MORAL TALES. VOL. I. Containing,
PAGE.
1. The Two Coats... 3
2. Passages in the Life of an Old Maid 20
3. My Friend Plum... 42
4. The Broken Miniature... 47
5. Wealth and Fashion... 57
6. The Mysterious Correspondent... 88
7. Katrina Schuyler... 92
8. The Cobbler of Brusa... 113
9. He is so Amiable... 123
10. The Blind Boy... 125
11. The Bank Note... 136
12. Sketch of a Blue-Stocking... 143
13. The Wedding Knell... 155
14. David Swan... 165
15. The Indian Fighter... 173
16. Curiosity... 189
BOSTON: E. LITTLEFIELD. M DCCC XL.
MORAL TALES. VOL. II. Containing,
PAGE.
1. The Tiara... 3
2. New Year’s Day... 19
3. Night Sketches, beneath an Umbrella 39
4. The Canterbury Pilgrims... 47
5. The Legacy-Hunter... 59
6. Parental Hopes... 63
7. The World as it is... 74
8. The Haunted Mind... 89
9. Reconciliation... 94
10. The Dream fulfilled... 100
11. Iretta the Fairy... 105
12. A Love Match... 112
13. The Man with the --... 129
14. Sights from a Steeple... 148
15. Something that actually happened. 156
16. The Diamond... 164
17. The Tempter... 179
18. The Discharged Workman... 188
BOSTON: E. LITTLEFIELD. M DCCC XL.
Entered according to Act of Congress, in the year 1840, By S. G. Goodrich, In the Clerk’s Office of the District Court of Massachusetts. STEREOTYPED AT THE BOSTON TYPE AND STEREOTYPE FOUNDRY.
Samuel G. Goodrich. (1793-1860).
MORAL TALES. Boston, 1840.
Two volumes bound in one. Two stories by Hawthorne were previously unknown.
Presentation inscription from Goodrich to J. H. Jenks. Goodrich, who edited the volumes, also identified many of the authors of the stories.
UNIVERSITY OF VIRGINIA LIBRARY
We have a copy of this work, both vols. bound in a contemporary binding with a presentation inscription from Goodrich to J.H. Jenks, in which he identified the authors of 14 out of 16 stories in Vol. I and 13 of 18 stories in Vol. II. The stories which Goodrich ascribes to Hawthorne (with their place of first book publication) are the following:
Vol. I
Story No. Title First Book publication in
13 The Wedding Knell. The Token, 1836
14 David Swan ““ 1837
Vol. II
3 Night Sketches Beneath an Umbrella ““ 1838
4 The Canterbury Pilgrims ““ 1833
8 The Haunted Mind ““ 1835
14 Sights from a Steeple ““ 1831
THE CANTERBURY PILGRIMS.
The summer moon, which shines in so many a tale, was beaming over a broad extent of uneven country. Some of its brightest rays were flung into a spring of water, where no traveller, toiling, as the writer has, up the hilly road beside which it gushes, ever failed to quench his thirst. The work of neat hands and considerate art was visible about this blessed fountain. An open cistern, hewn and hollowed out of solid stone, was placed above the waters, which filled it to the brim, but, by some invisible outlet, were conveyed away without dripping down its sides. Though the basin had not room for another drop, and the continual gush of water made a tremor on the surface, there was a secret charm that forbade it to overflow. I remember, that when I had slaked my summer thirst, and sat panting by the cistern, it was my fanciful theory, that nature could not afford to lavish so pure a liquid, as she does the waters of all meaner fountains.
