Piscatorem hominum ne te non, Sexte, putemus,
Piscaris notum retibus ecce tuum.
Consider the ribaldry of that, and ask yourselves whether this is a man who would immolate the chance of a witticism upon the altar of Truth.
It is significant that Sanazzaro, for what he may be worth, confines himself to the gossip of incest. Nowhere does he mention that Cesare was the murderer, and we think that his silence upon the matter, if it shows anything, shows that Cesare's guilt was not so very much the "general opinion of the day," as Gregorovius asks us to believe.
CAPPELLO was not in Rome at the time of the murder, nor until three years later, when he merely repeated the rumour that had first sprung up some eight months after the crime.
The precise value of his famous "relation" (in which this matter is recorded, and to which we shall return in its proper place) and the spirit that actuated him is revealed in another accusation of murder which he levels at Cesare, an accusation which, of course, has also been widely disseminated upon no better authority than his own. It is Capello who tells us that Cesare stabbed the chamberlain Perrotto in the Pope's very arms; he adds the details that the man had fled thither for shelter from Cesare's fury, and that the blood of him, when he was stabbed, spurted up into the very face of the Pope. Where he got the story is not readily surmised—unless it be assumed that he evolved it out of his feelings for the Borgias. The only contemporary accounts of the death of this Perrotto—or Pedro Caldes, as was his real name—state that he fell by accident into the Tiber and was drowned.
Burchard, who could not have failed to know if the stabbing story had been true, and would not have failed to report it, chronicles the fact that Perrotto was fished out of Tiber, having fallen in six days earlier—"non libenter." This statement, coming from the pen of the Master of Ceremonies at the Vatican, requires no further corroboration. Yet corroboration there actually is in a letter from Rome of February 20, 1498, quoted by Marino Sanuto in his Diarii. This states that Perrotto had been missing for some days, no one knowing what had become of him, and that now "he has been found drowned in the Tiber."
We mention this, in passing, with the twofold object of slaying another calumny, and revealing the true value of Capello, who happens to be the chief "witness for the prosecution" put forward by Gregorovius. "Is it not of great significance," inquires the German historian, "that the fact should have been related so positively by an ambassador who obtained his knowledge from the best sources?"
The question is frivolous, for the whole trouble in this matter is that there were no sources at all, in the proper sense of the word—good or bad. There was simply gossip, which had been busy with a dozen names already.
MACCHIAVELLI includes a note in his Extracts from Letters to the Ten, in which he mentions the death of Gandia, adding that "at first nothing was known, and then men said it was done by the Cardinal of Valencia."
There is nothing very conclusive in that. Besides, incidentally it may be mentioned, that it is not clear when or how these extracts were compiled by Macchiavelli (in his capacity of Secretary to the Signory of Florence) from the dispatches of her ambassadors. But it has been shown—though we are hardly concerned with that at the moment—that these extracts are confused by comments of his own, either for his own future use or for that of another.
MATARAZZO is the Perugian chronicler of whom we have already expressed the only tenable opinion. The task he set himself was to record the contemporary events of his native town—the stronghold of the blood-dripping Baglioni. He enlivened it by every scrap of scandalous gossip that reached him, however alien to his avowed task. The authenticity of this scandalmongering chronicle has been questioned; but, even assuming it to be authentic, it is so wildly inaccurate when dealing with matters happening beyond the walls of Perugia as to be utterly worthless.
Matarazzo relates the story of the incestuous relations prevailing in the Borgia family, and with an unsparing wealth of detail not to be found elsewhere; but on the subject of the murder he has a tale to tell entirely different from any other that has been left us. For, whilst he urges the incest as the motive of the crime, the murderer, he tells us, was Giovanni Sforza, the outraged husband; and he gives us the fullest details of that murder, time and place and exactly how committed, and all the other matters which have never been brought to light.
