At the age of thirty-eight Harrison Wintergreen had Left sufficient Footprints in the Sands of Time. He was bored. He looked around greedily for new worlds to conquer.
This, then, was the man who, at the age of forty, was informed that he had an advanced, well-spread and incurable case of cancer and that he had one year to live.
Wintergreen spent the first month of his last year searching for an existing cure for terminal cancer. He visited laboratories, medical schools, hospitals, clinics, Great Doctors, quacks, people who had miraculously recovered from cancer, faith healers and Little Old Ladies in Tennis Shoes. There was no known cure for terminal cancer, reputable or otherwise. It was as he suspected, as he more or less even hoped. He would have to do it himself.
He proceeded to spend the next month setting things up to do it himself. He caused to be erected in the middle of the Arizona desert an air-conditioned walled villa. The villa had a completely automatic kitchen and enough food for a year. It had a $5,000,000 biological and biochemical laboratory. It had a $3,000,000 microfilmed library which contained every word ever written on the subject of cancer. It had the pharmacy to end all pharmacies: a literal supply of quite literally every drug that existed—poisons, painkillers, hallucinogens, dandricides, antiseptics, antibiotics, vericides, headache remedies, heroin, quinine, curare, snake oil—everything. The pharmacy cost $20,000,000.
The villa also contained a one-way radiotelephone, a large stock of basic chemicals, including radioactives, copies of the Koran, the Bible, the Torah, the Book of the Dead, Science and Health with Key to the Scriptures, the I Ching, and the complete works of Wilhelm Reich and Aldous Huxley. It also contained a very large and ultra-expensive computer. By the time the villa was ready, Wintergreen's petty cash fund was nearly exhausted.
With ten months to do that which the medical world considered impossible, Harrison Wintergreen entered his citadel.
During the first two months he devoured the library, sleeping three hours out of each twenty-four, and dosing himself regularly with Benzedrine. The library offered nothing but data. He digested the data and went on to the pharmacy.
During the next month he tried aureomycin, bacitracin, stannous flouride, hexylresorcinol, cortisone, penicillin, hexachlorophene, shark-liver extract, and 7,312 assorted other miracles of modern medical science, all to no avail. He began to feel pain, which he immediately blotted out and continued to blot out with morphine. Morphine addiction was merely an annoyance.
He tried chemicals, radioactives, vericides, Christian Science, yoga, prayer, enemas, patent medicines, herb tea, witchcraft, and yogurt diets. This consumed another month, during which Wintergreen continued to waste away, sleeping less and less and taking more Benzedrine and morphine. Nothing worked. He had six months left.
He was on the verge of becoming desperate. He tried a different tack. He sat in a comfortable chair and contemplated his navel for forty-eight consecutive hours.
His meditations produced a severe case of eyestrain and two significant words: "spontaneous remission."
In his two months of research, Wintergreen had come upon numbers of cases where a terminal cancer abruptly reversed itself and the patient, for whom all hope had been abandoned, had been cured. No one ever knew how or why. It could not be predicted, it could not be artificially produced, but it happened nevertheless. For want of an explanation, they call it spontaneous remission. "Remission," meaning cure. "Spontaneous," meaning no one knew what caused it.
Which was not to say that it did not have a cause.
Wintergreen was buoyed: he was even ebullient. He knew that some terminal cancer patients had been cured. Therefore terminal cancer could be cured. Therefore the problem was removed from the realm of the impossible and was now merely the domain of the highly improbable.
And doing the highly improbable was Wintergreen's specialty.
With six months of estimated life left, Wintergreen set jubilantly to work. From his complete cancer library he culled every known case of spontaneous remission. He coded every one of them into the computer—data on the medical histories of the patients, on the treatments employed, on their ages, sexes, religions, races, creeds, colors, national origins, temperaments, marital status, Dun and Bradstreet ratings, neuroses, psychoses, and favorite beers. Complete profiles of every human being ever known to have survived terminal cancer were fed into Harrison Wintergreen's computer.
