T. C. Boyle Stories

by T. C. Boyle

  It was a heady moment, transcendent, the camera whirring, the passengers cheering, Zoltan’s greatness a part of us all. This was an event, a once-in-a-lifetime thing, like watching Hank Aaron stroke his seven hundred fifteenth homer or Neil Armstrong step out onto the surface of the moon. We forgot the heat, forgot the roar of the engines, forgot ourselves. He’s doing it, I thought, he’s actually doing it. And I truly think he would have pulled it off, if—well, it was one of those things no one could have foreseen. Bad luck, that’s all.

  What happened was this: just as the pilot was coming in for his final approach, a big black bird—a buzzard, somebody said—loomed up out of nowhere and slammed into Zoltan with a thump that reverberated throughout the plane. The whole thing took maybe half a second. This black bundle appears, there’s a thump, and next thing Zoltan’s goggles are gone and he’s covered from head to toe in raw meat and feathers.

  A gasp went through the cabin. Babies began to mewl, grown men burst into tears, a nun fainted. My eyes were riveted on Zoltan. He lay limp in his truss while the hot air sliced over the wing, and the jagged yellow mountains, the prickly pear, and the pocked landing strip rushed past him like the backdrop of an old movie. The plane was still rolling when we threw open the emergency exit and staggered out onto the wing. The copilot was ahead of me, a reporter on my heels. “Zoltan!” I cried, scared and sick and trembling. “Zoltan, are you all right?”

  There was no answer. Zoltan’s head lolled against the flat hard surface of the wing and his eyes were closed, sunk deep behind the wrinkled flaps of his lids. There was blood everywhere. I bent to tear at the straps of the aviator’s cap, my mind racing, thinking alternately of mouth-to-mouth and the medical team I should have thought to bring along, when an urgent voice spoke at my back. “Perdóneme, perdóneme, I yam a doaktor.”

  One of the passengers, a wizened little man in Mickey Mouse T-shirt and Bermudas, knelt over Zoltan, shoving back his eyelids and feeling for his pulse. There were shouts behind me. The wing was as hot as the surface of a frying pan. “Jes, I yam getting a pulse,” the doctor announced and then Zoltan winked open an eye. “Hey,” he rumbled, “am I famous yet?”

  Zoltan was right: the airplane stunt fired the imagination of the country. The wire services picked it up, the news magazines ran stories—there was even a bit on the CBS evening news. A week later the National Enquirer was calling him the reincarnation of Houdini and the Star was speculating about his love life. I booked him on the talk-show circuit, and while he might not have had much to say, he just about oozed charisma. He appeared on the Carson show in his trademark outfit, goggles and all, limping and with his arm in a sling (he’d suffered a minor concussion, a shoulder separation, and a fractured kneecap when the bird hit him). Johnny asked him what it was like out there on the wing and Zoltan said: “Loud.” And what was it like spending two weeks on the face of the Sumitomo Building? “Boring,” Zoltan rumbled. But Carson segued into a couple of airline jokes (“Have you heard the new slogan for China Airlines?” Pause. “You’ve seen us drive, now watch us fly”) and the audience ate it up. Offers poured in from promoters, producers, book editors, and toy manufacturers. I was able to book David Mugillo, my hare-lipped comedian, on Zoltan’s coattails, and when we did the Carson show we got Bettina Buttons on for three minutes of nasal simpering about Tyrannosaurus II and how educational an experience it was for her to work with such a sensitive and caring director as so-and-so.

  Zoltan had arrived.

  A week after his triumph on “The Tonight Show” he hobbled into the office, the cape stained and torn, tights gone in the knees. He brought a distinctive smell with him—the smell of pissed-over gutters and fermenting dumpsters—and for the first time I began to understand why he’d never given me an address or a phone number. (“You want me,” he said, “leave a message with Ramon at Jiffy Cleaners.”) All at once I had a vision of him slinging his grapefruit sack from the nearest drainpipe and curling up for the night. “Zoltan,” I said, “are you okay? You need some cash? A place to stay?”

  He sat heavily in the chair across from me. Behind him, on the wall, was an oil painting of an open window, a gift from Mu’s bass player. Zoltan waved me off. Then, with a weary gesture, he reached up and removed the cap and goggles. I was shocked. His hair was practically gone and his face was as seamed and scarred as an old hockey puck. He looked about a hundred and twelve. He said nothing.

