It is with the western, though, that Bill found his greatest success and propelled him onto both the USA Today and the New York Times bestseller lists.
Bill’s western series include The Mountain Man, Matt Jensen, the Last Mountain Man, Preacher, The Family Jensen, Luke Jensen, Bounty Hunter, Eagles, MacCallister (an Eagles spin-off), Sidewinders, The Brothers O’Brien, Sixkiller, Blood Bond, The Last Gunfighter, and the upcoming new series Flintlock and The Trail West. May 2013 saw the hardcover western Butch Cassidy, The Lost Years.
“The Western,” Bill says, “is one of the few true art forms that is one hundred percent American. I liken the Western as America’s version of England’s Arthurian legends, like the Knights of the Round Table, or Robin Hood and his Merry Men. Starting with the 1902 publication of The Virginian by Owen Wister, and followed by the greats like Zane Grey, Max Brand, Ernest Haycox, and of course Louis L’Amour, the Western has helped to shape the cultural landscape of America.
“I’m no goggle-eyed college academic, so when my fans ask me why the Western is as popular now as it was a century ago, I don’t offer a 200-page thesis. Instead, I can only offer this: The Western is honest. In this great country, which is suffering under the yoke of political correctness, the Western harks back to an era when justice was sure and swift. Steal a man’s horse, rustle his cattle, rob a bank, a stagecoach, or a train, you were hunted down and fitted with a hangman’s noose. One size fit all.
“Sure, we westerners are prone to a little embellishment and exaggeration and, I admit it, occasionally play a little fast and loose with the facts. But we do so for a very good reason—to enhance the enjoyment of readers.
“It was Owen Wister, in The Virginian who first coined the phrase ‘When you call me that, smile.’ Legend has it that Wister actually heard those words spoken by a deputy sheriff in Medicine Bow, Wyoming, when another poker player called him a son-of-a-bitch.
“Did it really happen, or is it one of those myths that have passed down from one generation to the next? I honestly don’t know. But there’s a line in one of my favorite Westerns of all time, The Man Who Shot Liberty Valance, where the newspaper editor tells the young reporter, ‘When the truth becomes legend, print the legend.’
“These are the words I live by.”
Turn the page for an exciting preview!
THE UNTOLD SAGA OF SHAWN O’BRIEN
From acclaimed storytellers William W. Johnstone and
J. A. Johnstone, who brought us The Brothers O’Brien,
comes an explosive new series featuring the
gunslinging O’Brien who brought peace, law, and
order to the American frontier . . . one bullet at a time.
A MAN WHO TAMED THE WEST—
ONE TOWN AT A TIME
Unlike his brothers Jacob, Sam, and Patrick, Shawn
O’Brien isn’t content to settle down on the family
ranch in New Mexico territory. With his razor-sharp
eye, lightning-fast draw, and burning thirst for justice,
Shawn is carving out a reputation of his own. As a town
tamer he takes the most dangerous, lawless towns in the
West and makes them safe for decent men, women, and
children. When a stagecoach accident leaves Shawn
stranded in Holy Rood, Utah, it doesn’t take long to
realize he’s landed in one ornery circle of hell. Ruled
by a cruel and cunning crook-turned-merciless dictator
named Hank Cobb, Holy Rood is about as unholy a
place as any on the frontier. Anyone who breaks Cobb’s
rules is severely punished. Anyone who defies Cobb’s
hooded henchmen die by rope, stake, or guillotine.
But Shawn O’Brien isn’t just anyone. He’s the town tamer.
And this time, he’s going to paint the town red . . .
SHAWN O’BRIEN, TOWN TAMER
by USA Today Bestselling Author
WILLIAM W. JOHNSTONE
with J. A. Johnstone
On sale March 2014 wherever
Pinnacle books are sold
CHAPTER ONE
Hours of jolting, swaying misery ended suddenly as the stage came to a harness-jangling halt. It remained still until the following dust cloud caught up and covered the four passengers inside with a coat of fine, mustard-colored grit.
