You want me to tell you how to fall down? he said. His cigarette bobbed in his mouth as he spoke; his large white teeth reminded her of piano keys, and though he was smiling he seemed completely baffled when she nodded and said yes. It was one of those moments between them—one of many—in which he seemed as confused by her as she was by him, by the whole of his country, and especially the war. He could have admitted he was equally mystified by Western women, and particularly by Susan, but he might have thought that this fact was already quite plain. Fall down? he said now. Just…his hands beside his head showed his confusion. Have you never done that?
Not deliberately, she told him.
If a vehicle is hit, it can easily blow up, and vehicles of any description are one of the favorite targets of the Vietcong, who attempt to take out as many supplies as possible on their way to the field.
She read this in the Handbook, but she had no idea what it meant, what it really meant, until Son threw her off a flatbed in the same manner in which you might throw off a bale of hay. She learned also in those long minutes that once you’ve heard the shooting and jump over the side of the truck, you should follow immediately wherever the soldiers are running. And they will be running toward the bullets. Again, this was not initially for her a voluntary act; she was hauled along by a marine who held her like a bag of groceries in his nonsmoking hand.
She was getting closer all the time. She didn’t realize how close.
She got a telegram from her editor:
EXCELLENT WORK ON HOSPITAL STORY STOP PHOTOGRAPHS BY HOÀNG VAN SON FIVE DOLLARS NO MORE STOP
She had to tell Son five dollars was all that the magazine would give him. She was embarrassed by how cheap her editor could be, or whoever it was who decided such things. Sorry, Son, we can’t really argue with them, but you could sell the photographs elsewhere, she said. It’s so little money, I’m embarrassed.
No arguing, said Son. Celebrating, yes, but no arguing.
But I hear Associated Press is paying fifteen a pop—
Susan, that is blood money.
Blood money?
I don’t think you understand what is danger yet. The first few months you won’t. What were you doing up in Con Thien? You’ll begin to judge these things better. Well, I hope so.
He looked at her as though she were a live circus act. As though trying to decide if she’d fall off the wire.
First there had been the bunker in Con Thien, then Marc saw her at a party in Saigon. It wasn’t like him to go to such a party. He’d been in Vietnam a long time, been to more than his share of events in hotel rooms and embassies and restaurants, private rooms and villas, hotels and offices and bars. He’d grown weary of them. But tonight’s casual, crowded gathering took place in his own hotel, one floor down. He’d have had to make an effort to escape it and there had already been enough talk about him. About how solitary he’d become, how remote. The rumors—that he kept his own M16 under his bed, that he was never without the dried hind foot of a rabbit, either in his pocket or around his neck; that he, in fact, had a mojo bag full of talismans and holy cards, wore a St. Christopher’s, counted backwards from seven before jumping from choppers—used to make him laugh. But lately, he’d come to wonder if he appeared strange to his colleagues, enough so that they thought some explanation was in order. So he went to the party, arriving at the door to the welcome of Brian Murray, about whom no rumors were ever put forward. The man never seemed to travel five minutes for a story these days.
Oh, good, the press has arrived, Murray said. Murray was a print reporter and his comment might have been yet another little dig at television reporters who—it was understood—were not nearly as informed as those who wrote for newspapers. Marc never really understood the rivalry, and he didn’t see why Murray always felt compelled to remind him of it. It felt like a reprimand, coming from the older man.
You look well, Marc said. Murray wore crisp cream-colored trousers, a new belt. His shirt had been diligently pressed, undoubtedly by one of the Vietnamese girls who worked in the hotel. His shoes, too, were unscuffed, even glowing, beneath the layers of polish that had been applied.
I’m in one piece, he said.
You’ve had a lot of print lately.
The wire has. It’s Sanchez. He’s always out there, him. But not me. Not as much as I’d like. Murray said something else, too, but Marc found it difficult to hear him. The music blared from four speakers, rigged up in the corners of the room. Murray was a quiet guy. He didn’t look like he belonged in such a gathering. He looked like he should be at home with his wife and children, with a dog at his feet and a warm drink and a pipe. His hair curled in graying locks and his pale skin showed exactly how little he got out. He probably never left the city any more. He probably was at the door now because it was the quietest place to stand.