It is all a worthless, garbled piece of fiction, most obviously; as such it has ever been treated; but it is as plausible as it is untrue, and, at least, as authoritative as any available evidence assigning the guilt to Cesare.
SANUTO we accept as a more or less careful and painstaking chronicler, whose writings are valuable; and Sanuto on the matter of the murder confines himself to quoting the letter of February 1498, in which the accusation against Cesare is first mentioned, after having given other earlier letters which accuse first Ascanio and then Orsini far more positively than does the latter letter accuse Cesare.
On the matter of the incest there is no word in Sanuto; but there is mention of Doña Sancia's indiscretions, and the suggestion that, through jealousy on her account, it was rumoured that the murder had been committed—another proof of how vague and ill-defined the rumours were.
PIETRO MARTIRE D'ANGHIERA writes from Burgos, in Spain, that he is convinced of the fratricide. It is interesting to know of that conviction of his; but difficult to conceive how it is to be accepted as evidence.
If more needs to be said of him, let it be mentioned that the letter in which he expresses that conviction is dated April 1497—two months before the murder took place! So that even Gregorovius is forced to doubt the authenticity of that document.
GUICCIARDINI is not a contemporary chronicler of events as they happened, but an historian writing some thirty years later. He merely repeats what Capello and others have said before him. It is for him to quote authorities for what he writes, and not to be set up as an authority. He is not reliable, and he is a notorious defamer of the Papacy, sparing nothing that will serve his ends. He dilates with gusto upon the accusation of incest.
Lastly, PANVINTO is in the same category as Guicciardini. He was not born until some thirty years after these events, and his History of the Popes was not written until some sixty years after the murder of the Duke of Gandia. This history bristles with inaccuracies; he never troubles to verify his facts, and as an authority he is entirely negligible.
In the valuable Diarium of Burchard there is unfortunately a lacuna at this juncture, from the day after the murder (of which he gives the full particulars to which we have gone for our narrative of that event) until the month of August following. And now we may see Gregorovius actually using silence as evidence. He seizes upon that lacuna, and goes so far as to set up the tentative explanation that Burchard "perhaps purposely interrupted his Diary that he might avoid mentioning the fratricide."
If such were the case, it would be a strange departure from Burchard's invariable rule, which is one of cold, relentless, uncritical chronicling of events, no matter what their nature. Besides, any significance with which that lacuna might be invested is discounted by the fact that such gaps are of fairly common occurrence in the course of Burchard's record. Finally it remains to be shown that the lacuna in question exists in the original diaries, which have yet to be discovered.
So much for the valuable authorities, out of which—and by means of a selection which is not quite clearly defined—Gregorovius claims to have proved that the murderer of the Duke of Gandia was his brother Cesare Borgia, Cardinal of Valencia.(33)
Now to examine more closely the actual motives given by those authorities and by later, critical writers, for attributing the guilt to Cesare.
In September of the year 1497, the Pope had dissolved the marriage of his daughter Lucrezia and Giovanni Sforza, and the grounds for the dissolution were that the husband was impotens et frigidus natura—admitted by himself.(34)
If you know anything of the Italy of to-day, you will be able to conce
ive for yourself how the Italy of the fifteenth century must have held her sides and pealed her laughter at the contemptible spectacle of an unfortunate who afforded such reason to be bundled out of a nuptial bed. The echo of that mighty burst of laughter must have rung from Calabria to the Alps, and well may it have filled the handsome weakling who was the object of its cruel ridicule with a talion fury. The weapons he took up wherewith to defend himself were a little obvious. He answered the odious reflections upon his virility by a wholesale charge of incest against the Borgia family; he screamed that what had been said of him was a lie invented by the Borgias to serve their own unutterable ends.(35) Such was the accusation with which the squirming Lord of Pesaro retaliated, and, however obvious, yet it was not an accusation that the world of his day would lightly cast aside, for all that the perspicacious may have rated it at its proper value.
