by Graeme Davis
There was a shriek of demon laughter, the scene was lost in darkness, and Peter fell insensible. In the morning a tavern-haunting friend, anxious to know if Peter had met with any adventure, entered the house and went cautiously from room to room, calling on the watcher to show himself. There was no response. At last he stumbled on the whiskey bottle, empty, and knew that Peter must be near. Sure enough, there he lay in the great room, with dust and mould thick on everything, and his fiddle smashed into a thousand pieces. Peter on being awakened looked ruefully about him, then sprang up and eagerly demanded his money. “What money?” asked his friend. The fiddler clutched at his green bag, opened it, shook it; there was nothing. Nor was there any delay in Peter’s exit from that mansion, and when, twenty-four hours after, the house went up in flames, he averred that the ghosts had set it afire, and that he knew where they brought their coals from.
JACK WELCH’S DEATH LIGHT
Pond Cove, Maine, is haunted by a light that on a certain evening, every summer, rises a mile out at sea, drifts to a spot on shore, then whirls with a buzz and a glare to an old house, where it vanishes. Its first appearance was simultaneous with the departure of Jack Welch, a fisherman. He was seen one evening at work on his boat, but in the morning he was gone, nor has he since shown himself in the flesh.
On the tenth anniversary of this event three fishermen were hurrying up the bay, hoping to reach home before dark, for they dreaded that uncanny light, but a fog came in and it was late before they reached the wharf. As they were tying their boat a channel seemed to open through the mist, and along that path from the deep came a ball of pallid flame with the rush of a meteor. There was one of the men who cowered at the bottom of the boat with ashen face and shaking limbs, and did not watch the light, even though it shot above his head, played through the rigging, and after a wide sweep went shoreward and settled on his house. Next day one of his comrades called for him, but Tom Wright was gone, gone, his wife said, before the day broke. Like Jack Welch’s disappearance, this departure was unexplained, and in time he was given up for dead.
Twenty years had passed, when Wright’s presumptive widow was startled by the receipt of a letter in a weak, trembling hand, signed with her husband’s name. It was written on his death-bed, in a distant place, and held a confession. Before their marriage, Jack Welch had been a suitor for her hand, and had been the favored of the two. To remove his rival and prosper in his place, Wright stole upon the other at his work, killed him, took his body to sea, and threw it overboard. Since that time the dead man had pursued him, and he was glad that the end of his days was come. But, though Tom Wright is no more, his victim’s light comes yearly from the sea, above the spot where his body sank, floats to the scene of the murder on the shore, then flits to the house where the assassin lived and for years simulated the content that comes of wedded life.
MOGG MEGONE
Hapless daughter of a renegade is Ruth Bonython. Her father is as unfair to his friends as to his enemies, but to neither of them so merciless as to Ruth. Although he knows that she loves Master Scammon in spite of his desertion and would rather die than wed another, he has promised her to Mogg Megone, the chief who rules the Indians at the Saco mouth. He, blundering savage, fancies that he sees to the bottom of her grief, and one day, while urging his suit, he opens his blanket and shows the scalp of Scammon, to prove that he has avenged her. She looks in horror, but when he flings the bloody trophy at her feet she baptizes it with a forgiving tear. What villainy may this lead to? Ah, none for him, for Bonython now steps in and plies him with flattery and drink, gaining from the chief, at last, his signature—the bow totem—to a transfer of the land for which he is willing to sell his daughter. Ruth, maddened at her father’s meanness and the Indian’s brutality, rushes on the imbruted savage, grasps from his belt the knife that has slain her lover, cleaves his heart in twain, and flies into the wood, leaving Bonython stupid with amazement.
Father Rasles, in his chapel at Norridgewock, is affecting his Indian converts against the Puritans, who settled to the southward of him fifty years before. To him comes a woman with torn garments and frightened face. Her dead mother stood before her last night, she says, and looked at her reprovingly, for she had killed Mogg Megone. The priest starts back in wrath, for Mogg was a hopeful agent of the faith, and bids her go, for she can ask no pardon. Brooding within his chapel, then, he is startled by the sound of shot and hum of arrows. Harmon and Moulton are advancing with their men and crying, “Down with the beast of Rome! Death to the Babylonish dog!” Ruth, knowing not what this new misfortune may mean, runs from the church and disappears.
