by Richard Ford
“Like what?” Matthews said. “Like church? We were Protestants. We gave at the office.”
“Not like church,” Helen said languidly. “I went to church. That's not the same as spiritual. I mean a conviction about something good that you can't see. That kind of thing.”
Matthews thought about Lelia. She came to mind, surprisingly. He hadn't seen her in more than a year and a half, and wasn't sure exactly when he would again. Her future, he felt, was something he believed in, although he wasn't currently acting on it. But he didn't want to say that to Helen. She'd turn it on him, as she already had.
“I do. Yes,” he said.
“And what would that be?” Helen said. She inscribed a little rainbow with her finger on the sweated window, fastened her gaze outside on the sky full of snowflakes.
“What would that be?” Matthews said. “Well. I have a conviction about the idea of change. I believe things change for the better. If they can. Sometimes we think they can't, so that's where the faith part comes in.” He didn't know why he'd said that and in that particular way—as though he were explaining it to a student. Only it didn't sound lame, and now that he'd said it he was satisfied it was true. He wished Penny could've heard it. It would've fixed her good.
“Yes, well,” Helen said as the blue neon sign of the Nouvelle Métropole materialized out of the night. “That wasn't what I wanted, but it's what you said. So I accept it. It's vague. But you're a little vague.”
“Maybe I am,” Matthews said. “I could be.”
“And what of it, right?” She looked at him and smiled a not very friendly smile.
“Right,” he said in the dark taxi seat. “What of it, is right.”
IN THEIR ROOM, the air was dank-smelling and cold again. It was past the hour when heat came in the pipes. Bed was the only place to find warmth. Possibly Paris was not always this cold now, Matthews thought.
Helen went in the bathroom and closed the door and locked it. He heard her running bathwater, heard the toilet flush several times, heard what might've been vomiting but could've been only coughing. Helen hadn't eaten, but she was ingesting medicine of some kind, and that could make you nauseated. She was in pain, he felt sure. She acted as if pain was her companion. Cancer meant pain, and those bruises on her legs were from the cancer she'd had but didn't, reasonably enough, care to discuss.
He did not, in truth, know what to do with himself in the tiny, cold room. Some fearful tension had been alerted in him, and Helen's importance (what else could he call it?) in the overall scheme of things had overshadowed his own. He sat down on the bed and tried to envision his upcoming visit to his translator, but none of that was interesting enough to be distracting. He tried to think about Penny and Lelia, in the middle of their happy day. Christmastime—what was it like in the Bay Area? That didn't hold, either. Helen was possibly in some dire way, and that seemed what everything was about. Best to give into it, yet quietly hope he was wrong.
He got up and tried to move his suitcase in such a way that Helen could walk out of the bathroom and straight to the bed without stepping over part of it. To do that he had to close it; but even closed it had to lie on top of hers, which made the room neater but rendered the suitcases inaccessible. They needed to be opened and on the floor to be available, only then the TV or the bathroom couldn't be reached. He decided to leave them stacked, for convenience’ sake.
He did not, however, want to get into bed. Helen would not be up for sexual shenanigans, but to be in bed when she appeared could indicate that he was, which could cause problems of an unpredictable character. Helen had recently made some nasty cracks about how full-throatedly eager he was for the kind of sex she specialized in—“grown-up sex,” she called it; or, other times, “sex without hand-holding.” Possibly he had been less than full-throated about that. For some reason, women all seemed sexually insatiable now. A woman at the college, a professor of economics he'd had an encounter with in the first bewildering week after Penny's departure, had needed to be fucked all the time, which he hadn't much liked. It had made him hesitant. There was no meeting, nor was one even wished for. To deny her anything had been deemed a vicious insult. Women had always been able to say “No,” or “Let's go slow at first,” or “I'm not ready”—whatever they wanted. And men had been required to think it was fine. Now men couldn't say those same things without pissing everybody off. So, if he got in bed, Helen would in all likelihood taunt him for wanting sex when it was obvious she wasn't interested, even if he wasn't interested either. Of course, it was also possible she might be interested—bruises, pain, jet lag, nausea, cancer—who cares. She might think of it as analgesic. It was another reason to stay out of bed, though he was tired and ready for sleep.
