ABOUT THE BOOK
Now is the time to tell a tragic tale that sets the stage for all the tales yet to come … and all those already told.
It is the Age of Darkness and the realm called Kuruld Galain – home of the Tiste Andii and ruled over by Mother Dark from her citadel in Kharkanas – is in a perilous state. For the commoners’ great warrior hero, Vatha Urusander, is being championed by his followers to take Mother Dark’s hand in marriage but her Consort, Lord Draconus, stands in the way of such ambition.
As the impending clash between these two rival powers sends fissures rippling across the land and rumours of civil war flare and take hold amongst the people, so an ancient power emerges from seas once thought to be long dead. None can fathom its true purpose nor comprehend its potential. And caught in the middle of this seemingly inevitable conflagration are the First Sons of Darkness – Anomander, Andarist and Silchas Ruin of the Purake Hold – and they are about to reshape the world …
Here begins Steven Erikson’s epic tale of bitter family rivalries, of jealousies and betrayals, of wild magic and unfettered power … and of the forging of a sword.
Contents
Cover
About the Book
Title Page
Dedication
Acknowledgements
Maps
Dramatis Personae
The Tiste: Holds, Greater and Lesser Houses, Priesthood and Court
Prelude
Part One: In These Gifts the Shapes of Adoration
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Part Two: The Solitude of This Fire
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Part Three: The Proofs of Your Ambition
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Part Four: The Forge of Darkness
Chapter Sixteen
Chapter Seventeen
Chapter Eighteen
Chapter Nineteen
Chapter Twenty
About the Author
Also by Steven Erikson
Copyright
FORGE OF DARKNESS
Steven Erikson
Clare Thomas, with love
Acknowledgements
Thank you to my advance readers: Aidan Paul Canavan, Sharon Sasaki, Darren Turpin, William and Hazel Hunter and Baria Ahmed.
DRAMATIS PERSONAE
PURAKE HOLD
Anomander
Andarist
Silchas Ruin
Kellaras
Prazek
Dathenar
DRACONS HOLD
Draconus
Ivis
Spite
Envy
Malice
Arathan
Raskan
Sagander
TULLA HOLD
Hish Tulla
Rancept
Sukul Ankhadu (hostage)
HOUSE ENES
Jaen Enes
Enesdia
Kadaspala
Cryl Durav (hostage)
HOUSE DURAV
Spinnock Durav
Faror Hend
HUST HOLD (and Legion)
Hust Henarald
Calat Hustain
Finarra Stone
Toras Redone
Galar Baras
ABARA DELACK
Korya Delath
Nerys Drukorlat
Sandalath Drukorlat
Orfantal
Wreneck
NERET SORR
Vatha Urusander
Osserc
Hunn Raal
Risp
Sevegg
Serap
Renarr
Gurren
URUSANDER’S LEGION OFFICERS
Scara Bandaris
Ilgast Rend
Hallyd Bahann
Esthala
Kagamandra Tulas
Sharenas Ankhadu
Tathe Lorat
Infayen Menand
THE BORDERSWORDS
Rint
Ville
Feren
Galak
Lahanis
Traj
THE CITADEL
Syntara
Emral Lanear
Endest Silann
Cedorpul
Rise Herat
Legyl Behust
Mother Dark
THE SHAKE
Sheccanto Derran
Warlock Resh
Caplo Dreem
Skelenal
Witch Ruvera
THE AZATHANAI
Grizzin Farl
Kilmandaros
Sechul Lath
Errastas
Caladan Brood
T’riss
Old Man
THE JAGHUT
Hood
Gothos
Haut
Varandas
Korya Delath (hostage)
OTHERS
Gripp Galas
Haral
Narad
Bursa
Olar Ethil
The Tiste: Holds, Greater and Lesser Houses, Priesthood and Court
PRELUDE
… so you have found me and would know the tale. When a poet speaks of truth to another poet, what hope has truth? Let me ask this, then. Does one find memory in invention? Or will you find invention in memory? Which bows in servitude before the other? Will the measure of greatness be weighed solely in the details? Perhaps so, if details make up the full weft of the world, if themes are nothing more than the composite of lists perfectly ordered and unerringly rendered; and if I should kneel before invention, as if it were memory made perfect.
Do I look like a man who would kneel?
There are no singular tales. Nothing that stands alone is worth looking at. You and me, we know this. We could fill a thousand scrolls recounting the lives of those who believe they are each both beginning and end, those who fit the totality of the universe into small wooden boxes which they then tuck under one arm – you have seen them marching past, I’m sure. They have somewhere to go, and wherever that place is, why, it needs them, and failing their dramatic arrival it would surely cease to exist.
Is my laughter cynical? Derisive? Do I sigh and remind myself yet again that truths are like seeds hidden in the ground, and should you tend to them who may say what wild life will spring into view? Prediction is folly, belligerent assertion pathetic. But all such arguments are past us now. If we ever spat them out it was long ago, in another age, when we both were younger than we thought we were.
