ALSO BY JAN MERETE WEISS
These Dark Things
Copyright © 2014 by Jan Merete Weiss
Published by
Soho Press, Inc.
853 Broadway
New York, NY 10003
“In the Museum of Old Lovers” from Begging for It © 2013 by Alex Dimitrov.
Reprinted with permission of Four Way Books. All rights reserved.
Library of Congress Cataloging-in-Publication Data
Weiss, Jan Merete.
A few drops of blood / Jan Merete Weiss.
p. cm
ISBN 978-1-61695-353-9
eISBN 978-1-61695-354-6
1. Women detectives—Fiction. 2. Art museums—Italy—Naples—Fiction. 3. Camorra—Fiction. 4. Organized crime—Italy—Naples—Fiction. I. Title.
PS3623.E4553F49 2014 813′.6—dc23
2013045382
v3.1
For Dave, and in memory of Tara.
“In bed a man once asked
to be blindfolded while another choked me.
But in the end our ghosts find us three ways.
Through the familiar fist a body will bleed for—
heaving under the sheets—
and by every mouth we open for in the dark.”
“In the Museum of Old Lovers”
ALEX DIMITROV
Contents
Cover
Other Books by This Author
Title Page
Copyright
Dedication
Epigraph
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Acknowledgments
Chapter 1
The moon was a ghost when the call came in. The caller said she wished to notify Captain Natalia Monte about two bodies. Routed from another Carabinieri station to hers on Via Casanova, the voice announced herself a countess and said that she didn’t trust ordinary police.
Moments later Natalia Monte raced through the predawn gray, siren blaring, flashing lights throwing blue and white bolts across buildings and intersections. She drove along Via Carducci, turned onto the Riviera di Chiaia, past its expensive shops and the aquarium, still run down since the Second World War when the hungry raided its tanks.
The Alfa Romeo zipped along the boulevard, palm trees arched overhead, the plazas dark, the Bay of Naples a blur to her left. On Via Petrarca she shot past a fountain she’d loved as a girl, with marble cherubs blowing trumpets. Finally she slowed and searched for the turn.
Natalia spotted the driveway of Palazzo Carraciulo and passed through its open gates, up a long curved drive lush with royal palms. So different from the cramped alleys of old Naples where she lived and worked. A hundred yards in, she pulled alongside a new police Ferrari parked in front of a grey stone mansion, its pristine façade incorporating sleek pediments discreetly illuminated. An ancient butler directed her to the garden. Natalia followed a stone path around the side of the building and flashed her identification at the Carabiniere guarding the scene.
The lush garden was beautifully wild with grasses and flowers. Several cats dozed on the edge of a patio. Honeysuckle and jasmine perfumed the air. A yellow butterfly on an orange lily slowly opened and folded its wings.
Natalia stepped onto the grass and walked toward the rose bushes that surrounded a life-sized horse cast in metal, the centerpiece of a dry fountain half filled with potted blooms—white roses. The sculpture was enormous. Two male figures sat astride the unbridled steed—one man pitched forward, his arms draped along the animal’s neck. The second man leaned into him from behind. Neither was clothed.
Natalia stepped closer. Dark splotches marred the creamy petals of flowers encircling the fountain. Already there were flies. She circled the statue slowly, shining a light up at the two, just barely making out dark punctures that riddled their chests. Young men—shotgunned from the look of them. Blood dripped down their torsos and loins, along their legs and the flanks of the horse into the fountain’s basin. Its iron scent mixed with the lush bouquet of the roses.
Suddenly she noticed the woman by the rhododendrons, motionless as the men. Silver hair framed her face and flowed past her slim shoulders. She wore a white silk kimono printed with orange and purple cranes. Cranes symbolized long life, Pino, Natalia’s ex, had told her once in an intimate moment. The woman’s eyes were a startling shade of lavender.
Natalia held up her Carabinieri identification. “Captain Monte. As you requested.”
“Contessa Antonella Maria Cavazza,” she said and extended her hand, the tiny fingers like a child’s. “Thank you for coming.”
Natalia took the delicate, age-splotched hand.
“You found them?”
“Yes, I made the unhappy discovery.”
“Do you know the victims?”
“The second man in back. Vincente Lattaruzzo. He’s a senior curator at the Museo Archeologico.”
“When did you find them?”
“Just before seven. I’m an early riser. Unless it’s raining, I take my coffee here in the garden.”
“Did you see or hear anything during the night or early this morning?”
“Hear? No. My bedroom is in the wing over there.” Antonella Cavazza pointed to the far end of the building. “When I have trouble sleeping—which is often these days—I wander the house. But the windows are all double glazed and sealed for the air-conditioning. So, no. I didn’t hear a disturbance.”
“How do you know the victim?”
“I’m on the board of the museum. Once a year I host a dinner party. Senior staff are invited. I first met him there—last Christmas, I believe. And he had occasion to address the board at times. Terribly likeable.”
The medical examiner, Dr. Francesca Agari, arrived, followed by the forensic photographer draped with equipment. He proceeded immediately to the dead men and began taking still pictures and videotaping the crime scene. A groundskeeper brought a ladder, and the photographer mounted it to get closer to the dead equestrians.