While the moon was hanging almost perpendicularly over this spot, two figures appeared on the summit of the hill, and came with noiseless footsteps down towards the spring. They were then in the first freshness of youth; nor is there a wrinkle now on either of their brows, and yet they wore a strange, old-fashioned garb. One, a young man with ruddy cheeks, walked beneath the canopy of a broad-brimmed gray hat; he seemed to have inherited his great-grandsire’s square-skirted coat, and a waistcoat that extended its immense flaps to his knees; his brown locks, also, hung down behind, in a mode unknown to our times. By his side was a sweet young damsel, her fair features sheltered by a prim little bonnet, within which appeared the vestal muslin of a cap; her close, long-waisted gown, and indeed her whole attire, might have been worn by some rustic beauty who had faded half a century before. But, that there was something too warm and life-like in them, I would here have compared this couple to the ghosts of two young lovers, who had died long since in the glow of passion, and now were straying out of their graves, to renew the old vows, and shadow forth the unforgotten kiss of their earthly lips, beside the moonlit spring.
“Thee and I will rest here a moment, Miriam,” said the young man, as they drew near the stone cistern, “for there is no fear that the elders know what we have done; and this may be the last time we shall ever taste this water.”
Thus speaking, with a little sadness in his face, which was also visible in that of his companion, he made her sit down on a stone, and was about to place himself very close to her side; she, however, repelled him, though not unkindly.
“Nay, Josiah,” said she, giving him a timid push with her maiden hand, “thee must sit farther off, on that other stone, with the spring between us. What would the sisters say, if thee were to sit so close to me?”
“But we are of the world’s people now, Miriam,” answered Josiah.
The girl persisted in her prudery; nor did the youth, in fact, seem altogether free from a similar sort of shyness; so they sat apart from each other, gazing up the hill, where the moonlight discovered the tops of a group of buildings. While their attention was thus occupied, a party of travellers, who had come wearily up the long ascent, made a halt to refresh themselves at the spring. There were three men, a woman, and a little girl and boy Their attire was mean, covered with the dust of the summer’s day, and damp with the night dew; they all looked woe-begone, as if the cares and sorrows of the world had made their steps heavier as they climbed the hill; even the two little children appeared older in evil days, than the young man and maiden who had first approached the spring.
“Good evening to you, young folks,” was the salutation of the travellers; and “Good evening, friends,” replied the youth and damsel.
“Is that white building the Shaker meeting-house?” asked one of the strangers. “And are those the red roofs of the Shaker village?”
“Friend, it is the Shaker village,” answered Josiah, after some hesitation.
The travellers, who, from the first, had looked suspiciously at the garb of these young people, now taxed them with an intention, which all the circumstances, indeed, rendered too obvious to be mistaken.
“It is true, friends,” replied the young man, summoning up his courage. “Miriam and I have a gift to love each other, and we are going among the world’s people to live after their fashion. And ye know that we do not transgress the law of the land; and neither ye, nor the elders themselves, have a right to hinder us.”
“Yet you think it expedient to depart without leave-taking,” remarked one of the travellers.
“Yea, ye-a,” said Josiah, reluctantly, “because father Job is a very awful man to speak with, and being aged himself, he has but little charity for what he calls the iniquities of the flesh.”
“Well,” said the stranger, “we will neither use force to bring you back to the village, nor will we betray y
ou to the elders. But sit you here awhile, and when you have heard what we shall tell you of the world which we have left, and into which you are going, perhaps you will turn back with us of your own accord. What say you?” added he, turning to his companions. “We have travelled thus far without becoming known to each other. Shall we tell our stories, here by this pleasant spring, for our own pastime, and the benefit of these misguided young lovers?”
In accordance with this proposal, the whole party stationed themselves round the stone cistern: the two children, being very weary, fell asleep upon the damp earth, and the pretty Shaker girl, whose feelings were those of a nun or a Turkish lady, crept as close as possible to the female traveller, and as far as she well could from the unknown men. The same person who had hitherto been the chief spokesman, now stood up, waving his hat in his hand, and suffered the moonlight to fall full upon his front.
“In me,” said he, with a certain majesty of utterance, “in me you behold a poet.”
Though a lithographic print of this gentleman is extant, it may be well to notice that he was now nearly forty, a thin and stooping figure, in a black coat, out at elbows; notwithstanding the ill condition of his attire, there were about him several tokens of a peculiar sort of foppery, unworthy of a mature man, particularly in the arrangement of his hair, which was so disposed as to give all possible loftiness and breadth to his forehead. However, he had an intelligent eye, and on the whole a marked countenance.