Wintergreen programed the computer to run a complete series of correlations between ten thousand separate and distinct factors and spontaneous remission. If even one factor—age, credit rating, favorite food—anything correlated with spontaneous remission, the spontaneity factor would be removed.
Wintergreen had shelled out $100,000,000 for the computer. It was the best damn computer in the world. In two minutes and 7.894 seconds it had performed its task. In one succinct word it gave Wintergreen his answer:
"Negative."
Spontaneous remission did not correlate with any external factor. It was still spontaneous; the cause was unknown.
A lesser man would've been crushed. A more conventional man would've been dumbfounded. Harrison Wintergreen was elated.
He had eliminated the entire external universe as a factor in spontaneous remission in one fell swoop. Therefore, in some mysterious way, the human body and/or psyche was capable of curing itself.
Wintergreen set out to explore and conquer his own internal universe. He repaired to the pharmacy and prepared a formidable potation. Into his largest syringe he decanted the following: Novocain; morphine, curare; vlut, a rare Central Asian poison which induced temporary blindness; olfactorcain, a top-secret smell-deadener used by skunk farmers; tympanoline, a drug which temporarily deadened the auditory nerves (used primarily by filibustering senators); a large dose of Benzedrine; lysergic acid; psilocybin; mescaline; peyote extract; seven other highly experimental and most illegal halluncinogens; eye of newt and toe of dog.
Wintergreen laid himself out on his most comfortable couch. He swabbed the vein in the pit of his left elbow with alcohol and injected himself with the witch's brew.
His heart pumped. His blood surged, carrying the arcane chemicals to every part of his body. The Novocain blanked out every sensory nerve in his body. The morphine eliminated all sensations of pain. The vlut blacked out his vision. The olfactorcain cut off all sense of smell. The tympanoline made him deaf as a traffic court judge. The curare paralyzed him.
Wintergreen was alone in his own body. No external stimuli reached him. He was in a state of total sensory deprivation. The urge to lapse into blessed unconsciousness was irresistible. Wintergreen, strong-willed though he was, could not have remained conscious unaided. But the massive dose of Benzedrine would not let him sleep.
He was awake, aware, alone in the universe of his own body with no external stimuli to occupy himself with.
Then, one and two, and then in combinations like the fists of a good fast heavyweight, the hallucinogens hit.
Wintergreen's sensory organs were blanked out, but the brain centers which received sensory data were still active. It was on these cerebral centers that the tremendous charge of assorted hallucinogens acted. He began to see phantom colors, shapes, things without name or form. He heard eldritch symphonies, ghost echoes, mad howling noises. A million impossible smells roiled through his brain. A thousand false pains and pressures tore at him, as if his whole body had been amputated. The sensory centers of Wintergreen's brain were like a mighty radio receiver tuned to an empty band—filled with meaningless visual, auditory, olfactory and sensual static.
The drugs kept his senses blank. The Benzedrine kept him conscious. Forty years of being Harrison Wintergreen kept him cold and sane.
For an indeterminate period of time he rolled with the punches, groping for the feel of this strange new non-environment. Then gradually, hesitantly at first but with ever growing confidence, Wintergreen reached for control. His mind constructed untrue but useful analogies for actions that
were not actions, states of being that were not states of being, sensory data unlike any sensory data received by the human brain. The analogies, constructed in a kind of calculated madness by his subconscious for the brute task of making the incomprehensible palpable, also enabled him to deal with his non-environment as if it were an environment, translating mental changes into analogs of action.
He reached out an analogical hand and tuned a figurative radio, inward, away from the blank wave band of the outside universe and towards the as yet unused wave band of his own body, the internal universe that was his mind's only possible escape from chaos.
He tuned, adjusted, forced, struggled, felt his mind pressing against an atom-thin interface. He battered against the interface, an analogical translucent membrane between his mind and his internal universe, a membrane that stretched, flexed, bulged inward, thinned . . . and finally broke. Like Alice through the Looking Glass, his analogical body stepped through and stood on the other side.
Harrison Wintergreen was inside his own body.
