“Stay,” I say to Rocky. “But let Martha go.”
He shakes his head, starts to speak, but Martha interrupts him, suddenly composed, calm, clear as daylight. “Go?” she says. “Go where?”
That I cannot answer. The woman is waiting in a burning parking lot for an imaginary line of cars, and I have no better option for her. McConnell’s country cop shop is not mine to offer. My own house was stripped from boards to beams. The world is running out of safe places.
“Thank you, Henry,” says Martha Milano, and leans forward and kisses me gently, leaving the barest trace of lip gloss on my cheek. I raise one hand to touch the spot with two fingers. She’s gone already, clutching her father’s solid arm as he leads her back inside to wait for doomsday.
“I’m so sorry, McConnell,” I say, as I dive back into the Impala. “Let’s go.”
EPILOGUE
We all hear it at the same time. It’s the middle of the night and the house comes to life, cops rolling out of bed or leaping off mattresses, jamming guns into the waistbands of sweatpants; cops sticking their heads into the bedrooms crowded with kids, whispering “stay where you are, guys” and “everything’s fine”; cops streaming outside to back up Officers Melwyn and Kelly, who are on porch duty tonight and are therefore the commanding officers on the scene, per our agreed-upon rules of engagement.
“Three sharp crashes,” barks Officer Melwyn, holding his Beretta up against his chest, addressing the group. “On the property or just over the line.”
“We need a team for the south lawn,” says Officer Kelly, everybody nodding, weapons drawn. I’m carrying a SIG Sauer now, the same handgun I used to carry on patrol. We’re breaking into clusters, getting ready to move, when we all hear the noise again: a loud crashing, like metal on metal, and everybody freezes.
“It’s a bear,” says Officer McConnell.
“What?” whispers Melwyn.
“Look. Bear.”
We all look, the group of us, a crowd of cops on a porch in the western woods of Massachusetts at two, maybe three o’clock in the morning, flooded with adrenaline and staring at the massive lumbering figure of a brown bear pawing at the door of the shed. It’s one of our several outbuildings, and it houses blocks of ice, barrels of raw sugar and salt and dried oats, boxes full of iodine tablets and bleach, stores of ammunition and a few pounds of explosives. For a second we are all paralyzed, awed by the burly majesty of the bear. It gives up on the padlocked shed and lopes across the lawn, making its shaggy way back toward the surrounding brush.
“Beautiful,” whispers McConnell.
“Yeah,” I say.
“We should shoot it,” says Capshaw.
No one objects. Officer Capshaw steps down off the porch, a big man with a moon of a head and a buzzed scalp. He aims a rifle in the moonlight and brings down the bear with two quick shots, pop, pop.
Volunteers are asked for to skin and dress the bear, and the rest of us go back to bed.
* * *
What the children decided, after much debate and discussion, was that the big converted-barn country house in Furman, almost at the New York state line, should just be called Police House. Some of the younger kids spent a whole afternoon in secret, in the area of the barn designed for arts and crafts, painting an elaborate sign for Police House, with golden badges, arcing rainbows, peace signs, and sparkling silver stars. Among the adults there was intense debate, much to the children’s consternation, about the wisdom of hanging such a colorful display above the eaves of what is, after all, a hideout. I was among the most skeptical. Trish, however, took the kids’ side: “It’s not like we’re inconspicuous anyway, right?”
We are nineteen adults and thirteen kids altogether: all policemen and policewomen and police spouses and the children of police, plus three members of the support staff, including Rod Duncan, the saturnine but beloved ex-con who served as the CPD janitor for twenty-nine years. The children range in age from four to fifteen. Houdini is not the only pet: there are two cats, one rabbit, and a goldfish bowl that was transported effortfully by Officer Rogers’ nine-year-old twins, balanced on laps for two hundred forty miles at ninety miles an hour. There is also a massive sheepdog named Alexander, the property of a patrolwoman named Rhonda Carstairs. Alexander is a shambling old creature with watery eyes and a befuddled expression who, despite being ten times Houdini’s size, follows my dog around like an aide-de-camp.
