Frank was happy to play fast and loose with the concept of transparency where business was concerned. Anna had known him to take money for jobs he had no intention or was incapable of carrying out properly. She remembered a distraught widow who had probably read one too many crime novels and was convinced that her husband's death in a car crash had not been accidental. Frank took the consultation fee and two weeks' expenses, sat on his backside for a fortnight, then reported back that, after extensive investigation, there had been nothing suspicious about the man's tragic death. Of course, he was unable to supply a shred of documentary evidence to support this assertion, but he assured the woman that, as no law appeared to have been broken, it would have been 'unethical' and 'against ABI policy' to provide details of his research.
Such obfuscation, or what Frank called 'blinding them with science', usually did the trick.
'Nothing you're not telling me, is there, love?'
'Like what?'
'I don't know. Just that we spend our time sniffing around for other people's dirty secrets, so we shouldn't have any of our own, should we?'
'You're bonkers, Frank.'
Three more flyers, three more envelopes.
'Who's Donna?'
'Sorry?'
'Someone called Donna phoned for you yesterday.'
Anna tried to make sense of it. Donna normally used the mobile number, had been told to, and had called Anna on it the day before to tell her about the latest photograph. She must have rung the office beforehand by mistake. 'I don't know who that could be.'
'Didn't sound like one of your mates,' Frank said. 'Sounded . . . older.'
Anna shook her head, as if struggling to recall the name. Perhaps Frank was a better detective than she took him for. She shrugged. 'Well, she'll call back if it's important.'
'So, this new client sounds promising,' Frank said.
'Really?' Anna had become used to tangential jumps in conversation. She put it down to the drink. Something else she recognised.
'It's a matrimonial job, so you might need to dig out the slinky frock again.' He was grinning now, enthusiastic. 'Thinking about it, you should maybe get another outfit or two, go to town a bit. This is a growth area, I'm telling you.'
Another honey trap.
Anna felt sweat begin to prickle on her neck and chest. 'Come on, Frank.'
He held up a black-and-white photo. A head shot. The man's face was ordinary, unmemorable. 'At least this one's not some lardy old bugger, so you know, not too bad.'
'I don't care what they look like.'
'Fair enough, but I thought you were a bit fussier than that.'
'Piss off, Frank.'
He laid the photo down and raised his hands in mock-surrender. 'All right, love, steady on.' He turned back to the computer screen, muttered, 'Time of the month, is it?'
Anna reached for more envelopes and watched the second hand crawling around the dial of her watch. Wondered how easily she could unplug the keyboard from her computer and throw it at him, whether he would have time to get his fat, red head out of the way. Wondered how much longer Donna would continue to pay her now that the police were involved and making a far better job of the case than she was.
Wondered if 'Time of the month, is it?' was the kind of thing that Tom Thorne would say.
In jeans and a thin sweatshirt, Donna Langford stood shivering outside the back door of the flat, staring out at the cheaply paved postage-stamp that passed for a garden, the outline of trees beyond and a scattering of stars against the blackness above.
The house in which she had lived ten years before had come with a garden that she could not see the end of. There had been ponds and statues that were lit up at night and a paddock for Ellie's pony. There had been parties in marquees. Donna closed her eyes for a few seconds, willing away those memories that had come to feel like images from a film she had seen once upon a time.
The story of somebody else's life.
She had always hated those stupid statues anyway and the sky was bigger now than it had ever been at Holloway or Peterborough and Donna wondered if this was where she had always been destined to end up. In this life, somewhere between luxury and lock-up. It seemed a fair enough result, given all the stupid decisions she had made in her life.
She was certain now that, with the exception of Ellie and Kate, most of her decisions had been terrible ones. None more so than when she had decided that she and her daughter would be better off with her husband dead. When she had emptied her savings account and sought out Paul Monahan.
'This is a turn-up for the books, I'll say that.' The man she was asking to commit murder for her had stood up and asked her if she wanted a drink. He had hesitated, smiled. Said, 'I don't know what to call you.'
'I don't much care,' she had said. 'And I'll have a large gin and tonic.'
Donna could still remember the exact date when she had walked into that bar; an anonymous hotel a mile or so from Gatwick Airport. It was just a week after the bash at which she had first been casually introduced to Paul Monahan, along with another dozen or so of her husband's more dubious friends and acquaintances. A party from which she had later been dragged after Alan had put away a few too many drinks. After a joke she had not laughed at hard enough and a look or two in what he had decided was the wrong direction.
He had screamed at her across the roof of the Jag. Called her an ungrateful whore. He had smashed a vase when they got home and when that was not satisfying enough he had pushed his way into the bathroom and broken three of her fingers.
She had known exactly what Monahan was, even as she had watched him chit-chatting and putting away the canapes, and his was the number she had searched for frantically on her husband's mobile phone the following morning as he showered; that she had dialled a few days later with one of her undamaged fingers.
