by Anthology
She took a deep breath and opened the door.
There was a world inside.
For what seemed like forever, Ellie stood staring at the bleak metropolis so completely unlike New York City. Its buildings were taller than any she had ever seen—miles high!—and interlaced with skywalks, like those in Metropolis. But the buildings in the movie had been breathtaking, and these were the opposite of beautiful. They were ugly as sin: windowless, grey, stained, and discolored. There were monotonous lines of harsh lights along every street, and under their glare trudged men and women as uniform and lifeless as robots. Outside the office, it was a beautiful bright day. But on the other side of the closet, the world was dark as night.
And it was snowing.
Gingerly, she stepped into the closet. The instant her foot touched the floor, it seemed to expand to all sides. She stood at the center of a great wheel of doors, with all but two of them—to her office and to the winter world—shut. There were hooks beside each door, and hanging from them were costumes of a hundred different cultures. She thought she recognized togas, Victorian opera dress, kimonos . . . But most of the clothing was unfamiliar.
Beside the door into winter, there was a long cape. Ellie wrapped it around herself, and discovered a knob on the inside. She twisted it to the right, and suddenly the coat was hot as hot. Quickly, she twisted the knob to the left, and it grew cold. She fiddled with the thing until the cape felt just right. Then she straightened her shoulders, took a deep breath, and stepped out into the forbidding city.
There was a slight electric sizzle, and she was standing in the street.
Ellie spun around to see what was behind her: a rectangle of some glassy black material. She rapped it with her knuckles. It was solid. But when she brought her key near its surface, it shimmered and opened into that strange space between worlds again.
So she had a way back home.
To either side of her rectangle were identical glassy rectangles faceted slightly away from it. They were the exterior of an enormous kiosk, or perhaps a very low building, at the center of a large, featureless square. She walked all the way around it, rapping each rectangle with her key. Only the one would open for her.
The first thing to do was to find out where—or, rather, when—she was. Ellie stepped in front of one of the hunched, slow-walking men. “Excuse me, sir, could you answer a few questions for me?”
The man raised a face that was utterly bleak and without hope. A ring of grey metal glinted from his neck. “Hawrzat dagtiknut?” he asked.
Ellie stepped back in horror and, like a wind-up toy temporarily halted by a hand or a foot, the man resumed his plodding gait.
She cursed herself. Of course language would have changed in the however-many-centuries future she found herself in. Well . . . that was going to make gathering information more difficult. But she was used to difficult tasks. The evening of John’s suicide, she had been the one to clean the walls and the floor. After that, she’d known that she was capable of doing anything she set her mind to.
Above all, it was important that she not get lost. She scanned the square with the doorways in time at its center—mentally, she dubbed it Times Square—and chose at random one of the broad avenues converging on it. That, she decided would be Broadway.
Ellie started down Broadway, watching everybody and everything. Some of the drone-folk were dragging sledges with complex machinery on them. Others were hunched under soft, translucent bags filled with murky fluid and vague biomorphic shapes. The air smelled bad, but in ways she was not familiar with.
She had gotten perhaps three blocks when the sirens went off—great piercing blasts of noise that assailed the ears and echoed from the building walls. All the streetlights flashed off and on and off again in a one-two rhythm. From unseen loudspeakers, an authoritative voice blared, “Akgang! Akgang! Kronzvarbrakar! Zawzawkstrag! Akgang! Akgang . . .”
Without hurry, the people in the street began turning away, touching their hands to dull grey plates beside nondescript doors and disappearing into the buildings.
“Oh, cripes!” Ellie muttered. She’d best—
There was a disturbance behind her. Ellie turned and saw the strangest thing yet.
It was a girl of eighteen or nineteen, wearing summer clothes—a man’s trousers, a short-sleeved flower-print blouse—and she was running down the street in a panic. She grabbed at the uncaring drones, begging for help. “Please!” she cried. “Can’t you help me? Somebody! Please . . . you have to help me!” Puffs of steam came from her mouth with each breath. Once or twice she made a sudden dart for one of the doorways and slapped her hand on the greasy plates. But the doors would not open for her.
Now the girl had reached Ellie. In a voice that expected nothing, she said, “Please?”
“I’ll help you, dear,” Ellie said.
The girl shrieked, then convulsively hugged her. “Oh, thank you, thank you, thank you,” she babbled.
“Follow close behind me.” Ellie strode up behind one of the lifeless un-men and, just after he had slapped his hand on the plate, but before he could enter, grabbed his rough tunic and gave it a yank. He turned.
“Vamoose!” she said in her sternest voice, and jerked a thumb over her shoulder.
The un-man turned away. He might not understand the word, but the tone and the gesture sufficed.
Ellie stepped inside, pulling the girl after her. The door closed behind them.
“Wow,” said the girl wonderingly. “How did you do that?”
“This is a slave culture. For a slave to survive, he’s got to obey anyone who acts like a master. It’s that simple. Now, what’s your name and how did you get here?” As she spoke, Ellie took in her surroundings. The room they were in was dim, grimy—and vast. So far as she could see, there were no interior walls, only the occasional pillar and here and there a set of functional metal stairs without railings.