Some days later, old Baron Castine, going to Norridgewock to bury and revenge the dead, finds a woman seated on the earth and gazing over a field strewn with ashes and with human bones. He touches her. She is cold. There has been no life for days. It is Ruth.
THE OWL TREE
One day in October, 1827, Rev. Charles Sharply rode into Alfred, Maine, and held service in the meeting-house. After the sermon he announced that he was going to Waterborough to preach, and that on his circuit he had collected two hundred and seventy dollars to help build a church in that village. Would not his hearers add to that sum? They would and did, and that evening the parson rode away with over three hundred dollars in his saddlebags. He never appeared in Waterborough. Some of the country people gave tongue to their fear that the possession of the money had made him forget his sacred calling and that he had fled the State.
On the morning after his disappearance, however, Deacon Dickerman appeared in Alfred riding on a horse that was declared to be the minister’s, until the tavern hostler affirmed that the minister’s horse had a white star on forehead and breast, whereas this horse was all black. The deacon said that he found the horse grazing in his yard at daybreak, and that he would give it to whoever could prove it to be his property. Nobody appeared to demand it, and people soon forgot that it was not his. He extended his business at about that time and prospered; he became a rich man for a little place; though, as his wealth increased, he became morose and averse to company.
One day a rumor went around that a belated traveller had seen a misty thing under “the owl tree” at a turn of a road where owls were hooting, and that it took on a strange likeness to the missing clergyman. Dickerman paled when he heard this story, but he shook his head and muttered of the folly of listening to boy nonsense. Ten years had gone by—during that time the boys had avoided the owl tree after dark—when a clergyman of the neighborhood was hastily summoned to see Mr. Dickerman, who was said to be suffering from overwork. He found the deacon in his house alone, pacing the floor, his dress disordered, his cheek hectic.
“I have not long to live,” said he, “nor would I live longer if I could. I am haunted day and night, and there is no peace, no rest for me on earth. They say that Sharply’s spirit has appeared at the owl tree. Well, his body lies there. They accused me of taking his horse. It is true. A little black dye on his head and breast was all that was needed to deceive them. Pray for me, for I fear my soul is lost. I killed Sharply.” The clergyman recoiled. “I killed him,” the wretched man went on, “for the money that he had. The devil prospered me with it. In my will I leave two thousand dollars to his widow and five thousand dollars to the church he was collecting for. Will there be mercy for me there? I dare not think it. Go and pray for me.” The clergyman hastened away, but was hardly outside the door when the report of a pistol brought him back. Dickerman lay dead on the floor. Sharply’s body was exhumed from the shade of the owl tree, and the spot was never haunted after.
HOWE’S MASQUERADE
During the siege of Boston Sir William Howe undertook to show his contempt for the raw fellows who were disrespectfully tossing cannon-balls at him from the batteries in Cambridge and South Boston, by giving a masquerade. It was a brilliant affair, the belles and blades of the loyalist set being present, some in the garb of their ancestors, for the past is ever more picturesque than the pre
sent, and a few roisterers caricaturing the American generals in ragged clothes, false noses, and absurd wigs. At the height of the merriment a sound of a dirge echoing through the streets caused the dance to stop. The funeral music paused before the doors of Province House, where the dance was going on, and they were flung open. Muffled drums marked time for a company that began to file down the great stair from the floor above the ball-room: dark men in steeple-hats and pointed beards, with Bibles, swords, and scrolls, who looked sternly at the guests and descended to the street.
Colonel Joliffe, a Whig, whose age and infirmity had prevented him from joining Washington, and whose courtesy and intelligence had made him respected by his foes, acted as chorus: “These I take to be the Puritan governors of Massachusetts: Endicott, Winthrop, Vane, Dudley, Haynes, Bellingham, Leverett, Bradstreet.” Then came a rude soldier, mailed, begirt with arms: the tyrant Andros; a brown-faced man with a sailor’s gait: Sir William Phipps; a courtier wigged and jewelled: Earl Bellomont; the crafty, well-mannered Dudley; the twinkling, red-nosed Shute; the ponderous Burnet; the gouty Belcher; Shirley, Pownall, Bernard, Hutchinson; then a soldier, whose cocked hat he held before his face. “’Tis the shape of Gage!” cried an officer, turning pale. The lights were dull and an uncomfortable silence had fallen on the company. Last, came a tall man muffled in a military cloak, and as he paused on the landing the guests looked from him to their host in amazement, for it was the figure of Howe himself. The governor’s patience was at an end, for this was a part of the masquerade that had not been looked for. He fiercely cried to Joliffe, “There is a plot in this. Your head has stood too long on a traitor’s shoulders.”
