Francesco Troche had been Alexander's confidential chamberlain and secretary; he had been a diligent servant of the House of Borgia, and when in France had acted as a spy for Valentinois, keeping the duke supplied with valuable information at a critical time, as we have seen.
Villari says of him that he was "one of the Borgias' most trusted assassins." That he has never been so much as alleged to have murdered anyone does not signify. He was a servant—a trusted servant—of the Borgias; therefore the title of "assassin" is, ipso facto, to be bestowed upon him.
The flight of a man holding such an intimate position as Troche's was naturally a subject of much speculation and gossip, but a matter upon which there was no knowledge. Valentinois was ever secret. In common with his father—though hardly in so marked a degree, and if we except the case of the scurrilous Letter to Silvio Savelli—he showed a contemptuous indifference to public opinion on the whole which is invested almost with a certain greatness. At least it is rarely other than with greatness that we find such an indifference associated. It was not for him to take the world into his confidence in matters with which the world was not concerned. Let the scandalmongers draw what inferences they pleased. It was a lofty and dignified procedure, but one that was fraught with peril; and the Borgias have never ceased to pay the price of that excessive dignity of reserve. For tongues must be wagging, and, where knowledge is lacking, speculation will soon usurp its place, and presently be invested with all the authority of "fact."
Out of surmises touching that matter "which concerned the honour of the King of France" grew presently—and contradictorily—the rumour that Troche was gone to betray to France Valentinois's intention of going over to the Spanish side. A motive was certainly required to account for Troche's action; but the invention of motives does not appear ever to have troubled the Cinquecentist.
It was now said that Troche was enraged at having been omitted from the list of cardinals to be created at the forthcoming Consistory. It is all mystery, even to the end he made; for, whereas some said that, after being seized on board a ship that was bound for Corsica, Troche in his despair threw himself overboard and was drowned, others reported that he was brought back to Rome and strangled in a prison in Trastevere.
The following questions crave answer:
If it was Troche's design to betray such a treachery of the Borgias against France, what was he doing on board a vessel bound for Corsica a fortnight after his flight from Rome? Would not his proper goal have been the French camp in Naples, which he could have reached in a quarter of that time, and where not only could he have vented his desire for vengeance by betraying Alexander and Valentinois, but he could further have found complete protection from pursuit?
It is idle and unprofitable to dwell further upon the end of Francesco Troche. The matter is a complete mystery, and whilst theory is very well as theory, it is dangerous to cause it to fill the place of fact.
Troche was drowned or was strangled as a consequence of his having fled out of motives that were "against the honour of the King of France." And straightway the rumour spread of Valentinois's intended treachery, and the rumour was kept alive and swelled by Venice and Florence in pursuit of their never-ceasing policy of discrediting Cesare with King Louis, to the end that they might encompass his expedient ruin.
The lie was given to them to no small extent by the Pope, when, in the Consistory of July 28, he announced Cesare's departure to join the French army in Naples with five hundred horse and two thousand foot assembled for the purpose.
For this Cesare made now his preparations, and on the eve of departure he went with his father—on the evening of August 5—to sup at the villa of Cardinal Adriano Corneto, outside Rome.
Once before we have seen him supping at a villa of the Suburra on the eve of setting out for Naples, and we know the tragedy that followed—a tragedy which he has been accused of having brought about. Here again, in a villa of the Suburra, at a supper on the eve of setting out for Naples, Death was the unseen guest.
They stayed late at the vineyard of Cardinal Corneto, enjoying the treacherous cool of the evening, breathing the death that was omnipresent in Rome that summer, the pestilential fever which had smitten Cardinal Giovanni Borgia (Seniore) on the 1st of that month, and of which men were dying every day in the most alarming numbers.
On the morning of Saturday 12, Burchard tells us, the Pope felt ill, and that evening he was taken with fever. On the 15th Burchard records that he was bled, thirteen ounces of blood being taken from him. It relieved him somewhat, and, seeking distraction, he bade some of the cardinals to come and sit by his bed and play at cards.