It was a world of wonder and loathsomeness, of the majestic and the ludicrous. Wintergreen's point of view, which his mind analogized as a body within his true body, was inside a vast network of pulsing arteries, like some monstrous freeway system. The analogy crystallized. It was a freeway, and Wintergreen was driving down it. Bloated sacs dumped things into the teeming traffic: hormones, wastes, nutrients. White blood cells careened by him like mad taxicabs. Red corpuscles drove steadily along like stolid burghers. The traffic ebbed and congested like a crosstown rush hour. Wintergreen drove on, searching, searching.
He made a left, cut across three lanes and made a right down toward a lymph node. And then he saw it—a pile of white cells like a twelve-car collision, and speeding towards him a leering motorcyclist.
Black the cycle. Black the riding leathers. Black, dull black, the face of the rider save for two glowing blood-red eyes. And emblazoned across the front and back of the black motorcycle jacket in shining scarlet studs the legend: "Carcinoma Angels."
With a savage whoop, Wintergreen gunned his analogical car down the hypothetical freeway straight for the imaginary cyclist, the cancer cell.
Splat! Pop! Crush! Wintergreen's car smashed the cycle and the rider exploded in a cloud of fine black dust.
Up and down the freeways of his circulatory system Wintergreen ranged, barreling along arteries, careening down veins, inching through narrow capillaries, seeking the black-clad cyclists, the Carcinoma Angels, grinding them to dust beneath his wheels.…
And he found himself in the dark moist wood of his lungs, riding a snow-white analogical horse, an imaginary lance of pure light in his hand. Savage black dragons with blood-red eyes and flickering red tongues slithered from behind the gnarled bolls of great air-sac trees. St. Wintergreen spurred his horse, lowered his lance and impaled monster after hissing monster till at last the holy lungwood was free of dragons.…
He was flying in some vast moist cavern, above him the vague bulks of gigantic organs, below a limitless expanse of shining slimy peritoneal plain.
From behind the cover of his huge beating heart a formation of black fighter planes, bearing the insignia of a scarlet "C" on their wings and fusilages, roared down at him.
Wintergreen gunned his engine and rose to the fray, flying up and over the bandits, blasting them with his machine guns, and one by one and then in bunches they crashed in flames to the peritoneum below.…
In a thousand shapes and guises, the black and red things attacked. Black, the color of oblivion, red, the color of blood. Dragons, cyclists, planes, sea things, soldiers, tanks and tigers in blood vessels and lungs and spleen and thorax and bladder—Carcinoma Angels, all.
And Wintergreen fought his analogical battles in an equal number of incarnations, as driver, knight, pilot, diver, soldier, mahout, with a grim and savage glee, littering the battlefields of his body with the black dust of the fallen Carcinoma Angels.
Fought and fought and killed and killed and finally.…
Finally found himself knee-deep in the sea of his digestive juices lapping against the walls of the dank, moist cave that was his stomach. And scuttling towards him on chitinous legs, a monstrous black crab with blood-red eyes, gross, squat, primeval.
Clicking, chittering, the crab scurried across his stomach towards him. Wintergreen paused, grinned wolfishly, and leaped high in the air, landing with both feet squarely on the hard black carapace.
Like a sun-dried gourd, brittle, dry, hollow, the crab crunched beneath his weight and splintered into a million dusty fragments.
And Wintergreen was alone, at last alone and victorious, the first and last of the Carcinoma Angels now banished and gone and finally defeated.
Harrison Wintergreen, alone in his own body, victorious and once again looking for new worlds to conquer, waiting for the drugs to wear off, waiting to return to the world that always was his oyster.
Waiting and waiting and waiting.…
Go to the finest sanitarium in the world, and there you will find Harrison Wintergreen, who made himself Filthy Rich, Harrison Wintergreen, who Did Good, Harrison Wintergreen, who Left His Footprints in the Sands of Time, Harrison Wintergreen, who stepped inside his own body to do battle with Carcinoma's Angels, and won.
And can't get out.
The End
First published in Dangerous Visions. © 1967 by Harlan Ellison.
