by Jules Verne
There was no man in Geneva to compare in interest with this Zacharius. His age was past finding out. Not the oldest inhabitant of the town could tell for how long his thin, pointed head had shaken above his shoulders, nor the day when, for the first time, he had-walked through the streets, with his long white locks floating in the wind. The man did not live; he vibrated like the pendulum of his clocks. His spare and cadaverous figure was always clothed in dark colours. Like the pictures of Leonardo di Vinci, he was sketched in black.
Gerande had the pleasantest room in the whole house, whence, through a narrow window, she had the inspiriting view of the snowy peaks of Jura; but the bedroom and workshop of the old man were a kind of cavern close on to the water, the floor of which rested on the piles.
From time immemorial Master Zacharius had never come out except at meal times, and when he went to regulate the different clocks of the town. He passed the rest of his time at his bench, which was covered with numerous clockwork instruments, most of which he had invented himself. For he was a clever man; his works were valued in all France and Germany. The best workers in Geneva readily recognized his superiority, and showed that he was an honour to the town, by saying, "To him belongs the glory of having invented the escapement." In fact, the birth of true clock-work dates from the invention which the talents of Zacharius had discovered not many years before.
After he had worked hard for a long time, Zacharius would slowly put his tools away, cover up the delicate pieces that he had been adjusting with glasses, and stop the active wheel of his lathe; then he would raise a trap-door constructed in the floor of his workshop, and, stooping down, used to inhale for hours together the thick vapours of the Rhone, as it dashed along under his eyes.
[Illustration: he would raise the trap door constructed in the floor of his workshop.]
One winter's night the old servant Scholastique served the supper, which, according to old custom, she and the young mechanic shared with their master. Master Zacharius did not eat, though the food carefully prepared for him was offered him in a handsome blue and white dish. He scarcely answered the sweet words of Gerande, who evidently noticed her father's silence, and even the clatter of Scholastique herself no more struck his ear than the roar of the river, to which he paid no attention.
After the silent meal, the old clockmaker left the table without embracing his daughter, or saying his usual "Good-night" to all. He left by the narrow door leading to his den, and the staircase groaned under his heavy footsteps as he went down.
Gerande, Aubert, and Scholastique sat for some minutes without speaking. On this evening the weather was dull; the clouds dragged heavily on the Alps, and threatened rain; the severe climate of Switzerland made one feel sad, while the south wind swept round the house, and whistled ominously.
"My dear young lady," said Scholastique, at last, "do you know that our master has been out of sorts for several days? Holy Virgin! I know he has had no appetite, because his words stick in his inside, and it would take a very clever devil to drag even one out of him."
"My father has some secret cause of trouble, that I cannot even guess," replied Gerande, as a sad anxiety spread over her face.
"Mademoiselle, don't let such sadness fill your heart. You know the strange habits of Master Zacharius. Who can read his secret thoughts in his face? No doubt some fatigue has overcome him, but to-morrow he will have forgotten it, and be very sorry to have given his daughter pain."
It was Aubert who spoke thus, looking into Gerande's lovely eyes. Aubert was the first apprentice whom Master Zacharius had ever admitted to the intimacy of his labours, for he appreciated his intelligence, discretion, and goodness of heart; and this young man had attached himself to Gerande with the earnest devotion natural to a noble nature.
Gerande was eighteen years of age. Her oval face recalled that of the artless Madonnas whom veneration still displays at the street corners of the antique towns of Brittany. Her eyes betrayed an infinite simplicity. One would love her as the sweetest realization of a poet's dream. Her apparel was of modest colours, and the white linen which was folded about her shoulders had the tint and perfume peculiar to the linen of the church. She led a mystical existence in Geneva, which had not as yet been delivered over to the dryness of Calvinism.
While, night and morning, she read her Latin prayers in her iron-clasped missal, Gerande had also discovered a hidden sentiment in Aubert Thun's heart, and comprehended what a profound devotion the young workman had for her. Indeed, the whole world in his eyes was condensed into this old clockmaker's house, and he passed all his time near the young girl, when he left her father's workshop, after his work was over.