Meanwhile, Cesare was also stricken, and in him the fever raged so fierce and violently that he had himself immersed to the neck in a huge jar of ice-cold water—a drastic treatment in consequence of which he came to shed all the skin from his body.
On the 17th the Pope was much worse, and on the 18th, the end being at hand, he was confessed by the Bishop of Culm, who administered Extreme Unction, and that evening he died.
That, beyond all manner of question, is the true story of the passing of Alexander VI, as revealed by the Diarium of Burchard, by the testimony of the physician who attended him, and by the dispatches of the Venetian, Ferrarese, and Florentine ambassadors. At this time of day it is accepted by all serious historians, compelled to it by the burden of evidence.
The ambassador of Ferrara had written to Duke Ercole, on August 14, that it was no wonder the Pope and the duke were ill, as nearly everybody in Rome was ill as a consequence of the bad air ("Per la mala condictione de aere").
Cardinal Soderini was also stricken with the fever, whilst Corneto was taken ill on the day after that supper-party, and, like Cesare, is said to have shed all the skin of his body before he recovered.
Even Villari and Gregorovius, so unrestrained when writing of the Borgias, discard the extraordinary and utterly unwarranted stories of Guicciardini, Giovio, and Bembo, which will presently be considered. Gregorovius does this with a reluctance that is almost amusing, and with many a fond, regretful, backward glance—so very apparent in his manner—at the tale of villainy as told by Guicciardini and the others, which the German scholar would have adopted but that he dared not for his credit's sake. This is not stated on mere assumption. It is obvious to any one who reads Gregorovius's histories.
Burchard tells us—as certainly matter for comment—that, during his last illness, Alexander never once asked for Cesare nor ever once mentioned the name of Lucrezia. So far as Cesare is concerned, the Pope knew, no doubt, that he was ill and bedridden, for all that the gravity of the duke's condition would, probably, have been concealed from him. That he should not have mentioned Lucrezia—nor, we suppose, Giuffredo—is remarkable. Did he, with the hand of Death already upon him, reproach himself with this paternity which, however usual and commonplace in priests of all degrees, was none the less a scandal, and the more scandalous in a measure as the rank of the offender was higher? It may well be that in those last days that sinful, worldly old man bethought him of the true scope and meaning of Christ's Vicarship, which he had so wantonly abused and dishonoured, and considered that to that Judge before whom he was summoned to appear the sins of his predecessors would be no justification or mitigation of his own. It may well be that, grown introspective upon his bed of death, he tardily sought to thrust from his mind the worldly things that had so absorbed it until the spiritual were forgotten, and had given rise to all the scandal concerning him that was spread through Christendom, to the shame and dishonour of the Church whose champion he should have been.
Thus may it have come to pass that he summoned none of his children in his last hours, nor suffered their names to cross his lips.
When the news of his father's death was brought to Cesare, the duke, all fever-racked as he was, more dead than living, considered his position and issued his orders to Michele da Corella, that most faithful of all his captains, who so richly shared with Cesare
the execration of the latter's enemies.
Of tears for his father there is no record, just as at no time are we allowed to see that stern spirit giving way to any emotion, conceiving any affection, or working ever for the good of any but himself. Besides, in such an hour as this, the consciousness of the danger in which he stood by virtue of the Pope's death and his own most inopportune sickness, which disabled him from taking action to make his future secure, must have concerned him to the exclusion of all else.
Meanwhile, however, Rome was quiet, held so in the iron grip of Michele da Corella and the ducal troops. The Pope's death was being kept secret for the moment, and was not announced to the people until nightfall, by when Corella had carried out his master's orders, including the seizure of the Pope's treasure. And Burchard tells us how some of Valentinois's men entered the Vatican—all the gates of which were held by the ducal troops—and, seizing Cardinal Casanova, they demanded, with a dagger at his throat and a threat to fling his corpse from the windows if he refused them, the Pope's keys. These the cardinal surrendered, and Corella possessed himself of plate and jewels to the value of some 200,000 ducats, besides two caskets containing about 100,000 ducats in gold. Thereafter the servants of the palace completed the pillage by ransacking the wardrobes and taking all they could find, so that nothing was left in the papal apartments but the chairs, a few cushions, and the tapestries of the walls.