He walked to the cold window and peered out again. He could feel both the cold from outside and the last vestiges of heat in the boxed radiator below the sill. Outside, however, the air was all snow and blackness. He could see the Montparnasse Tower, most of its office squares lighted. Cleaning was going on there, like anywhere. But the Eiffel Tower was still absent from where he thought it should be. Lost in the snow. Possibly closed—though now would be the time to visit it, when the City of Light was lighted. He would certainly go back there when all this was over.
Only a few cars trafficked along rue Froidevaux. Not that it was so late—midnight—but no one wanted to drive through snow in Paris. A police car motored slowly past, its blue light flashing, bound for no emergency. Someone on a motor scooter parked at the curb and came straight inside the hotel. Someone who'd made all the racket yesterday, he thought. The night shift.
He watched a small man appear from the right on foot, possibly from rue Boulard, a man with what looked like a bedroll or a sleeping bag slung to his shoulders, a man in boots, with a long coat, capless. He crossed rue Froidevaux, through the line of sycamores, and walked down the cemetery wall until he was almost lost from sight halfway between the yellow circles of streetlamp lights. He stopped, lit a cigarette, exhaled smoke, turned and looked up and down the mostly empty street, then deliberately stepped to the wall, adjusted his bedroll higher on his shoulders, gave a last look around, and very efficiently but still deliberately scaled the wall and slipped down out of sight to the other side.
Matthews put his nose close to the frosted glass and stared out into the cemetery garden, so jammed with white stone slabs and prim little burial chapels as to appear full, though yesterday of course a place had been found for one more. That grave—in the clutter of others and in the snow and darkness—he could no longer find.
He waited for the man to reappear, searched all along the quadrant of what he thought was the Jewish section, near the man's entry point. But there was no one. The man had come in secretly and then disappeared. Though no doubt he was staying near the wall's interior shadow. There would be a guard inside, a patrol against this very sort of violation—fines exacted.
But there was a movement then, a flicker of darker shadow among the pale, flat monuments. A zig and a zag. Matthews almost didn't catch it, since it came far to the right of where the intruder had intruded, in a remoter corner of the cemetery, just inside the wall where rue Froidevaux intersected with a smaller, nameless street. It was only a flicker, a slight interruption in the snowlight. But it showed again, and then Matthews could see the man—or perhaps another man with a sleeping bag on his back. And he was darting and crouching, then quickly slipping behind a burial vault, then hurrying out the other side and ducking again, falling once, or so it seemed, then scrabbling on hands and knees to regain his footing and casting himself first this way, then that, as if something, something Matthews couldn't see, was dogging him, trying to drive him out of the place, or worse.
Matthews watched, his nose to the frosted pane, until the man had darted and skittered and cowered along the cemetery wall almost to the point of invisibility in the snow and dark. But then, all at once, the man halted before one of the steep, peaked-roof mausoleums, no different from a hun
dred others. He turned and, as he had outside the wall, looked one way and then the other, then he carefully opened the heavy grated gate, stepped inside, closed the door and was visible no more.
“What time is it in California?” Helen said. She was in the bathroom still, standing at the little mirror, examining herself. He hadn't heard the door open.
“I don't know,” he said. “Why?”
“I thought you were standing there thinking about your wife and daughter.”
“No,” Matthews said, facing her across the cold, newly neatened room. “I was watching a man break into the cemetery.”
“That's a switch. Most people want to break out.” Helen had on pink, silky pajamas with dark piping, apparel he'd never seen her wear. Usually she slept naked. She brought her face close to the bathroom mirror and opened her mouth to see inside it. “Mmmmm-mm,” she said.
