TWO SOLDIERS
Also by Roslund & Hellström
Box 21
Three Seconds
Cell 8
TWO SOLDIERS
Roslund & Hellström
Translated from the original Swedish by Kari Dickson
New York • London
New York • London
© 2012 by Roslund and Hellström
English translation © 2013 by Kari Dickson
First published in Swedish as Två Soldater
First published in the United States by Quercus in 2014
Published by agreement with the Salomonsson Agency
All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the publisher, except by reviewers, who may quote brief passages in a review. Scanning, uploading, and electronic distribution of this book or the facilitation of the same without the permission of the publisher is prohibited.
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e-ISBN: 978-1-623-65136-7
This book is a work of fiction. Names, characters, institutions, places, and events are either the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons—living or dead—events, or locales is entirely coincidental.
www.quercus.com
We want to be loved; failing that, admired; failing that, feared; failing that, hated and despised. At all costs we want to stir up some sort of feeling in others. Our soul abhors a vacuum. At all costs it longs for contact.
(Hjalmar Söderberg, Doktor Glas, 1905)
Ur brutha is like ur own body,
Lives 4 u and dies 4 u,
There in the morning and the evening,
In pain and in pleasure. But then dosnt
Listen 2 orders. Finds Bazz, Raha, Jamba.
Respect. U know deja. Wallah rules:
A BULLET IN THE KNEECAP. We r
bruthas. We r power. We r fighters and
famly 2 death.
(Evidence 2012-0221-BG2219 p. 41, found in Adidas bag 120207)
Contents
much earlier
now: part one
twenty-five days to go
twenty-two days to go
fourteen days to go
thirteen days to go
eleven days to go
eight days to go
six days to go
four days to go
three days to go
two days to go
tomorrow
today
now: part two
now: part three
now: part four
now: part five
now: part six
one day later
another day later
yet another day later
much later
from the authors
much earlier
She’s been living here for so long.
It’s mostly voices.
Maybe footsteps.
When they pass outside in the long corridor, the fast ones and ones that seem to shuffle along; sometimes they stop by the metal door, as if they’re listening, and she wants to call out to them, ask them to come in and hold her hand. They never do. They carry on down the corridor, steps that drown in the regular beep of the machine and the ticking of the bright lights—beep tick beep tick—she closes her eyes but doesn’t dare to cover her ears—beep tick beep tick—she’s on her own and doesn’t want to be.
———
Her face, so strange.
She’s sixteen, maybe seventeen, or even eighteen.
But she looks old. Whether it’s the pain, fear, or whatever, how the body encapsulates time, lets it settle.
She seems to be lying comfortably, the stretcher she’s been rolled onto is wide and her body is thin. The room is much bigger than the others, the bed and cupboard and table and chair and shower and it’s—even though someone is breathing close by—almost empty. The green scrubs by her feet, a hand rubbing up and down on the coarse material to warm it up before moving to her young thighs, carefully touching her genitals, fingertips against the head of her uterus, while the other hand keeps a firm hold of the needle, thirty centimeters of plastic tubing against the membrane that is so soft, a clear balloon of water flying, bouncing away. The needle again, again, again, it gives up, breaks.
———
Footsteps that stop and then vanish.
Someone opens a door farther up. Someone else screams, or cries, it’s hard to make out.
She doesn’t have her eyes closed anymore. It’s white, everything she sees, white, almost glossy, the naked lights and the machine with its digits and green lines and thin tubes. It’ll take a while, and then a bit more, before her eyes get used to it.
It doesn’t hurt as much anyway. Or she’s just coping with it. Like her period. Exactly the same. But more, more often, longer.
Two of the people in the room, both women, are wearing green scrubs. The others, three women and three men, are wearing white doctor’s coats that cover dark pants, dark shoes.
The green ones are standing nearest, the white ones farther away, nearly by the wall.
She doesn’t know any of them, at least she doesn’t think she does, or maybe, that woman, she recognizes her, she works here, and him, the one who broke down the door and screamed at her, held her to the floor, put her in an armlock.
———
It’s easier to see now. She turns toward the window. It’s dark outside, cold, the snow is deep; only a few days ago she made an angel out there, lay down on the ground and swept her arms and legs back and forth, back and forth until they shouted at her, came over and grabbed her hands, and carried her in. Now there’s an ambulance out there beside her angel, in the middle of the big yard. She tries to get up so she can go over to the window and wave down at the guard who’s waiting by the front of the car, a thick cloud where his breath meets the cold air.
“Come on.”
The green uniform sighs; the thin body on the stretcher looks so vulnerable, so wrong.
“Come on, you have to lie down.”