All his life Alexander had been the victim of the most ribald calumnies. Stories had ever sprung up and thriven, like ill weeds, about his name and reputation. His sins, great and scandalous in themselves, were swelled by popular rumour, under the spur of malice, to monstrous and incredible proportions. As they had exaggerated and lied about the manner of his life, so—with a consistency worthy of better scope—they exaggerated and lied about the manner of his death, and, the age being a credulous one, the stories were such that writers of more modern and less credulous times dare not insist upon them, lest they should discredit—as they do—what else has been alleged against him.
Thus when, in his last delirium, the Pope uttered some such words as: "I am coming; I am coming. It is just. But wait a little," and when those words were repeated, it was straightway asserted that the Devil was the being he thus addressed in that supreme hour. The story grew in detail; that is inevitable with such matter. He had bargained with the devil, it was said, for a pontificate of twelve years, and, the time being completed, the devil was come for him. And presently, we even have a description of Messer the Devil as he appeared on that occasion—in the shape of a baboon. The Marquis Gonzaga of Mantua, in all seriousness, writes to relate this. The chronicler Sanuto, receiving the now popularly current story from another source, in all seriousness gives it place in his Diarii, thus:
"The devil was seen to leap out of the room in the shape of a baboon. And a cardinal ran to seize him, and, having caught him, would have presented him to the Pope; but the Pope said, 'Let him go, let him go. It is the devil,' and that night he fell ill and died."(55)
That story, transcending the things which this more practical age considers possible, is universally rejected; but it is of vast importance to the historical student; for it is to be borne in mind that it finds a place in the pages of those same Diarii upon the authority of which are accepted many defamatory stories without regard to their extreme improbability so long as they are within the bounds of bare possibility.
After Alexander was dead it was said that water boiled in his mouth, and that steam issued from it as he lay in St. Peter's, and much else of the same sort, which the known laws of physiology compel so many of us very reluctantly to account exaggerations. But, again, remember that the source of these stories was the same as the source of many other exaggerations not at issue with physiological laws.
The circumstances of Alexander's funeral are in the highest degree scandalous, and reflect the greatest discredit upon his age.
On the morrow, as the clergy were chanting the Libera me, Domine in St. Peter's, where the body was exposed on a catafalque in full pontificals, a riot occurred, set on foot by the soldiers present for reasons which Burchard—who records the event—does not make clear.
The clerics fled for shelter to the sacristy, the chants were cut short, and the Pope's body almost entirely abandoned.
But the most scandalous happening occurred twenty-four hours later. The Pope's remains were removed to the Chapel of Santa Maria delle Febbre by six bearers who laughed and jested at the expense of the poor corpse, which was in case to provoke the coarse mirth of the lower classes of an age which, setting no value upon human life, knew no respect for death. By virtue of the malady that had killed him, of his plethoric habit of body, and of the sweltering August heat, the corpse was decomposing rapidly, so that the face had become almost black and assumed an aspect grotesquely horrible, fully described by Burchard:
"Factus est sicut pannus vel morus nigerrimus, livoris totus plenus, nasus plenus, os amplissimum, lingua duplex in ore, que labia tota implebat, os apertum et adeo horribile quod nemo viderit unquam vel esse tale dixerit."
Two carpenters waited in the chapel with the coffin which they had brought; but, either through carelessness it had been made too narrow and too short, or else the body, owing to its swollen condition, did not readily fit into this receptable; whereupon, removing the mitre, for which there was no room, they replaced it by a piece of old carpet, and set themselves to force and pound the corpse into the coffin. And this was done "without candle or any light being burned in honour of the dead, and without the presence of any priest or other person to care for the Pope's remains." No explanation of this is forthcoming; it was probably due to the panic earlier occasioned the clergy by the ducal men-at-arms.
