by Unknown
Tugh had some time before left the room. He joined Tina and Larry now at the window.
"Very bad, Princess; things are very bad.... I have news for you. It may be good news."
His manner was hasty, breathless, surreptitious. "Migul, this afternoon--I have just learned it, Princess--went by the surface route to the Power House on the dam."
"What do you mean by that?" said Larry.
"Be silent, young man!" Tugh hissed with a vehement intensity. "This is not the time to waste effort with your futile questions. Princess, Migul got into the Power House. They admitted him because he had two strange humans with him--your friends Mary and George. The Power House guards took out Migul's central actuator--Hah! you might call it his heart!--and he now lies inert in the Power House."
"How do you know all this?" Tina demanded. "Where are the man and girl whom Migul stole?"
"They are safe in the Power House. A message just came from there: I received it on the palace personal, just now downstairs. Immediately after, the connection met interference in the city, and broke."
"But the official sender--" Tina began. Tugh was urging her from the Council Room, and Larry followed.
"I imagine," said Tugh wryly, "he is rather busy to consider reporting such a trifle. But your friends are there. I was thinking: if we could go there now--You know the secret underground route, Tina."
* * * * *
The Princess was silent. A foreboding swept Larry; but he was tempted, for above everything he wanted to join Mary and me. A confusion--understandable enough in the midst of all this chaos--was upon Larry and Tina; it warped their better judgment. And Larry, fearing to influence Tina wrongly, said nothing.
"Do you know the underground route?" Tugh repeated.
"Yes, I know it."
"Then take us. We are all unarmed, but what matter? Bring this Larry, if you wish; we will join his two friends. The Council, Tina, is doing nothing here. They stay here because they think it is the safest place. In the Power House you and I will be of help. There are only six guards there; we will be three more; five more with Mary Atwood and this George. The Power House aerial telephone must be in communication with the outside world, and ships with help for us will be arriving. There must be some intelligent direction!"
The three of them were descending into the lower corridor of the palace, with Tina tempted but still half unconvinced. The corridors were deserted at the moment. The little domestic Robots of the palace, unaffected by the revolt, had all fled into their own quarters, where they huddled inactive with terror.
"We will re-actuate Migul," Tugh persuaded, "and find out from him what he did to Harl. I still do not think he murdered Harl.... It might mean saving Harl's life, Tina. Believe me, I can make that mechanism talk, and talk the truth!"
They reached the main lower corridor. In the distance they saw Alent still at his post by the little electrified gate guarding the tunnel to the Robot laboratory.
"We will go to the Power House," Tina suddenly decided: "you may be right, Tugh.... Come, it is this way. Stay close to me, Larry."
* * * * *
They passed along the dim, silent tunnel; passed Harl's room, where its light was still burning. Larry and Tina were in front, with the black-cloaked figure of Tugh stumping after them with his awkward gait.
Larry abruptly stopped. "Let Tugh walk in front," he said.
Tugh came up to them. "What is that you said?"
"You walk in front."
It was a different tone from any Larry had previously used.
"I do not know the way," said Tugh. "How can--"
"Never mind that; walk ahead. We'll follow. Tina will direct you."
It was too dark for Larry to see Tugh's face, but the cripple's voice was sardonic.
"You give me orders?"
"Yes--it just happens that from now on I do. If you want to go with us to the Power House, you walk in front."
Tugh started off with Larry close after him. Larry whispered to the girl:
"Don't let's be fools, Tina. Keep him ahead of us."
The tunnel steadily dwindled in size until Larry could barely stand up in it. Then it opened to a circular cave, which held one small light and had apparently no other exit. The cave had years before been a mechanism room for the palace temperature controls, but now it was abandoned. The old machinery stood about in a litter.
"In here?" said Tugh. "Which way next?"
Across the cave, on the rough blank wall, Tina located a hidden switch. A segment of the wall slid aside, disclosing a narrow, vaulted tunnel leading downward.
"You first, Tugh," said Larry. "Is it dark, Tina? We have no handlights."
"I can light it," came the answer.
The door panel swung closed after them. Tina pressed another switch. A row of tiny hooded lights at twenty-foot intervals dimly illumined the descending passage.
* * * * *
They walked a mile or more through the little tunnel. The air was fetid; stale and dank. To Larry it seemed an interminable trip. The narrow passage descended at a constant slope, until Larry estimated that they were well below the depth of the river bed. Within half a mile--before they got under the river--the passage leveled off. It had been fairly straight, but now it became tortuous--a meandering subterranean lane. Other similar tunnels crossed it, branched from it or joined it. Soon, to Larry, it was a labyrinth of passages--a network, here underground. In previous centuries this had been well below the lowest cellar of the mammoth city; these tube-like passages were the city's arteries, the conduits for wires and pipes.
