Mr Hutton dined alone. Food and drink left him more benevolent than he had been before dinner. To make amends for his show of exasperation he went up to his wife’s room and offered to read to her. She was touched, gratefully accepted the offer, and Mr Hutton, who was particularly proud of his accent, suggested a little light reading in French.
‘French? I am so fond of French.’ Mrs Hutton spoke of the language of Racine as though it were a dish of green peas.
Mr Hutton ran down to the library and returned with a yellow volume. He began reading. The effort of pronouncing perfectly absorbed his whole attention. But how good his accent was! The fact of its goodness seemed to improve the quality of the novel he was reading.
At the end of fifteen pages an unmistakable sound aroused him. He looked up; Mrs Hutton had gone to sleep. He sat still for a little while, looking with a dispassionate curiosity at the sleeping face. Once it had been beautiful; once, long ago, the sight of it, the recollection of it, had moved him with an emotion profounder, perhaps, than any he had felt before or since. Now it was lined and cadaverous. The skin was stretched tightly over the cheekbones, across the bridge of the sharp, bird-like nose. The closed eyes were set in profound bone-rimmed sockets. The lamplight striking on the face from the side emphasized with light and shade its cavities and projections. It was the face of a dead Christ by Morales.
Le squelette était invisible
Au temps heureux de l’ art païen.
He shivered a little, and tiptoed out of the room.
On the following day Mrs Hutton came down to luncheon. She had had some unpleasant palpitations during the night, but she was feeling better now. Besides, she wanted to do honour to her guest. Miss Spence listened to her complaints about Llandrindod Wells, and was loud in sympathy, lavish with advice. Whatever she said was always said with intensity. She leaned forward, aimed, so to speak, like a gun, and fired her words. Bang! the charge in her soul was ignited, the words whizzed forth at the narrow barrel of her mouth. She was a machine-gun riddling her hostess with sympathy. Mr Hutton had undergone similar bombardments, mostly of a literary or philosophic character – bombardments of Maeterlinck, of Mrs Besant, of Bergson, of William James. Today the missiles were medical. She talked about insomnia, she expatiated on the virtues of harmless drugs and beneficent specialists. Under the bombardment Mrs Hutton opened out, like a flower in the sun.
Mr Hutton looked on in silence. The spectacle of Janet Spence evoked in him an unfailing curiosity. He was not romantic enough to imagine that every face masked an interior physiognomy of beauty or strangeness, that every woman’s small talk was like a vapour hanging over mysterious gulfs. His wife, for example, and Doris; they were nothing more than what they seemed to be. But with Janet Spence it was somehow different. Here one could be sure that there was some kind of a queer face behind the Gioconda smile and the Roman eyebrows. The only question was: What exactly was there? Mr Hutton could never quite make out.
‘But perhaps you won’t have to go to Llandrindod after all,’ Miss Spence was saying. ‘If you get well quickly Dr Libbard will let you off.’
‘I only hope so. Indeed, I do really feel rather better today.’
Mr Hutton felt ashamed. How much was it his own lack of sympathy that prevented her from feeling well every day? But he comforted himself by reflecting that it was only a case of feeling, not of being better. Sympathy does not mend a diseased liver or a weak heart.
‘My dear, I wouldn’t eat those red currants if I were you,’ he said, suddenly solicitous. ‘You know that Libbard has banned everything with skins and pips.’
‘But I am so fond of them,’ Mrs Hutton protested, ‘and I feel so well today.’
‘Don’t be a tyrant,’ said Miss Spence, looking first at him and then at his wife. ‘Let the poor invalid have what she fancies; it will do her good.’ She laid her hand on Mrs Hutton’s arm and patted it affectionately two or three times.
‘Thank you, my dear.’ Mrs Hutton helped herself to the stewed currants.
‘Well, don’t blame me if they make you ill again.’
‘Do I ever blame you, dear?’
‘You have nothing to blame me for,’ Mr Hutton answered playfully. ‘I am the perfect husband.’