Sweetie. Not here.
The room, the corridor, the metal door, the bars.
Sweet, sweet, sweetie.
“Did you hear me? You have to lie down.”
The green uniform’s hands on her arms, chest, thighs, they pull at the hard, brown strap down her back, point the electronic arm at exactly the spot on her stomach where the heartbeat can be heard loudest, one hundred and forty-seven beats per minute, racing, speeding.
She’s almost completely dilated now, nine centimeters, not long now.
———
Like waves. Like fire.
Something hitting, pressing, forcing. It’s happening inside her body. But she has no control.
———
She tries to look over at the window again, the bars that are in the way, the round black steel poles across the great sheet of glass. Out there—inside the fence and sharp barbed wire—the searchlights brush the white snow, such a different light compared to ordinary street lamps. The ambulance is still there by the snow angel and the guard is slapping his arms to his sides to keep warm, and if she raises her head a bit more and lets go of the rough edge of the bed, she can see the other car as well, small, gray, and completely dark.
“The waters?”
“Clear.”
“Head?”
“Engaged.”
The people in green scrubs are constantly touching her, talking to her. The people in white coats are standing still with their backs to the wall.
She’s lying here for security reasons.
That’s what they said.
A risk that she might try to escape.
———
The waves. The fire. The pressure. The pounding. The force.
She screams.
The ribcage that is squeezed together as it passes through the birth canal and the water that is forced out and the lungs that are filled with air—the first breath.
It’s not her. She realizes now. It’s not her who’s screaming.
———
Something wet, warm on her stomach. A baby. Her baby. She sees it as the two hands that quickly become four hands lift it up, carry it across the room, through the door, out into the corridor, away.
———
The woman and the man—the ones holding the baby, who went away with it and then came back without it—are taking off their white coats now, jeans and a jacket underneath, and the woman reaches over for a briefcase, fills out one sheet of paper, then another and another. The others—who’ve been standing farthest away, almost blocking the door, who haven’t spoken at all—are wearing blue under the white. The coarse material of the prison service uniform, oblong name tags in hard plastic just over their left breast. The men beside them have normal suits on underneath, they’re not wearing uniforms, but she still knows that they’re police; the big one in his forties is a detective inspector and the other one’s a police trainee and not much older than her.
She doesn’t know them, and yet they’ve seen her naked, being emptied.
———
It had been lying on her stomach, breathing close, a wet mouth.
They should have put a blanket over the red and white skin that was soft and smooth and that no one had touched.
———
She looks out of the barred window again. The midwife and the nurse open the doors to the white ambulance, a mobile incubator held like a basket between them. The gray private car immediately behind, the couple in jeans and jackets open the front doors and get in, the vehicles drive in convoy down the asphalt strip across the yard to the high fence and sharp barbed wire, the gate slowly slides open, then one carries on toward the hospital in Örebro, whereas the other has farther to go, to the family unit in Botkyrka.
She wonders whether the shiny road is slippery, if it’s difficult to drive so far at night.
———
She’s not said anything for a while now.
Not when they took the baby that was resting on her tummy, not when the two vehicles left Sweden’s top security prison for women.
And it’s as if she can’t bear it anymore, the silence.
She turns toward the only person still in the room, the one that’s a policeman in his forties, who held her to the floor, forced her out of her home.
“Did you see?”
He starts, lost in his own thoughts, or maybe he’s just forgotten what her voice sounds like.
“See what?”
She points to her tummy, which is still wet, she should maybe wipe away the clear stuff and the other stuff that’s a bit bloody.
“If it was a boy or a girl?”
now
part one
(twenty-eight days)
Light outside.
The blanket that was red with a touch of yellow, and perhaps a thin white stripe around the edge, didn’t cover the whole of the dirty window.
He could see that now.
They normally lived in the dark and slept through the light, only waking when the evening and night had returned, but in August—and with that fucking blanket that wasn’t as big as it should be—the day ambushed them around about this time; no matter how tightly he shut his eyes, the transparent square on the inside of his eyelids got bigger, it grew and wormed its way slowly in, into his brain, into his chest.
He punched the wall and sat up in the low bed, a thick mattress that had been in one of the big houses at Hägersten, the sort that costs about twenty thousand, a thick square on the shiny linoleum floor.
She was naked, asleep.
Her pale, soft skin; she was lying so still, her back toward him and he carefully ran his hand down her hip, behind, thigh, she moved uneasily, turned over, maybe she was dreaming—it looked like it—her face tense and rubbing her feet together, as she often did.