  “Well,” I said, to break the silence, “you got your wish. You made it.” I lifted a stack of correspondence from the desk and waved it at him. “You’re famous.”

  Zoltan turned his head and spat on the floor. “Famous,” he mocked. “Fidel Castro is famous. Irving Berlin. Evel Knievel.” His rumble had turned bitter. “Peterbilt,” he said suddenly.

  This last took me by surprise. I’d been thinking of consolatory platitudes, and all I could do was echo him weakly: “Peterbilt?”

  “I want the biggest rig going. The loudest, the dirtiest.”

  I wasn’t following him.

  “Maine to L.A.,” he rumbled.

  “You’re going to drive it?”

  He stood shakily, fought his way back into the cap, and lowered the goggles. “Shit,” he spat, “I ride the axle.”

  I tried to talk him out of it. “Think of the fumes,” I said, “the road hazards. Potholes, dead dogs, mufflers. You’ll be two feet off the pavement, going seventy-five, eighty miles an hour. Christ, a cardboard box’ll tear you apart.”

  He wouldn’t listen. Not only was he going through with it, but he wanted to coordinate it so that he ended up in Pasadena, for the swap meet at the Rose Bowl. There he would emerge from beneath the truck, wheel a motorcycle out of the back, roar up a ramp, and sail over twenty-six big rigs lined up fender to fender in the middle of the parking lot.

  I asked Sol about it. Advance contracts had already made back the money he’d laid out for the airplane thing ten times over. And now we could line up backers. “Get him to wear a Pirelli patch on his cape,” Sol rasped, “it’s money in the bank.”

  Easy for Sol to say, but I was having problems with the whole business. This wasn’t a plastic dinosaur on a movie lot or a stinko audience at the Improv, this was flesh and blood we were talking about here, a human life. Zoltan wasn’t healthy—in mind or body. The risks he took weren’t healthy. His ambition wasn’t healthy. And if I went along with him, I was no better than Sol, a mercenary, a huckster who’d watch a man die for ten percent of the action. For a day or two I stayed away from the office, brooding around the kitchen in my slippers. In the end, though, I talked myself into it—Zoltan was going to do it with or without me. And who knew what kind of bloodsucker he’d wind up with next?

  I hired a PR firm, got a major trucking company to carry him for the goodwill and free publicity, and told myself it was for the best. I’d ride in the cab with the driver, keep him awake, watch over Zoltan personally. And of course I didn’t know how it was going to turn out—Zoltan was amazing, and if anyone could pull it off, he could—and I thought of the Sumitomo Building and Aero Masoquisto and hoped for the best.

  We left Bangor in a cold drizzle on a morning that could have served as the backdrop for a low-budget horror picture: full-bellied clouds, gloom, mist, nose-running cold. By the time we reached Portland the drizzle had begun to crust on the windshield wipers; before we reached New Hampshire it was sleet. The driver was an American Indian by the name of Mink—no middle name, no surname, just Mink. He weighed close to five hundred pounds and he wore his hair in a single braided coil that hung to his belt loops in back. The other driver, whose name was Steve, was asleep in the compartment behind the cab. “Listen, Mink,” I said, the windshield wipers beating methodically at the crust, tires hissing beneath us, “maybe you should pull over so we can check on Zoltan.”

  Mink shifted his enormous bulk in the seat. “What, the Fly?” he said. “No sweat. That guy is like amazing. I seen that thing with the airplane. He can survive that, he
’s got no problem with this rig—long’s I don’t hit nothin’.”

  The words were barely out of his mouth when an animal—a huge brown thing like a cow on stilts—materialized out of the mist. Startled, Mink jerked the wheel, the truck went into a skid, there was a jolt like an earthquake, and the cow on stilts was gone, sucked under the front bumper like a scrap of food sucked down a drain. When we finally came to a stop a hundred yards up the road, the trailer was perpendicular to the cab and Mink’s hands were locked to the wheel.

  “What happened?” I said.

  “Moose,” Mink breathed, adding a soft breathless curse. “We hit a fuckin’ moose.”