Old Scholastique saw all this, but said nothing. Her loquacity exhausted itself in preference on the evils of the times, and the little worries of the household. Nobody tried to stop its course. It was with her as with the musical snuff-boxes which they made at Geneva; once wound up, you must break them before you will prevent their playing all their airs through.
Finding Gerande absorbed in a melancholy silence, Scholastique left her old wooden chair, fixed a taper on the end of a candlestick, lit it, and placed it near a small waxen Virgin, sheltered in her niche of stone. It was the family custom to kneel before this protecting Madonna of the domestic hearth, and to beg her kindly watchfulness during the coming night; but on this evening Gerande remained silent in her seat.
"Well, well, dear demoiselle," said the astonished Scholastique, "supper is over, and it is time to go to bed. Why do you tire your eyes by sitting up late? Ah, Holy Virgin! It's much better to sleep, and to get a little comfort from happy dreams! In these detestable times in which we live, who can promise herself a fortunate day?"
"Ought we not to send for a doctor for my father?" asked Gerande.
"A doctor!" cried the old domestic. "Has Master Zacharius ever listened to their fancies and pompous sayings? He might accept medicines for the watches, but not for the body!"
"What shall we do?" murmured Gerande. "Has he gone to work, or to rest?"
"Gerande," answered Aubert softly, "some mental trouble annoys your father, that is all."
"Do you know what it is, Aubert?"
"Perhaps, Gerande"
"Tell us, then," cried Scholastique eagerly, economically extinguishing her taper.
"For several days, Gerande," said the young apprentice, "something absolutely incomprehensible has been going on. All the watches which your father has made and sold for some years have suddenly stopped. Very many of them have been brought back to him. He has carefully taken them to pieces; the springs were in good condition, and the wheels well set. He has put them together yet more carefully; but, despite his skill, they will not go."
"The devil's in it!" cried Scholastique.
"Why say you so?" asked Gerande. "It seems very natural to me. Nothing lasts for ever in this world. The infinite cannot be fashioned by the hands of men."
"It is none the less true," returned Aubert, "that there is in this something very mysterious and extraordinary. I have myself been helping Master Zacharius to search for the cause of this derangement of his watches; but I have not been able to find it, and more than once I have let my tools fall from my hands in despair."
"But why undertake so vain a task?" resumed Scholastique. "Is it natural that a little copper instrument should go of itself, and mark the hours? We ought to have kept to the sun-dial!"
"You will not talk thus, Scholastique," said Aubert, "when you learn that the sun-dial was invented by Cain.''
"Good heavens! what are you telling me?"
"Do you think," asked Gerande simply, "that we might pray to God to give life to my father's watches?"
"Without doubt," replied Aubert.
"Good! They will be useless prayers," muttered the old servant, "but Heaven will pardon them for their good intent."
The taper was relighted. Scholastique, Gerande, and Aubert knelt down together upon the tiles of the room. The young girl prayed for
her mother's soul, for a blessing for the night, for travellers and prisoners, for the good and the wicked, and more earnestly than all for the unknown misfortunes of her father.
[Illustration: The young girl prayed]
Then the three devout souls rose with some confidence in their hearts, because they had laid their sorrow on the bosom of God.
Aubert repaired to his own room; Gerande sat pensively by the window, whilst the last lights were disappearing from the city streets; and Scholastique, having poured a little water on the flickering embers, and shut the two enormous bolts on the door, threw herself upon her bed, where she was soon dreaming that she was dying of fright.
Meanwhile the terrors of this winter's night had increased. Sometimes, with the whirlpools of the river, the wind engulfed itself among the piles, and the whole house shivered and shook; but the young girl, absorbed in her sadness, thought only of her father. After hearing what Aubert told her, the malady of Master Zacharius took fantastic proportions in her mind; and it seemed to her as if his existence, so dear to her, having become purely mechanical, no longer moved on its worn-out pivots without effort.