“Make haste to cut it off, then,” was the reply, “for the power of Sir William Howe and of the king, his master, is at an end. These shadows are mourners at his funeral. Look! The last of the governors.”
Howe rushed with drawn sword on the figure of himself, when it turned and looked at him. The blade clanged to the floor and Howe fell back with a gasp of horror, for the face was his own. Hand nor voice was raised to stay the double-goer as it mournfully passed on. At the threshold it stamped its foot and shook its fists in air; then the door closed. Mingled with the strains of the funeral march, as it died along the empty streets, came the tolling of the bell on South Church steeple, striking the hour of midnight. The festivities were at an end and, oppressed by a nameless fear, the spectators of this strange pageant made ready for departure; but before they left the booming of cannon at the southward announced that Washington had advanced. The glories of Province House were over. When the last of the royal governors left it he paused on the threshold, beat his foot on the stone, and flung up his hands in an attitude of grief and rage.
THE SALEM ALCHEMIST
In 1720 there lived in a turreted house at North and Essex Streets, in Salem, a silent, dark-visaged man,—a reputed chemist. He gathered simples in the fields, and parcels and bottles came and went between him and learned doctors in Boston; but report went around that it was not drugs alone that he worked with, nor medicines for passing ailments that he distilled. The watchman, drowsily pacing the streets in the small hours, saw his shadow move athwart the furnace glare in his tower, and other shadows seemed at the moment to flit about it—shadows that could be thrown by no tangible form, yet that had a grotesque likeness to the human kind. A clink of hammers and a hiss of steam were sometimes heard, and his neighbors devoutly hoped that if he secured the secret of the philosopher’s stone or the universal solvent, it would be honestly come by.
But it was neither gold nor the perilous strong water that he wanted. It was life: the elixir that would dispel the chill and decrepitude of age, that would bring back the youthful sparkle to the eye and set the pulses bounding. He explored the surrounding wilderness day after day; the juices of its trees and plants he compounded, night after night, long without avail. Not until after a thousand failures did he conceive that he had secured the ingredients but they were many, they were perishable, they must be distilled within five days, for fermentation and decay would set in if he delayed longer. Gathering the herbs and piling his floor with fuel, he began his work, alone; the furnace glowed, the retorts bubbled, and through their long throats trickled drops—golden, ruddy, brown, and crystal—that would be combined into that precious draught.
And none too soon, for under the strain of anxiety he seemed to be aging fast. He took no sleep, except while sitting upright in his chair, for, should he yield entirely to nature’s appeal, his fire would die and his work be spoiled. With heavy eyes and aching head he watched his furnace and listened to the constant drip, drip of the precious liquor. It was the fourth day. He had knelt to stir his fire to more active burning. Its brightness made him blink, its warmth was grateful, and he reclined before it, with elbow on the floor and head resting on his hand. How cheerily the logs hummed and crackled, yet how drowsily—how slow the hours were—how dull the watch! Lower, lower sank the head, and heavier grew the eyes. At last he lay full length on the floor, and the long sleep of exhaustion had begun.
He was awakened by the sound of a bell. “The church bell!” he cried, starting up. “And people going through the streets to meeting. How is this? The sun is in the east! My God! I have been asleep! The furnace is cold. The elixir!” He hastily blended the essences that he had made, though one or two ingredients were still lacking, and drank them off. “Faugh!” he exclaimed. “Still unfinished—perhaps spoiled. I must begin again.” Taking his hat and coat he uttered a weary sigh and was about to open the door when his cheek blenched with pain, sight seemed to leave him, the cry for help that rose to his lips was stifled in a groan of anguish, a groping gesture brought a shelf of retorts and bottles to the floor, and he fell writhing among their fragments. The elixir of life, unfinished, was an elixir of death.