'This is a seriously big deal, love. You sure you've thought this through?'
They had moved to a small table in the corner of the bar. Away from prying eyes and a noisy group of businessmen on the lash. Monahan had nursed his Guinness like he was on any ordinary night out and had turned on the blarney; leaning close and flirting with her, safe in the knowledge that she would not go running to her husband. As though it might enable him to bump up his price when they got to talking about the money.
Cheeky bastard . . .
'I've thought about it.'
'OK, only you don't want to be going down this road on the spur of the moment, you know what I mean?'
'I don't need advice.'
'You can't undo it. That's all I'm saying.'
'I've told you.'
'It's not like taking back one of your fancy pairs of shoes--'
'I just need to know if you'll do it.'
'I'll do anything if there's enough money involved,' Monahan had said. 'Only, considering what you're asking, I wouldn't go trying to pay me with your old man's credit card . . .'
She had walked out of the bar thirty minutes later thrilled and terrified in equal measure, and though she never met with Paul Monahan again, it would be five months before the Irishman finally got the job done.
Or pretended to . . .
Four times Donna gave the go-ahead and four times she lost her nerve and called to cancel the contract, telling Monahan that he could keep the down payment. She had almost decided to forget the whole thing, convinced herself that she must have been out of her mind even to consider doing it. Then, one day, Alan lost out on some business deal or other, came home scowling and pressed her hand between a pair of heated hair straighteners.
She had called Monahan that evening and told him to get on with it.
'Don . . . ?'
She turned to see Kate standing in the doorway, brandishing a mug of tea that Donna guessed would be stone cold by now. Donna said sorry, that she would only be another minute or two, but she was still thinking about Monahan, twinkly-eyed and full of himself.
This is a seriously big deal, love.
Later,
she had become convinced that it was Monahan himself who had called Alan. Had probably called him as soon as she had walked out of the bar. Got himself paid twice.
She turned and walked back inside, imagining the cocky so-and-so now, sewn up and stiff in a freezer drawer. She smiled and thought: I'm not the only one who didn't think it through properly. But the smile evaporated as she thought about her daughter. Her only consolation was that, whatever else her ex-husband might be capable of, at least he would never hurt Ellie. Would he? Surely just taking her would be enough . . .
She felt Kate move up close behind her, her lover's hands rubbing the tops of her arms. But it was no longer the chill in the air that was making Donna shiver. It was everything she knew about the man she had believed to be dead. The man Paul Monahan was supposed to have killed.
She glanced down at a ten-year-old scar on her hand.
Thought that a few photographs might only be the start of it.
FIFTEEN
Thorne drove into the West End just before six, waiting for ten minutes on the north side of the Marylebone Road to avoid the congestion charge. He parked on Golden Square and walked towards Soho. It was considerably milder than it had been earlier in the day - hardly balmy, but bearable - and the working women in the strip-lit doorways of the Brewer Street bars were showing a little more flesh than of late.
Considering the other risks they ran every day, a few goose pimples were neither here nor there.
Gary Brand called back as Thorne was walking, said he'd managed to dig up a few names from Alan Langford's past who had probably been in Spain at one time or another. It was all a bit vague, he admitted, apologising, but the best he could come up with at such short notice. Thorne thanked him anyway and scribbled down the names, his mobile wedged between chin and shoulder.
'So, Spain still favourite, is it?'
'With a bit of luck I'll know a lot more in a few minutes,' Thorne said.
He had already arrived at one of several shops in the area popular with both bargain hunters and dirty old men. It sold cut-price books and CDs on the ground floor, with adult entertainment - magazines, DVDs and a small selection of sex toys - a few steps away in the basement.
Thorne stopped at a set of shelves just inside the door. He looked at the back cover of a thriller that he thought might be good for his next holiday - whenever the hell that might be - and leafed through a coffee-table history of the Grand Ole Opry that was a steal at PS6.99. Then, ignoring the knowing look from the woman on the till, he jogged down the stairs to where the volumes on display boasted a few more pictures, and Dennis Bethell would almost certainly be browsing.
He was not hard to spot.
Pumped up and powerful, six feet four, bleached blond hair and diamonds in both ears, Bethell would have stood out among an average crowd at White Hart Lane. There were only half a dozen punters in the basement. Five men and a woman.
'One of yours, Kodak?' Thorne nodded down at the magazine in the photographer's hands.
Bethell continued to turn the pages. He was wearing tight jeans and an even tighter T-shirt beneath a silver Puffa jacket. 'I do hope you're kidding, Mr Thorne. My stuff 's way classier than this. I mean, look at how this cowboy's lit this rubbish . . .'
Thorne studied the explicit double-page spread that Bethell was helpfully holding only inches from his face, aware of the eyes on both of them; the heads that had turned, same as they always did whenever Dennis Bethell's voice was heard for the first time.