Suddenly the pent-house shutter, shaken by the squall, struck against the window of the room. Gerande shuddered and started up without understanding the cause of the noise which thus disturbed her reverie. When she became a little calmer she opened the sash. The clouds had burst, and a torrent-like rain pattered on the surrounding roofs. The young girl leaned out of the window to draw to the shutter shaken by the wind, but she feared to do so. It seemed to her that the rain and the river, confounding their tumultuous waters, were submerging the frail house, the planks of which creaked in every direction. She would have flown from her chamber, but she saw below the flickering of a light which appeared to come from Master Zacharius's retreat, and in one of those momentary calms during which the elements keep a sudden silence, her ear caught plaintive sounds. She tried to shut her window, but could not. The wind violently repelled her, like a thief who was breaking into a dwelling.
Gerande thought she would go mad with terror. What was her father doing? She opened the door, and it escaped from her hands, and slammed loudly with the force of the tempest. Gerande then found herself in the dark supper-room, succeeded in gaining, on tiptoe, the staircase which led to her father's shop, and pale and fainting, glided down.
The old watchmaker was upright in the middle of the room, which resounded with the roaring of the river. His bristling hair gave him a sinister aspect. He was talking and gesticulating, without seeing or hearing anything. Gerande stood still on the threshold.
"It is death!" said Master Zacharius, in a hollow voice; "it is death! Why should I live longer, now that I have dispersed my existence over the earth? For I, Master, Zacharius, am really the creator of all the watches that I have fashioned! It is a part of my very soul that I have shut up in each of these cases of iron, silver, or gold! Every time that one of these accursed watches stops, I feel my heart cease beating, for I have regulated them with its pulsations!"
As he spoke in this strange way, the old man cast his eyes on his bench. There lay all the pieces of a watch that he had carefully taken apart. He took up a sort of hollow cylinder, called a barrel, in which the spring is enclosed, and removed the steel spiral, but instead of relaxing itself, according to the laws of its elasticity, it remained coiled on itself like a sleeping viper. It seemed knotted, like impotent old men whose blood has long been congealed. Master Zacharius vainly essayed to uncoil it with his thin fingers, the outlines of which were exaggerated on the wall; but he tried in vain, and soon, with a terrible cry of anguish and rage, he threw it through the trap-door into the boiling Rhone.
Gerande, her feet riveted to the floor, stood breathless and motionless. She wished to approach her father, but could not. Giddy hallucinations took possession of her. Suddenly she heard, in the shade, a voice murmur in her ears,--
"Gerande, dear Gerande! grief still keeps you awake. Go in again, I beg of you; the night is cold."
"Aubert!" whispered the young girl. "You!"
"Ought I not to be troubled by what troubles you?"
These soft words sent the blood back into the young girl's heart. She leaned on Aubert's arm, and said to him,--
"My father is very ill, Aubert! You alone can cure him, for this disorder of the mind would not yield to his daughter's consolings. His mind is attacked by a very natural delusion, and in working with him, repairing the watches, you will bring him back to reason. Aubert," she continued, "it is not true, is it, that his life is mixed up with that of his watches?"
Aubert did not reply.
"But is my father's a trade condemned by God?" asked Gerande, trembling.
"I know not," returned the apprentice, warming the cold hands of the girl with his own. "But go back to your room, my poor Gerande, and with sleep recover hope!"
Gerande slowly returned to her chamber, and remained there till daylight, without sleep closing her eyelids. Meanwhile, Master Zacharius, always mute and motionless, gazed at the river as it rolled turbulently at his feet.
CHAPTER II.
THE PRIDE OF SCIENCE.
The severity of the Geneva merchant in business matters has become proverbial. He is rigidly honourable, and excessively just. What must, then, have been the shame of Master Zacharius, when he saw these watches, which he had so carefully constructed, returning to him from every direction?
It was certain that these watches had suddenly stopped, and without any apparent reason. The wheels were in a good condition and firmly fixed, but the springs had lost all elasticity. Vainly did the watchmaker try to replace them; the wheels remained motionless. These unaccountable derangements were greatly to the old man's discredit. His noble inventions had many times brought upon him suspicions of sorcery, which now seemed confirmed. These rumours reached Gerande, and she often trembled for her father, when she saw malicious glances directed towards him.
