by Dorien Grey
Table of Contents
Copyright
Also by Dorien Grey and Untreed Reads Publishing
Aaron’s Wait
In dreams and in love
CHAPTER 1
CHAPTER 2
CHAPTER 3
CHAPTER 4
CHAPTER 5
CHAPTER 6
CHAPTER 7
CHAPTER 8
CHAPTER 9
CHAPTER 10
CHAPTER 11
CHAPTER 12
CHAPTER 13
CHAPTER 14
ABOUT THE AUTHOR
Aaron’s Wait
By Dorien Grey
Copyright 2017 by Gary Brown, Executor of Roger Margason/Dorien Grey Estate
Cover Copyright 2017 by Untreed Reads Publishing
Cover Design by Ginny Glass
The author is hereby established as the sole holder of the copyright. Either the publisher (Untreed Reads) or author may enforce copyrights to the fullest extent.
Previously published in print, 2009.
This ebook is licensed for your personal enjoyment only. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher or author, except in the case of a reviewer, who may quote brief passages embodied in critical articles or in a review. If you would like to share this book with another person, please purchase an additional copy for each person you share it with. If you’re reading this book and did not purchase it, or it was not purchased for your use only, then please return to your ebook retailer and purchase your own copy. Thank you for respecting the hard work of this author.
This is a work of fiction. The characters, dialogue and events in this book are wholly fictional, and any resemblance to companies and actual persons, living or dead, is coincidental.
Also by Dorien Grey and Untreed Reads Publishing
A World Ago: A Navy Man’s Letters Home (1954–1956)
Short Circuits: A Life in Blogs (Volume 1)
The Dick Hardesty Mystery Series
The Butcher’s Son
The Ninth Man
The Bar Watcher
The Hired Man
The Good Cop
The Bottle Ghosts
The Dirt Peddlers
The Role Players
The Popsicle Tree
The Paper Mirror
The Dream Ender
The Angel Singers
The Secret Keeper
The Peripheral Son
The Serpent’s Tongue
The Elliott Smith Mystery Series
His Name Is John
www.untreedreads.com
Aaron’s Wait
An Elliott Smith Mystery
Dorien Grey
In dreams and in love
There are no impossibilities.
—Janos Arany
CHAPTER 1
Sitting in his robe on his balcony, looking out over the lake and the city while drinking his morning coffee, Elliott Smith allowed himself a rare moment of reflection. He was, he realized, a lucky man. Young(ish—just turned 39), relatively intelligent, not unattractive, happy in his work of buying and renovating small apartment buildings, and pleasantly engaged in establishing the foundations of a relationship that actually seemed like it might be around for a while. He had a number of people who were close to him: his sister Cessy and her family, his parents, and a circle of friends. He was also unobtrusively family-money rich, though he never dwelt on it.
The only thing that set him apart from everyone else, something no one else knew, was that one of those friends was no longer corporeal. His name was John, and how Elliott and he became friends was a very long and involved story best detailed elsewhere.
Though it was late fall, Mother Nature had apparently been distracted and had not noticed that she’d not yet turned down the thermostat. Elliott, the trees, and most of the citizens of Chicago were duly, if only subconsciously, appreciative. Coffee on the balcony was a ritual he enjoyed, so he looked on every extra day he could do so as a bonus. The unobstructed south view of the city and the Loop from his 35th-floor condo sandwiched between Sheridan Road and the lake was one of which he never tired.
Normally on a Saturday morning, he’d be joined on the balcony by Steve Gutierrez, the painter he’d been seeing for the past several months, but a looming deadline at work necessitated Steve’s working late the night before and prevented him from coming over. They’d arranged to meet for dinner that night. Elliott was very pleased with the way the relationship was evolving. Though they’d never spoken about it, each seemed comfortable with letting things develop at their own pace, and neither felt the necessity to push it.
The phone broke his reverie, and setting his coffee down on the small metal table beside his chair, he hurried to answer it.
“Hi, Ell.” Even if he hadn’t instantly recognized Steve’s voice, he’d have known who it was. Steve was one of the few people Elliott had ever allowed to call him anything but “Elliott.” Even then, Steve instinctively knew it was only to be used between the two of them, just as Elliott had pet names for his nephew and nieces, not to be used in the presence of other people. It had become something of a cornerstone in the foundation of their evolving relationship.
They talked casually for a few minutes, making plans for the evening, until Steve said, “I meant to ask you: When do you think you’ll be starting to look for your next project?”
“Pretty soon. We’re just wrapping this one up. Why?”
“You know how I like to just get out and look around for possible subjects to paint? Well, the other day, while I was out for a walk, I found a building I think you might really like.”
“Yeah?” Elliott was always responsive to a potential property. “Where? Who’s got the listing?”