“Nadine Shepard. I . . . I . . . There was a door! And I walked through it and I found myself here! I . . .”
The child was close to hysteria. “I know, dear. Tell me, when are you from?”
“Chicago. On the North Side, near—”
“Not where, dear, when? What year is it?”
“Uh . . . 2004. Isn’t it?”
“Not here. Not now.” The grey people were everywhere, moving sluggishly, yet always keeping within sets of yellow lines painted on the concrete floor. Their smell was pervasive, and far from pleasant. Still . . .
Ellie stepped directly into the path of one of the sad creatures, a woman. When she stopped, Ellie took the tunic from her shoulders and then stepped back. Without so much as an expression of annoyance, the woman resumed her plodding walk.
“Here you are.” She handed the tunic to young Nadine. “Put this on, dear, you must be freezing. Your skin is positively blue.” And, indeed, it was not much warmer inside than it had been outdoors. “I’m Eleanor Voigt. Mrs Eleanor Voigt.”
Shivering, Nadine donned the rough garment. But instead of thanking Ellie, she said, “You look familiar.”
Ellie returned her gaze. She was a pretty enough creature though, strangely, she wore no makeup at all. Her features were regular, intelligent—“You look familiar too. I can’t quite put my finger on it, but . . .”
“Okay,” Nadine said, “now tell me. Please. Where and when am I, and what’s going on?”
“I honestly don’t know,” Ellie said. Dimly, through the walls, she could hear the sirens and the loudspeaker-voice. If only it weren’t so murky in here! She couldn’t get any clear idea of the building’s layout or function.
“But you must know! You’re so . . . so capable, so in control. You . . .”
“I’m a castaway like you, dear. Just figuring things out as I go along.” She continued to peer. “But I can tell you this much: We are far, far in the future. The poor degraded beings you saw on the street are the slaves of a superior race—let’s call them the Aftermen. The Aftermen are very cruel, and the
y can travel through time as easily as you or I can travel from city to city via inter-urban rail. And that’s all I know. So far.”
Nadine was peering out a little slot in the door that Ellie hadn’t noticed. Now she said, “What’s this?”
Ellie took her place at the slot, and saw a great bulbous street-filling machine pull to a halt a block from the building. Insectoid creatures that might be robots or might be men in body armor poured out of it, and swarmed down the street, examining every door. The sirens and the loudspeakers cut off. The streetlights returned to normal. “It’s time we left,” Ellie said.
An enormous artificial voice shook the building. Akbang! Akbang! Zawzawksbild! Alzowt! Zawzawksbild! Akbang!
“Quickly!”
She seized Nadine’s hand, and they were running.
Without emotion, the grey folk turned from their prior courses and unhurriedly made for the exits.
Ellie and Nadine tried to stay off the walkways entirely. But the air began to tingle, more on the side away from the walkways than the side toward, and then to burn and then to sting. They were quickly forced between the yellow lines. At first they were able to push their way past the drones, and then to shoulder their way through their numbers. But more and more came dead-stepping their way down the metal stairways. More and more descended from the upper levels via lifts that abruptly descended from the ceiling to disgorge them by the hundreds. More and more flowed outward from the building’s dim interior.
Passage against the current of flesh became first difficult, and then impossible. They were swept backwards, helpless as corks in a rain-swollen river. Outward they were forced and through the exit into the street.
The “police” were waiting there.
At the sight of Ellie and Nadine—they could not have been difficult to discern among the uniform drabness of the others—two of the armored figures stepped forward with long poles and brought them down on the women.
Ellie raised her arm to block the pole, and it landed solidly on her wrist.
Horrid, searing pain shot through her, greater than anything she had ever experienced before. For a giddy instant, Ellie felt a strange elevated sense of being, and she thought, If I can put up with this, I can endure anything. Then the world went away.
Ellie came to in a jail cell.
At least that’s what she thought it was. The room was small, square, and doorless. A featureless ceiling gave off a drab, even light. A bench ran around the perimeter, and there was a hole in the middle of the room whose stench advertised its purpose.
She sat up.
On the bench across from her, Nadine was weeping silently into her hands.
So her brave little adventure had ended. She had rebelled against Mr Tarblecko’s tyranny and come to the same end that awaited most rebels. It was her own foolish fault. She had acted without sufficient forethought, without adequate planning, without scouting out the opposition and gathering information first. She had gone up against a Power that could range effortlessly across time and space, armed only with a pocket handkerchief and a spare set of glasses, and inevitably that Power had swatted her down with a contemptuous minimum of their awesome force.
They hadn’t even bothered to take away her purse.
Ellie dug through it, found a cellophane-wrapped hard candy, and popped it into her mouth. She sucked on it joylessly. All hope whatsoever was gone from her.
Still, even when one has no hope, one’s obligations remain. “Are you all right, Nadine?” she forced herself to ask. “Is there anything I can do to help?”
Nadine lifted her tear-stained face. “I just went through a door,” she said. “That’s all. I didn’t do anything bad or wrong or . . . or anything. And now I’m here!” Fury blazed up in her. “Damn you, damn you, damn you!”