What is of great importance to students of the history of the Borgias is that this was the first occasion on which the accusation of incest was raised. Of course it persisted; such a charge could not do otherwise. But now that we see in what soil it had its roots we shall know what importance to attach to it.
Not only did it persist, but it developed, as was but natural. Cesare and the dead Gandia were included in it, and presently it suggested a motive—not dreamed of until then—why Cesare might have been his brother's murderer.
Then, early in 1498, came the rumour that Cesare was intending to abandon the purple, and later Writers, from Capello down to our own times, have chosen to see in Cesare's supposed contemplation of that step a motive so strong for the crime as to prove it in the most absolutely conclusive manner. In no case could it be such proof, even if it were admitted as a motive. But is it really so to be admitted? Did such a motive exist at all? Does it really follow—as has been taken for granted—that Cesare must have remained an ecclesiastic had Gandia lived? We cannot see that it does. Indeed, such evidence as there is, when properly considered, points in the opposite direction, even if no account is taken of the fact that this was not the first occasion on which it was proposed that Cesare should abandon the ecclesiastical career, as is shown by the Ferrarese ambassador's dispatches of March 1493.
It is contended that Gandia was a stumbling-block to Cesare, and that Gandia held the secular possessions which Cesare coveted; but if that were really the case why, when eventually (some fourteen months after Gandia's death) Cesare doffed the purple to replace it by a soldier's harness, did he not assume the secular possessions that had been his brother's?
His dead brother's lands and titles went to his dead brother's son, whilst Cesare's career was totally different, as his aims were totally different, from any that had been Gandia's, or that might have been Gandia's had the latter lived. True, Cesare became Captain-General of the Church in his dead brother's place; but for that his brother's death was not necessary. Gandia had neither the will nor the intellect to undertake the things that awaited Cesare. He was a soft-natured, pleasure-loving youth, whose way of life was already mapped out for him. His place was at Gandia, in Spain, and, whilst he might have continued lord of all the possessions that were his, it would have been Cesare's to become Duke of Valentinois, and to have made himself master of Romagna, precisely as he did.
In conclusion, Gandia's death no more advanced, than his life could have impeded, the career which Cesare afterwards made his own, and to say that Cesare murdered him to supplant him is to set up a theory which the subsequent facts of Cesare's life will nowise justify.
It is idle of Gregorovius to say that the logic of the crime is inexorable—in its assigning the guilt to Cesare—fatuous of him to suppose that, as he claims, he has definitely proved Cesare to be his brother's murderer.
There is much against Cesare Borgia, but it never has been proved, and never will be proved, that he was a fratricide. Indeed the few really known facts of the murder all point to a very different conclusion—a conclusion more or less obvious, which has been discarded, presumably for no better reason than because it was obvious.
Where was all this need to go so far afield in quest of a probable murderer imbued with political motives? Where the need to accuse in turn every enemy that Gandia could possibly possess before finally fastening upon his own brother?
Certain evidence is afforded by the known facts of the case, scant as they are. It may not amount to much, but at least it is sufficient to warrant a plausible conclusion, and there is no justification for discarding it in favour of something for which not a particle of evidence is forthcoming.
There is, first of all, the man in the mask to be accounted for. That he is connected with the crime is eminently probable, if not absolutely certain.
It is to be remembered that for a month—according to Burchard—he had been in the habit of visiting Gandia almost daily. He comes to Vannozza's villa on the night of the murder. Is it too much to suppose that he brought a message from some one from whom he was in the habit of bringing messages?
He was seen last on the crupper of Gandia's horse as the latter rode away towards the Jewish quarter.(36) Gandia himself announced that he was bound on pleasure—going to amuse himself. Even without the knowledge which we possess of his licentious habits, no doubt could arise as to the nature of the amusement upon which he was thus bound at dead of night; and there are the conclusions formed in the morning by his father, when it was found that Gandia had not returned.
