CRUDDY

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CRUDDY Page 1

by LYNDA BARRY




  SIMON & SCHUSTER

  Rockefeller Center

  1230 Avenue of the Americas

  New York, NY 10020

  Visit us on the World Wide Web:

  http://www.SimonSays.com

  This book is a work of fiction. Names, characters, places, and incidents either are products of the author’s imagination or are used fictitiously. Any resemblance to actual events or locales or persons, living or dead, is entirely coincidental.

  Copyright ©1999 by Lynda Barry

  All rights reserved, including the right of reproduction in whole or in part in any form.

  SIMON & SCHUSTER and colophon are trademarks of Simon & Schuster Inc.

  ISBN 0-7432-1217-7

  The author wishes to thank: Liz Darhansoff, Robert Mecoy, Tom Greensfelder, Susan Grode, Ben Sandmel, Caroline and Barry Ancelet, and The Ragdale Foundation

  Such bright blood is a ray enkindled

  Of that sun, in heaven that shines

  And has been left behind entangled

  And caught in the net of the many vines.

  —FRANCESCO REDI

  ear Anyone Who Finds This, Do not blame the drugs. It was not the fault of the drugs. I planned this way before the drugs were ever in my life. And do not blame Vicky Talluso. It was my idea to kill myself. All she did was give me a little push. If you are holding this book right now it means that everything came out just the way I wanted it to. I got my happily ever after.

  Signed, Sincerely Yours,

  The Author,

  Chapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Chapter 6

  Chapter 7

  Chapter 8

  Chapter 9

  Chapter 10

  Chapter 11

  Chapter 12

  Chapter 13

  Chapter 14

  Chapter 15

  Chapter 16

  Chapter 17

  Chapter 18

  Chapter 19

  Chapter 20

  Chapter 21

  Chapter 22

  Chapter 23

  Chapter 24

  Chapter 25

  Chapter 26

  Chapter 27

  Chapter 28

  Chapter 29

  Chapter 30

  Chapter 31

  Chapter 32

  Chapter 33

  Chapter 34

  Chapter 35

  Chapter 36

  Chapter 37

  Chapter 38

  Chapter 39

  Chapter 40

  Chapter 41

  Chapter 42

  Chapter 43

  Chapter 44

  Chapter 45

  Chapter 46

  Chapter 47

  Chapter 48

  Chapter 49

  Chapter 50

  Chapter 51

  Chapter 52

  Chapter 53

  Chapter 54

  Chapter 55

  ABOUT THE TYPE

  Chapter 1

  HEN WE first moved here, the mother took the blue-mirror cross that hung over her bed in our old house and nailed a nail for it in the new bedroom of me and my sister. Truthfully it is a cross I have never liked. The Jesus of it seems haunted. He’s the light-absorber kind. In the pitch-black middle of the night he will start to glow green at you with his arms up like he is doing a tragic ballet. Some nights looking at him scares me so bad I can hardly move and I start doing a prayer for protection. But when the thing that is scaring you is already Jesus, who are you supposed to pray to?

  Chapter 2

  NCE UPON a cruddy time on a cruddy street on the side of a cruddy hill in the cruddiest part of a crudded-out town in a cruddy state, country, world, solar system, universe. Once upon a cruddy time behind cruddy Black Cat Lumber on a very cruddy mud road which bubbles up very weird smells that evil genie themselves up through the cruddy dark rain and into the yellow lit-up window of the cruddy top bedroom of a cruddy rental house where a cruddy girl is sitting on a cruddy bed across from her cruddy sister who I WILL KILL IF YOU TOUCH THIS, JULIE, AND IF YOU DO I SWEAR TO GOD I WILL KILL YOU, NO MERCY, NO TAKE-BACKS PRIVATE PROPERTY, THIS MEANS YOU, JULIE, YOU! The cruddy girl named Roberta was writing the cruddy book of her cruddy life and the name of the book was called Cruddy.

