Praise for
Thief of Glory
“Emotionally riveting and exquisitely raw, Thief of Glory is an unforgettable tale about survival, not just of the body, but of the heart and soul, with an ending that will echo in your mind long after you’ve closed the book. Brouwer is a master storyteller.”
—SUSAN MEISSNER, author of A Fall of Marigolds
“In Thief of Glory Sigmund Brouwer plunges readers into the mysterious embrace of the Dutch East Indies during the convulsions of the Second World War. Few authors have such an ability to immerse an audience in the sights, sounds, smells … and horrors! Brouwer makes you live it … sharing each moment of an exotic and terrifying time and place in a gripping, personal way.”
—BODIE AND BROCK THOENE, authors of Take This Cup
“Sigmund Brouwer’s Thief of Glory is a powerful story, richly told. Young Jeremiah Prins is a complex and fascinating hero, blessed with great gifts and challenged by choices to use them for good or evil. The details of life in a Japanese civilian prison camp are revealed in unflinching but compassionate realism, and the characters depict the human capacity for both great selfishness and great heroism. This is truly one of the best books I’ve read this year.”
—SARAH SUNDIN, award-winning author of On Distant Shores and In Perfect Time
“I’ve been a fan of Sigmound Brower’s books for ages, but Thief of Glory cocooned me in rich words, vivid descriptions, and true-to-life characters, making this book hard to put down. A fan of World War II, I’ve read countless tales, but World War II in the Dutch Indies was new to me, fresh and heart-wrenching at the same time. A true glimpse of light amongst darkness, made even more special due to the inspiration of Sigmund’s parents’ story. Thief of Glory is going on my keeper shelf!”
—TRICIA GOYER, USA Today best-selling author of over forty books, including Chasing Mona Lisa
BOOKS BY SIGMUND BROUWER
FICTION
Broken Angel
The Canary List
Flight of Shadows
Evening Star
Silver Moon
Sun Dance
Thunder Voice
Double Helix
Blood Ties
The Weeping Chamber
Pony Express Christmas
The Leper
Out of the Shadows
Crown of Thorns
Lies of Saints
The Last Disciple
The Last Sacrifice
The Last Temple
Fuse of Armageddon
Devil’s Pass
Dead Man’s Switch
Tin Soldier
MERLIN’S IMMORTALS
The Orphan King
Fortress of Mist
Martyr’s Fire
Blades of Valor
THIEF OF GLORY
PUBLISHED BY WATERBROOK PRESS
12265 Oracle Boulevard, Suite 200
Colorado Springs, Colorado 80921
Scripture quotation in chapter 44 is from the NET Bible®, copyright © 1996–2005 by Biblical Studies Press LLC, www.bible.org. Used by permission. All rights reserved.
This is a work of fiction. Apart from well-known people, events, and locales that figure into the narrative, all names, characters, places, and incidents are the products of the author’s imagination and are used fictitiously.
eBook ISBN 978-0-307-45924-4
Copyright © 2014 by Sigmund Brouwer
Cover design by Mark D. Ford; cover images copyright © Bettmann/CORBIS; Daniel Radicevic/ImageBroker; Superstock/Glow Images
All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without permission in writing from the publisher.
Published in the United States by WaterBrook Multnomah, an imprint of the Crown Publishing Group, a division of Random House LLC, New York, a Penguin Random House Company.
WATERBROOK and its deer colophon are registered trademarks of Random House LLC.
Library of Congress Cataloging-in-Publication Data
Brouwer, Sigmund, 1959–
Thief of glory : a novel / Sigmund Brouwer.—First edition.
pages cm
ISBN 978-0-307-44649-7 (paperback)—ISBN 978-0-307-45924-4 (electronic)
1. Mothers and sons—Fiction. 2. World War, 1939–1945—Fiction. 3. Family secrets—Fiction. 4. Indonesia—History—Japanese occupation, 1942–1945—Fiction. 5. Java (Indonesia)—Fiction. 6. Washington (D.C.)—Fiction. 7. Psychological fiction. I. Title.
PS3552.R6825T45 2014
813′.54—dc23
2014007072
v3.1
Contents
Cover
Other Books by This Author
Title Page
Copyright
Preface
Map
One
Two
Three
Four
Five
Six
Seven
Eight
Nine
Ten
Eleven
Twelve
Thirteen
Fourteen
Fifteen
Sixteen
Seventeen
Eighteen
Nineteen
Twenty
Twenty-One
Twenty-Two
Twenty-Three
Twenty-Four
Twenty-Five
Twenty-Six
Twenty-Seven
Twenty-Eight
Twenty-Nine
Thirty
Thirty-One
Thirty-Two
Thirty-Three
Thirty-Four
Thirty-Five
Thirty-Six
Thirty-Seven
Thirty-Eight
Thirty-Nine
Forty
Forty-One
Forty-Two
Forty-Three
Forty-Four
Forty-Five
Forty-Six
Forty-Seven
Forty-Eight
Forty-Nine
Author’s Note
Photo Insert
Readers Guide
In March of 1957, much in love, with all that they owned in suitcases, a young couple from the Netherlands boarded a ship to cross the Atlantic for an unknown future in Canada, both leaving behind the events of what the Second World War had inflicted on them as children.
