Bozung, Justin. “Henry Jaglom Interview.” Justin Bozung Blog. http://justinbozung.net/henry-jaglom-interview. (December 1, 2014).
The Editors of Playboy. “Playboy Interview: Jack Nicholson.” Playboy 50th Anniversary Collector’s Edition, Volume 51, No. 1 (January 2004).
Farr, John. “Tough Guy: The Best of James Cagney.” The Huffington Post. huffingtonpost.com. July 17, 2012.
FeatsPress. “The Pledge: Interview with Jack Nicholson.” Cinema.com. http://cinema.com/articles/601/pledge-the-interview-with-jack-nicholson.phtml. (2001).
Fuller, Graham. “New Again: Sean Penn.” Interview Magazine (October 1995).
Gilpin, Kris. “Monte Hellman: The Lost Interview.” Cinema Retro. http://www.cinemaretro.com/index.php?/archives/4107-CINEMA-RETRO-PRESENTS-MONTE-HELLMAN-THE-LOST-INTERVIEW.html (December 28 2009; Original Interview in 1988).
Humphreys, Justin, “Dick Bakalyan Interview.” Psychotronic Magazine. Number 25, 1997.
Knepperges, Rainer. “The Monologist and the Fighter: An Interview with Bob Rafelson.” Senses of Cinema, Issue 50 (April 2009).
Lee, Alana. “Peter Segal: Anger Management.” BBC Movies. http://www.bbc.co.uk/films/2003/05/30/peter_segal_anger_management_interview.shtml. (May 30, 2003).
Leonelli, Elisa. “The Visionary Journey of Bob Rafelson.” Los Angeles Arts and Entertainment Magazine, pp. 34–26 (February 1997).
Love, Damien. “The Miracle Worker: An Interview with Arthur Penn.” Bright Lights Film Journal. http://brightlightsfilm.com/the-miracle-worker-an-interview-with-arthur-penn/#.VmnJT9Z8vcM. (July 31, 2009).
Movieline Staff. “Stockard Channing: Great Dame.” Movieline. http://movieline.com/1998/01/01/great-dame-stockard-channing/. (January 1, 1998).
Murray, Noel. “Richard Rush: Interview.” The AV Club. http://www.avclub.com/article/richard-rush-57414. (June 13, 2011).
Murray, Rebecca. “Something’s Gotta Give: Diane Keaton Interview.” Movies.About.com http://movies.about.com/cs/somethingsgotto/a/smtgdk120703.htm. (Retrieved 2-09-2011).
Murray, Rebecca, and Fred Topel. “Jack Nicholson Talks About ‘About Schmidt.’” About.com Hollywood Movies. http://movies.about.com/library/weekly/aaaboutschmidtinta.htm. (2002).
Nashawaty, Chris. “An Intimate Conversation with Mike Nichols.” Entertainment Weekly. (November 20, 2014).
O’Connor, Thomas. “Film: Hector Babenco Harvests “Ironweed.” The New York Times (December 13, 1987).
Petkovich, Anthony. “Vincent Schiavelli—Have a Heart.” Psychotronic Magazine. Number 37, 2002.
Rabin, Nathan. “Kathleen Turner talks The Perfect Family, Body Heat, and her return to cinema.” The AV Club. http://www.avclub.com/article/Kathleen-turner-talks-emthe-perfect-familyem-embod-73499. (May 4, 2012).
Riefe, Jordan. “Jack’s Back: Hollywood Rogue or Hollywood Royalty? Jack Nicholson Returns Enigmatic as Ever.” Gene Simmons Tongue, Volume 1, No. 4. (Spring 2003).
Rosenbaum, Ron. The Creative Mind; Acting: The Method and Mystique of Jack Nicholson. The New York Times Magazine. (July 13, 1986).
Roundtable of Writers. “Q&A with Nancy Meyers.” MovieFreak.com. http://www.moviefreak.com/features/interviews/nancymeyers.htm.
Sager, Mike, “What I’ve Learned: Jack Nicholson.” Esquire. Volume 141, Number 1, 2007.
Schruers, Fred. “Jack Nicholson: The Badass Hollywood Star.” Rolling Stone, Issue 782 (March 19, 1998).
Silverman, Ethan. “Harvey Keitel.” Bomb. Issue 33 (Fall 1990).
Smith, Gavin. “Of Metaphors and Purpose.” Film Comment. (May/June 1999).
Tate, James M. “The Nurse and Beyond: An Interview with Louise Fletcher.” Cult Film Freak. http://www.cultfilmfreaks.com/2012/12/louisefletcher.html. (December 3, 2012).