The story that he had been poisoned was already spreading like a conflagration through Rome, arising out of the appearance of the body, which was such as was popularly associated with venenation.
But a Borgia in the rôle of a victim was altogether too unusual to be acceptable, and too much opposed to the taste to which the public had been educated; so the story must be edited and modified until suitable for popular consumption. The supper-party at Cardinal Corneto's villa was remembered, and upon that a tale was founded, and trimmed by degrees into plausible shape.
Alexander had intended to poison Corneto—so ran this tale—that he might possess himself of the cardinal's vast riches; in the main a well-worn story by now. To this end Cesare had bribed a butler to pour wine for the cardinal from a flask which he entrusted to him. Exit Cesare. Exit presently the butler, carelessly leaving the poisoned wine upon a buffet. (The drama, you will observe, is perfectly mechanical, full of author's interventions, and elementary in its "preparations"). Enter the Pope. He thirsts, and calls for wine. A servant hastens; takes up, of course, the poisoned flask in ignorance of its true quality, and pours for his Beatitude. Whilst the Pope drinks re-enters Cesare, also athirst, and, seating himself, he joins the Pope in the poisoned wine, all unsuspicious and having taken no precautions to mark the flask. Poetic justice is done, and down comes the curtain upon that preposterous tragi-farce.
Such is the story which Guicciardini and Giovio and a host of other more or less eminent historians have had the audacity to lay before their readers as being the true circumstances of the death of Alexander VI.
It is a noteworthy matter that in all that concerns the history of the House of Borgia, and more particularly those incidents in it that are wrapped in mystery, circumstantial elucidation has a habit of proceeding from the same quarters.
You will remember, for instance, that the Venetian Paolo Capello (though not in Rome at the time) was one of those who was best informed in the matter of the murder of the Duke of Gandia. And it was Capello again who was possessed of the complete details of the scarcely less mysterious business of Alfonso of Aragon. Another who on the subject of the murder of Gandia "had no doubts"—as he himself expressed it—was Pietro Martire d'Anghiera, in Spain at the time, whence he wrot
e to inform Italy of the true circumstances of a case that had happened in Italy.
It is again Pietro Martire d'Anghiera who, on November 10, 1503, writes from Burgos in Spain to inform Rome of the true facts of Alexander's death—for it is in that letter of his that the tale of the flask of wine, as here set down, finds place for the first time.
It is unprofitable to pursue the matter further, since at this time of day even the most reluctant to reject anything that tells against a Borgia have been compelled to admit that the burden of evidence is altogether too overwhelming in this instance, and that it is proved to the hilt that Alexander died of the tertian fever then ravaging Rome.
And just as the Pope's death was the subject of the wildest fictions which have survived until very recent days, so too, was Cesare's recovery.
Again, it was the same Pietro Martire d'Anghiera who from Burgos wrote to inform Rome of what was taking place in the privacy of the Duke of Valentinois's apartments in the Vatican. Under his facile and magic pen, the jar of ice-cold water into which Cesare was believed to have been plunged was transmuted into a mule which was ripped open that the fever-stricken Cesare might be packed into the pulsating entrails, there to sweat the fever out of him.
But so poor and sexless a beast as this seeming in the popular mind inadequate to a man of Cesare's mettle, it presently improved upon and converted it into a bull—so much more appropriate, too, as being the emblem of his house.
Nor does it seem that even then the story has gone far enough. Facilis inventis addere. There comes a French writer with an essay on the Borgias, than which—submitted as sober fact—nothing more amazingly lurid has been written. In this, with a suggestive cleverness entirely Gallic, he causes us to gather an impression of Cesare in the intestinal sudatorium of that eventrated bull, as of one who is at once the hierophant and devotee of a monstrous, foul, and unclean rite of some unspeakable religion—a rite by comparison with which the Black Mass of the Abbé Gribourg becomes a sweet and wholesome thing.
The Life of Cesare Borgia Page 33