'I'm not sure that anyone really gives a toss,' Thorne said. He nodded towards the customer closest to them, a man in a brown suit who looked like Central Casting's most in-demand 'seedy accountant'. 'You think he cares about the lighting or the composition?'
'I know what you're saying, but you've got to have some pride in what you're doing, surely?'
Thorne said he supposed so, struck as ever by the contradictions in the man before him: the bouncer's torso and the helium voice; the genuine passion for his craft and the seeming lack of care or concern for those who took their clothes off for his camera. On a more basic level, Thorne had never figured out Bethell's own sexual leanings, coming to the conclusion that he probably didn't much care either way.
Man, woman, fish, whatever. None of the images conjured up was particularly pleasant.
To Bethell's right, the only woman in the place was looking at the back of a magazine sealed in plastic. Bethell caught Thorne's look, leaned in close and lowered his voice. 'You'd be surprised, Mr Thorne. A lot of women go for this stuff these days.'
Thorne pointed to the magazine that Bethell was still holding. 'Not that stuff, surely?'
'No, you're right, it's more of a specialised market. Material that's a bit more aimed at them, a touch more sensitive or what have you. Believe it or not, they like a story, you know what I mean? If it's a film where the hunky plumber comes round, him and the horny housewife usually talk for a while before he starts giving her one. They might even have a cuddle afterwards.'
'That's disgusting!' Thorne said. 'Does he offer to sleep in the wet patch as well?'
Bethell laughed, high-pitched and scary. The woman looked round, a little alarmed. Thorne smiled and she quickly turned away again.
'So, let's have it,' Thorne said.
Bethell reached into a shoulder-bag and produced a large brown envelope. 'Right, well, it's almost certainly Spain.'
'You serious?' Thorne fought to keep his voice down. 'We'd pretty much got to that point ourselves.'
'Hold on, Mr Thorne. I might be able to tell you which part as well.' Bethell pulled four large colour prints from the envelope and handed them over. 'I managed to isolate and enhance the bits of the photos with the boat. Remember the boat in the background?'
Thorne looked at the pictures. 'I remember. Go on . . .'
Bethell pointed. 'That's the Spanish flag. By law, every boat registered in Spain has to fly it. Now, we might be unlucky. I mean, it's possible that some Spaniard was sailing about off the Greek islands or something, but I doubt it. So, like I said, I reckon Spain's a fair bet.'
'You said you could be more specific.'
'Well, I think you can find out from the registration.' He pointed to an indistinct black smudge on the boat's hull, then took out another print in which this section had been blown up to fill the entire frame. Now a series of letters and numbers was blurred but legible. 'There's no name, but I reckon this should be all you need. A mate of mine had a boat in Lanzarote and the Spanish are shit-hot when it comes to keeping records about all that stuff.'
From the corner of his eye, Thorne could see the seedy accountant staring, clearly keen as mustard to know what was in the photographs.
'It's because they charge extortionate taxes,' Bethell said. 'Mooring fees on the boats, harbour taxes, all that. Now, you should be able to trace the owner of this boat and, with a bit of luck, he'll be able to tell you where he was on this date.' Just to be extra helpful, Bethell produced a final print in which the date that had been stamped on the original photograph had been blown up. 'See?'
'You're wasted in porn, Kodak.'
'Nice of you to say, but I don't think I'm cut out to be a copper.'
'No, probably not.'
'They are some of my best customers, though.'
Thorne slid the prints back into the envelope. 'Nice one, Kodak. I think this may be one of those rare occasions when you've earned your money.'
'Talking of which . . .'
'Sorry, I didn't bring any cash with me. I thought I'd just make a donation to an appropriate charity.'
'What?'
'Something for the blind, maybe?'
'Funny, Mr Thorne.'
Thorne reached into his jacket pocket and took out the four fifty-pound notes he'd signed out from the CHIS fund. These days, only stubborn old sods like himself still used the word 'snout'. In a prime example of corporate wank-speak, the likes of Dennis Bethell were now officially known as 'covert human information sources', even thoug
h there was nothing remotely covert about Kodak. Besides which, on this occasion, he was acting more as an expert witness. Not that Thorne or anyone else would ever consider putting him on the stand, of course. Even if Bethell changed his appearance and his occupation went unmentioned, any iota of credibility would disappear as soon as he opened his mouth.
'Who's the bloke in the photos anyway?' Bethell squeaked.
'A ghost,' Thorne said.
He thanked Bethell again and Bethell thanked him right back, reminding Thorne that he was always available for this kind of work and handing him a fistful of business cards. 'Give them out to some of your colleagues, if you get the chance,' he said. 'Either for this sort of thing or, you know, I can fix them up with any other material they might need.'
From the Dead (2010) Page 13