  Cruddy by the author Roberta Rohbeson, who is grounded until September 8, 1972. Only eleven months and five more days to go.

  Cruddy. The famous book by the famous author Roberta Rohbeson who can’t even CONCENTRATE TO WRITE this because her little sister will NOT shut up she will NOT shut up SHE WILL NOT SHUT UP and Roberta is about to BASH her little sister’s HEAD IN IF SHE DOES NOT SHUT UP AND—

  Now it is later.

  Now Roberta is back from just getting in huge trouble for throwing the Cutex Nail Polish Remover bottle at her sister. Roberta was aiming at her sister’s ARM but it wailed on the sister’s HEAD by accident. Roberta was trying to explain to the mother it was an ACCIDENT! AN ACCIDENT! But the mother never believes anything Roberta says anymore since the night the mother got called to the emergency room where the author was tripping out on drugs very badly and the mother started screaming, “DRUGS?!! DRUGS?!! DRUGS?!!” and the cords on her neck were sticking out extremely and she had to be restrained by others to keep from killing the author, and the police kept sticking their freaky heads in close to the author’s face and their breath was quite squidly and they kept saying, “Where did you get the substance, Roberta, who gave you the substance, Roberta, where did you get it, the substance, Roberta?”

  And in the next cubicle the restrained and tripping Vicky Talluso was screaming, “DON’T YOU NARC ME OUT, ROBERTA! IF YOU NARC ME OUT I SWEAR TO GOD I WILL KILL YOU!”

  But the author didn’t want to narc anyone out. All she wanted to do was deliver the fantastic message of Truth plus Magical Love equals Freedom, but this was obviously a message the police and the mother could not comprehend.

  And rushed to the operating room was the Love Interest, also tripping violently and hemorrhaging internally, and it was not looking good for the Love Interest, and the police were asking me if I had any information, did I know how he fell, how long he was laying there, about the slashes, the knife wounds, about his hereditary medical condition, did I know where his parents were, did I have any information at all besides the fact that he was the love of my life?

  Meanwhile, back at the ranch where the author was getting screamed at by the mother for ACCIDENTALLY bashing IDIOT SISTER JULIE on the head with the nail polish remover, AN ACCIDENT, the author was sitting very still on a ripped kitchen chair and staring at the chunks of crud on the floor. The mother is what they call a main character. The mother is a very main character who says I live to torment her, that I only wailed the Cutex Nail Polish Remover bottle at the head of Julie because I want to torment her, who says the reason I do anything is just to torment her.

  Now you need to know the scenery. First the house. The address. 1619 East Crawford. A rental in a row of rentals all the same, all very hideous on a dead-end road between Black Cat Lumber and the illegal dumping ravine. People have been heaving off old mattresses and old stoves and dead dogs ever since I can remember even though there is a huge nailed-up sign that says NO DUMPING! VIOLATORS WILL BE PROSECUTED! But in all the time of our living here I have never seen anyone get prosecuted once. I don’t think a prosecutor even exists.

  In the garbage ravine there is a nude man who crouches among the trash piles and his name is Old Red and he has very yellow skin like freezer-burned chicken and his thing in life is to suddenly run out and do a two-second display of his dinger and then run back in. People say he is actually a businessman, an executive at Boeing, very high up. I have never seen Old Red, but I believe in h
im. There have been nights when I have heard the drifting sound of his lonely yodels.

  Our house slants. Like if you lay a jar on the floor of the kitchen area it will start rolling very rapidly. The back of the house is shoved right into the dirt of the hill and the front is on sinking wooden legs and there are scabby gray streaks all over the beige paint and wet chunks of mold growing all over the roof and there is a broken TV antenna that turns in the wind and makes noises that will freak the bravest person out.