The driver climbed down, stepped to the window and stuck his shaggy head inside. A patch made from a scrap of tanned leather covered his right eye.
“Town coming up, folks, but this stage don’t stop there,” the man said. “Fact is, no stage stops there. We go on through Holy Rood at a gallop, so hold on tight an’ say your prayers if you got ’em.”
Shawn O’Brien had been lost in thought, deep in heartbreaks of the past, but now he stirred himself enough to say, “Why is that? Why all the hurry?”
“Because Holy Rood is a downright dangerous place to be, young feller,” the driver said. “Especially if you got a sin to hide.”
“Hell, we’ve all got a sin to hide,” a passenger said.
He was a pleasant-faced man who wore the broadcloth finery and string tie of the frontier gambler, his black frockcoat now a uniform tan from trail dust.
“Then repent for yer sins an’ hold on like I told you,” the driver said. “This here stage is barrelin’ through that damned town like a deadheading express.”
“Oh dear,” said a small man with the timid, downtrodden look of a henpecked husband. “When we left Silver Reef, Wells Fargo didn’t inform me that my life would be in such peril.”
“Hell, they never do,” the driver grinned. “Holy Rood ain’t on the map as far as Wells Fargo is concerned.”
The gambler grinned at the little man. “What sin are you hiding, mister?” The humor reached his eyes. “Looking at you, I’d say whiskey and women are your downfall.”
“Good heaven’s no,” the man said. “My lady wife would never allow it. She bade me promise on our wedding eve that my lips would ne’er touch ardent spirits nor my loins join in unholy union with those of another woman.” The little man seemed to shrink into his seat. “She’s a stern, unbending woman, my wife, much given to the virtues of Holy Scripture and liberal doses of prune juice.”
“Then I guess you’ve nothing to fear,” the gambler said. “Hell, man, you’re a shining example to all of us.”
His eyes moved to the girl sitting next to the little man. She’d seemed pretty in the Silver Reef boom town, but hours in the stage had taken its toll. Now she looked weary, hot, and uncomfortable and smelled musky of perspiration and stale perfume.
“What about you, missy?” the gambler said. “You got a little sin to confess?”
A hot breeze gusted through the stage window, carrying dust and a faint odor of sage and mesquite.
“I don’t think that’s an appropriate question to ask a lady,” Shawn O’Brien said. “I reckon you should guard your tongue, mister.”
The gambler had to crane his head to look at Shawn. And when he did, he wished he hadn’t.
The young man’s handsome, well-bred face bore a mild, almost amused expression, but the gambler read a hundred different kinds of hell in his blue eyes. He’d seen eyes like that before across a lot of card tables, the I-don’t-give-a-damn look of the seasoned gunfighter.
By the nature of his profession the gambler was a cautious man and he tacked onto a more favorable course.
To the girl he said, “The gentleman is correct, of course. I’m sorry if I said anything to offend you, Ma’am. That was far from my intention.”
The girl had a beautiful smile, white teeth in a pink mouth. “No offense taken,” she said. “You asked a most singular question, sir, and my answer to it is that I cuss sometimes.”
“I rather fancy that any cuss from lips as sweet as yours must be mild indeed,” Shawn said.
“Well, I do say hell and damn when the occasion demands it,” the girl said.
“And I say a hell of a lot worse that that, young lady,” the stage driver said. “And you’ll probably hear it when we hit the main street through Holy Rood. So hang on everybody and let’s git this here rig rolling.”
He rubbed a gnarled hand across his mouth. “You see a poor soul with his head on the chopping block, don’t look no further, huh? It ain’t a sight fer good Christian folks.”
Without another word the driver disappeared and the stage creaked and lurched as he climbed into the box. A whip cracked and the six-mule team shambled into motion.
“Yeeehah!”
The whip snapped again and the mules took the hint and stretched into a gallop.
“What did he mean about a poor soul’s head on a chopping block?” the little man said. “That was a most distressing thing to hear.”