You going to let me in? Marc said.
Oh yeah. Sorry, Davis. Come in.
Marc looked for the bathroom, where undoubtedly there would be a tub of beer swimming in melted ice. He looked for Locke, but couldn’t find him. He was probably asleep. They’d been up most of the night before, flying the milk-run from Danang, hoping to get back before the weather turned. Marc got a drink and talked with a few guys from a French paper. The French pouted into their drinks and passed each other Gauloises cigarettes. They always looked so miserable at American gatherings; he wondered why they never appeared to miss a single one.
He picked up a Life magazine, thumbing through its pages for the stories about Vietnam, but it was all about protestors this week, photograph after photograph of marches and rallies. He glanced through the articles, looking at the images of streets and squares so crowded with people he could not pick out a single feature of cities he knew well. He tried to imagine himself there again, back home in the States. The country—his country—felt far away, almost impossible to reach. Sometimes, when they packed the film to be sent to San Francisco and then on to New York, it seemed to him like magic that the parcel could reach those same streets he knew, that the city blocks and buildings with all their shining windows existed at all, and even more astonishing, that they existed exactly as he remembered them, untouched, unbothered by the chaos he reported daily.
He put the magazine to one side. He looked up and he saw her; he saw Susan. She was by the door, standing in the exact spot he’d been next to Murray. For a moment, it seemed almost as though she had stepped out of his own imagination, or wasn’t really there at all, for in his mind she was somehow consigned to the north. He’d expected to see her in Danang or Chu Lai, or even once more in Con Thien. But of course it made more sense to find her here in Saigon among the press, the crowded bars and restaurants, the hotels. She would have been at the daily press conferences, the five o’clock follies, that he could barely bring himself now to attend. He’d heard from Locke that there was a new English girl in town, some girl journalist, Locke had said. The minute he mentioned her, Marc knew it was the same. I think I know the one, he replied. But even so, he always thought of Susan up north, not here. It shocked him, seeing her among so many people he knew.
She was framed in the doorway, her hands on either side of the opening. It seemed to him she was hesitating, taking in the geography of the room, the people inside. Murray was trying to talk to her—what was he, a sentry at the gates?—and from this distance she appeared to be answering him politely, her head tilted to one side. She looked shy, sweet, young. He wanted to go over to her but he hesitated, watching, and then she was swept up with a group and he didn’t want to intervene. Somebody asked him for the Life magazine and he handed it over wordlessly.
Davis—he heard, Hey, Marc! Someone was calling his name, a man, not her. He kept walking.
He tracked her, a few steps behind. It was a game at first. To see if she noticed him. He watched her pass through the party in a thin dress, its sleeves shaped like flute glasses from which her wrists seemed surprisingly delicate. He could still recall how she’d clung to him in the bun
ker, her arm looped over his knee, and the strength of that grip. The dress made her seem more fragile than she was, and in this manner he found her appearance deceptive, as though he was being shown a pretend version of Susan, when he knew full well how strong she was, how fast she could run. He could still see her racing down that hill, her feet swinging up to her hips as she pushed forward through the dust and stones to the jeep. Tonight she looked altogether different, and it was like looking at a beautiful portrait that showed some other new and lovely aspect of her person. He could hardly stand to look away.
He felt a hand clap around his calf and he stopped, frozen, staring down. It was Curtis, a soundman he occasionally worked with when he was lucky enough to get a soundman. He was arranged on the floor with some friends, sitting absurdly close to the speakers, which blasted the Stones so loudly you could feel the vibration in the air. The guys asked if they could mooch just a little weed as were down to seeds and stems. Marc patted his empty pockets, shrugging.
I’m all out, he said. The music was so loud he had to lean down, shouting into Curtis’s ear. From a distance it would have appeared as though he were telling Curtis a secret.
Curtis said, Bullshit, you’re never out.
I am. I swear.
We don’t have anything even halfway smokeable. Come on, man!
You’re out of luck, I don’t—
Curtis pushed two fingers into Marc’s shirt pocket and uncovered a dime bag he’d forgotten about.
You’re not awake, Davis, Curtis said.
It’s this new dreamy image he’s projecting, another of them said. Like he’s here but not here.