  There are a lot of trees behind the house, mostly scrub maple and pine and a lot of nasty smells that come from the garbage ravine and more nasty smells that come from the mud in front of the house and all day there is the sound of the loudspeaker calling in the lumberyard for Mike. Mike to the front desk. Mike, you got a call on line three. Mike to the loading dock. And I have watched out of my window to see which one is Mike, which one of the men on the forklifts inserting the smashed-flat Dracula teeth under stacked loads of wood is Mike, but every time they call for Mike a different guy goes inside. Maybe they are all Mike.

  In our backyard is a rusted-out oil barrel hooked to the house and a T-pole clothesline with a hole in the metal of the T-pole called a weep-hole. It is there for drainage and ventilation but it also sometimes catches the wind and makes a sad “hoooooo-hoooooooo,” sound, very lonely. And there is also the “hoooooooo-hoooooooo” of the trains passing on the other side of the hill, and once when I was just standing in the backyard I heard the T-pole and the train hooooooo-hoooooooo at the same time and my eyes went instantly wet, for what reason I do not know.

  There is no sidewalk on our road. Just mud and mud and mud. The mother says there is something wrong with the ground. It bubbles. Julie says a shrunken man inhabits the mud and she has seen his face rise to the surface and she has seen the whites of his eyeballs opening at her, she has seen his muddy lips and freaky teeth and he tries to speak to her but she always runs inside before he can deliver his message. Julie is not the kind of person who makes things up and she swears it is true about the shrunken man.

  I said, “Julie, you are lying.”

  She said, “Roberta, I am not.”

  I said, “If you are telling the truth then poke this pin into your hand.”

  Julie shoved it in all the way to its head. That is her style. And so I have been freaking on the possibility of the existence of the rising shrunken man because the way Julie did that pin thing was so sincere.

  East Crawford is a road of trash people. Teeth missing and greasy two-color hair on the women and regular greasy hair on the men and all of the people come in two sizes only, very fat or very skinny. And all of them are hacking and all of them are huffing on cigs constantly. I smoke too at times. So does Julie. It is very hard not to smoke here.

  There’s a lot of dead cars parked sideways and some are filled with junk to where it is pressing against the window glass and there is green mold growing on the junk. There are rotten porches and slamming doors and constant yelling inside the houses and constant yelling outside the houses and two doors down there are two little fish-faced girls who just stand in the mud and do contests of who can scream the loudest.

  And the people are constantly falling. Falling down all the time. In the yard, in the mud of the road, out of cars, down the steps of the houses, and two nights ago the saggy underwear man next door was on his porch screaming “I AM what I AM and that is ALL I AM and I AM IT !” and then he fell over the side rail and into a bush.

  The owner, the landlord of all the houses is Harmong. Mr. Harmong is the cheapest chintziest most pig-lipped tightwad skanked-out lardo king landlord of all time. He weighs sixty million pounds and has to walk with a metal cane with four legs on it just to keep from falling over from his personal fat, which also makes him wheeze and choke and who has face skin that looks like it was rubbed with greasy pink Brillo and who wants the actual cash rent laid in his actual hand on the first day of every month, which is the job the mother makes me do while she locks herself in the bathroom until Mr. Harmong goes away.

  The last time he was here he clamped his fingers on my hand tight and stuck his pig lips out and asked me if I was old enough to have a boyfriend. I said no. He said he better not see no coonasses sniffing up after me because he has people watching us. He says he has people watching every last one of us. The saggy underwear man is his chief spy. Always walking the porch in droopy drawers and looking our way.

  For the inside of the house there is not much to say. The bottom floor is just one room. There is a kitchen area and a living room area. There is the mother’s TV and the mother’s chair and the mother’s lamp. All new. All fancy. Presents to her from the grateful people at her hospital. The mother is a nurse at Veterans.

  There is a very skanky rug in the living room area that Mr. Harmong actually had nailed to the floor to keep anyone from stealing it and some of the nail heads have worked themselves up and Julie and I have snagged our toes on them many times. I have a certain rock I brought in just to use on the nail heads but they won’t stay down. Even the nails are trying to get out of this place.