Despite the size of the house and its attendant outbuildings, sleeping space is limited, and at some point Officer McConnell and I made the mutual decision, with very little discussion, to share a bedroom. I asked her if she felt it was important to have a conversation with Kelli and Robbie about this, maybe offer some delicate explanation of the change, but Officer McConnell said no.
“They like you,” she says. “They’re happy.”
“Are you happy?” I say.
“Well, shit.” She leans against my torso. “As happy as it’s gonna get. How’s the arm?”
“I can feel it. When I poke it, it hurts.”
“So stop poking it.”
This was a Saturday morning, last Saturday—we were standing on the porch watching Kelli and two of the other kids on an improvised parade, with Houdini yipping along beside them like he was Secret Service protection, Alexander shambling behind.
* * *
Officer Capshaw and I are the guards on duty, and he is in the woods just past the property line, urinating against a tree, when a slow-moving vehicle appears in the distance, a dim bobbling light a hundred yards or so down the one narrow lane that approaches the house.
I stand up. Houdini stands up, too, tail at a sharp angle, snout pointed out toward the road, toward the strange noise we’re hearing now: the unmistakable clip-clop of hooves along the roadway.
Houdini barks. “I know,” I say. “I know.”
It’s a horse and carriage, appearing out of the darkness as if from the pages of a fairy tale, rattling along the graveled county road toward the house. Perched on the seat is Cortez, grinning, in a top hat, holding the reins of a speckled mare with comical gentility.
“Oh, hello,” he says, reins in the horse and tips his hat. He’s wearing his hair in a loose ponytail, like Thomas Jefferson.
I keep the gun raised. “How did you find me here?”
“You don’t want to know how I got the carriage and the horse?”
“I want to know how you found me.”
“Fine.” Cortez climbs out of his gig and tosses the top hat onto the porch, as if he’s been living here all along and is very happy to be home. “But the horse story is better.”
“Keep your hands where I can see them, please.”
He sighs and obeys, and I ask him again for the story. Turns out there’s a young officer named Martin Porter who was part of the original Furman-house plan but dropped out when he met a girl in Concord who wanted to go to Atlantic City because she’d heard about a countdown party getting going down there. Cortez knew Porter because Porter had a bunch of crystal meth he’d gotten from the evidence room before it was sealed, and Cortez had been selling it for him, fifty-fifty split, to some beach junkies on the Seacoast.
“Anyway, last week Ellen and I had a bit of a disagreement.” Cortez waggles his left hand, and I see in the dim light of our outside torches that the tip of his pointer finger has been shot off. “And she got custody of our Office Depot. Porter tells me about this crazy hideaway in the woods, for policemen only! And I thought to myself: Hey, I know a policeman.”
I am trying to formulate a reaction to some part of this story when Capshaw returns dramatically, bursting out of the woods with his gun drawn and aimed at Cortez.
“Put your hands in the air,” he barks.
“My hands are already in the air.”
“Who the fuck are you?”
“It’s okay, Capshaw,” I say. “I know him.”
“I didn’t ask if you know him, I said who is he?”
Capshaw is al
l keyed up, ready to make an arrest, build a jail and toss this guy in it. He’s red faced, stormy eyed, brow furrowed under his crew cut. His T-shirt says Señor Frog’s Spring Break Fiesta Cancun 1997.
“Hey, you know what you should do?” says Cortez mildly. “Search the carriage.”
Capshaw looks at me and I shrug. He does it, stomps down the porch steps and begins rifling through the carriage while the horse shivers and tosses his head in the darkness. I keep the SIG Sauer pointed at Cortez as he leans against the rail of the porch stair, hands still in the air, unconcerned, humming. “Golden Years.” David Bowie.
“Clothing. Personal effects,” reports Capshaw, zipping closed a small black toiletries bag and tossing it in the dirt.
“There’re Ecstasy pills there, too,” says Cortez, to me, confidentially. “He missed the Ecstasy pills.”
“Cooking oil,” says Capshaw, taking out two big plastic drums. “A box full of magazines.”