“Me?” Ellie said, astonished.
“You!You shouldn’t have let them get us. You should’ve taken us to some hiding place, and then gotten us back home. But you didn’t. You’re a stupid, useless old woman!”
It was all Ellie could do to keep from smacking the young lady. But Nadine was practically a child, she told herself, and it didn’t seem like they raised girls to have much gumption in the year 2004. They were probably weak and spoiled people, up there in the twenty-first century, who had robots to do all their work for them, and nothing to do but sit around and listen to the radio all day. So she held not only her hand, but her tongue. “Don’t worry, dear,” she said soothingly. “We’ll get out of this. Somehow.”
Nadine stared at her bleakly, disbelievingly. “How?” she demanded.
But to this Ellie had no answer.
LETTING GO
Alex Shvartsman
Her expression tells you everything even before she speaks, and your world comes undone.
Then she confirms it: she tells you that her mission is a go. She is so excited, her face is radiant with possibility, and her eyes sparkle with the light of distant stars. You manage to smile, and it is the hardest thing you’ve ever had to endure.
Love requires many sacrifices, which you offer gladly and without hesitation. The most difficult among them, the one that shatters your heart into a million aching shards, is letting go.
She will be gone for sixteen years, but only two years will have passed aboard the ship. When she returns to Earth, she will be in her early thirties. Even if her love for you survives a two-year journey, how can it possibly endure the homecoming? When she returns, you will be biologically twenty years her senior.
Four months later you say goodbye. She tells you that it’s going to be all right. You try your best to believe her. You hug her fiercely and inhale her favorite perfume, trying to commit this moment to memory, from the way her long hair feels under your fingertips to the smell of lilac and jasmine. And then you let go.
The next year is a string of smaller sacrifices. You leave your job at the university because they won’t fund your research. You work eighteen hours a day, and live off your savings. In the end, it’s all worth it.
You prove that time travel is possible, but only going forward. Because it amuses you and—more importantly—because you know it would make her laugh, you design the time machine prototype to look like a blue phone booth.
It will take years to calibrate the equipment to allow for jumps to a precise date. As is, you can travel approximately fifteen years into the future. The exact date doesn’t matter. You can be together again. You imagine the two of you on the cover of Nature, the cover of Time. The first time traveler and the first interstellar astronaut: the power couple of science, and still young enough to reap the rewards of your success.
You do your best to settle all your affairs in the way only a dying person might. You make certain that the house is kept within your family; that the lab remains undisturbed until you return.
There are more sacrifices. You say goodbye to your elderly parents, knowing that it’s likely the last time you’ll see them. You will not get to watch your twelve-year-old nephew grow up. All this for a leap of faith, a ride forward in time that’s as likely to kill you as it is to work as intended. It’s a chance you take gladly, for her.
The ride is anticlimactic. You touch the screen to activate the machine, and it whirrs to life, but you feel nothing. It’s only when you open the door that you know it worked.
Everything in your basement lab looks and feels disused. The papers on your desk are yellowed with age. Your equipment has been boxed up and is stored in the corner. Some of your parents’ old furniture takes up much of the room. An old mattress is propped up against the wall by a baby crib. Your lab has become a storage room.
You hear footsteps on the floor above.
“Hello?” You call out, and a man in his thirties comes downstairs. You barely recognize your nephew.
He recognizes you, too.
“Oh my god, we thought you were dead! It’s been twenty years.” He rushes over.
Your invention overshot its target by five years, but it wor
ked! You blurt out the only question that matters.
He avoids eye contact as he tells you that she returned safely. Then he hugs you.
You break the embrace as soon as it’s polite to do so. You look closer, noting his wedding band, and boxes of diapers in the corner. All you can think about is the faint scent of lilac and jasmine on the collar of his shirt.
When he offers to call her downstairs, you stop him.
Sixteen years may not be too long to wait for your lover to return, but four years is time enough to mourn when you think they’re dead. And your nephew, who grew up to look a lot like you, would have been there to console her.
Your voice cracks as you make him promise to never tell her you were here.
You love her too much to make her doubt or even regret her choices. So you let her go, one last time.
Then you get back into the time machine and journey forward, as far as it’ll take you.
LEVIATHAN!
Larry Niven
Two men stood on one side of a thick glass wall.
“You’ll be airborne,” Svetz’s beefy red-faced boss was saying. “We made some improvements in the small extension cage while you were in the hospital. You can hover it, or fly it at up to fifty miles per hour, or let it fly itself; there’s a constant-altitude setting. Your field of vision is total. We’ve made the shell of the extension cage completely transparent.”
On the other side of the thick glass, something was trying to kill them. It was forty feet long from nose to tail and was equipped with vestigial batlike wings. Otherwise it was built something like a slender lizard. It screamed and scratched at the glass with murderous claws.
The sign on the glass read:
GILA MONSTER
RETRIEVED FROM THE YEAR 1230 ANTE ATOMIC
APPROXIMATELY, FROM THE REGION OF CHINA, EARTH. EXTINCT.
“You’ll be well out of his reach,” said Ra Chen.