  In the next instant I was down and out of the cab, racing the length of the trailer, and shouting Zoltan’s name. Earlier, in the cold dawn of Bangor, I’d watched him stretch out his mesh bag and suspend it like a trampoline from the trailer’s undercarriage, just ahead of the rear wheels. He’d waved to the reporters gathered in the drizzle, ducked beneath the trailer, and climbed into the bag. Now, my heart banging, I wondered what a moose might have done to so tenuous an arrangement. “Zoltan!” I shouted, going down on my knees to peer into the gloom beneath the trailer.

  There was no moose. Zoltan’s cocoon was still intact, and so was he. He was lying there on his side, a thin fetal lump rounding out of the steel and grime. “What?” he rumbled.

  I asked him the question I always seemed to be asking him: was he all right?

  It took him a moment—he was working his hand free—and then he gave me the thumbs-up sign. “A-OK,” he said.

  The rest of the trip—through the icy Midwest, the wind-torn Rockies, and the scorching strip between Tucson and Gila Bend—was uneventful. For me, anyway. I alternately slept, ate truckstop fare designed to remove the lining of your stomach, and listened to Mink or Steve—their conversation was interchangeable—rhapsodize about Harleys, IROC Camaros, and women who went down on all fours and had “Truckers’ Delite” tattooed across their buttocks. For Zoltan, it was business as usual. If he suffered from the cold, the heat, the tumbleweeds, beer cans, and fast-food containers that ricocheted off his poor lean scrag of a body day and night, he never mentioned it. True to form, he refused food and drink, though I suspected he must have had something concealed in his cape, and he never climbed down out of his cocoon, not even to move his bowels. Three days and three nights after we’d left Maine, we wheeled the big rig through the streets of Pasadena and into the parking lot outside the Rose Bowl, right on schedule.

  There was a fair-sized crowd gathered, though there was no telling whether they’d come for the swap meet, the heavy-metal band we’d hired to give some punch to Zoltan’s performance, or the stunt itself, but then who cared? They were there. As were the “Action News” team, the souvenir hawkers and hot-dog vendors. Grunting, his face beaded with sweat, Mink guided the truck into place alongside the twenty-five others, straining to get it as close as possible: an inch could mean the difference between life and death for Zoltan, and we all knew it.

  I led a knot of cameramen to the rear of the truck so they could get some tape of Zoltan crawling out of his grapefruit bag. When they were all gathered, he stirred himself, shaking off the froth of insects and road grime, the scraps of paper and cellophane, placing first one bony foot and then the other on the pavement. His eyes were feverish behind the lenses of the goggles and when he lurched out from under the truck I had to catch his arm to prevent him from falling. “So how does it feel to conquer the roadways?” asked a microphone-jabbing reporter with moussed hair and flawless teeth. “What was the worst moment?” asked another.

  Zoltan’s legs were rubber. He reeked of diesel fuel, his cape was in tatters, his face smeared with sweat and grease. “Twenty-six truck,” he rumbled. “The Human Fly is invincible.”

  And then the band started in—smokebombs, megadecibels, subhuman screeches, the works—and I led Zoltan to his dressing room. He refused a shower, but allowed the makeup girl to sponge off his face and hands. We had to cut the old outfit off him—he was too exhausted to undress himself—and then the girl helped him into the brand-new one I’d provided for the occasion. “Twenty-six truck,” he kept mumbling to himself, “A-OK.”

  I wanted him to call it off. I did. He wasn’t in his right mind, anybody could see that. And he was exhausted, beat, as starved and helpless as a refugee. He wouldn’t hear of it. “Twenty-six truck,” he rumbled, and when I put through a frantic last-minute call to Sol, Sol nearly swallowed the phone. “Damn straight he’s going for it!” he shouted. “We got sponsors lined up here. ABC Sports wants to see the tape, for christsake.” There was an outraged silence punctuated by the click of throat lozenges, and then Sol cut the connection.

  Ultimately, Zoltan went for it. Mink threw open the trailer door, Zoltan fired up the motorcycle—a specially modified Harley Sportster with gas shocks and a bored engine—and one of our people signaled the band to cut it short. The effect was dynamic, the band cutting back suddenly to a punchy drum-and-bass thing and the growl of the big bike coming on in counterpoint … and then Zoltan sprang from the back of the trailer, his cape stiff with the breeze, goggles flashing, tires squealing. He made three circuits of the lot, coming in close on the line of trucks, dodging away from the ramp, hunched low and flapping over the handlebars. Every eye was on him. Suddenly he raised a bony fist in the air, swerved wide of the trucks in a great arcing loop that took him to the far end of the lot, and made a run for the ramp.

