my friend, directed it now upon me.

  "Mr. Commissioner Nayland Smith shall have the honour of acting as hierophant, admitting himself to the Mysteries," said Fu Manchu softly, "and you, Dr. Petrie, shall be the Friend."

  Chapter XXIX - The Six Gates

  *

  He glanced toward the Burman, who retired immediately, to re-enter a moment later carrying a curious leather sack, in shape not unlike that of a sakká or Arab water-carrier. Opening a little trap in the top of the first compartment of the cage (that is, the compartment which covered Smith's bare feet and ankles), he inserted the neck of the sack, then suddenly seized it by the bottom and shook it vigorously. Before my horrified gaze, four huge rats came tumbling out from the bag into the cage!

  The dacoit snatched away the sack and snapped the shutter fast. A moving mist obscured my sight, a mist through which I saw the green eyes of Dr. Fu-Manchu fixed upon me, and through which, as from a great distance, his voice, sunk to a snakelike hiss, came to my ears.

  "Cantonese rats, Dr. Petrie ... the most ravenous in the world ... they have eaten nothing for nearly a week!"

  Then all became blurred as though a painter with a brush steeped in red had smudged out the details of the picture. For an indefinite period, which seemed like many minutes yet probably was only a few seconds, I saw nothing and heard nothing; my sensory nerves were dulled entirely. From this state I was awakened and brought back to the realities by a sound which ever afterward I was doomed to associate with that ghastly scene.

  This was the squealing of the rats.

  The red mist seemed to disperse at that, and with frightfully intense interest, I began to study the awful torture to which Nayland Smith was being subjected. The dacoit had disappeared, and Fu-Manchu placidly was watching the four lean and hideous animals in the cage. As I also turned my eyes in that direction, the rats overcame their temporary fear, and began....

  "You have been good enough to notice," said the Chinaman, his voice still sunk in that sibilant whisper, "my partiality for dumb allies. You have met my scorpions, my death-adders, my baboon-man. The uses of such a playful little animal as a marmoset have never been fully appreciated before, I think, but to an indiscretion of this last-named pet of mine I seem to remember that you owed something in the past, Dr. Petrie...."

  Nayland Smith stifled a deep groan. One rapid glance I ventured at his face. It was a greyish hue now, and dank with perspiration. His gaze met mine.

  The rats had almost ceased squealing.

  "Much depends upon yourself, doctor," continued Fu-Manchu, slightly raising his voice. "I credit Mr. Commissioner Nayland Smith with courage high enough to sustain the raising of all the gates; but I estimate the strength of your friendship highly, also, and predict that you will use the sword of the samurai certainly not later than the time when I shall raise the third gate...."

  A low shuddering sound, which I cannot hope to describe, but alas! can never forget, broke from the lips of the tortured man.

  "In China," resumed Fu-Manchu, "we call this quaint fancy the Six Gates of Joyful Wisdom. The first gate, by which the rats are admitted, is called the Gate of Joyous Hope; the second, the Gate of Mirthful Doubt. The third gate is poetically named the Gate of True Rapture, and the fourth, the Gate of Gentle Sorrow. I once was honoured in the friendship of an exalted mandarin who sustained the course of Joyful Wisdom to the raising of the fifth gate (called the Gate of Sweet Desires) and the admission of the twentieth rat. I esteem him almost equally with my ancestors. The sixth, or Gate Celestial—whereby a man enters into the Joy of Complete Understanding—I have dispensed with, here, substituting a Japanese fancy of an antiquity nearly as great and honourable. The introduction of this element of speculation I count a happy thought, and accordingly take pride to myself."


  "The sword, Petrie!" whispered Smith. I should not have recognized his voice, but he spoke quite evenly and steadily. "I rely upon you, old man, to spare me the humiliation of asking mercy from that yellow fiend!"

  My mind throughout this time had been gaining a sort of dreadful clarity. I had avoided looking at the sword of kara-kiri, but my thoughts had been leading me mercilessly up to the point at which we were now arrived. No vestige of anger, of condemnation of the inhuman being seated in the ebony chair, remained; that was past. Of all that had gone before, and of what was to come in the future, I thought nothing, knew nothing. Our long fight against the yellow group, our encounters with the numberless creatures of Fu Manchu, the dacoits—even Kâramanèh—were forgotten, blotted out. I saw nothing of the strange appointments of that subterranean chamber; but face to face with the supreme moment of a lifetime, I was alone with my poor friend—and God.

  The rats began squealing again. They were fighting....

  "Quick, Petrie! Quick, man! I am weakening...."

  I turned and took up the samurai sword. My hands were very hot and dry, but perfectly steady, and I tested the edge of the heavy weapon upon my left thumb-nail as quietly as one might test a razor blade. It was keen, this blade of ghastly history, as any razor ever wrought in Sheffield. I seized the graven hilt, bent forward in my chair, and raised the Friend's Sword high above my head. With the heavy weapon poised there, I looked into my friend's eyes. They were feverishly bright, but never in all my days, nor upon the many beds of suffering which it had been my lot to visit, had I seen an expression like that within them.

  "The raising of the First Gate is always a crucial moment," came the guttural voice of the Chinaman.