“That’s the interesting part,” Steve said. “It’s just north of Diversey, off Southport. I don’t know why I’ve never gone down that street before, but I came across this beautiful old place that really caught my eye. The minute I saw it I knew I had to paint it. There was a “For Rent” sign in front, and as I was standing there, just staring at the place, a woman working in the yard saw me, and wanted to know if I was looking for a rental. I told her no, but we got to talking. It’s a six-unit. She wasn’t sure how old it is, but probably early twenties. It could stand some work, but, well, that’s what you do. I commented on what a beautiful place it was, and mentioned I had a friend—you—who bought and restored old buildings. She sounded really interested and said she was thinking of selling.”
“That is interesting,” Elliott said. “Maybe you can show it to me sometime.”
“I was thinking maybe we could drive by tonight on the way to dinner. I don’t know what there is about the place, but I can’t remember when I’ve been more attracted to a building. I really want you to see it. If it’s nice tomorrow, I might take my camera over there and get a few shots for some preliminary sketches.”
A fascination for old buildings was something both men shared. The first paintings of Steve’s Elliott had seen had been of ghost towns in Steve’s native California deserts. Thinking back on it, he realized that, like Edward Hopper, very few of those paintings included people. Those that did were, in Elliott’s eyes, wonderful—he had purchased a portrait of Steve’s brother Manny at Steve’s first gallery showing not too long after they’d met—and he wasn’t quite sure why he didn’t do more.
“I’d love to see it,” he said, pulling his attention back to respond to Steve’s suggestion. “I’ll pick you up a little early so we’ll have plenty of time.”
“Okay. How about six? We can have a drink here first. I just finished a painting I’ve been working on fo
r some time, and I’d like you to see it.”
“Great!” He was flattered Steve wanted to show it to him before anyone else. Steve was always reluctant to let anyone, including Elliott, see his work until it was finished, and though he was always curious about whatever Steve was working on, he never pressed.
They talked for a few more minutes then hung up with mutual expressions of looking forward to the evening.
Elliott was a strong believer in serendipity, and mused on the possibility that perhaps Steve’s discovery might be another example of it. He and his crew had nearly finished work on their current project, a classic Old Chicagostyle three-flat on Roscoe. And as was his habit—he often likened it to Tarzan swinging from tree to tree, grabbing onto the next vine just before releasing the first—he recognized that his current project was just close enough to completion that he needed to reach out for the next one. That way, there was an absolute minimum of time lost between ending one job and beginning the next.
* * *
Parking on Diversey was always a problem, but with his usual good luck he found a side-street spot just around the corner from Steve’s building, and was ringing the bell at exactly six o’clock. Punctuality was one of the things in which Elliott allowed himself to take pride.
Steve greeted him at the door with a bear hug then pointed him to a chair, saying, “Have a seat, I’ll be right with you.”
As Elliott sat, Steve disappeared into the kitchen. “Wine okay?” he called.
“Sure,” Elliott replied, loudly enough to be heard in the other room.
A moment later, Steve appeared with a tray bearing two stemmed glasses, a bottle of wine, and a small plate of crackers and cheese. He placed the tray on the coffee table in front of Elliott and sat in the chair across from him.
After a glass-click toast and a sip of the wine—excellent as always, Elliott noted—they sat back.
“Thought about where you want to go for dinner?” Elliott asked.
Steve pursed his lips in thought. “Actually, I’m in the mood for a good steak. Any suggestions?”
Elliott grinned. “As a matter of fact, yes. There’s a nice steak house on Halsted just off Diversey. I think you’ll like it, but I probably should call for reservations. If I can use your phone book…”
Steve set his wine down to fetch it as Elliott took out his cell phone. When Steve returned with the book, he looked up the number and called.
“Seven forty-five okay?” he asked, and Steve nodded.
* * *
They had another glass of wine and finished the hors d’oeuvres while they talked. The fact that they never seemed to run out of things to talk about, and the comfortable feeling of just being together, was a constant, if mild, reminder to Elliott of just how lucky he was.
“So, what about the painting?”
“Thought you’d never ask,” Steve said with a grin. “It’s in the study. We’ll go in when you’re ready.”
“I’m ready.”
Draining their drinks, they went down the hall to the apartment’s second bedroom, which Steve used as his studio. On an easel by the large window, facing away from them, was a 24-by-24-inch unframed canvas. Walking around the easel, Elliott saw it was a street scene, as if the viewer were looking down a pleasant tree-lined older residential street framed by an el-train overpass. The rusty metal and cracked concrete of the overpass both framed the scene and contrasted the technological and human elements of the city.
As always, he marveled at the subtlety of detail. It took him a full minute to realize that the shadow across the roof and on the ground in front of the closest house was a passing el train. And, while there were no people in the picture, their presence was clearly felt. The style, color, contrasts, and lighting again reminded him of Edward Hopper.
He shook his head. “Wow! You’ve done it again. This is beautiful, Steve.”
Obviously pleased, Steve merely smiled and said, “Glad you like it.”
* * *
Steve gave directions as they headed off to check out the building he wanted Elliott to see. It was located on a short side street Elliott had never paid any attention to in all the times he’d passed it. Turning left off Southport, he spotted the building immediately, set unusually far back from the street.