Is it so very difficult to conceive that Gandia, in the course of the assignation to which he went, should have fallen into the hands of an irate father, husband, or brother? Is it not really the obvious inference to draw from the few facts that we possess? That it was the inference drawn by the Pope and clung to even some time after the crime and while rumours of a different sort were rife, is shown by the perquisition made in the house of Antonio Pico della Mirandola, who had a daughter whom it was conceived might have been the object of the young duke's nocturnal visit, and whose house was near the place where Gandia was flung into the Tiber.
We could hazard speculations that would account for the man in the mask, but it is not our business to speculate save where the indications are fairly clear.
Let us consider the significance of Gandia's tied hands and the wounds upon his body in addition to the mortal gash across his throat. To what does this condition point? Surely not to a murder of expediency so much as to a fierce, lustful butchery of vengeance. Surely it suggests that Gandia may have been tortured before his throat was cut. Why else were his wrists pinioned? Had he been swiftly done to death there would have been no need for that. Had hired assassins done the work they would not have stayed to pinion him, nor do we think they would have troubled to fling him into the river; they would have slain and left him where he fell.
The whole aspect of the case suggests the presence of the master, of the personal enemy himself. We can conceive Gandia's wrists being tied, to the end that this personal enemy might do his will upon the wretched young man, dealing him one by one the ten or fourteen wounds in the body before making an end of him by cutting his throat. We cannot explain the pinioned wrists in any other way. Then the man on the handsome white horse, the man whom the four others addressed as men address their lord. Remember his gold spurs—a trifle, perhaps; but hired assassins do not wear gold spurs, even though their bestriding handsome white horses may be explainable.
Surely that was the master, the personal enemy himself—and it was not Cesare, for Cesare at the time was at the Vatican.
There we must leave the mystery of the murder of the Duke of Gandia; but we leave it convinced that, such scant evidence as there is, points to an affair of sordid gallantry, and nowise implicates his brother Cesare.
CHAPTER V. THE RENUNCIATION OF THE PURPLE
At the Consistory of June 19, 1497 the Sacred College beheld a broken-hearted old man who declared that he had done with the world, and that henceforth life could offer him nothing that should endear it to him.
"A greater sorrow than thi
s could not be ours, for we loved him exceedingly, and now we can hold neither the Papacy nor any other thing as of concern. Had we seven Papacies, we would give them all to restore the duke to life." So ran his bitter lament.
He denounced his course of life as not having been all that it should have been, and appeared to see in the murder of his son a punishment for the evil of his ways. Much has been made of this, and quite unnecessarily. It has been taken eagerly as an admission of his unparalleled guilt. An admission of guilt it undoubtedly was; but what man is not guilty? and how many men—ay, and saints even—in the hour of tribulation have cried out that they were being made to feel the wrath of God for the sins that no man is without?
If humanity contains a type that would not have seen in such a cause for sorrow a visitation of God, it is the type of inhuman monster to which we are asked to believe that Alexander VI belonged. A sinner unquestionably he was, and a great one; but a human sinner, and not an incarnate devil, else there could have been no such outcry from him in such an hour as this.
He announced that henceforth the spiritual needs of the Church should be his only care. He inveighed against the corruption of the ecclesiastical estate, confessing himself aware of how far it had strayed from the ancient discipline and from the laws that had been framed to bridle licence and cupidity, which were now rampant and unchecked; and he proclaimed his intention to reform the Curia and the Church of Rome. To this end he appointed a commission consisting of the Cardinal-Bishops Oliviero Caraffa and Giorgio Costa, the Cardinal-Priests Antonietto Pallavicino and Gianantonio Sangiorgio, and the Cardinal-Deacons Francesco Piccolomini and Raffaele Riario.
There was even a suggestion that he was proposing to abdicate, but that he was prevailed upon to do nothing until his grief should have abated and his judgement be restored to its habitual calm. This suggestion, however, rests upon no sound authority.
The Life of Cesare Borgia Page 12