Matthews wanted to be agreeable if that's what she wanted. He felt sorry for her. He thought he should feel sorry for both of them.
“I'd like to make love,” Helen said, still scrutinizing herself up close, “but I'm too tired.”
“That's all right.”
“Take a rain check,” she said. “Or a snow check.”
“Okay,” Matthews said.
“I put on pj's so you wouldn't have to see all my ugly bruises.” She sighed at her image. “There's others.”
“That's okay,” he said. Somewhere in the sky outside, he could hear the rumbling and high whistle of a big jet settling out of the snowy night. Some oddity in the wind must've brought such sounds in. But if he looked, he knew he'd see nothing. He and Helen could be most anywhere.
“I would've liked to go dancing,” she said. “I am a very good dancer. We've never danced. We should've, one time at least.”
“Can't we dance later?”
“Oh. Maybe,” she said. “You know what I said about eras? Whatever it was Bea didn't like. That was right, though, wasn't it? There aren't any eras. There's just one time, all together.”
“I never thought about it,” Matthews said, the jet rumbling on at a distance, lower and lower.
Helen walked out of the bathroom in her bare feet and came to the window where Matthews was and looked out. She smelled warm and fragrant. The bottom strands of her hair were damp. And he felt happy at that moment just to put his arm around her bony shoulders and draw her close to him. “I'm going through the change of life. Plus I have cancer,” Helen said without inflection. “You'd think one of those would give me a break.” She didn't return Matthews’ embrace, didn't seem to notice it, just gazed into the stilly floating drama of snow. She was merely beside him here, no more.
But he felt, for that instant, stunned. And if she hadn't been in his arm's protection, he thought, he would've shouted out. A complaint. An objection. Some recounting of votes. How could anything else be important now? His worries, his hopes, his travails in life? Everything gave way to what Helen had just said. She could even have said something less important to her, and it would still have banished his concerns in a heartbeat. What was that quality? he wondered. A flair for the dramatic? An attitude that brooked no resistance? A certainty above other certainties? Whatever it was, he lacked it, definitely lacked it, at least in the quantities she possessed it.
But the result was to make him feel fond toward her, fonder than he'd felt in the entire year he'd known her, even at first, when she'd been his student and they'd fucked in his old house on Hickory Lane, and it was all excitation and sweating and plunging efforts. He liked her more now than he no doubt ever would. She set things in proper perspective regarding importance and unimportance, created a priority using her own life—a standard. And in all the ways he had wanted not to be at the center of things, he was not now, and what he felt was relief.
“Look, there's one little Christmas tree.” She was gazing at the high apartment window across rue Froidevaux. “Weren't we supposed to make up a song? Christmas in Paris, da-dee-da, da-dee-da-da. You were going to write the words.”
“I'll do it tomorrow,” Matthews said. The dark little triangle of the tree, its orange and red and green lights twinkling through the snow and night, was perfectly outlined in the apartment window four floors up. To look at it provided a moment of purest pleasure.
“I think you're afraid of me. But for another reason now,” Helen said.
“No, you're wrong,” Matthews said with certainty. “I'm not afraid of you at all.” He pulled her closer, felt the silk over her shoulders, took in the warm and slightly pungent aroma of her body. He could've made love to her now. It would've been easy.
“Then what do you feel?” she said. “About me, I mean.”
“I love you,” Matthews said. “That's how I feel.”
“Oh, don't bring that into this,” Helen said. He could feel her go limp, as if he'd insulted her. “Dream up something else. Think of some better words. Those weren't supposed to be in our deal.”
“Then I don't know what else to say,” Matthews said, and he didn't know.
“Well, then don't say anything,” Helen said. “Share the happy moments in silence. Leave words out of it.”
“I'm supposed to be good at words.”
“I know,” Helen said, smiling at him thinly. “You can't be good every time, I guess.” She kissed him on the cheek, had a quick look back at the snowy night, then took herself to bed.