They sat in the garden after luncheon. From the island of shade under the old cypress tree they looked out across a flat expanse of lawn, in which the parterres of flowers shone with a metallic brilliance.
Mr Hutton took a deep breath of the warm and fragrant air. ‘It’s good to be alive,’ he said.
‘Just to be alive,’ his wife echoed, stretching one pale, knot-jointed hand into the sunlight.
A maid brought the coffee; the silver pots and the little blue cups were set on a folding table near the group of chairs.
‘Oh, my medicine!’ exclaimed Mrs Hutton. ‘Run in and fetch it, Clara, will you? The white bottle on the sideboard.’
‘I’ll go,’ said Mr Hutton. ‘I’ve got to go and fetch a cigar in any case.’
He ran in towards the house. On the threshold he turned round for an instant. The maid was walking back across the lawn. His wife was sitting up in her deck-chair, engaged in opening her white parasol. Miss Spence was bending over the table, pouring out the coffee. He passed into the cool obscurity of the house.
‘Do you like sugar in your coffee?’ Miss Spence inquired.
‘Yes, please. Give me rather a lot. I’ll drink it after my medicine to take the taste away.’
Mrs Hutton leaned back in her chair, lowering the sunshade over her eyes, so as to shut out from her vision the burning sky.
Behind her, Miss Spence was making a delicate clinking among the coffee-cups.
‘I’ve given you three large spoonfuls. That ought to take the taste away. And here comes the medicine.’
Mr Hutton had reappeared, carrying a wine-glass, half full of a pale liquid.
‘It smells delicious,’ he said, as he handed it to his wife.
‘That’s only the flavouring.’ She drank it off at a gulp, shuddered, and made a grimace. ‘Ugh, it’s so nasty. Give me my coffee.’
Miss Spence gave her the cup; she sipped at it. ‘You’ve made it like syrup. But it’s very nice, after that atrocious medicine.’
At half past three Mrs Hutton complained that she did not feel as well as she had done, and went indoors to lie down. Her husband would have said something about the red currants, but checked himself; the triumph of an ‘I told you so’ was too cheaply won. Instead, he was sympathetic, and gave her his arm to the house.
‘A rest will do you good,’ he said. ‘By the way, I shan’t be back till after dinner.’
‘But why? Where are you going?’
‘I promised to go to Johnson’s this evening. We have to discuss the war memorial, you know.’
‘Oh, I wish you weren’t going.’ Mrs Hutton was almost in tears. ‘Can’t you stay? I don’t like being alone in the house.’
‘But, my dear, I promised – weeks ago.’ It was a bother having to lie like this. ‘And now I must get back and look after Miss Spence.’
He kissed her on the forehead and went out again into the garden. Miss Spence received him aimed and intense.
‘Your wife is dreadfully ill,’ she fired off at him.
‘I thought she cheered up so much when you came.’
‘That was purely nervous, purely nervous. I was watching her closely. With a heart in that condition and her digestion wrecked – yes, wrecked – anything might happen.’
‘Libbard doesn’t take so gloomy a view of poor Emily’s health.’ Mr Hutton held open the gate that led from the garden into the drive; Miss Spence’s car was standing by the front door.
‘Libbard is only a country doctor. You ought to see a specialist.’
He could not refrain from laughing. ‘You have a macabre passion for specialists.’
Miss Spence held up her hand in protest. ‘I am serious. I think poor Emily is in a very bad state. Anything might happen �
� at any moment.’
He handed her into the car and shut the door. The chauffeur started the engine and climbed into his place, ready to drive off.
‘Shall I tell him to start?’ He had no desire to continue the conversation.
Miss Spence leaned forward and shot a Gioconda in his direction. ‘Remember, I expect you to come and see me again soon.’
Mechanically he grinned, made a polite noise, and, as the car moved forward, waved his hand. He was happy to be alone.
A few minutes afterwards Mr Hutton himself drove away. Doris was waiting at the cross-roads. They dined together twenty miles from home, at a roadside hotel. It was one of those bad, expensive meals which are only cooked in country hotels frequented by motorists. It revolted Mr Hutton, but Doris enjoyed it. She always enjoyed things. Mr Hutton ordered a not very good brand of champagne. He was wishing he had spent the evening in his library.