This tale shall be like Tiam herself, a creature of many heads. It is in my nature to wear masks, and to speak in a multitude of voices through lips not my own. Even when I had sight, to see through a single pair of eyes was a kind of torture, for I knew – I could feel in my soul – that we with our single visions miss most of the world. We cannot help it. It is our barrier to understanding. Perhaps it is only the poets who truly resent this way of being. No matter; what I do not recall I shall invent.
There are no singular tales. A life in solitude is a life rushing to death. But a blind man will never rush; he but feels his way, as befits an uncertain world. See me, then, as a metaphor made real.
I am the poet Gallan, and my words will live for ever. This is not a boast. It is a curse. My legacy is a carcass in waiting, and it will be picked over until dust devours all there is. And when my last breath is long gone, see how the f
lesh still moves, see how it flinches.
When I began, I did not imagine finding my final moments here upon an altar, beneath a hovering knife. I did not believe my life was a sacrifice; not to any greater cause, nor as payment into the hands of fame and respect. I did not think any sacrifice was necessary at all.
No one lets dead poets lie in peace. We are like old meat on a crowded dinner table. Now comes the next course to jostle what’s left of us, and even the gods despair of ever cleaning up the mess. But there are truths between poets, and we both know well their worth. It is the gristle we chew without end.
Anomandaris. That is a brave title. But consider this: I was not always blind. It is not Anomander’s tale alone. My story will not fit into a small box. Indeed, he is perhaps the least of it. A man pushed from behind by many hands will go in but one direction, no matter what he wills.
It may be that I do not credit him enough. I have my reasons.
You ask: where is my place in this? It is nowhere. Come to Kharkanas, here in my memory, in my creation. Walk the Hall of Portraits and you will not find my face. Is this what it is to be lost, in the very world that made you, that holds your flesh? Do you in your world share my plight? Do you wander and wonder? Do you start at your own shadow, or awaken to rattling disbelief that this is all you are, prospects bleak, bereft of the proof of your ambition?
Or do you march past sure of your frown and indeed that is a fine box you carry …
Am I the world’s only lost soul?
Do not begrudge my smile at that. I too cannot be made to fit into that small box, though many will try. No, best discard me entire, if peace of mind is desired.
The table is crowded, the feast unending. Join me upon it, amidst the wretched scatter and heaps. The audience is hungry and its hunger is endless. And for that, we are thankful. And if I spoke of sacrifices, I lied.
Remember well this tale I tell, Fisher kel Tath. Should you err, the list-makers will eat you alive.
PART ONE
In these gifts the shapes of adoration
ONE
THERE WILL BE peace.
The words were carved deep across the lintel stone’s facing in the ancient language of the Azathanai. The cuts looked raw, untouched by wind or rain, and because of this, they might have seemed as youthful and as innocent as the sentiment itself. A witness lacking literacy would see only the violence of the mason’s hand, but surely it is fair to say that the ignorant are not capable of irony. Yet like the house-hound who by scent alone will know a guest’s true nature, the uncomprehending witness surrenders nothing when it comes to subtle truths. Accordingly, the savage wounding of the lintel stone’s basalt face remained imposing and significant to the unversed, even as the freshness of the carved words gave pause to those who understood them.
There will be peace. Conviction is a fist of stone at the heart of all things. Its form is shaped by sure hands, the detritus quickly swept from view. It is built to withstand, built to defy challenge, and when cornered it fights without honour. There is nothing more terrible than conviction.
It was generally held that no one of Azathanai blood could be found within Dracons Hold. Indeed, few of those weary-eyed creatures from beyond Bareth Solitude ever visited the city-state of Kurald Galain, except as stone-cutters and builders of edifices, summoned to some task or venture. But the Hold’s lord was not a man to welcome questions in matters of personal inclination. If by an Azathanai hand ambivalent words were carved above the threshold to the Hold’s Great House – as if to announce a new age with either a promise or a threat – that was solely the business of Lord Draconus, Consort to Mother Dark.
In any case, it was not often of late that the Hold was home to its lord, now that he stood at her side in the Citadel of Kharkanas, making his sudden return after a night’s hard ride both disquieting and the source of whispered rumours.
The thunder of horse hoofs approached through the faint light of the sun’s rise – a light ever muted by the Hold’s nearness to the heart of Mother Dark’s power – and that sound grew until it rumbled through the arched gateway and pounded into the courtyard, scattering red clay from the road beyond. Neck arched by the reins held tight in his master’s gloved hands, the warhorse Calaras drew up, breath billowing, lather streaming down its sleek black neck and chest. The sight gave the onrushing grooms pause.
The huge man commanding this formidable beast then dismounted, abandoning the reins to dangle, and strode without comment into the Great House. Household servants scrambled like hens from his path.
