The deadbolt unlocked, and she shot upright. No one had been in the room for six days, not since she’d explained everything that happened—every detail in Seattle and San Francisco and Point Loma. No more lies. Let the chips fall where they may.
With a squeal, the heavy metal door opened, and a soldier stood looking at her.
“Aubrey Parsons?”
“Yeah?”
“Your presence has been requested in the briefing room.”
She followed the soldier down a long corridor. Two others walked behind them.
The soldier turned the corner and pushed a door open for her to go through.
Jack was in there, his head sporting a newer, smaller bandage. He smiled at her and waved from his desk.
“Hey,” she said as she came up and sat next to him. “I hope you got my messages.”
“I didn’t want to eavesdrop,” he said with a grin, “but I would totally go to prom with you.”
She reached across the gap between their desks and took his hand. His skin was cold and dry and comfortable.
Aubrey didn’t know what was going to happen anymore. She didn’t know if they were going to be kicked out of the army, or court-martialed, or put in lockdown back at Dugway. But at least they were together for now.
The door opened again, and a bald man in full dress uniform entered. He sat on the edge of the table at the head of the room, and set down a small stack of folders.
“Let’s cut to the chase,” he said. “Your information has proven very useful. While we have yet to apprehend Alec Moore, we have managed to shut down the website he’s been using to communicate to the various terrorist cells.
“It has also been determined you should be exonerated for the tragic events that took place in Seattle. While we do not have a solid confirmation, we actually believe that the order to terminate you came from a . . . compromised individual.”
Jack raised his hand. “What does that mean? A gun to his head?”
“In a sense. Alec Moore, we’ve gathered, has some form of mind control. We don’t know the details. He’s used this many times to get past guards, to convince people he’s on their side, or even that he’s their superior. Ms. Parsons, I believe he convinced you that you were in school together.”
She nodded, embarrassed that she’d fallen for it.
“We believe that it was either him on the radio giving the order, or it was someone he had influenced. Either way, he is conclusively linked to the terror cell that destroyed the Space Needle.”
Aubrey spoke, her voice quiet. “Does that mean that we’re free to go?”
The colonel sighed. “I wish I could say that the answer was yes. The terror cells are now disorganized and making mistakes, and our boys are ferreting them out—with the continued help of Lambdas like yourselves. This phase of the war is coming to a close.”
Aubrey looked at Jack. He spoke first. “This phase.”
“I’m afraid to report that this has all been a prelude. The terrorists stretched our forces thin, destroyed our infrastructure and our ability and will to fight. And, as of this morning, Russia has invaded Alaska.”
ACKNOWLEDGMENTS
AS ALWAYS, THIS BOOK WAS written due to the long suffering and patience of my wife and best friend, Erin. She’s stood by my side through every hardship and been the anchor I hold on to when things are tough. And she’s believed in me and my dream of writing perhaps even more than I have—always pushing me to keep going, keep working, keep writing.
I also owe a huge debt of gratitude to my writing group: Sarah Eden, Michele Holmes, Annette Lyon, Heather Moore, J. Scott Savage, and Lu Ann Staheli. They read versions of this book when it was middle grade, when it was YA, when it was first person, when it was third person, and when it was generally terrible. I think they read at least five different Chapter Ones for this thing before I got it right.
I need to thank Gary Hansen for his book Wet Desert, which I used as a reference when I was blowing up the Glen Canyon Dam. I also want to thank Larry Correia and Sergeant First Class Ethan Skarstedt of BSC 1/19th SFG(A), who both gave me invaluable advice about the military aspects of the book. If there are any errors (as there likely will be), I take full responsibility. And many huge thanks to Katherine Applegarth and the people of Mount Pleasant, Utah, who helped so much in setting the groundwork for my characters.
I have a troop of amazing beta readers who gave incredible advice: Krista Jensen; Stephanie, Amy, and Shauna Black; Ally Condie; Patty Wells; Jenny Moore; Nancy Allen; and Josi Kilpack.
And I would be nowhere without the ridiculously talented people at Harper. I probably only know a tenth of the names of the fantastic professionals who made this book what it is, but major props to Christina, Tyler, Casey, Patty, and of course Erica Sussman, my editor. And a big special thanks to Erin Fitzsimmons, who designed this awesome cover. You guys rock!
And none of this would exist if it weren’t for the world’s greatest agent, Sara Crowe. Without her, I’d be back in my old real-world job, sitting in conference rooms and using the word “webinar” all the time.
ABOUT THE AUTHOR
ROBISON WELLS is the author of the YA science-fiction thrillers Variant and Feedback. Variant was a Publishers Weekly Best Book and a YALSA Quick Pick for Reluctant Readers. Robison lives in the Rocky Mountains in a house not too far from elk pastures. His wife, Erin, is a better person than he will ever be, and their three kids cause mischief and/or joy. You can visit him online at www.robisonwells.com.
Visit www.AuthorTracker.com for exclusive information on your favorite HarperCollins authors.
BOOKS BY ROBISON WELLS
Variant
Feedback
Going Dark: A Blackout Digital Novella
BACK ADS
CREDITS
Cover art © 2013 by Raina+Wilson
Cover design by Erin Fitzsimmons
COPYRIGHT
HarperTeen is an imprint of HarperCollins Publishers.
Blackout
Copyright © 2013 by Robison Wells
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse-engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.
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Library of Congress Cataloging-in-Publication Data
Wells, Robison E.
Blackout / Robison Wells. — First edition.
pages cm
Summary: “A mysterious virus is spreading through America, infecting teenagers with incredible powers—and a group of four teens are about to find their lives intertwined in a web of danger and catastrophic destruction”—Provided by publisher.
ISBN 978-0-06-202612-5 (hardcover bdg.)
ISBN 978-0-06-231120-7 (int. ed.)
Epub Edition © JULY 2013 ISBN 9780062233318
[1. Supernatural—Fiction. 2. Ability—Fiction. 3. Virus diseases—Fiction. 4. Terrorism—Fiction. 5. Science fiction.] I. Title.
PZ7.W468413Bl 2013
2012045523
[Fic]—dc23
CIP
AC
13 14 15 16 17 LP/RRDH 10 9 8 7 6 5 4 3 2 1
FIRST EDITION
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