When they started homewards Doris was a little tipsy and extremely affectionate. It was very dark inside the car, but looking forward, past the motionless form of M’Nab, they could see a bright and narrow universe of forms and colours scooped out of the night by the electric head-lamps.
It was after eleven when Mr Hutton reached home. Dr Libbard met him in the hall. He was a small man with delicate hands and well-formed features that were almost feminine. His brown eyes were large and melancholy. He used to waste a great deal of time sitting at the bedside of his patients, looking sadness through those eyes and talking in a sad, low voice about nothing in particular. His person exhaled a pleasing odour, decidedly antiseptic but at the same time suave and discreetly delicious.
‘Libbard?’ said Mr Hutton in surprise. ‘You here? Is my wife ill?’
‘We tried to fetch you earlier,’ the soft, melancholy voice replied. ‘It was thought you were at Mr Johnson’s, but they had no news of you there.’
‘No, I was detained. I had a break-down,’ Mr Hutton answered irritably. It was tiresome to be caught out in a lie.
‘Your wife wanted to see you urgently.’
‘Well, I can go now.’ Mr Hutton moved towards the stairs.
Dr Libbard laid a hand on his arm. ‘I am afraid it’s too late.’
‘Too late?’ He began fumbling with his watch; it wouldn’t come out of the pocket.
‘Mrs Hutton passed away half an hour ago.’
The voice remained even in its softness, the melancholy of the eyes did not deepen. Dr Libbard spoke of death as he would speak of a local cricket match. All things were equally vain and equally deplorable.
Mr Hutton found himself thinking of Janet Spence’s words. At any moment – at any moment. She had been extraordinarily right.
‘What happened?’ he asked. ‘What was the cause?’
Dr Libbard explained. It was heart failure brought on by a violent attack of nausea, caused in its turn by the eating of something of an irritant nature. Red currants? Mr Hutton suggested. Very likely. It had been too much for the heart. There was chronic valvular disease: something had collapsed under the strain. It was all over; she could not have suffered much.
3
‘It’s a pity they should have chosen the day of the Eton and Harrow match for the funeral,’ old General Grego was saying as he stood, his top hat in his hand, under the shadow of the lich-gate, wiping his face with his handkerchief.
Mr Hutton overheard the remark and with difficulty restrained a desire to inflict grievous bodily pain on the General. He would have liked to hit the old brute in the middle of his big red face. Monstrous great mulberry, spotted with meal! Was there no respect for the dead? Did nobody care? In theory he didn’t much care; let the dead bury their dead. But here, at the graveside, he had found himself actually sobbing. Poor Emily, they had been pretty happy once. Now she was lying at the bottom of a seven-foot hole. And here was Grego complaining that he couldn’t go to the Eton and Harrow match.
Mr Hutton looked round at the groups of black figures that were drifting slowly out of the churchyard towards the fleet of cabs and motors assembled in the road outside. Against the brilliant background of the July grass and flowers and foliage, they had a horribly alien and unnatural appearance. It pleased him to think that all these people would soon be dead too.
That evening Mr Hutton sat up late in his library reading the life of Milton. There was no particular reason why he should have chosen Milton; it was the book that first came to hand, that was all. It was after midnight when he had finished. He got up from his armchair, unbolted the French windows, and stepped out on to the little paved terrace. The night was quiet and clear. Mr Hutton looked at the stars and at the holes between them, dropped his eyes to the dim lawns and hueless flowers of the garden, and let them wander over the farther landscape, black and grey under the moon.