THE RED DWARF OF DETROIT
Among all the impish offspring of the Stone God, wizards and witches, that made Detroit feared by the early settlers, none were more dreaded than the Nain Rouge (Red Dwarf), or Demon of the Strait, for it appeared only when there was to be trouble. In that it delighted. It was a shambling, red-faced creature, with a cold, glittering eye and teeth protruding from a grinning mouth. Cadillac, founder of Detroit, having struck at it, presently lost his seigniory and his fortunes. It was seen scampering along the shore on the night before the attack on Bloody Run, when the brook that afterward bore this name turned red with the blood of soldiers. People saw it in the smoky streets when the city was burned in 1805, and on the morning of Hull’s surrender it was found grinning in the fog. It rubbed its bony knuckles expectantly when David Fisher paddled across the strait to see his love, Soulange Gaudet, in the only boat he could find—a wheel-barrow, namely—but was sobered when David made a safe landing.
It chuckled when the youthful bloods set off on Christmas day to race the frozen strait for the hand of buffer Beauvais’s daughter Claire, but when her lover’s horse, a wiry Indian nag, came pacing in it fled before their happiness. It was twice seen on the roof of the stable where that sour-faced, evil-eyed old mumbler, Jean Beaugrand, kept his horse, Sans Souci—a beast that, spite of its hundred years or more, could and did leap every wall in Detroit, even the twelve-foot stockade of the fort, to steal corn and watermelons, and that had been seen in the same barn, sitting at a table, playing seven-up with his master, and drinking a liquor that looked like melted brass. The dwarf whispered at the sleeping ear of the old chief who slew Friar Constantine, chaplain of the fort, in anger at the teachings that had parted a white lover from his daughter and led her to drown herself—a killing that the red man afterward confessed, because he could no longer endure the tolling of a mass bell in his ears and the friar’s voice in the wind.
The Nain Rouge it was who claimed half of the old mill, on Presque Isle, that the sick and irritable Josette swore that she would leave to the devil when her brother Jean pestered her to make her will in his favor, giving him complete ownership. On the night of her death the mi
ll was wrecked by a thunder-bolt, and a red-faced imp was often seen among the ruins, trying to patch the machinery so as to grind the devil’s grist. It directed the dance of black cats in the mill at Pont Rouge, after the widow’s curse had fallen on Louis Robert, her brother-in-law. This man, succeeding her husband as director of the property, had developed such miserly traits that she and her children were literally starved to death, but her dying curse threw such ill luck on the place and set afloat such evil report about it that he took himself away. The Nain Rouge may have been the lutin that took Jacques L’Esperance’s ponies from the stable at Grosse Pointe, and, leaving no tracks in sand or snow, rode them through the air all night, restoring them at dawn quivering with fatigue, covered with foam, bloody with the lash of a thorn-bush. It stopped that exercise on the night that Jacques hurled a font of holy water at it, but to keep it away the people of Grosse Pointe still mark their houses with the sign of a cross.
It was lurking in the wood on the day that Captain Dalzell went against Pontiac, only to perish in an ambush, to the secret relief of his superior, Major Gladwyn, for the major hoped to win the betrothed of Dalzell; but when the girl heard that her lover had been killed at Bloody Run, and his head had been carried on a pike, she sank to the ground never to rise again in health, and in a few days she had followed the victims of the massacre. There was a suspicion that the Nain Rouge had power to change his shape for one not less offensive. The brothers Tremblay had no luck in fishing through the straits and lakes until one of them agreed to share his catch with St. Patrick, the saint’s half to be sold at the church-door for the benefit of the poor and for buying masses to relieve souls in purgatory. His brother doubted if this benefit would last, and feared that they might be lured into the water and turned into fish, for had not St. Patrick eaten pork chops on a Friday, after dipping them into holy water and turning them into trout? But his good brother kept on and prospered and the bad one kept on grumbling. Now, at Grosse Isle was a strange thing called the rolling muff, that all were afraid of, since to meet it was a warning of trouble; but, like the feu follet, it could be driven off by holding a cross toward it or by asking it on what day of the month came Christmas. The worse of the Tremblays encountered this creature and it filled him with dismay. When he returned his neighbors observed an odor—not of sanctity—on his garments, and their view of the matter was that he had met a skunk. The graceless man felt convinced, however, that he had received a devil’s baptism from the Nain Rouge, and St. Patrick had no stancher allies than both the Tremblays, after that.