“Mostly that is pornography.”
“Knives,” says Capshaw. “More knives.”
Cortez looks at me, winks. “He’ll find it in a second. Don’t worry.”
And then I hear it, a thick rustling sound like quarters in a casino cup. Or beans. My God. Beans tumbling over one another in a foil package. My heart catches in my throat, and Cortez grins. Capshaw looks up in amazement, tosses the bag back and forth in his hands, feeling its weight like recovered pirate treasure.
“Coffee beans,” he says, gaping up at Cortez, who takes his hands down from the air.
“Many hundred pounds of them. You want to know where I got them? It’s a great story.”
* * *
Most days, as we get closer to the end, I am content to just be, to wait, to enjoy the company of McConnell and the others, to conscientiously perform the share of tasks that fall to me. And I am usually successful in my efforts to keep my mind focused on the immediate present, on whatever event or requirement comes next—to see not too far into the future, nor too far back into the past.
We tend to get up early, McConnell and I, and it’s morning now, and we’re drinking coffee in the kitchen and looking out the window at the lawn, the sheds, and past that the wooded expanse of the world. The very beginnings of autumn in western Massachusetts, the green trees goldening at their edges. Trish is across the table, telling me about an irritating conversation she had last night with Officer Michelson.
“I’m serious, I was about to fucking strangle the guy,” she says. “Because basically what he was saying is, at this point if it didn’t hit—if there was some last-minute thing, you know, some crazy scenario, like they can blow it up after all, or deflect it, or the religious people pray it out of the sky—Michelson says maybe that would be worse, at this point. You know how he is, sort of smirking, so you don’t know if he’s being serious or not, but he goes, at this point, imagine winding it back. With everything that’s gotten f’ed up, imagine starting over? And I just said, ‘Man, anything is better than death. Anything.’”
“Yeah,” I say, “of course,” and I’m nodding, trying to pay attention, but the moment Trish said the word deflect, my mind exploded with thoughts of Nico: memories of my vanished sister are suddenly everywhere in my head, like invaders pouring across a border. She is four years old and toppling off her bicycle; she is six and staring in confusion at the crowds during the funerals; she is ten and drunk and I am telling her that I will never let her go. The helicopter swoops down to lift me up from blockhouse at Fort Riley, and Nico presses masses of white washcloths into my mess of an arm, tells me it’s going to be okay.
“Hank?”
“Yeah?” I say, blinking.
“You all right?”
In five minutes of talking I tell Trish the whole thing. About Next Time Around, about Jordan and the blonde girl and the computer, about the helicopter. She asks, so I give her what details I remember about the plan itself: the nuclear-standoff blast and the “back reaction”; a sufficient change in velocity with a minimum of ejecta; the secret scientist moldering in the military prison.
“Jesus H. Christ,” says Trish.
“I know.” My coffee is cold. I get up to refill it.
“If the government is so determined to keep this from happening, why didn’t they kill the scientist?”
“Oh, hey,” I say. “Great question. I didn’t even ask that one.”
“Listen, you can’t beat yourself up about it,” murmurs Trish. “If she was going to go, she was going to go.” She had met Nico a couple times over the years—at cop parties, at the station, at my house once or twice.
“Go where?” says Kelli, wandering in in her Sleeping Beauty nightgown.
“Nowhere, honey.”
Kelli is holding hands with her brother, and she opens the pantry to get them snack cakes. Police House follows a strict “kids can eat whatever they want” policy.
“You should go and find her.”
We hadn’t seen Cortez come in. He is standing in the doorway, his expression unusually serious.
“Why?” says McConnell, looking at him. They have yet to make up their minds about each other, these two.
“She’s his sister,” says Cortez. “Can I have one of those, please?”
Kelli hands him a snack cake, and he unwraps it while he talks.
“She is family. She matters to him. Look at him. Everything is different. The asteroid will strike in one and a half months. What if she’s in trouble? What if she needs help?”
Cortez studies me while he bites into the snack cake. McConnell is looking at me, too, her hand on my forearm while I watch the steam rise off my cup.