IN THE NIGHT, Matthews slept deeply again, a sleep that knew nothing, a sleep like death. Though after a time he knew he was asleep and wanted only to stay. He was aware of Helen leaving the bed, dropping something on the bathroom floor, saying something, possibly a laugh, then finding the bed again.
He slept until he needed to use the toilet and got up. But when he'd finished he put his face to the little bathroom window, which gave onto the air shaft. The snow, he saw, had stopped, and moonlight again was bright. Everything joined at the backs of the buildings, and some draft of air was making a flap of tin or steel rattle softly below. Across the open space he could see a lighted apartment, where four people—young French people, of course, two women, two men—were sitting on couches, talking and smoking cigarettes and drinking beers out of glasses. The light inside was yellow, and the room next to the sitting room was lighted also. There was a bed there with coats laid on top, and on the side opposite was a bright kitchen, with a window box of what might've been red geraniums. What time was it? he wondered. These people were talking so late. Or possibly he hadn't slept long, only deeply. He was sure, though, that soon he would see one pair depart and the other two begin straightening the house and preparing for bed. It would be satisfying to watch them, and not to see them undress or make love or argue or bicker or embrace, but just to watch them do the ordinary things, go about life as always. It would be so telling to see that. Over the years, he felt certain, others had done what he was doing: watched—perhaps watched these very people—and stolen about these strange rooms at late, undetermined hours, feeling desolate. Elated. Angry. Bewildered. Then taken some satisfaction to bed again. He shared this experience. Probably even with Langston Hughes—he didn't know why he'd thought of him—but with many others. They had all done this, in Paris, in this very bathroom. You only had to be here to share it.
Walking back into the dark sleeping room, he felt, in fact, elated and didn't want to go to bed again, though he was cold. An unusual spicy, meaty cooking smell came from somewhere. He thought he heard a voice laughing and the snap of shuffled cards. The room had moonlight in it, and the air was light and luminous. He sat in the chair and stared up at the Arab art, then stood and looked more closely—at the camels, the oasis, the men sitting talking. It all fit. The drawings were subtler than he'd realized. He had thought of this room as a pit, a hole, a cheap and dingy last-ditch. But he felt better about it. He could stay here. If Helen went on, or went home, he could take the room for a month. Things could change. The hotel would take on another character under other circumstances. He could provide a table and writ
e here, though he had nothing in mind to write (Madame de Grenelle might prove important for this). Though there was no way to know until you tried. He'd seen photos of the rooms of famous artists—almost always in Paris—and they were all worse than the Nouvelle Métropole. Worse by a multiple of four. Yet in retrospect they seemed perfect, each a place you'd want to be, the only room that this novel or that poem could ever have been conceived in. You trusted your instincts. That was all. He tried to think of the line that ran through his head from time to time. Where was it from? He couldn't remember the line now, or who had written it.
He looked at Helen, sleeping. He came close, leaned over her, put an ear near her face to learn if she was there still, heard her breath, brief and shallow. She took pills. They could take you away. He would need to find a doctor tomorrow. There would be some numbers to look up in a book.
She was wrong, he thought, to keep him from disclosing his love. That had been what he felt and should've been allowed to say. Love was never inappropriate; it hurt nothing. It was not, of course, the spiritual thing she'd asked for, nothing like that. If he'd said “love” then, she'd have burst out laughing.
Somewhere down in the street a loud sound erupted, a pop, but a pop that was also a boom, like nothing he'd exactly heard before. He sat again, very still, waiting for other noises, following noise, his thoughts interrupted.
Helen lay as she had, on her side, though her eyes were open. She was staring at him, just seeing him.
“Why are you awake?” he said softly. He got down on his knees by her and touched her face, touched her cheek, which was cool.
“What are you doing?” she said without moving, almost inaudibly, then sighed.
“Just sitting,” he said.
“Tomorrow seems like an odd day, doesn't it?”
“It'll be fine. Don't worry about tomorrow,” he said.