As a small girl, she watched German soldiers take away her father for hiding a Jew in their house. Halfway across the world, at about the same time, the boy’s father went from teacher to soldier to prisoner of war, and Japanese soldiers forced the boy’s older brothers onto the flatbed of a truck that left the boy and the other siblings behind.
In Holland, the girl’s father eventually returned, but she endured the remainder of the Nazi occupation without her mother, who had died from pneumonia. In the Dutch East Indies, the boy’s father did not return, a victim of the brutal conditions of forced labor during the building of the infamous Burma railway, and the boy spent the war years with his mother and remaining siblings barely surviving a series of concentration camps.
All these years later, at the time of the writing of this novel, they are still together, still much in love. They have six children, fifteen grandchildren, and six great-grandchildren. In the truest sense, this novel was inspired by that young couple—by stories of their childhoods and by how they lived and loved since that Atlantic crossing—my parents, Willem and Gerda. Because of their example, it was not difficult to imagine another decades-long journey in Thief of Glory, where Jeremiah and Laura share a similar enduring love.
COLONIAL NAME PRESENT DAY NAM
E
Batavia Jakarta
Dutch East Indies Indonesia
Siam Thailand
Burma Myanmar
French Indo-China Cambodia, Laos, Vietnam
Formosa Taiwan
Manchuria China
Malaya Malaysia
ONE
Journal 1—Dutch East Indies
A banyan tree begins when its seeds germinate in the crevices of a host tree. It sends to the ground tendrils that become prop roots with enough room for children to crawl beneath, prop roots that grow into thick, woody trunks and make it look like the tree is standing above the ground. The roots, given time, look no different than the tree it has begun to strangle. Eventually, when the original support tree dies and rots, the banyan develops a hollow central core.
In a kampong—village—on the island of Java, in the then-called Dutch East Indies, stood such a banyan tree almost two hundred years old. On foggy evenings, even adults avoided passing by its ghostly silhouette, but on the morning of my tenth birthday, sunlight filtered through a sticky haze after a monsoon, giving everything a glow of tranquil beauty. There, a marble game beneath the branches was an event as seemingly inconsequential as a banyan seed taking root in the bark of an unsuspecting tree, but the tendrils of the consequences became a journey that has taken me some three score and ten years to complete.
It was market day, and as a special privilege to me, Mother had left my younger brother and twin sisters in the care of our servants. In the early morning, before the tropical heat could slow our progress, she and I journeyed on back of the white horse she was so proud of, past the manicured grounds of our handsome home and along the tributary where my siblings and I often played. Farther down, the small river emptied into the busy port of Semarang. While it was not a school day, my father—the headmaster—and my older half brothers were supervising the maintenance of the building where all the blond-haired children experienced the exclusive Dutch education system.
As we passed, Indonesian peasants bowed and smiled at us. Ahead, shimmers of heat rose from the uneven cobblestones that formed the village square. Vibrant hues of Javanese batik fabrics, with their localized patterns of flowers and animals and folklore as familiar to me as my marbles, peeked from market stalls. I breathed in the smell of cinnamon and cardamom and curry powders mixed with the scents of fried foods and ripe mangoes and lychees.
I was a tiny king that morning, continuously shaking off my mother’s attempts to grasp my hand. She had already purchased spices from the old man at one of the Chinese stalls. He had risen beyond his status as a singkeh, an impoverished immigrant laborer from the southern provinces of China, this elevation signaled by his right thumbnail, which was at least two inches long and fit in a curving, encasing sheath with elaborate painted decorations. He kept it prominently displayed with his hands resting in his lap, a clear message that he held a privileged position and did not need to work with his hands. I’d long stopped being fascinated by this and was impatient to be moving, just as I’d long stopped being fascinated by his plump wife in a colorful long dress as she flicked the beads on her abacus to calculate prices with infallible accuracy.
I pulled away to help an older Dutch woman who was bartering with an Indonesian baker. She had not noticed that bank notes had fallen from her purse. I retrieved them for her but was in no mood for effusive thanks, partly because I thought it ridiculous to thank me for not stealing, but mainly because I knew what the other boys my age were doing at that moment. I needed to be on my way. With a quick “Dag, mevrouw”—Good day, madam—I bolted toward the banyan, giving no heed to my mother’s command to return.
For there, with potential loot placed in a wide chalked circle, were fresh victims. I might not have been allowed to keep the marbles I won from my younger siblings, but these Dutch boys were fair game. I slowed to an amble of pretended casualness as I neared, whistling and looking properly sharp in white shorts and a white linen shirt that had been hand pressed by Indonesian servants. I put on a show of indifference that I’d perfected and that served me well my whole life. Then I stopped when I saw her, all my apparent apathy instantly vanquished.
Laura.
As an old man, I can attest to the power of love at first sight. I can attest that the memory of a moment can endure—and haunt—for a lifetime. There are so many other moments slipping away from me, but this one remains.