TCM. “Motorcycle Gangs, Hippies and Stunt Men: An Interview with Richard Rush.” Movie Morlocks.com. http://moviemorlocks.com/2010/04/17/motorcycle-gangs-hippies-and-stunt-men-an-interview-with-richard-rush/. (April 17, 2010).
Thrift, Matthew. “Interview: Monte Hellman.” Cinephile. http://www.cinephile-uk.com/2011/05/monte-hellman-is-nothing-short-of_2049.html. (May 9, 2011).
Toussaint, David. “The Color of Hollywood: Karen Black’s History of Might.” New York Guyd. http://www.guyspy.com/the-color-of-hollywood-karen-blacks-history-of-might/. (April 19, 2012).
Tweedle, Sam. “Pop Culture Renaissance Man: A Conversation with Brett Halsey.” Confessions of a Pop Culture Addict. http://popcultureaddict.com/interviews/bretthalsey/. (April 2010).
Walker, Beverly. “Interview: Jack Nicholson.” Film Comment (May/June 1985).
White, Mike. “Monte Hellman: An Interview.” Cashiers du Cinemart. Michigan: Issue 7, Article 122.
Annotated Scripts, Personal Letters, Private Papers
Corey, Jeff. The Jeff Corey Collection. The Thompson Library Special Collection. The Jerome Lawrence and Robert E. Lee Theatre Research Institute of The Ohio State University Libraries.
Joyce, Adrien, and Bob Rafelson. Five Easy Pieces. Los Angeles: BBS Productions, 1969. Original script with excised content, annotated by actress Karen Black, formally in the author’s personal collection.
Shaner, John, and Al Ramus. The Conjugal Rights of Henry Moon. Los Angeles: Paramount Pictures. Original early script for Goin’ South, annotated by co-producer Harry Gittes. Undated. Anonymous private collection.
List of Names and Terms
About Schmidt (2002)
Academy Award (Oscar)
acting class
actor as auteur, application of theory
Actors Studio
advertising, disdain for
Allen, Nancy
Almendros, Néstor
Anders, Luana
The Andy Griffith Show (1966, 1967)
Anger Management (2003)
Ann-Margret
antihero, character exhibiting alienation
Antonioni, Michelangelo
appearance, lack of concern
As Good as It Gets (1997)
Ashby, Hal
Babenco, Hector
Back Door to Hell (1964)
Bakalyan, Dick
Baker, Carroll
Barger, Sonny
Barkin, Ellen
Batman (1989)
Bean, Alan
Beatty, Warren
Begley, Adam
Begley, Ed, Jr.
Bergen, Candice
Bernstein, Carl
Berryman, Michael
biker exploitation, experience in film genre
Bingham, Dennis
Black, Karen
black box, symbolism of being trapped inside
Blake, Robert
Blood and Wine (1996)
Boeri, David
The Border (1982)
Brando, Marlon
breakthrough, struggle in achieving
Brechtian performance style
Bressler, Sandy
Broadcast News (1987)
The Broken Land (1962)
Brooks, Dr. Dean
Brooks, James L.
The Bucket List (2007)
Bulger, James “Whitey”
Burton, Tim
“business,” physical acting device
Butler, Bill
Cagney, James
Caine, Michael
camera awareness, artful use of
Cannon, Dr. Brooke
Carnal Knowledge (1971)
Cartwright, Veronica
Channing, Stockard
character energy
Cher
Chinatown (1974)
A Clockwork Orange (film)
Cohen, Martin B.