He began to think with a kind of confused violence. There were the stars, there was Milton. A man can be somehow the peer of stars and night. Greatness, nobility. But is there seriously a difference between the noble and the ignoble? Milton, the stars, death, and himself – himself. The soul, the body; the higher and the lower nature. Perhaps there was something in it, after all. Milton had a god on his side and righteousness. What had he? Nothing, nothing whatever. There were only Doris’s little breasts. What was the point of it all? Milton, the stars, death, and Emily in her grave, Doris and himself – always himself. …
Oh, he was a futile and disgusting being. Everything convinced him of it. It was a solemn moment. He spoke aloud: ‘I will, I will.’ The sound of his own voice in the darkness was appalling; it seemed to him that he had sworn that infernal oath which binds even the gods: ‘I will, I will.’ There had been New Year’s days and solemn anniversaries in the past, when he had felt the same contritions and recorded similar resolutions. They had all thinned away, these resolutions, like smoke, into nothingness. But this was a greater moment and he had pronounced a more fearful oath. In the future it was to be different. Yes, he would live by reason, he would be industrious, he would curb his appetites, he would devote his life to some good purpose. It was resolved and it would be so.
In practice he was himself spending his mornings in agricultural pursuits, riding round with the bailiff, seeing that his land was farmed in the best modern way – silos and artificial manures and continuous cropping, and all that. The remainder of the day should be devoted to serious study. There was that book he had been intending to write for so long-The Effect of Diseases on Civilization.
Mr Hutton went to bed humble and contrite, but with a sense that grace had entered into him. He slept for seven and a half hours, and woke to find the sun brilliantly shining. The emotions of the evening before had been transformed by a good night’s rest into his customary cheerfulness. It was not untill a good many seconds after his return to conscious life that he remembered his resolution, his Stygian oath. Milton and death seemed somehow different in the sunlight. As for the stars, they were not there. But the resolutions were good; even in the daytime he could see that. He had his horse saddled after breakfast, and rode round the farm with the bailiff. After luncheon he read Thucydides on the plague at Athens. In the evening he made a few notes on malaria in Southern Italy. While he was undressing he remembered that there was a good anecdote in Skelton’s jest-book about the Sweating Sickness. He would have made a note of it if only he could have found a pencil.
On the sixth morning of his new life Mr Hutton found among his correspondence an envelope addressed in that peculiarly vulgar handwriting which he knew to be Doris’s. He opened it, and began to read. She didn’t know what to say; words were so inadequate. His wife dying like that, and so suddenly – it was too terrible. Mr Hutton sighed, but his interest revived somewhat as he read on:
Death is so frightening, I never think of it when I can help it. But when something like this happens, or when I am feeling ill or depressed, then I can’t help remembering it is there so close, and I think about all the wicked things I have done and about you and me, and I wonder what will hap
pen, and I am so frightened. I am so lonely, Teddy Bear, and so unhappy, and I don’t know what to do. I can’t get rid of the idea of dying, I am so wretched and helpless without you. I didn’t mean to write to you; I meant to wait till you were out of mourning and could come and see me again, but I was so lonely and miserable, Teddy Bear, I had to write. I couldn’t help it. Forgive me, I want you so much; I have nobody in the world but you. You are so good and gentle and understanding; there is nobody like you. I shall never forget how good and kind you have been to me, and you are so clever and know so much, I can’t understand how you ever came to pay any attention to me, I am so dull and stupid, much less like me and love me, because you do love me a little don’t you Teddy Bear?
Mr Hutton was touched with shame and remorse. To be thanked like this, worshipped for having seduced the girl – it was too much. It had just been a piece of imbecile wantonness. Imbecile, idiotic: there was no other way to describe it. For, when all was said, he had derived very little pleasure from it. Taking all things together, he had probably been more bored than amused. Once upon a time he had believed himself to be a hedonist. But to be a hedonist implies a certain process of reasoning, a deliberate choice of known pleasure, a rejection of known pains. This had been done without reason, against it. For he knew beforehand – so well, so well – that there was no interest or pleasure to be derived from these wretched affairs. And yet each time the vague itch came upon him he succumbed, involving himself once more in the old stupidity. There had been Maggie, his wife’s maid, and Edith, the girl on the farm, and Mrs Pringle, and the waitress in London, and others – there seemed to be dozens of them. It had all been so stale and boring. He knew it would be; he always knew. And yet, and yet. … Experience doesn’t teach.
The Penguin Book of English Short Stories Page 28