It was an underground maze. At each intersection the row of hidden hooded lights terminated, and darkness and several branching trails always lay ahead. But Tina, with a memorized key of the route, always found a new switch to light another short segment of the proper tunnel. It was an eery trip, with the bent, misshapen black-cloaked figure of Tugh stumping ahead, waiting where the lights ended for Tina to lead them further.
Larry had long since lost his sense of direction, but presently Tina told him that they were beneath the river. The tunnel widened a little.
"We are under the base of the dam," said Tina. Her voice echoed with a sepulchral blur. Ahead, the tramping figure of Tugh seemed a black gnome with a fantastic, monstrous shadow swaying on the tunnel wall and roof.
* * * * *
Suddenly Tugh stopped. They found him at an arched door.
"Do we go in here, or keep on ahead?" he demanded.
The tunnel lights ended a short distance ahead.
"In here," said Tina. "There are stairs leading upward to the catwalk balcony corridor halfway up the dam. We are not far from the Power House now."
They then ascended interminable moldy stone steps spiraling upward in a circular shaft. The murmur of the dam's spillways had been faintly audible, but now it was louder, presently it became a roar.
"Which way, Tina? We seem to have reached the top."
"Turn left, Tugh."
They emerged upon a tiny transverse metal balcony which hung against the southern side of the dam. Overhead to the right towered a great wall of masonry. Beneath was an abyss down to the lower river level where the cascading jets from the overhead spillways arched out over the catwalk and landed far below in a white maelstrom of boiling, bubbling water.
The catwalk was wet with spray; lashed by wind currents.
"Is it far, Princess? Are those lights ahead at the Power House entrance?"
Tugh was shouting back over his shoulder; his words were caught by the roar of the falling water; whipped away by the lashing spray and tumultuous winds. There were lights a hundred feet ahead, marking an entrance to the Power House. The dark end of the structure showed like a great lump on the side of the dam.
Again Tugh stopped. In the white, blurred darkness Larry and Tina could barely see him.
"Princess, quickly! Come quickly!" he called, and his shout sounded agonized.
* * * * *
Whatever l
ack of perception Larry all this time had shown, the fog lifted completely from him now. As Tina started to run forward, Larry seized her.
"Back! Run the other way! We've been fools!" He shoved Tina behind him and rushed at Tugh. But now Larry was wholly wary; he expected that Tugh was armed, and cursed himself for a fool for not having devised some pretext for finding out.[10]
[Footnote 10: As a matter of actuality, Tugh was carrying hidden upon his person a small cylinder and battery of the deadly white-ray. It seems probable that although on the catwalk--having accomplished his purpose of getting within the electrical fortifications of the dam--Tugh had ample opportunity of killing his over-trustful companions with the white-ray, he did not dare use it. The catwalk was too dark for their figures to be visible to the Power House guards; the roar of the spillways drowned their shouts; but had Tugh used the white-ray, its abnormally intense actinic white beam would have raised the alarm which Tugh most of all wanted to avoid.]
Tugh was clinging to the high outer rail of the balcony, slumped partly over as though gazing down into the abyss. Larry rushed up and seized him by the arms. If Tugh held a weapon Larry thought he could easily wrest it from him. But Tugh stood limp in Larry's grip.
"What's the matter with you?" Larry demanded.
"I'm ill. Something--going wrong. Feel me--so cold. Princess! Tina! Come quickly! I--I am dying!"
As Tina came hurrying up, Tugh suddenly straightened. With incredible quickness, and even more incredible strength, he tore his arm loose from Larry and flung it around the Princess, and they were suddenly all three struggling. Tugh was shoving them back from the rail. Larry tried to get loose from Tugh's clutch, but could not. He was too close for a full blow, but he jabbed his fist against the cripple's body, and then struck his face.
But Tugh was unhurt; he seemed endowed with superhuman strength. The cripple's body seemed padded with solid muscle, and his thick, gorilla-like arm held Larry in the grip of a vise. As though Larry and Tina were struggling, helpless children, he was half dragging, half carrying them across the ten-foot width of the catwalk.
Larry caught a glimpse of a narrow slit in the masonry of the dam's wall--a dark, two-foot-wide aperture. He felt himself being shoved toward it. For all his struggles, he was helpless. He shouted:
"Tina--look out! Break away!"