“A poet!” repeated the young Shaker, a little puzzled how to understand such a designation, seldom heard in the utilitarian community where he had spent his life. “O, ay, Miriam, he means a varse-maker, thee must know.”
This remark jarred upon the susceptible nerves of the poet; nor could he help wondering what strange fatality had put into this young man’s mouth an epithet, which ill-natured people had affirmed to be more proper to his merit than the one assumed by himself.
“True, I am a verse-maker,” he resumed, “but my verse is no more than the material body into which I breathe the celestial soul of thought. Alas! how many a pang has it cost me, this same insensibility to the ethereal essence of poetry, with which you have here tortured me again, at the moment when I am to relinquish my profession forever! O, Fate! why hast thou warred with Nature, turning all her higher and more perfect gifts to the ruin of me, their possessor? What is the voice of song, when the world lacks the ear of taste? How can I rejoice in my strength and delicacy of feeling, when they have but made great sorrows out of little ones? Have I dreaded scorn like death, and yearned for fame as others pant for vital air, only to find myself in a middle state between obscurity and infamy? But I have my revenge! I could have given existence to a thousand bright creations. I crush them into my heart, and there let them putrefy! I shake off the dust of my feet against my countrymen! But posterity, tracing my footsteps up this weary hill, will cry shame upon the unworthy age that drove one of the fathers of American song to end his days in a Shaker village!”
During this harangue, the speaker gesticulated with great energy; and, as poetry is the natural language of passion, there appeared reason to apprehend his final explosion into an ode extempore. The reader must understand, that for all these bitter words, he was a kind, gentle, harmless, poor fellow enough, whom Nature, tossing her ingredients together without looking at her recipe, had sent into the world with too much of one sort of brain and hardly any of another.
“Friend,” said the young Shaker, in some perplexity, “thee seemest to have met with great troubles, and, doubtless, I should pity them, if--if I could but understand what they were.”
“Happy in your ignorance!” replied the poet, with an air of sublime superiority. “To your coarser mind, perhaps, I may seem to speak of more important griefs, when I add, what I had well nigh forgotten, that I am out at elbows, and almost starved to death. At any rate, you have the advice and example of one individual to warn you back; for I am come hither, a disappointed man, flinging aside the fragments of my hopes, and seeking shelter in the calm retreat which you are so anxious to leave.”
“I thank thee, friend,” rejoined the youth; “but I do not mean to be a poet, nor, Heaven be praised! do I think Miriam ever made a varse in her life. So we need not fear thy disappointments. But, Miriam,” he added, with real concern, “thee knowest that the elders admit nobody that has not a gift to be useful. Now, what under the sun can they do with this poor varse-maker?”
“Nay, Josiah, do not thee discourage the poor man,” said the girl, in all simplicity and kindness. “Our hymns are very rough, and perhaps they may trust him to smooth them.”
Without noticing this hint of professional employment, the poet turned away, and gave himself up to a sort of vague reverie, which he called thought. Sometimes he watched the moon, pouring a silvery liquid on the clouds through which it slowly melted, till they became all bright; then he saw the same sweet radiance dancing on the leafy trees which rustled as if to shake it off, or sleeping on the high tops of hills, or hovering down in distant valleys, like the material of unshaped dreams; lastly, he looked into the spring, and there the light was mingling with the water. In its crystal bosom, too, beholding all heaven reflected there, he found an emblem of a pure and tranquil breast. He listened to that most ethereal of all sounds, the song of crickets, coming in full choir upon the wind, and fancied, that, if moonlight could be heard, it would sound just like that. Finally he took a draught at the Shaker spring, and, as if it were the true Castalia, was forthwith moved to compose a lyric, a Farewell to his Harp, which he swore should be its closing strain--the last verse that an ungrateful world should have from him. This effusion, with two or three other little pieces, subsequently written, he took the first opportunity to send by one of the Shaker brethren to Concord, where they were published in the New Hampshire Patriot.
