As the paper peeled away, it revealed a large, square box, about the size of a hat box, and as I picked it up, it was heavy. The note said they had found it at the top of her closet, and they wanted to be sure I got it. And as I lifted off the lid, not sure what I'd find, I caught my breath sharply when I saw them. They were just as I remembered, the toes worn and a little frayed, the ribbons that had gone around her ankles pale and faded. They were her toe shoes. Just as I had seen them years before in her attic. The last pair she had worn before leaving Russia. There were other things in the box as well, a gold locket with a man's photograph in it. He had a well-trimmed beard and a mustache, and in a serious, old-fashioned way, he looked very handsome. He had eyes like hers, which all these years later seemed to laugh out of the photograph, in spite of the fact that he wasn't smiling. There were photographs of other men as well, in uniforms, and I guessed them to be her father and brothers. One of the boys looked incredibly like her. And there was a small, formal portrait of her mother, which I think I'd seen once before. There was the program from her last Swan Lake, a photograph of a cluster of smiling ballerinas, and a young beauty at the center of them whose eyes and face had never changed in all the years since then. It was easy to see that it was Danina. She looked breath-takingly beautiful and incredibly happy. She was laughing in the photograph, and all the other women were looking at her with affection and admiration.
And in the bottom of the box was a thick packet of letters. I could see at a glance that they were in Russian, in a neat, elegant hand that looked both masculine and intelligent. They were tied together with a faded blue ribbon and there were a great many of them. And I knew as I held them that the answer to the mystery was there, the secrets she had never told, or shared, once she left Russia. So many smiling faces there, in that box, so many people she had once cared about, and had left, for a life that couldn't possibly have been more different for her.
I held the toe shoes in my hand, and gently stroked the satin, thinking about her. How brave she had been, how strong, and how much she had left behind her. I couldn't help wondering if any of them were still alive, if she had meant as much to them, if they still had pictures of her. And I mused silently about the man who had written the letters to her, what he had been to her, and what had happened to him. But just from the careful way she had tied the bow, saved the letters for nearly a century, and took them to the nursing home with her, I knew without being able to read them. He must have been important to her, and from all he had written to her, I guessed easily that he must have loved her dearly.
She had had another life before she came to us, long before she came to me. A life so different from what we had seen of her, in Vermont, a life once filled with magic and excitement and glamor. I remembered how stern my grandfather had looked in his photographs, and hoped that this man had brought happiness to her, that he had loved her. She had taken his secrets to her grave with her, and now left them to me … with the toe shoes … the program from Swan Lake … and his letters.
I looked at his photograph again then, in the locket, and knew instinctively that the letters were from him. And once again, I burned with a thousand questions. There would be no one to answer them. I thought instantly about having the letters translated, so that I would know what they said. Yet at the same time I sensed that invading the secrets held in them would be a kind of intrusion on her. She hadn't given them to me. She had simply left them. But knowing how close we had been, I hoped she wouldn't mind it. We had been kindred spirits. She had left behind a thousand memories for me, of times we had shared, things we had done, legends and fairy tales she had told me. Perhaps along with the legends, she would not mind sharing this part of her story with me. At least, I hoped not. And my excitement over finding the letters and the photographs began to burn like a flame I could not dim. There was no running away from the truths she had hidden for a lifetime.
In my eyes, she had always been old, always been mine, always been Granny Dan. But in another time, another place, there had been dancing, people, laughter, love. She had left only a whisper of it with me, to remind me that she had once been young. And as I finally came to understand that, I sat looking at the smiling face of the young ballerina in the photograph, and a tear of longing for her rolled down my face, as I smiled, and held the faded pink toe shoes she had left me. And as the ancient pink satin touched my cheek, I looked at the neat stacks of letters tied with ribbons, hoping that at last I would know her story. I sensed with my entire being that there was much to tell.
Chapter 1
Danina Petroskova was born in 18g5 in Moscow. Her father was an officer in the Litovsky Regiment, and she had four brothers. They were tall and handsome and wore uniforms, and brought her sweets when they came home to visit. The youngest of them was twelve years older than she was. And when they were at home, they sang and played with her, and made lots of noise. She loved being with them, passed from one pair of powerful shoulders to the other, as they ran with her, and let her pretend that they were her horses. It was obvious to Danina, as it was to everyone, that her brothers adored her.
What Danina remembered of her mother was that she had a lovely face and gentle ways, she wore a perfume that smelled of lilac, and she would sing Danina to sleep at night, after telling her long, wonderful stories about when she was a little girl herself. She used to laugh a lot, and Danina loved her. She died when Danina was five, of typhoid. And after that, everything changed in Danina's life.