He was just as naked. He sometimes forgot. How incredible that was. Another person who could see his skin and didn’t laugh. Sometimes he wondered if it was all in his head. He had been so fucking certain that he knew what they saw. He wasn’t anymore. It had started with Leon, they were eleven and one day they had ended up in the same room, watching each other take their clothes off and his eyes—no repulsion, scorn, or even surprise. Until now, only Leon, no one else. Not even the mirrors. He had smashed all the ones at his mom’s and turned away every time he went past the wide, rectangular one at his gran’s, every time he went down the hall, he knew exactly when it was looking at him and exactly when to look away.
He looked at her.
Never a woman. Not before her. She hadn’t said anything either, hadn’t been frightened, or evasive, or even asked questions.
His hand was still on her hip, she opened her eyes, squinted at him, with small pupils that focused on the light shining in through the gap between the blanket and the window frame. Her gentle fingertips on his back, over the skin that was thick with uneven edges, pieces of a jigsaw puzzle lying in a heap instead of laid out flat, he had lain on top of her for a long time after, she had her period and they both smelled pretty potent. It was hard to lie there without moving, sweat slipping on sweat.
He wasn’t tired. He should be. Early morning and they never usually got up before late afternoon; if he was to guess, they’d been asleep for about three hours, couldn’t be helped sometimes.
He dried himself with the sheet, then smoothed on the cream from the white tube that was always close to the bed, his feet, legs, balls, back, stomach, neck, but never his face, never there.
“Give it to me.”
He looked at her.
“What?”
“Gabriel, give it to me. The tube. I’ll rub it in, you can’t reach everywhere properly, like on your shoulders, your back.”
She held out her hand for the sticky, broken tube and he swatted her hard, the palm of his hand against her fingers, a red mark across some of them. He stared at her and she looked down; he turned away and rubbed cream onto his chest and thighs.
They left the bedroom, out into the sitting room; fully clothed bodies in the corner sofa and armchair and farther away on the floor—Jon, Big Ali, Javad Hangaround, Bruno—stoned, sleeping, breathing.
He nudged, shook . . .
He slapped Javad in the face.
She shouldn’t have reached for the cream.
“You gotta wake up, brother.”
“Why?”
She shouldn’t have asked to put cream on his back.
“Because I’m awake.”
Cigarette butts, bottles, needles, cans on the tabletop that was covered in yellowish swill, spat-out peanuts, and leftover pizza salad. They were awake now, but just lying there, exhausted as you are after only a couple of hours’ sleep, and he leaned over toward the new TV screen, searching for the purring high pitch that had accompanied the night and still reverberated in the walls of the room. They all stirred when he turned it off, even the stack of DVDs wobbled, fell forward.
The hallway had always been empty.
No furniture, no rugs, no lamps.
Only one thing leaning up against the wall, long and shiny with rows of tiny, tiny white pearls around the edge. He really liked it, often straightened it—it was important that it could be seen when he and she came in the front door. A shoehorn. From when they’d bur
gled that enormous fucking pile outside Södertälje. They’d sold the rest to that guy in Nacka, but the shoehorn, he didn’t sell it.
She was still naked.
He kissed her tits and handed her her jeans and a cropped T-shirt with shiny writing on it; his own clothes were still on the chair out on the balcony, the black track pants with white stripes, gray hoodie, red baseball cap.
He was hungry. He wasn’t usually hungry in the morning.
The top shelf in the fridge—what was left of a big bottle of Coke.
On a narrow shelf in the pantry, an unopened packet of gumdrops, he picked out the red and green ones.
It was blowing a bit outside, easy to breathe.
They walked side by side, he thought she was beautiful, he knew that he wasn’t. They passed the first parking place and she headed toward a silver BMW, eight hundred and fifty thousand in cash, but he caught her hand, not that one, not today. They walked slowly through his past, present, and future. He knew every concrete block, every asphalt path, listened to what no one else could hear, could distinguish the smells, the one from a burned-out rubbish room and the one from the deserted kiosk where he’d bought candy, porn, hash when he was a kid, even the smell that wasn’t there anymore, the sweet smell that came from the fruit stall on the square, the bastards should have paid more.
The whole of Råby was empty.
The concrete tower blocks so silent, desolate, not even the curtains in the windows twitched. He turned to Wanda, her face and eyes, and he wondered what she really saw, she who hadn’t seen what others saw, who came from another world farther away, this was the Råby she could see, no other images, not like the ones from before, when there were more people outside.
The metro, like a living, reliable blue vein running through something that didn’t exist.
The image, maybe the smell he liked best.
The way in. The way out.
The steps down; they walked past a skinny little guy, might have been ten but was actually twelve, gold chain around his neck, hair greased back.
“Gabriel.”
Two Soldiers Page 1