Very cool.
The coolest.
Probably thinking about a girl.
Don’t tell his wife!
Curtis laughed. I think he was just holding out on us.
Marc shook his head. He watched Curtis pinch a spray of the weed and stuff it into the blackened bowl of a small bong with dirty water, some marks on the plastic where it had burned.
Keep it, Marc said, nodding at the bag.
They told him to sit down, share a bowl with them, but he shook his head. His eyes floated across the room once more, searching for Susan, hoping she hadn’t left already. She was dressed carefully, her hair newly washed. She was probably going off for dinner later. He shouldn’t even have talked to these guys. He knew what they were after anyway. He should have just dropped the pot into their open palms and kept on tracking her. But he had honestly forgotten he had any. He wondered if the bag had gone through the laundry.
Over the course of the hour the hallway filled. People filed in from their offices, or on their way back from other parties, from restaurants or clubs or straight out of the field. They came and everyone packed in, some never getting as far as the stairs. He stepped over the legs of those with their backs up against walls, using Coke bottles for ashtrays, sharing rolling papers and pizza brought up, dried and cold now, curled in boxes. He saw some guys from the bureau and fell into conversation about an assignment. Curtis’s girlfriend arrived in a miniskirt and unshaven legs, looking like a scruffy cheerleader, and kissed him full on the mouth. Locke showed up, holding court with one group, then another. People called him ‘The Information’, a name he didn’t seem to mind. A couple of guys would go off to find some more beer, or better beer, or more pot, or better pot. A group would bring in a few more records and then, for no reason, a song would be interrupted halfway through as the LP was changed, the great scrape of the needle across vinyl singing in the speakers and someone calling out, Shiiiiit, what are you doing, man? A bicycle was hauled up the stairs—it belonged to a student who didn’t dare leave it on the street. A guy whose two silver bars said he was a captain borrowed it off him and was now trying to wheel it through the crowd. The captain was here only because his girlfriend lived in the hotel. She was nothing to do with the war, but exported goods to the US.
War talk, all of it. Locke described a particular hill battle near Kontum and how he’d traded cigarettes for grass, ounce for ounce, and all the better ways they could have used the Montagnards as fighting soldiers with American advisers, but didn’t, and now they’re giving information both sides, what a fucking waste. The guy he was talking to said he’d lost three cameras: one stolen, one ruined by water, and another hit by shrapnel.
While you were using it?
No, man, it was in my hag.
There were correspondents, and soldiers—officers—and two GIs on R&R planning to bunk in the room, guys who worked construction or something anyway and didn’t talk about the war or anything but just sat stolidly and drank one bottle of 33 beer after another, lining up the empties in neat rows like game pieces.
It was odd to see anyone sober, or anyone over thirty. He watched Susan and noticed that she didn’t drink much, that she didn’t know many people. She seemed to flit about, talking only briefly here and there, not entirely at ease. She had some friends among the exhausted nurses, who slumped on the floor with their oversized drinks, and pulled her down to talk to them. There were women: wives or girlfriends, some who worked for the USO or other relief organizations, the nurses who’d been brought in by jeep by some bunch of seriously in-breach soldiers. The women had their moments of peculiar talk and outrageous flirtations, except for the nurses who looked so tired they might lie down and sleep right there across a doorway if that’s where they fell. They sat on the floor or lay on the floor, their hair falling all around them like lank seaweed, looking up at the ceiling fan going round and round, or staring at the smouldering end of their lit cigarette, or leaning into the arms of one guy or other, crowding around the air conditioner, laughing, drinking, once in a while bursting out crying.
At last he found her alone at the window, one of three large sash windows with great swags that had grown dusty and old now, the ornate gold piping frayed along the seams. He went to the window next to where she was standing, amazed that she had not noticed him yet, much less recognized him. It occurred to him that she might be avoiding him. The way she studied the sidewalk outside seemed almost a deliberate turning away, and in one respect this gave him hope. That he’d had an impact on her, that she hadn’t forgotten the bunker in Con Thien, what passed between them in those minutes, what he thought had passed. If she wanted to avoid him, then it must be that she remembered, that she knew the power of their first, extraordinary meeting when she fled like Cinderella from the ball, holding her helmet with one hand, her notebooks in the other. In his day dreams he had often entertained himself with that last image of her, running toward the jeep, leaping up on to the open bed. It seemed wholly at odds with the woman he saw now, in a dress that hugged her hips, her hair falling in a fan across her shoulders, and the contrast he found dazzling, exhilarating. He didn’t know if he dared talk to her.