Yeah, is what I’m thinking. What if?
THANK YOU
Dr. Timothy Spahr, director of the Minor Planet Center at the Harvard-Smithsonian Center for Astrophysics; Officer Joseph Wright and everyone at the Concord Police Department in New Hampshire; Andrew Winters
My family at Quirk Books: Jason, Nicole, Eric, Doogie, Mary Ellen, Jane, Dave, Brett, and—seriously—everyone else they got over there
My family at my house: Diana, Rosalie, Ike, and Milly
My agent, Joelle Delbourgo
Smart people: business and economics author Eduardo Porter; Mitch Renkow, professor of agriculture and resource economics, North Carolina State University; Christopher Rudolph at the School of International Service at American University; Joe Loughmiller at Indiana American Water; Dr. Zara Cooper; Dr. Nora Osman; Dr. Gerardo Gomez and his colleagues at Wishard Hospital, Indianapolis; Dani Sher, PA-C, and her colleagues at Mount Sinai Hospital in Chicago; Lieutenant Colonel Eric Stewart of the Green Berets; the folks at Snipercraft, Inc., Sebring, Florida
Early readers: Kevin Maher, Laura Gutin, Erik Jackson, and especially Nick Tamarkin, my own personal Detective Culverson
Colleagues, students, and friends at Butler University, Indianapolis
Colleagues, students, and friends at Grub Street, Boston
And a special thank you to everyone who submitted a “What Would You Do?” essay at TheLastPoliceman.com. Keep ’em coming.
WHAT WOULD YOU DO…
…with just 77 days until the end of the world?
Author Ben H. Winters posed this question to a variety of writers, artists, and notable figures.
Visit QuirkBooks.com/TheLastPoliceman to:
• Read their answers
• Share your own responses
• Watch the book trailer
• Read a Q&A with Ben H. Winters
• Discover the science behind the science fiction
And much more!
Also by Ben H. Winters
BEDBUGS
A NOVEL
Turn the page to read an excerpt
BOOK I
1.
“Hey, Al. Come look at this one.”
Susan Wendt studied the screen of her MacBook while her husband, Alex, paused the DVR and walked over to the kitchen table. He read the Craigslist ad over her shoulder and delivered a qui
ck verdict: “Bull crap.” He cracked his knuckles and scootched behind her to get to the fridge. “It’s total bull crap, baby.”
“Hmm. Maybe.”
“Gotta be. You want?”
He held up a Brooklyn Lager by the neck and waggled it back and forth. Susan shook her head, scanning the Craigslist ad with a slight frown. Alex opened the beer and went to crouch beside her. “It’s one of those where the broker lures you in and then goes, ‘Oh that place? That place got taken yesterday! How about this one? Rent is joost a leeeeedle beeeet more expensive….’” He slipped into a goofy gloss on the thick
Brazilian accent of the most recent broker to take them on a wild-goose chase through half of south Brooklyn. Susan laughed.
“But wait,” she said, pointing at the screen again. “It’s not a broker. See? ‘For rent by owner.’”
Alex raised his eyebrows skeptically, took a swallow of the beer, and wandered back to the TV.
Their apartment search, now two and a half months old, had been her thing more than his all along. He felt that their current place, a one-bedroom-plus-office-nook off Union Square, was perfect. Or, if not perfect, then at least perfectly fine. And the idea of moving, the logistics and the packing and the various expenditures—it all made him want to tear his own head off. Or so he rather vividly expressed it.
“Plus,” Alex had argued, “I’m not sure this is the time to jack up our rent.”
Susan had been calm but insistent: it was time. It was time for Emma to have a proper bedroom, one that wasn’t a converted office nook; time for Susan to have a place to set up her easel and paints; time for Alex to have a real kitchen to cook his elaborate meals. “And rents are a heck of a lot lower than they used to be, especially in Brooklyn. Besides, Alex,” she had concluded, making a blatant appeal to his vanity, “you’re doing really well right now. Come on. We can just look, right?”
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