Her father had absolutely no idea what to do about her. He wasn't equipped to take care of a child, particularly one so young, and a girl child. He and his sons were in the army, so he hired a woman to take care of her, a string of them, but after two years, he knew he simply couldn't do it anymore. He had to find another solution for Danina. And he found the perfect one, he thought. He went to St. Petersburg to make the arrangements. He was vastly impressed when he spoke to Madame Markova. She was a remarkable woman, and the ballet school and company she ran would provide not only a home for Danina but a useful life, and a future she could rely on. If it became clear to them eventually that Danina had real talent, she would have a life with them, for as long as she could dance. It was a grueling life, and one that would require great sacrifices of her, but his wife had loved the ballet, and he sensed deep in his soul that the child's mother would have been pleased with his solution. It would be costly for him to keep her there, but he felt the sacrifice he'd have to make was worth it, particularly if in time she became a great dancer, which he considered likely. She was an unusually graceful little girl.
Danina's father and two of her brothers took her to St. Petersburg in April, after she turned seven. There was still snow on the ground, and as she stood looking up at her new home, her entire body trembled. She was terrified and she didn't want them to leave her there. But there was nothing she could do to stop them, nothing she could say or do. She had already begged her father, while they were still in Moscow, not to send her away to live with the ballet. He had told her it was a great gift to her, an opportunity that would change her life, and she would be a great ballerina one day, and be happy she had gone there.
But on that fateful day, she could imagine none of it. All she could think of was not the life she was gaining, but the cherished one she had lost. She stood holding her own small suitcase, as an elderly woman opened the door. She led them down a dark hallway, and Danina could hear shouting in the distance, music, and voices, and something hard and terrifying tapping loudly on a floor. The sounds all around her were ominous and strange, the halls they passed through dark and cold, until at last they reached the office where Madame Markova was waiting for them. She was a woman with dark hair, which she wore in a severe bun, a deathly pale, unlined face, and electric blue eyes that seemed to look right through her. Danina wanted to cry the moment she saw her, but she didn't dare. She was too frightened.
“Good morning, Danina,” Madame Markova said sternly. “We have been expecting you,” she
said, sounding to the child like the devil at the gates of hell. “You will have to work very hard if you wish to live with us,” Madame Markova warned her, as Danina nodded, with a huge lump in her throat. “Do you understand me?” She spoke very clearly, and Danina looked up at her with eyes filled with terror. “Let me look at you,” she said then. She came around the desk in a long black skirt, which she wore over a leotard, with a short black jacket. Her entire outfit was the same color as her hair. She looked at Danina's legs then, and pulled up her skirt to see them better, and seemed satisfied with what she saw there. She glanced at Danina's father, and nodded. “We will let you know how she is doing, Colonel. The ballet is not for everyone, as I have told you.”
“She's a good girl,” he said kindly, and both her brothers smiled proudly.
“You may leave us now,” Madame Markova said then, well aware that the child was about to panic. All three men kissed her, as tears streamed from Danina's eyes. And a moment later, they left her alone in the office with the woman who would now rule her life. There was a long silence in the room after they left, as neither teacher nor child spoke, and the only sound between them was Danina's stifled sobs.
“You do not believe me now, my child, but you will be happy here. One day this will be the only life you will want or know.” Danina looked at her with agonized suspicion, and then Madame Markova stood up, came around her desk, and held out a long, graceful hand. “Come, we will go to watch the others.” She had taken in children this young before. In fact, she preferred it. If they had a gift, it was the only way to truly train them properly, to make it their only life, their only world, the only thing they wanted. And there was something about this child that intrigued her, there was something luminous and wise about her eyes. She had a kind of magic and whimsy about her, and as they walked down the long, cold halls hand in hand, far above Danina's head the older woman smiled with pleasure.
They stopped in each class for a little while, beginning with those who were already performing. Madame Markova wanted her to see what she had to strive for, the excitement of the way they danced, the perfection of their style and discipline. From there, they moved on to the younger dancers, who were already very creditable performers and might well inspire her. And at last, they stopped at the class of students with whom Danina would study, exercise, and dance. Danina couldn't begin to imagine being able to dance with them, as she watched, then jumped in terror as Madame Markova rapped hard on the floor with the cane she carried for just that purpose.
The teacher signaled her class to stop, and Madame Markova introduced Danina and explained that she had come from Moscow to live at the school with the others. Now she would be the youngest student, and the most childlike. The others had a strict, disciplined quality that made them seem older than they were. The youngest student was a nine-year-old boy from the Ukraine, and Danina was only seven. There were several girls who were nearly ten, and one who was eleven. They had already been dancing for two years, and Danina would have to work hard to catch up with them, but as they smiled at her and introduced themselves, Danina began to smile shyly. It was like having many sisters, instead of only brothers, she thought suddenly. And when they took her to see her place in the dormitory after lunch, she felt like one of them when they showed her her bed. It was small and hard and narrow.
She went to sleep that night thinking of her father and her brothers. She couldn't help but cry, missing them, but the girl in the next bed, hearing her cry, came to comfort her, and soon there were several others sitting on her bed with her. They sat with her and told her stories, of ballets, and wonderful times they had shared, of dancing Coppelia and Swan Lake, and seeing the Czar and Czarina come to a performance. They made it all sound so exciting that Danina listened to them intently and forgot her miseries, until at last she fell asleep while they were still talking to her about how happy she would be there.