“Captain Monte,” Dr. Agari said, acknowledging Natalia as she came forward, then, “Nell.” She kissed the countess on each cheek. “How terrible for you!”
As usual, Natalia’s colleague was perfectly groomed, blond highlights symmetrical. She wore a filmy gray blouse, tasteful yet sexy under a black suit jacket, and slacks.
“Yes,” the countess said. “How are you my dear? How’s Mama?”
“Difficult as always,” Dr. Agari replied warmly.
The countess moved away to let the detective and the doctor confer.
“Mama?” Natalia said, as she pulled on rubber gloves.
Two mortuary men entered near the hedges.
“Over here!” Dr. Agari called. “She and my grandmother were great friends. I had my tenth birthday party here in this garden.”
Mortuary staff earned a good living in their coveted jobs. Nepotism abounded: The husky men looked to be brothers.
“They’ll need another ladder.” Natalia returned to the countess.
“There’s one in the tool shed,” she said and escorted the men toward the far end of the garden.
Natalia searched the perimeter. Fancy topiary abounded: bushes shaped like turrets, azalea trimmed to a perfect circle around the base of an olive tree. Something interrupted the perfect symmetry. She stepped closer. It took her a moment to understand what she was seeing: a cotton work shirt. This one appeared old, the kind once worn by laborers in the fields, patched and mended many times, laid out across a bush as if to dry. It may have been white when new, but this morning—except for the rust-colored sleeves—the shirt lay dark and stiff, heavily stained, its fabric torn.
Natalia called for an evidence bag, slipped it in, and returned to the corpses. Dr. Agari was peering in and around the bodies, looking for signs of sexual union between the two. Soon, Natalia thought, she would peel away, remove, examine and weigh their secrets, as Dr. Agari would their flesh and organs.
There were no discernible tracks in the hard earth along the walks. They’d kept to the grass.
A dove regarded Natalia from its patch of dirt beneath a flaming bougainvillea. Checking for footprints, she followed the pebble walkways radiating from the fountain. A profusion of flowers—giant lilies, amber and rose—enveloped her path, their sweet scent thick. A bee anchored the velvet petal of a petunia.
Such a strange place for a gruesome murder. Out of the way, certainly. The countess’s paradise seemed light years removed from the rest of the city. Someone had gone to a lot of trouble to stage it here, someone familiar with the garden.
The countess had taken refuge under a large awning that shaded a stone patio and the table where she took her coffee. Lilies, thistles and wild flowers surrounded her. The mortuary men had taken down the bodies and laid them on gurneys. Dr. Agari stood over the corpses, securing her swabs and evidence envelopes.
Natalia approached the countess. “Would you mind taking a look?” She indicated the dead men. Francesca approached across the lawn.
“She’s going to try to identify the other victim,” Natalia said.
“Nella, are you sure?” Dr. Agari came and put her arm around the countess.
“My dear, you know me better than that.”
The mortuary men stepped away. The countess bent from the waist and studied the unidentified corpse. He was short and stocky. Not as young as the other victim, but no more than forty. Prematurely bald, cheeks ashen.
“Carlo Bagnatti,” the countess said, standing.
“The gossip columnist?” Natalia asked. “Are you sure?”
“He writes for Rivelare and is carried in La Stella. I’ve seen his photo and once or twice on the chat shows.” She looked exhausted.
“Perhaps you should lie down inside,” Dr. Agari suggested. “Here.” She held out an arm to escort her.
“No, I’m fine. Really. I can sit on the terrace.” The countess and her friend made for the house.
“Excuse me,” Natalia called.
The countess looked back. “Yes? What?”
“I’ll need to ask you a few more questions. Would you mind?”
“Of course not.”
Francesca touched the countess’s shoulder. “Are you sure?”
“I’m fine. Don’t let me interrupt your work, cara. We’ll talk later, yes?”
“Certo,” Francesca said. She joined the photographer, and they spoke quietly.
The countess led Natalia to a bench obscured by a large magnolia.
“So, you knew Carlo Bagnatti as well?” Natalia said.
“Only from his column,” she said. “Vile trash. Stories that might shock even you, Captain. Really salacious stuff and, more often than not, he was accurate, unlike the usual tabloid nonsense.”
“So, you knew Vincente Lattaruzzo from the museum and had encountered him at their functions?”
“A number of times, yes.”
“And Bagnatti? You never ran into him at social affairs?”
“No. Though he did contact me once—he was looking for dirt about someone I was acquainted with. Naturally, I was of no help.”
“The way the murdered men were posed,” Natalia asked, “do you have any idea if the victims were involved? Romantically, I mean?”
“I don’t know about that. I do know Vincente lived with a significant other. I believe that’s the correct term. A male. About Bagnatti’s personal life, I have no idea.”
“Would you have Mr. Lattaruzzo’s address?”
“Certainly. I’ll get it for you.”
Natalia closed her notebook. “I will have more questions later today or tomorrow.”
“Of course. Just call ahead. My calendar isn’t full.”