The Geezenstacks
Fredric Brown
One of the strange things about it was that Aubrey Walters wasn't at all a strange little girl. She was quite as ordinary as her father and mother, who lived in an apartment on Otis Street, and who played bridge one night a week, went out somewhere another night, and spent the other evenings quietly at home.
Aubrey was nine, and had rather stringy hair and freckles, but at nine one never worries about such things. She got along quite well in the not-too-expensive private school to which her parents sent her, she made friends easily and readily with other children, and she took lessons on a three-quarter-size violin and played it abominably.
Her greatest fault, possibly, was her predeliction for staying up late of nights, and that was the fault of her parents, really, for letting her stay up and dressed until she felt sleepy and wanted to go to bed. Even at five and six, she seldom went to bed before ten o'clock in the evening. And if, during a period of maternal concern, she was put to bed earlier, she never went to sleep anyway. So why not let the child stay up?
Now, at nine years, she stayed up quite as late as her parents did, which was about eleven o'clock of ordinary nights and later when they had company for bridge, or went out for the evening. Then it was later, for they usually took her along. Aubrey enjoyed it, whatever it was. She'd sit still as a mouse in a seat at the theater, or regard them with little-girl seriousness over the rim of a glass of ginger ale while they had a cocktail or two at a night club. She took the noise and the music and the dancing with big-eyed wonder and enjoyed every minute of it.
Sometimes Uncle Richard, her mother's brother, went along with them. She and Uncle Richard were good friends. It was Uncle Richard who gave her the dolls.
"Funny thing happened today," he'd said. "I'm walking down Rodgers Place, past the Mariner Building—you know, Edith; it's where Doc Howard used to have his office—and something thudded on the sidewalk right behind me. And I turned around, and there was this package."
"This package" was a white box a little larger than a shoebox, and it was rather strangely tied with gray ribbon. Sam Walters, Aubrey's father, looked at it curiously.
"Doesn't look dented," he said. "Couldn't have fallen out of a very high window. Was it tied up like that?"
"Just like that. I put the ribbon back on after I opened it and looked in. Oh, I don't mean I opened it then or there. I just stopped and looked up to see who'd dropped it—thinking I'd see somebody looking out of a window. But nobody was, and I picked up the box. It had something in it, not very heavy, and the box an
d the ribbon looked like—well, not like something somebody'd throw away on purpose. So I stood looking up, and nothing happened, so I shook the box a little and—"
"All right, all right," said Sam Walters. "Spare us the blow-by-blow. You didn't find out who dropped it?"
"Right. And I went up as high as the fourth floor, asking the people whose windows were over the place where I picked it up. They were all home, as it happened, and none of them had ever seen it. I thought it might have fallen off a window ledge. But—"
"What's in it, Dick?" Edith asked.
"Dolls. Four of them. I brought them over this evening for Aubrey. If she wants them."
He untied the package, and Aubrey said, "Oooo, Uncle Richard. They're—they're lovely."
Sam said, "Hm. Those look almost more like manikins than dolls, Dick. The way they're dressed, I mean. Must have cost several dollars apiece. Are you sure the owner won't turn up?"
Richard shrugged. "Don't see how he can. As I told you, I went up four floors, asking. Thought from the look of the box and the sound of the thud, it couldn't have come from even that high. And after I opened it, well—look—" He picked up one of the dolls and held it out for Sam Walters' inspection.
"Wax. The heads and hands, I mean. And not one of them cracked. It couldn't have fallen from higher than the second story. Even then, I don't see how—" He shrugged again.
"They're the Geezenstacks," said Aubrey.
"Huh?" Sam asked.
"I'm going to call them the Geezenstacks," Aubrey said. "Look, this one is Papa Geezenstack and this one is Mama Geezenstack, and the little girl one—that's—that's Aubrey Geezenstack. And the other man one, we'll call him Uncle Geezenstack. The little girl's uncle."
Sam chuckled. "Like us, eh? But if Uncle—uh—Geezenstack is Mama Geezenstack's brother, like Uncle Richard is Mama's brother, then his name wouldn't be Geezenstack."
Sci Fiction Classics Volume 2 Page 21