His voice hiccupped with every jolt of the stage and his knuckles were white on the carpetbag he held on his lap.
“I wouldn’t worry about it,” the gambler said. “Stage drivers are like ferrymen, crazy as bullbats. I ain’t never met a sane one yet.”
“It was a strange thing to say, all the same,” Shawn said.
“I’ll allow you that, mister,” the gambler said. “T’was a strange thing to say . . .”
A couple of minutes later it was the girl who first saw them . . . the yellowed skulls that grinned atop tall, timber posts bordering both sides of the wagon road.
The girl opened her mouth to say something, but the words bunched up in her throat and wouldn’t come.
The timid little man spoke for her.
“My God, what kind of town is this?” he said, his voice breaking. “It’s signposted by the devil himself.”
Shawn stuck his head out the window.
Skull after skull flashed past, most yellow, a few still red and raw, a macabre march of the mutilated dead.
The driver stood in the box, his whip cracking over the backs of the straining mules, and the stage rocked and pitched like a barque in a storm.
Shawn tried to count the skulls, but soon gave up. There were just too many.
Gunshots slammed beside him and the girl let out a high-pitched shriek of surprise and fear.
The gambler leaned out the window and cut loose with a short-barreled Colt. After the hammer clicked on the empty chamber he sat back in the seat and said, “That isn’t decent, the skulls of dead men lining the road. I tried to shoot some of them off.”
“Hit any?” Shawn said.
“Not a one.”
Above the rumble of the wheels and the pound of the mules’ hooves, the driver yelled, “Town comin’ up! Hang on, folks!”
Shawn looked out the window again. A dozen yards in front of him a large, painted sign read:
WELCOME TO HOLY ROOD
A Blessed Place
Come Worship with Us
Then the stage hammered into the town’s main drag, its attendant dust cloud rolling along behind, trying desperately to catch up.
Shawn was aware of a wide street lined on both sides with timber buildings, all of them painted white, and the strange fact that there was not a soul around.
Then disaster struck . . . an unforeseen incident that would soon plunge Shawn O’Brien and the other passengers into a living nightmare.
CHAPTER TWO
As the thundering stage took Holy Rood’s main street at a gallop, the cussing driver stood in the box and frantically cracked his snaking whip, urging the mules to go faster . . . and faster . . .
The town’s buildings flickered past like runaway slides at a demented magic lantern show . . . and then catastrophe.
Fleeing a butcher, the big meat hog that charged out of an alley weighed a little over three hundred pounds. It was solid enough and fast enough to slam into the left lead mule with the force of an out of control freight train.
The mule went down, screaming, like a puppet that just had its strings cut. Panicked, the rest of the team swerved to their right. Too late! The following mules crashed into the downed animal and then hit the ground in a tangle of kicking legs and jangling traces.
Rocking violently, the stage couldn’t right itself, tipped over on two wheels and then crashed onto its side.
The driver was thrown clear, but his neck broke when the back of his head slammed into the boardwalk. He died within seconds, soundlessly and without movement.
But the scene inside the stage was as chaotic as the tangle of kicking, screaming mules.
As the stage filled with dust, Shawn was thrown on top of the gambler and the timid man was lost under a flurry of the girl’s white petticoats.
“Hell, mister, you’re crushing me to death,” the gambler said, gasping for breath. “Git off me!”
“Sorry,” Shawn said. “I’m going to move and get the door open.”
“Then move carefully, for God’s sake,” the gambler said. “I’m dying here.”
“I’ll try,” Shawn said.
The girl had managed to squirm into a sitting position on the little man’s chest, and he wailed in protest.
“Are you all right?” Shawn said to her. “No broken bones?”
The girl nodded. “I don’t think so.”
“I can’t breathe,” the little man wailed. “I’m getting crushed to death. Oh, my poor wife.”
“Hold on. I’ll get you out of there,” Shawn said.
But before he could make a move, the stage door was thrown open and a man’s head appeared.
“Is anybody hurt?” he said.