  He was a blur, he was nothing, he was invisible, a rush of motion above the scream of the engine. I saw something—a shadow—launch itself into the thick brown air, cab after cab receding beneath it, the glint of chrome in the sun, fifteen trucks, twenty, twenty-five, and then the sight that haunts me to this day. Suddenly the shadow was gone and a blemish appeared on the broad side panel of the last truck, the one we’d taken across country, Mink’s truck, and then, simultaneous with it, there was the noise. A single booming reverberation, as if the world’s biggest drum had exploded, followed by the abrupt cessation of the motorcycle’s roar and the sad tumbling clatter of dissociated metal.

  We had medical help this time, of course, the best available: paramedics, trauma teams, ambulances. None of it did any good. When I pushed through the circle of people around him, Zoltan was lying there on the pavement like a bundle of broken twigs. The cape was twisted round his neck, and his limbs—the sorry fleshless sticks of his arms and legs—were skewed like a doll’s. I bent over him as the paramedics brought up the stretcher. “Twenty-five truck next time,” he whispered, “promise me.” There was blood in his ears, his nostrils, his eye sockets. “Yes,” I said, “yes. Twenty-five.”

  “No worries,” he choked as they slid the stretcher under him, “the Human Fly … can survive … anything.”

  We buried him three days later.

  It was a lonely affair, as funerals go. The uncle, a man in his seventies with the sad scrawl of time on his face, was the only mourner. The press stayed away, though the videotape of Zoltan’s finale was shown repeatedly over the air and the freeze-frame photos appeared in half the newspapers in the country. I was shaken by the whole thing. Sol gave me a week off and I did some soul-searching. For a while I thought of giving up the entertainment business altogether, but I was pulled back into it despite myself. Everybody, it seemed, wanted a piece of Zoltan. And as I sat down to sort through the letters, telegrams, and urgent callback messages, the phone ringing unceasingly, the sun flooding the windows of my new well-appointed and highflown office, I began to realize that I owed it to Zoltan to pursue them. This was what he’d wanted, after all.

  We settled finally on the animated series, with the usual tie-ins. I knew the producer—Sol couldn’t say enough about him—-and I knew he’d do quality work. Sure enough, the show premiered number one in its timeslot and it’s been there ever since. Sometimes I’ll get up early on a Saturday morning just to tune in, to watch the jerky figures move against a backdrop of greed and
corruption, the Human Fly ascendant, incorruptible, climbing hand over hand to the top.

  (1988)

  ON FOR THE LONG HAUL

  There was nothing wrong with his appendix—no stitch in the side, no inflammation, no pain—but Bayard was having it out. For safety’s sake. He’d read an article once about an anthropologist who’d gone to Malaysia to study the social habits of the orangutan and died horribly when her appendix had burst three hundred miles from the nearest hospital; as she lay writhing in her death agony the distraught apes had hauled her halfway up a jackfruit tree, where she was found several days later by a photographer from Life magazine. The picture—splayed limbs, gouty face, leaves like a mouthful of teeth—was indelible with him. She’d been unprepared, that anthropologist, inattentive to the little details that can make or break you. Bayard was taking no such chances.

  At their first meeting, the surgeon had been skeptical. “You’re going to Montana, Mr. Wemp, not Borneo. There are hospitals there, all the modern facilities.”

  “It’s got to go, doctor,” Bayard had quietly insisted, looking up with perfect composure from the knot of his folded hands.

  “Listen, Mr. Wemp. I’ve got to tell you that every surgical procedure, however routine, involves risk”—the doctor paused to let this sink in—“and I really feel the risks outweigh the gains in this case. All the tests are negative—we have no indication of a potential problem here.”

  “But doctor—” Bayard felt himself at a loss for words. How explain to this earnest, assured man with the suntanned wife, the Mercedes, and the house in Malibu that all of Los Angeles, San Francisco, New York—civilization itself—was on the brink of a catastrophe that would make the Dark Ages look like a Sunday-afternoon softball game? How intimate the horrors that lay ahead, the privation, the suffering? He remembered Aesop’s fable about the ant and the grasshopper. Some would be prepared, others would not. “You just don’t understand how isolated I’m going to be,” he said finally.