His first impression was that it reminded him of an elegant old lady fallen on hard times. White paint greying with age hid the underlying brick, but he was immediately attracted to the architectural details: the high, narrow windows with elaborate fretwork and a peaked roof with more fretwork around the edges; a long flight of steps leading up to the “first” floor, with entrances to the ground floor apartments beneath them. He had never seen anything quite like it, and he felt the quick rush of excitement that always accompanied finding a potential new project.
“What do you think?” Steve asked.
“Now, that’s a building! The woman said she was thinking of selling? Really?”
“That’s what she said.”
Elliott’s mind’s eye was already seeing the building as it must have looked when new, and could look again, albeit with how much work he couldn’t be sure at this point. A lot, undoubtedly, but despite its shabbiness, he knew he’d be able to bring it back if it were structurally sound. Though it had been painted white, he suspected it was Chicago brick under the paint. He couldn’t see any major cracks.
“Well,” he said, forcing himself back to reality and the moment and patting Steve’s thigh, “Ya done good to find it! Thank you!”
Steve reached over and laid his hand on Elliott’s leg, squeezing it slightly. “You’re more than welcome.”
Noticing a car approaching behind them, Elliott shifted into drive and moved off slowly.
“You said you were thinking of coming over to get some photos tomorrow?” he asked.
“Yeah, I’d really like to. Would you like for me to try to talk to the lady again?”
“I think so, yes. If you wouldn’t mind. If you could just get her number and give her my card.”
“Be glad to,” Steve said as they made their way back to Diversey and turned east toward the restaurant.
* * *
They spent the night at Elliott’s and finally got to sleep, exhausted but happy, around 2:00 a.m.
I’m glad you’re still seeing Steve.
The surprise nearly caused him to wake up, but he fought it.
John! It’s been a while.
Yes, I’m sorry I haven’t come by more often, but there’s just so much to do.
I’d imagine. So, to what do I owe the honor of this visit?
Odd. I’m not sure, really. Maybe just to see how you’re doing?
* * *
As he and Steve had their coffee, Elliott tried to remember the last time John had visited him. He recalled having been vaguely aware of his presence a couple of times while awake, but they hadn’t…spoken?…in several weeks.
He was sharply conscious of just how strange this whole John thing was, or would seem to other people. He had never mentioned John to anyone, not even to Steve, who had several times referred to his own belief in ghosts. John wasn’t a ghost, at least not to Elliott, who had never had any special interest in the paranormal. He occasionally watched the popular TV shows that dealt with the subject, but they were just TV shows and he didn’t relate directly to them in any way.
As an agnostic, he’d given almost no thought to an afterlife, and he had nothing he would even remotely consider to be “special powers.” He was just an ordinary guy who happened to have a friend who was both very real and very dead.
“I said, would you like more coffee?”
Steve’s voice jolted him back to reality, and he felt a small wave of embarrassment. He grinned a bit sheepishly, then said, “Sorry. Yeah, I’ll have another cup if you’re having one.”
“Thinking about the building?” Steve asked.
“Yeah,” Elliott lied. “I’ll really be curious to see what happens with it.”
&
nbsp; * * *
On the way back to Steve’s apartment they stopped for brunch, and Elliott dropped Steve off with a promise that Steve would try to see the woman he’d spoken to at the building and would call later. Elliott spent the afternoon doing business paperwork, catching up on his email, and talking with his sister Cessy on the phone.
Though he and Cessy spoke several times a week, it was next to impossible to have a conversation lasting less than twenty minutes. In addition to filling him in on everything that was going on in the family, she always expected a detailed report on his own activities, particularly as they related to Steve.
She had insisted Elliott bring him to dinner to celebrate Elliott’s thirty-ninth birthday three weeks earlier. Since Steve had met Cessy and her family a couple of times before and knew what to expect, he did. It had turned out very well, and everyone treated him like one of the family. Elliott’s parents had been off on another junket and missed it, which was just as well. Elliott didn’t look forward to exposing Steve to that part of his family just yet.
As for Cessy, it had reached the point where he considered introducing her to people as “my sister, the yenta.” He knew she meant well, and Steve took her sisterly prying into the status of their relationship with good humor.
Steve called just before six Sunday evening.
“Hi, Ell. How was your afternoon?”
“Quiet. How about yours?”
“Fine. I went over to the building shortly after you dropped me off. I took both my camera and a sketch pad. The first thing I did when I got there was to go up to the door, but I realized it’s a six-unit and I didn’t have any idea which one the owners lived in, or what their name was. So I went back out to the street and took some pictures and did a couple rough sketches. As soon as I get the photos back, I’ll scan them into my computer and email them if you’d like to see them.”
“I would, thanks,” Elliott said. “So, you didn’t see the woman?”
“Yeah, I did, luckily. I was just thinking of knocking on one of the ground-level doors to ask which apartment the owner lived in when she came out. I noticed, by the way, that most of the apartments seem to be empty. That might not be a good sign.