And in the morning, they woke her at five o'clock with the others, and gave her her first leotard and ballet shoes. They ate breakfast every morning at five-thirty, and by six o'clock they were in their classrooms, warming up. And by lunchtime, she was one of them. Madame Markova had come to check on her several times, and watched her in her classes each day. She wanted to keep a close eye on her formation, and make sure that she was learning properly before she even began to dance. She saw immediately that the little bird that had flown to them from Moscow was a remarkably graceful child with the perfect body for a dancer. She was perfect for the life her father had chosen for her. And it was clear to Madame Markova, and her other teachers, in a short time, that destiny had brought her here. Danina Petroskova had been born to be a dancer.
As Madame Markova had promised from the first, Danina's life was one of rigor, backbreaking hard work, and sacrifices that demanded more from her each day than she thought possible. But in the first three years she was there, she never wavered or faltered in her determination. She was ten by then, and lived only to dance, and strove constantly for perfection. Her days were fourteen hours long, spent almost entirely in classes. She was tireless, always determined to surpass what she had previously learned. Madame Markova was well pleased with her, as she told Danina's father whenever she saw him. He came to see Danina several times a year, and was always pleased with what he saw of her dancing, as were her teachers.
When he came to see her first major performance on the stage, when she was fourteen, she danced the role of the girl who dances the mazurka with Franz in Coppelia. She was a full member of the troupe by then, and no longer merely a student, which pleased her father greatly. It was a beautiful performance, and Danina was breathtaking in her precision, elegance of style, and the sheer power of her talent. There were tears in her father's eyes when he saw her, and in hers when she saw him backstage after the performance. It was the most exciting night of her life, and all she wanted to do was thank him for bringing her here seven years before. She had lived at the ballet for half her life now, it was the only life she knew, the only one she wanted.
She danced the role of the Lilac Fairy in Sleeping Beauty a year later, and at sixteen, she gave a miraculous performance in La Bayadere. At seventeen, she was a prima and performed so breathtakingly in Swan Lake that no one who saw her could forget it. Madame Markova knew that she lacked maturity in some ways, she had seen so little of the world, knew nothing of life, yet her technique and her style were so extraordinary that they took one's breath away, and put her far above the others.
The Czarina was well aware of her by then, as were her daughters. And at nineteen, Danina danced at a private performance for the Czar at the Winter Palace. It was April 1914. In May, she was invited to dance for them at their villa on the Peterhof estate, and dined with the family in their private quarters, with Madame Markova and several stars of the ballet in attendance. It was a treat for her, beyond any she had known, and a tribute that meant more to her than any other. To be recognized by the Czar and Czarina was the ultimate accolade, the only tribute she had truly longed for, and she put a photograph of them in a small frame next to her bed. She had particularly liked meeting Grand Duchess Olga, as she was only a few months younger than Danina. And Danina was enchanted by the Czarevitch, who was only nine then, but he thought Danina was very pretty, as did everyone who saw her.
As she matured, Danina had a rare graceful quality, a sense of gentleness and poise, a bit of mischief, and a lovely sense of humor. It was not surprising that the Czarevitch loved her. He was delicate, and had been ill throughout his childhood. But despite his fragility, she teased him and treated him normally, and he loved it. He was a particularly wise, soulful child, and spoke longingly of what she did. She seemed so strong to him, so healthy.
Danina promised to let Alexei watch her in class one day, if Madame Markova would let them, but she couldn't imagine Madame Markova saying no to such an important visitor, if his health would permit it, and his doctors. Because of his hemophilia there was always one of two physicians hovering near, making
sure no accident befell him. Danina felt sorry for him, he seemed so ill, and so intolerably frail, and yet there was something warm and kind and very loving about him. And the Czarina was very touched when she saw how kind Danina was to him.
As a result, that summer, Madame Markova received an invitation from the Czarina to come to stay at Livadia for a week, their summer palace in the Crimea, and to bring Danina with her. It was an enormous honor, but even then, Danina was reluctant to do it. She couldn't bear the thought of abandoning her classes and rehearsals for seven days. She was conscientious to the point of being driven. Hers was a rigid, grueling, brutally demanding monastic life, which required everything of her. She gave it everything she had, everything she could, all she dared, and she had long since far exceeded even Madame Markova's wildest dreams for her. It took Madame Markova nearly a month to convince her to accept the Imperial invitation, and only then because the ballet mistress convinced her that it would be an affront to the Czarina if she didn't.
It was the only vacation she had ever had, the only time in her life, since the age of seven, when she hadn't been dancing, when she didn't begin each day with warm-ups at five, classes at six, and rehearsals by eleven, when she didn't push her body for fourteen hours a day to its outer limits. At Livadia, in July, it was the first time in her life that she dared to play, and in spite of herself, she loved it.
Granny Dan Page 2