Laura.
What is rarely, if ever, mentioned by poets is that hatred can have the same power, for that was the same moment that I first saw him. The impact of that memory has never waned either. This, too, remains as layers of my life slip away like peeling skin.
Georgie.
I had no foreshadowing, of course, that the last few steps toward the shade beneath those glossy leaves would eventually send me into the holding cell of a Washington, DC police station where, at age eighty-one, I faced the lawyer—also my daughter and only child—who refused to secure my release until I promised to tell her the events of my journey there.
All these years later, across from her in that holding cell, I knew my daughter demanded this because she craved to make sense of a lifetime in the cold shade of my hollowness, for the span of decades since that marble game had withered me, the tendrils of my vanities and deceptions and self-deceptions long grown into strangling prop roots. Even so, as I agreed to my daughter’s terms, I maintained my emotional distance and made no mention that I intended to have this story delivered to her after my death.
Such, too, is the power of shame.
TWO
Laura.
Beneath the banyan, a heart-stopping longing overwhelmed me at the glimpse of her face and shy smile. It was romantic love in the purest sense, uncluttered by any notion of physical desire, for I was ten, much too young to know how lust complicates the matters of the human race.
The sensation was utterly new to me. But it was not without context. At night, by oil lamps screened to keep moths from the flame, I had three times read Ivanhoe by Sir Walter Scott, the Dutch translation by Gerard Keller. As soon as the last page was finished, I would turn to page one of chapter one. I had just started it for the fourth time. Thus I’d been immersed in chivalry at its finest, and here, finally, was proof that the love I’d read about in the story also existed in real life.
I was lost, first, in her eyes—unlike many of the Dutch, a hazel brown—which regarded me with a calmness that pulled stronger than gravity. She looked away, then back again. I felt like I could only breathe from the top of my lungs in shallow gasps. Her hair, thick and blond and curled, rested upon her shoulders. She wore a light-blue dress, tied at the waist with a wide bow, with a yellow butterfly brooch on her right shoulder. She stole away from me any sense of sound except for a universal harmony that I hadn’t known existed. So as the nine-year-old Laura Jansen bequeathed upon me a radiant gaze, I became Ivanhoe, and she the beautiful Lady Rowena. Standing at the edge of the chalked circle, I was instantly and irrevocably determined that nothing would stop me from becoming champion of the day, earning the right to bestow upon her the honor of Queen of the Tournament.
As I was to discover, it was Laura’s third day in-country and her first visit to the village. This meant I was as much a stranger to her as any boy could be, but the emotions that overwhelmed her, which she recounted to me years later, were as much a mystery to her young soul as my emotions were to mine.
I would shortly discover that Laura had accompanied her oma—grandmother—on the voyage from the Netherlands. Her oom Gert—uncle Gert—worked for the Dutch Shell Oil Company as a refinery engineer, and his wife had recently died from pneumonia. Laura and her oma had come to help Gert and his large family through the difficult situation.
That morning I surveyed my opponents gathered around her, a motley bunch of boys I’d vanquished one way or another at events where Dutch families gathered to celebrate a holiday or other special occasion. From marble games to subsequent fistfights that resulted from marble game
s, the fathers monitored our battles but wisely kept them as hidden from the matriarchs as we did. I knew all of these boys. Except one.
As the other boys took involuntary steps backward in deference to my established reign, I felt goose bumps run up my spine. The parting of this group had revealed a boy at the center whom I’d never seen before. He was kneeling, with a marble held in shooting position on top of the thumbnail of his left hand, edge of the thumb curled beneath index finger, ready to flick. Left hand.
The marble I noticed too. For good reason. It was an onionskin, purple and white, with a transparent core. The swirls were twisted counterclockwise and that made it even more of a rarity. Inside the chalked circle was an X formed by two lines of twelve marbles. At a glance I could tell none were worth the risk of losing the onionskin. Without doubt, stupidity was not part of this boy’s nature, so either he was very good or he came from wealth that allowed him to not care about the worth of the onionskin.
When he stood, it was obvious that he had two inches on me, and a lot of extra bulk. His arched eyebrow matched my own. Dark hair to my blond. Khaki pants and tousled shirt to my pressed-linen shorts and shirt. Wealth, most likely, against the limited salary of my father’s headmaster position.
I would learn his name was Georgie Smith. He was the son of the American sent to oversee the refinery where Laura’s uncle worked as an engineer. He’d arrived by the same ship that had carried Laura and her oma.
I doubt Georgie’s conscious brain registered the deferential movements of the other boys, but his animal instinct would not have failed to miss it. Or the reasons for it. Like an electrical current generated by rising tension, hatred crackled between us. I believe that had we each been armed with clubs, we would have charged forward without hesitation at the slightest of provocations.
This unspoken hatred was established in the time it took to lock eyes. With effort, I pretended not to see him as I moved to the edge of the chalked circle and squatted. I could feel the burn of his gaze on my right shoulder, as I imagined the caressing smile of Laura warming my left shoulder. It was no accident I had chosen a position that placed me between them.
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