Natalia returned to the victims.
“She okay?” Dr. Agari said.
“Seems so. What do we have?”
“Shotgun blast,” Dr. Agari said, indicating Lattaruzzo. “Small gauge. The other victim the same.”
A small gauge shotgun—the traditional execution weapon of the rural mafia, a stubby weapon for hunting small game and two-legged mammals.
“Victim One,” Francesca said, “also has ligature marks around his throat.”
“He was strangled?”
“More likely hung.”
“The other victim too?”
“No. Both also show signs of having been tortured.”
Natalia squatted to look at the wounds more closely and played her flashlight on Lattaruzzo’s face. Vincente, he was lightly made up.
“Is Bagnatti wearing makeup, too?” she asked.
“Both are, yes. Cheeks rouged, a faint white dot at the outside corner of each eye, lashes thick with mascara, eyebrows penciled. Across the lips, the slightest suggestion of color.”
“Were they killed here?” Natalia said.
“I don’t think so. Not enough blood present.”
“Any clues as to where?”
“You might look for wherever Mr. Lattaruzzo left his privates.”
Chapter 2
Vincente Lattaruzzo shared an apartment with a Stefano Grappi on Vico Santa Maria a Cancello. A small latte van painted with cheerful images of cheeses and milk bottles cut Natalia off as she turned onto the quiet block. It wasn’t far from his job at the museum: easy walking distance.
“Watch where you’re going!” she yelled and blasted her horn.
The curly-haired driver opened his door and threw her a kiss and a wink.
Right, she sighed. God’s gift to women. Thinks he’s cute. Which he was, she had to admit. Luckily there was a parking spot in front of number 5, a gray palazzo, its tall windows ornamented by carved pediments and green shutters. Nice digs. Natalia wondered what Lattaruzzo’s partner did for a living.
The names LATTARUZZO / GRAPPI appeared in a fancy font next to a lighted button set in a sleek brass plaque just outside the iron gates that barred the courtyard. Natalia pressed and waited. No response. It was after ten. Lattaruzzo’s partner was most probably at work. She tried again. Nothing.
It was a relief in a way. She dreaded informing loved ones of such losses.
Natalia drove back to her station on Casanova. In the lobby, a postal worker was distributing mail in the green mailboxes that belonged to the residents two flights above. Casanova was the only station in the city that shared space with civilians. Odd, but no one ever suggested they move. Space was at a premium, and Casanova was not in a fancy neighborhood, so any request would remain a low to zero priority.
The lobby was plain, institutional green walls and brown terrazzo floors. The only flourish: the dark green mosaic tiles that stopped halfway up the walls. When she’d been there a year, Natalia had lobbied for new light fixtures for the hall stairs, as the fluorescents seemed unnecessarily depressing. But there they were, several years later.
She climbed the one flight. Whoever was on desk watch saw her on the monitor and the lock clicked, and Natalia pushed open the heavy reinforced door. Bypassing her own office, she proceeded up an inner stairway and went to see her boss.
She hovered in the doorway. A black fan rotated, gently ruffling the papers on Colonel Fabio D
onati’s desk as he sat, phone cradled against his ear, facing the window.
“Si, si, of course.” He swiveled and waved Natalia in. “We understand. Correct. Terrible, yes. Yes. Ciao.” He hung up the receiver and raised an eyebrow at Natalia.
“That was the director of the museum. A friend of my Elisabetta. He’s shaken, naturally. What do we have?”
“Double murder, two men.”
“Two dead males riding naked on a horse statue, found in some kind of erotic repose? Neapolitan killers are so …” His hand circled the air.
“Elaborate, yes,” she said.
“Clues? Evidence? Conjectures?”
“Judging from the low-gauge shotgun pattern, the murder weapon may have been a lupara.”
“Quaint,” the colonel said. “The traditional instrument of vengeance.”
“The murders seemed smoothly done—unnecessarily elaborate, yes, but professional.”
“Camorra, without question,” her boss said.
“That’s what I thought at first. But why do in an art curator?”
“Perhaps he wouldn’t cooperate with a counterfeit,” the colonel said. “If he’s gay, maybe he came on to the wrong man. Camorra aren’t known for their tolerance of gays. You reach his boyfriend yet?”
“No.”
“Anyway, I want you to handle it. The countess is insisting, and who am I to refuse her?”
“Yes, sir.”
“Also, I have a new partner for you to break in.”
“That was fast. Who?”
“Angelina Cavatelli. She requested a female partner.”
“Why do I know the name?”
“She’s from Palermo.”
“Their first Sicilian female officer.”
“Correct.”
“She’s a rookie, no? Why transfer so early? There aren’t enough thugs down there?”
“Confidentially?”
“Someone didn’t appreciate a female colleague, or she stepped on someone’s toes.”
“Something like that.”
“I like her already.”
“Good. She’s reporting for duty later today.”
“What if I had said no?”
“I didn’t think you could resist the idea of a female partner. Besides, Captain, it’s an order.” The colonel’s gaze grew benevolent. “By the way, I’m sorry about you and Pino.”
A Few Drops of Blood Page 1