He glanced through the window and saw army trucks and clusters of careening bicycles, people rushing from the first throes of evening rain. The pedicab drivers leaned into the motion as they worked. The kids traded money and sold things they’d found or scrounged, pens and card packs, pictures of naked girls, all of them getting soaked now, getting drenched. A boy in a T-shirt three sizes too small and a pair of underpants, nothing more, darted across the crazy street like a dog, trying to avoid being killed outright, selling cigarettes that nobody wanted to buy. It began to rain harder and his hair shined with it, his underpants dragged down his hips, his bald little legs splashed in puddles. At some point the boy looked up and saw Marc at the window and called out Wanna buy? Marc reached into his pocket and found a clump of notes, dropping a colorful bill down to the boy who stood with his hand stretched out, his chin to the sky, rushing one way, then another as the note floated, swooped and dived to the street below. It felt mean to have made him work so hard for the note, so he threw some change and the boy ran for it, too; other children, hearing the coins scattering on the pavement, started doing the same. A crowd gathered, rushing in from adjoining lanes, not just children but old men,
teenage girls, all of them rushing now. A child with only one arm danced below the window trying to lift the coins from the road with her single outstretched hand. A round woman with long gray hair pushed a child to one side. They were all running for the coins, calling up, screaming for more. But the rain was fierce, banging down on to the steaming tarmac and bouncing up again, streaming down the edges of the road, soaking the clothes and hair of the people below and drowning out their voices.
Suddenly, a spear of lightning cracked across a piece of sky to the west and all the lights went out. The street went black as though it had disappeared altogether, like a stage across which the curtain has been drawn. Inside, too, the room, the party, was suddenly immersed in darkness. He glanced away from the street and into the sudden gray shadows of the hotel—he didn’t even know whose room it was—and looked across at the adjacent window, blinking, searching for Susan, but she was gone.
The lights stayed off but no one was alarmed. It was a city of precarious amenities. Water, light, access down a particular street or building, at a particular hour or a different one, were granted or not granted. One night, as the guest of an embassy official (someone he assumed to be a spook), he’d been in one of Saigon’s best French restaurants when a blackout had taken hold of several city blocks. The waiters hurried with hurricane lamps and table candles, reassuring the diners that all was well. They had a generator for the kitchen, the food would not be a minute delayed. The waiters carried small flashlights, like theater ushers, and set out a line of lanterns at the station where they brought orders. He and the official carried on with their meal, though the man seemed suddenly quite awkward, straining through the darkness to see the other restaurant guests, who paid no attention at all to the blackout. If anything, they seemed to enjoy it. Outside, the streets were lit by headlamps and starlight; while the restaurant, now cloaked in the candles’ amber glow, felt like a festive cavern. Everyone spoke more softly than before, as though the candles enforced a kind of secrecy, and Marc found himself having to drop his own voice, leaning across the table and into the cloud of light made by the flickering flame between him and the official, in order to hear the man speak. They carried on for a few minutes and then he saw the official’s face suddenly glaze over. He was staring into a small spray of flowers that had been on the table all the time but, until now, had gone unnoticed. They were tiny lavender buds, each one the size of a thimble, and they let off an unusually strong scent in relation to their small size. In an abrupt move, the official dropped his napkin on to the table. Let’s get out of here before someone takes us for a couple of faggots, he said, standing. He summoned the waiter for the bill, threw some money on the table. One of the waiters followed them out apologetically, suggesting that they at least finish their main course, but the official said, Wrap it up, give it to someone. He looked down at the plate of change the waiter had brought, rumpled bills on a saucer of white porcelain. To Marc, he said, They give you these dirty notes so you’ll leave them as a tip. Why should I give him all that? The place doesn’t even have working lights. Then he said, Come on, let’s get something to drink.
The Man from Saigon Page 4