There was no hint of emotion upon the Lord’s face, but this was a detail well known and not unexpected. Draconus gave nothing away, and perhaps it was the mystery in those so-dark eyes that had ever been the source of his power. His likeness, brushed by the brilliant artist Kadaspala of House Enes, now commanded pride of place in the Citadel’s Hall of Portraits, and it was indeed a hand of genius that had managed to capture the unknowable in Draconus’s visage, the hint of something beyond the perfection of his Tiste features, a deepening behind the proof of his pure blood. It was the image of a man who was king in all but name.
* * *
Arathan stood at the window of the Old Tower, having taken position there upon hearing the bell announcing his father’s imminent return. He watched Draconus ride into the courtyard, eyes missing nothing, one hand up to his face as he bit skin and pieces of nail from his fingers – the tips were red nubs, swollen with endless spit, and on occasion they bled, staining the sheets of his bed at night. He studied the movements of Draconus as the huge man dismounted, carelessly abandoning Calaras to the grooms, to then stride towards the entrance.
The three-storey tower commanded the northwest corner of the Great House, with the house’s main doors to the right and out of sight from the upper floor’s window. At moments like these, Arathan would tense, breath held, straining with all his senses for the moment when his father crossed the threshold and set foot on the hard bared stones of the vestibule. He waited, for a change in the atmosphere, a trembling in the ancient walls of the edifice, the very thunder of the Lord’s presence.
As ever, there was nothing. And Arathan never knew if the failing was his, or if his father’s power was sealed away inside that imposing frame and behind those unerring eyes, contained by a will verging on perfection. He suspected the former – he saw how others reacted, the tightening of expressions among the highborn, the shying away of those of lesser rank, and how on occasion both reactions warred within the same individual. Draconus was feared for reasons Arathan could not comprehend.
In truth, he did not expect more of himself in this matter. He was a bastard son, after all, and a child born of a mother he never knew and had never heard named. In his seventeen years of life he had been in the same room with his father perhaps twenty times; surely no more than that, and not once had Draconus addressed him. He was not privileged to dine in the main hall; he was tutored in private and taught the use of weapons alongside the recruits of the Houseblades. Even in the days and nights immediately following his near-drowning, when in his ninth winter he’d fallen through ice, he’d been attended to by the guards’ healer, and had received no visitors barring his three younger half-sisters, who had peered in through the doorway – a trio of round, wide-eyed faces – only to immediately flee down the corridor voicing squeals.
For years, their reaction upon seeing him had led Arathan to believe he was unaccountably ugly, a conviction that had first brought his hands to his face in a habit of hiding his features, and soon the kiss of his own fingertips served for all the tactile reassurance he required. He no longer believed himself to be ugly. Simply … plain, not worthy of notice by anyone.
Though no one ever spoke of his mother, Arathan knew that she had named him. His father’s predilections on such matters were far crueller. He told himself that he remembered his half-sisters’ mother, a brooding, heavy woman with a strange face, who had either died or departed shortly after weaning
the triplets she had borne, but a later comment from Tutor Sagander suggested that the woman he’d remembered had been a wet-nurse, a witch of the Dog-Runners who dwelt beyond the Solitude. Still, he preferred to think of her as the girls’ mother, too kind-hearted to give them the names they now possessed – names that, to Arathan’s mind, shackled each sister like a curse.
Envy. Spite. Malice. They remained infrequent visitors to his company. Flighty as birds glimpsed from the corner of an eye. Whispering from around corners in the corridors and behind doors he walked past. Clearly, they found him a source of great amusement.
Now in the first years of adulthood, Arathan saw himself as a prisoner, or perhaps a hostage in the traditional manner of alliance-binding among the Greater Houses and Holds. He was not of the Dracons family; though there had been no efforts at hiding his bloodline, in fact the very indifference of this detail only emphasized its irrelevance. Seeds spill where they may, but a sire must look into the eyes to make the child his own. And this Draconus would not do. Besides, there was little of Tiste blood in him – he had not the fair skin or tall frame, and his eyes, while dark, lacked the mercurial ambivalence of the pure-born. In these details, he was the same as his sisters. Where, then, the blood of their father?
It hides. Somehow, it hides deep within us.
Draconus would not acknowledge him, but that was no cause for resentment in Arathan’s mind. Man or woman, once childhood was past the world beyond must be met, and a place in it made, by a will entirely dependent upon its own resources. And the shaping of that world, its weight and weft, was a match to the strength of that will. In this way, Kurald Galain society was a true map of talent and capacity. Or so Sagander told him, almost daily.
Whether in the court of the Citadel or among the March villages, there could be no dissembling. The insipid and the incompetent had no place in which to hide their failings. ‘This is natural justice, Arathan, and thus by every measure it is superior to the justice of, say, the Forulkan, or the Jaghut.’ Arathan had no good reason to believe otherwise. This world, so forcefully espoused by his tutor, was all he had ever known.
Forge of Darkness (Kharkanas Trilogy 1) Page 1