Meantime, another of the Canterbury Pilgrims, one so different from the poet, that the delicate fancy of the latter could hardly have conceived of him, began to relate his sad experience. He was a small man, of quick and unquiet gestures, about fifty years old, with a narrow forehead, all wrinkled and drawn together. He held in his hand a pencil, and a card of some commission merchant in foreign parts, on the back of which--for there was light enough to read or write by--he seemed ready to figure out a calculation.
“Young man,” said he abruptly, “what quantity of land do the Shakers own here, in Canterbury?”
“That is more than I can tell thee, friend,” answered Josiah; “but it is a very rich establishment, and for a long way by the road-side thee may guess the land to be ours by the neatness of the fences.”
“And what may be the value of the whole,” continued the stranger, “with all the buildings and improvements, pretty nearly, in round numbers?”
“O, a monstrous sum, more than I can reckon,” replied the young Shaker.
“Well, sir,” said the pilgrim, “there was a day, and not very long ago, neither, when I stood at my counting-room window, and watched the signal flags of three of my own ships entering the harbor, from the East Indies, from Liverpool, and from up the Straits; and I would not have given the invoice of the least of them for the title deeds of this whole Shaker settlement. You stare. Perhaps, now, you won’t believe that I could have put more value on a little piece of paper, no bigger than the palm of your hand, than all these solid acres of grain, grass, and pasture land would sell for?”
“I won’t dispute it, friend,” answered Josiah, “but I know I had rather have fifty acres of this good land, than a whole sheet of thy paper.”
“You may say so now,” said the ruined merchant, bitterly, “for my name would not be worth the paper I should write it on. Of course, you must have heard of my failure?”
And the stranger mentioned his name, which, however mighty it might have been in the commercial world, the young Shaker had never heard of among the Canterbury hills.
“Not heard of my failure!” exclaimed the merchant, considerably piqued. “Why, it
was spoken of on ’Change in London, and from Boston to New Orleans men trembled in their shoes. At all events I did fail, and you see me here on my road to the Shaker village, where, doubtless, (for the Shakers are a shrewd set,) they will have a due respect for my experience, and give me the management of the trading part of the concern, in which case, I think I can pledge myself to double their capital in four or five years. Turn back with me, young man, for though you will never meet with my good luck, you can hardly escape my bad.”
“I will not turn back for this,” replied Josiah, calmly, “any more than for the advice of the varse-maker, between whom and thee, friend, I see a sort of likeness, though I can’t justly say where it lies. But Miriam and I can earn our daily bread among the world’s people, as well as in the Shaker village. And do we want any thing more, Miriam?”
“Nothing more, Josiah,” said the girl quietly.
“Yea, Miriam, and daily bread for some other little mouths, if God send them,” observed the simple Shaker lad.
Miriam did not reply, but looked down into the spring, where she encountered the image of her own pretty face, blushing within the prim little bonnet. The third pilgrim now took up the conversation. He was a sunburnt countryman, of tall frame and bony strength, on whose rude and manly face there appeared a darker, more sullen and obstinate despondency, than on those of either the poet or the merchant.
“Well now, youngster,” he began, “these folks have had their say, so I’ll take my turn. My story will cut but a poor figure by the side of theirs; for I never supposed that I could have a right to meat and drink, and great praise besides, only for tagging rhymes together, as it seems this man does; nor ever tried to get the substance of hundreds into my own hands, like the trader there. When I was about of your years, I married me a wife, just such a neat and pretty young woman as Miriam, if that’s her name; and all I asked of Providence was an ordinary blessing on the sweat of my brow, so that we might be decent and comfortable, and have daily bread for ourselves, and for some other little mouths that we soon had to feed. We had no very great prospects before us; but I never wanted to be idle, and I thought it a matter of course that the Lord would help me, because I was willing to help myself.”
The Canterbury Pilgrims Page 1