“I don’t think so,” Shawn said.
“Then praise the Lord,” the man said. “His sweet mercy has spared you.”
A moment later two sets of hands reached into the stage and Shawn said, “Get the girl first.”
“Grab my hands, young woman,” the rescuer said.
The girl was hauled out and then the little man who staggered a little and declared that this entire experience was an “outrage,” and that Wells Fargo and this benighted town would “pay for his terrible injuries.”
“I need to stand on you,” Shawn said to the gambler. “I’ll try not to step on your face.”
“Just . . . do it,” the gambler growled, his distorted cheek jammed against the other door. “And be damned to ye for weighing more than my ex-mother-in-law.”
Using the gambler as a step, Shawn clambered though the open door and onto the street. The gambler got out a few moments later, bleeding from a cut on his forehead, his eyes blazing and some sharp words for Shawn on the tip of his tongue.
But then, like the intended target of his wrath, he could only stand openmouthed and silent, stunned by what he saw . . .
Five men wearing monkish black robes and flat-brimmed, low crowned hats of the same color, stood around the stage. All wore belted Colts and carried Winchesters. Nowhere was a smile to be seen.
Shawn pegged them as hard cases in monk’s clothing, and a couple of them had the look and arrogant attitude of Texan hired guns.
A couple of shots rang out as someone killed the injured mules, and then one of the five men spoke. He had ice blue eyes and a black, spade-shaped beard.
“Your driver is dead,” he said. “You will stay here in town until your fate is decided.”
“Now see here,” the little passenger said, puffing up a little. “My name is Ernest J. Pettwood the Third and I’m a senior representative of the Miles and Anderson Ladies Corset Company of St. Louis. I demand that you arrange transportation to my original destination. And I mean—instantly!”
The bearded man stared at Pettwood as though he was a slimy thing that had just crawled out from under a rock.
His face like stone, he raised his rifle and shot the little drummer in the chest.
Pettwood staggered back and fell on his butt. He glanced down at the scarlet flower blossoming on his chest with a mix of surprise and shock, then keeled over onto his side and lay still.
The girl ran to the dead man and took his head in her arms. Her hands bloodstained she glared
at the drummer’s killer and said, “You damned animal!”
“Anybody else got a demand they want solved instantly?” the bearded man said.
“Damn you for a murdering rogue,” Shawn said. “I’ll see you hang for this.”
He took a step toward the bearded man, then stopped as four rifles rattled as they swung in his direction.
“His was an obscene profession,” the bearded man said. “Such as he can’t be allowed to live and pollute the very air we breathe in this fair town.”
“I’ve seen you before, mister,” Shawn said, his anger barely under control. “I can’t remember where, but I’ll swear it was on a wanted poster.”
The man made no answer, but he turned to one of the others with him.
“Brother Melchizedeck, search the men for firearms,” he said.
The gambler opened his coat with his left hand. “Take it,” he said. “In the shoulder holster.”
Brother Melchizedeck took the gambler’s Colt, then said to Shawn, “Where is your gun?”
“I don’t have one,” Shawn said.
“Search him, brother,” the bearded man said. “He has a dishonest face and a mocker’s tongue.”
Shawn opened his coat and the man named Melchizedeck patted him down. “He has no gun, Brother Uzziah.”
The bearded man nodded. Then, to the gambler he said, “By what name do you call yourself?”
“I call myself by the name my parents gave me. What misbegotten son of a whore gave you yours?”
“You wear the garb of a professional card player, and are thus already suspect,” Uzziah said. “Best you keep a civil tongue in your head.”
“Or what? You’ll murder me like you did the drummer?” the gambler said, anger flaring his cheeks.
“I must tell you that I believe that your fate may already be sealed,” Uzziah said. “Look to the church and tell me what you see?”
The gambler’s eyes shifted to the steepled church at the end of the street. Even at a distance the preacher could be heard roaring at the faithful inside.
Kerrigans: A Texas Dynasty Page 20