Collins, Michael
consumerism, thematic targeting
Corey, Jeff (Jeff Corey Collection)
Corman, Roger
counterculture, themes of
courage, fearlessness as actor
Court, Hazel
Crosse, Rupert
The Crossing Guard (1995)
Cruise, Tom
The Cry Bab
y Killer (1958)
Daniels, Jeff
Davis, Hope
DeNiro, Robert
Dennen, Barry
The Departed (2006)
Dern, Bruce
DeVito, Danny
dialogue, expressive delivery
diCaprio, Leonardo
direction, aspiration
Dix, Robert
Dolenz, Micky
Douglas, Michael
Dourif, Brad
Drive, He Said (1971)
drug use, depiction as cultural subject
Dunaway, Faye
Duvall, Shelley
Eastman, Carole (Joyce, Adrian)
Easy Rider (1969)
editing proficiency
Ensign Pulver (1964)
Ephron, Nora
Evans, Robert
The Evening Star (1996)
eyes, expressive use
fatalism, bleak outlook as theme
Feiffer, Jules
A Few Good Men (1992)
Five Easy Pieces (1970)
Fletcher, Louise
Flight to Fury (1964)
Fonda, Peter
Forman, Milos
The Fortune (1975)
Freeman, Morgan
Garfunkel, Art
Garr, Teri
Gittes, Harold
Goin’ South (1978)
Gorshin, Frank
Grant, Cary
Hackett, John
Haze, Jonathan
Head (1968)
Heartburn (1986)
Hellman, Monte
Hells Angels on Wheels (1967)
hero, portrayal of characters
Hill, Jack
Hoffa (1992)
Hoffa, James R. (“Jimmy”)
Hong, James
Hopper, Dennis
How Do You Know (2010)
Hunt, Helen
Hurt, William
Huston, Anjelica
Huston, John
improvisation, use of ad lib method
Ironweed (1987)
It’s a Wonderful Life (film)
“Jacksplosion(s)”
Jaglom, Henry
juvenile delinquent, characters portrayed
juxtaposition, device employed
Karloff, Boris
Kaufman, Richard
Kazan, Elia
Keaton, Diane
Keitel, Harvey
Kent, Gary
Kesey, Ken
The King of Marvin Gardens (1972)
Kinnear, Greg
Knight, Christopher
Knight, Sandra
Knight, Shirley
Kovács, László (Leslie)
Kreuger, Miles
Kubrick, Stanley
Ladd, Diane
Landau, Martin
Lange, Jessica
Larner, Jeremy
The Last Detail (1973)
The Last Tycoon (1976)
The Little Shop of Horrors (1960)
Lloyd, Christopher
Lloyd, Danny
Lloyd, Kathleen
Lorre, Peter
love for movie business, acting
MacLaine, Shirley
“Maid in the Ozarks”
Mamet, David
Man Trouble (1992)
Manasquan, New Jersey
Margotta, Michael
Mars Attacks! (1996)
McGilligan, Patrick
mental illness, characters with
Merholz, B.J.
Method acting, employment of theory
Meyers, Nancy
Miller, Dick
Miller, George
Minnelli, Vincente
The Missouri Breaks (1976)
Mitchell, Cameron
Mitchum, Robert
The Monkees
Moreno, Rita
Neill, Ve
Nelson, Ed
Nesmith, Michael
Nichols, Mike
Nicholson, Jack
Nixon, Richard M.
nudity (male)
Nykvist, Sven
Oates, Warren
On a Clear Day You Can See Forever (1970)
One Flew Over the Cuckoo’s Nest (1975)
orange, symbol utilized
overaction, criticism as over-the-top
The Passenger (1975)
Payne, Alexander
Peet, Amanda
Penn, Arthur
Penn, Robin Wright
Penn, Sean
Perkins, Millie
Pfeiffer, Michelle
physicality, body as instrument of nonverbal language
The Pledge (2001)
Polanski, Roman
The Postman Always Rings Twice (1981)
preparation and research, dedication toward
Price, Vincent
Prizzi’s Honor (1985)
production, role in
Psych-Out (1968)
Quaid, Randy
Rafelson, Bob
The Raven (1963)
Rebel Rousers (1970)
Reds (1981)
Reeves, Keanu
Reiner, Rob
Richardson, Tony
Ride in the Whirlwind (1966)
Roarke, Adam
Rodgers, Jimmie
Roos, Fred
Ross, Marion
Ross, Scott
Rush, Richard
Russell, Ken
Ryan, John P.
Sachse, Salli
A Safe Place (1971)
The St. Valentine’s Day Massacre (1967)
Sandler, Adam
Sandoval, Andrew
Sarandon, Susan
Scharf, Sabrina
Schneider, Maria
Schumer, Arlen
Schweickart, Rusty
Scorsese, Martin
screenwriting
Segal, Peter
sexual liberation, depiction
The Shining (1980)
The Shooting (1966)
Small, Mews
social commentary, message conveyed
Something’s Gotta Give (2003)
Spader, James
Spain, Faye
Stanton, Harry Dean
Steenburgen, Mary
Stockwell, Dean
Strasberg, Susan
Streep, Meryl
Streisand, Barbra
Struthers, Sally
Studs Lonigan (1960)
Summer, Dick
television, antipathy toward
Tepper, William
Terms of Endearment (1983)
The Terror (1963)
Thunder Island (1963)
Tommy (1975)
Too Soon to Love (1960)
Tork, Peter
Touch of Evil (film)
Towne, Robert
The Trip (1967)
Turkel, Joseph
Turner, Kathleen
The Two Jakes (1990)
underplay, aptitude for nuance
Updike, John
video playback and monitor, use of in directing
Vietnam War
villain, villainous character
Waits, Tom
Walter, Tracey
wardrobe and costume, importance of
Weld, Tuesday
Welles, Orson
West, Adam
Wexler, Haskell
The Wild Ride (1960)
The Witches of Eastwick (1987)
Wolf (1994)
Worden, Al
Wyle, Noah
“yes” and “no,” care employed in vocalizing
Young, Otis
Zsigmond, Vilmos
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