  The only other mentionable thing is a gas furnace, big and brown with dented and taped-over ducts and bubbled-up scorch marks up the side, caused by a thing called roll-out. When the furnace comes on sometimes flames shoot out orange into the room. Supposedly it’s not dangerous. Mr. Harmong says it’s nothing to worry about. He says if it gets out of hand, throw some baking soda at it.

  Where the mother was screaming at me was in the kitchen area. The walls look like gray velour from the layers of grease and dust. There are swaying cobwebs hanging. The refrigerator is very loud and it leaks and it shakes. The final thing to mention is the kitchen table with fake wood patterns which can look very lively when you are tripping on certain substances; you can see moving heads in the patterns, nodding at you, giving you advice. And even though the author was not on any substances while she was just getting screamed at, out of the corner of her eye she could still see the lively heads moving under the plastic surface of the tabletop. It turns out that once your mind gets expanded it is very hard to shrink it back down again.

  Out of the other corner of her eye the author could see Julie sitting at the top of the stairs and smiling because she was happy the mother was screaming at the author. Julie was almost laughing at the scene because JULIE IS EVIL, SHE IS AN EVIL PERSON.

  The author was sitting very still in a blue-flowered Sears nightgown with one rip under the arm caused by the author insisting on sitting with her knees up and the nightgown pulled tight over her knees which she knows causes rips but she does it anyway because she has NO RESPECT no GRATITUDE because she thinks THE WORLD REVOLVES AROUND HER plus she is a stupid, stupid idiot because she is barefooted, what if she stepped on a needle, one of the mother’s dropped embroidery needles? What if she stepped on a needle and it went right into her foot and Roberta would not feel it and the needle would rise and rise and rise through the veins leading up to the heart and then the needle would STAB HER IN THE HEART and Roberta would DIE and it would be VERY PAINFUL, this according to the nurse mother, a medical expert on Freaky Ways to Croak. It was the mother who stole the Stedman’s Medical Dictionary Golden Jubilee Edition even though it had HOSPITAL PROPERTY DO NOT REMOVE stamped all over it in red. A book the author has fallen in love with and reads at night during the lonely hours.

  The mother shouted that she knew several people who died from the Rising Stab of the Unfelt Needle, or RSUN, she has seen cases of it many times and not ONE PERSON HAS SURVIVED IT.

  And the author sat very still but she was thinking AS IF!!! As if I wouldn’t feel a needle go into my own foot. As if I don’t have enough vein biology information to know a needle would never make it to my heart. AS IF! AS IF! AS IF!

  But Roberta kept her mouth shut and her eyes on the floor where she continued her study of the chunks of crud. She did not make a peep while the mother blorked out her fake medical information in horrible breath explosio
ns.

  The author has a very sensitive nose.

  Once in the olden days of Roberta’s life there was a dog named Cookie. And the mother was also always screaming at Cookie for everything, smoking and screaming because Cookie had incurable skin problems caused by the mange creature Demodex and Cookie was always itching and scratching and all her hair was rotting off and wet scary dog scalp was showing and the sound of the chewing got on the nerves of the mother who threw things at the dog and shouted, “YOU AGGRAVATE ME!” And then the mother said Cookie had to go and Roberta begged and begged her no but all the mother did was wait until Roberta went to school and when she came home there was no Cookie. Instead there was a bag of white-chocolate stars from the famous candy place beside the Aurora Bridge. The famous dumping and jumping bridge. And the mother had bite marks on her hand and she said to Roberta, “Have a candy star.”

  I said, “Where’s Cookie?”

  She said, “I have no idea.”

  And Roberta stood on the porch and called and called until the mother yanked her inside and shouted, “You want to call that dog? Here! You call her!” And she grabbed the telephone and bashed the receiver into Roberta’s face. A broken nose. A boxer’s nose. One of my many distinctive features. My sense of smell has been very sensitive ever since.

 

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