* * * * *
He forgot himself for a moment, striving to wrest her away from Tugh and push her aside. But the strength of the cripple was monstrous: Larry had no possible chance of coping with it. The slit in the wall was at hand--a dark abyss down into the interior of the dam. Larry heard the cripple's words, vehement, unhurried, as though with all this effort he still was not out of breath:
"At last I can dispose of you two. I do not need you any longer."
Larry made a last wild jab with his fist into Tugh's face and tried to twist himself aside. The blow landed upon Tugh's jaw, but the cripple did not seem to feel it. He stuffed the struggling Larry like a bundle into the aperture. Larry felt his clutching hands torn loose. Tugh gave a last, violent shove and released him.
Larry fell into blackness--but not far, for soon he struck water. He went under, hit a flat, stone bottom, and came up to hear Tina fall with a splash beside him. In a moment he regained his feet, to find himself standing breast-high in the water with Tina clinging to him.
Tugh had disappeared. The aperture showed as a narrow rectangle some twenty feet above Larry's head.
They were within the dam. They were in a pit of smooth, blank, perpendicular sides; there was nothing to afford even the slightest handhold; and no exit save the overhead slit. It was a part of the mechanism's internal, hydraulic system.
* * * * *
To Larry's horror he soon discovered that the water was slowly rising! It was breast-high to him now, and inch by inch it crept up toward his chin. It was already over Tina's depth: she clung to him, half-swimming.
Larry soon found that there was no possible way for them to get out unaided, unless, if they could swim long enough, the rising water would rise to the height of the aperture. If it reached there, they could crawl out. He tried to estimate how long that would be.
"We can make it, Tina. It'll take two hours, possibly, but I can keep us afloat that long."
But soon he discovered that the water was not rising. Instead, the floor was sinking from under him! sinking as though he were standing upon the top of a huge piston which slowly was lowering in its encasing cylinder. Dimly he could hear water tumbling into the pit, to fill the greater depth and still hold the surface level.
With the water at his chin, Larry guided Tina to the wall. He did not at first have the heart to tell her, yet he knew that soon it must be told. When he did explain it, she said nothing. They watched the water surface where it lapped against the greasy concave wall. It held its level: but while Larry stood there, the floor sank so that the water reached his mouth and nose, and he was forced to start swimming.
Another interval. Larry began calling: shouting futilely. His voice filled the pit, but he knew it could carry no more than a short distance out of the aperture.
* * * * *
Overhead, as we afterward learned, Tugh had overcome the guards in the Power House by a surprise attack. Doubtless he struck them down with the white-ray before they had time to realize he had attacked them. Then he threw off the air-power transmitters and the lighting system. The city, plunged into darkness and without the district air-power, was isolated, cut off from the outside world. There was, in London, a huge long-range projector with a vibratory ray which would derange the internal mechanisms of the Robots: when news of the revolt and massacre in New York had reached there, this projector was loaded into an airliner, the Micrad. That vessel was now over the ocean, headed for New York; but when Tugh cut off the power senders, the Micrad, entering the New York District, was forced down to the ocean surface. Now she was lying there helpless to proceed....
In the pit within the dam, Larry swam endlessly with Tina. He had ceased his shouting.
"It's no use, Tina: there's no one to hear us. This is the end--for us--Tina."
Yet, as she clung to him, and though Larry felt it was the end of this life, it seemed only the beginning, for them, of something else. Something, somewhere, for them together; something perhaps infinitely better than this world could ever give them.
"But not--the end--Tina," he added. "The beginning--of our love."
An interminable interval....
"Quietly, Tina. You float. I can hold you up."
They were rats in a trap--swimming, until at the last, with all strength gone, they would together sink out of this sodden muffled blackness into the Unknown. But that Unknown shone before Larry now as something--with Tina--perhaps very beautiful....
(Concluded in the next issue)
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg(TM) mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg(TM) License (available with this file or online at http://gutenberg.net/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg(TM) electronic works
1.A. By reading or using any part of this Project Gutenberg(TM) electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg(TM) electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg(TM) electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph
1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg(TM) electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg(TM) electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg(TM) electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg(TM) electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg(TM) mission of promoting free access to electronic works by freely sharing Project Gutenberg(TM) works in compliance with the terms of this agreement for keeping the Project Gutenberg(TM) name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg(TM) License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg(TM) work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States.