Yet on the morning after this night of anguish, Master Zacharius seemed to resume work with some confidence. The morning sun inspired him with some courage. Aubert hastened to join him in the shop, and received an affable "Good-day."
"I am better," said the old man. "I don't know what strange pains in the head attacked me yesterday, but the sun has quite chased them away, with the clouds of the night."
"In faith, master," returned Aubert, "I don't like the night for either of us!"
"And thou art right, Aubert. If you ever become a great man, you will understand that day is as necessary to you as food. A great savant should be always ready to receive the homage of his fellow-men."
"Master, it seems to me that the pride of science has possessed you."
"Pride, Aubert! Destroy my past, annihilate my present, dissipate my future, and then it will be permitted to me to live in obscurity! Poor boy, who comprehends not the sublime things to which my art is wholly devoted! Art thou not but a tool in my hands?"
"Yet. Master Zacharius," resumed Aubert, "I have more than once merited your praise for the manner in which I adjusted the most delicate parts of your watches and clocks."
"No doubt, Aubert; thou art a good workman, such as I love; but when thou workest, thou thinkest thou hast in thy hands but copper, silver, gold; thou dost not perceive these metals, which my genius animates, palpitating like living flesh! So that thou wilt not die, with the death of thy works!"
Master Zacharius remained silent after these words; but Aubert essayed to keep up the conversation.
"Indeed, master," said he, "I love to see you work so unceasingly! You will be ready for the festival of our corporation, for I see that the work on this crystal watch is going forward famously."
"No doubt, Aubert," cried the old watchmaker, "and it will be no slight honour for me to have been able to cut and shape the crystal to the durability of a diamond! Ah, Louis Berghem did well to perfect the art of diamond-cutting, which has enabled me to polish and pierce the hardest stones!"
Master Zac
harius was holding several small watch pieces of cut crystal, and of exquisite workmanship. The wheels, pivots, and case of the watch were of the same material, and he had employed remarkable skill in this very difficult task.
"Would it not be fine," said he, his face flushing, "to see this watch palpitating beneath its transparent envelope, and to be able to count the beatings of its heart?"
"I will wager, sir," replied the young apprentice, "that it will not vary a second in a year."
"And you would wager on a certainty! Have I not imparted to it all that is purest of myself? And does my heart vary? My heart, I say?"
Aubert did not dare to lift his eyes to his master's face.
"Tell me frankly," said the old man sadly. "Have you never taken me for a madman? Do you not think me sometimes subject to dangerous folly? Yes; is it not so? In my daughter's eyes and yours, I have often read my condemnation. Oh!" he cried, as if in pain, "to be misunderstood by those whom one most loves in the world! But I will prove victoriously to thee, Aubert, that I am right! Do not shake thy head, for thou wilt be astounded. The day on which thou understandest how to listen to and comprehend me, thou wilt see that I have discovered the secrets of existence, the secrets of the mysterious union of the soul with the body!"
[Illustration: "Thou wilt see that I have discovered the secrets of existence."]
As he spoke thus, Master Zacharius appeared superb in his vanity. His eyes glittered with a supernatural fire, and his pride illumined every feature. And truly, if ever vanity was excusable, it was that of Master Zacharius!
The watchmaking art, indeed, down to his time, had remained almost in its infancy. From the day when Plato, four centuries before the Christian era, invented the night watch, a sort of clepsydra which indicated the hours of the night by the sound and playing of a flute, the science had continued nearly stationary. The masters paid more attention to the arts than to mechanics, and it was the period of beautiful watches of iron, copper, wood, silver, which were richly engraved, like one of Cellini's ewers. They made a masterpiece of chasing, which measured time imperfectly, but was still a masterpiece. When the artist's imagination was not directed to the perfection of modelling, it set to work to create clocks with moving figures and melodious sounds, whose appearance took all attention. Besides, who troubled himself, in those days, with regulating the advance of time? The delays of the law were not as yet invented; the physical and astronomical sciences had not as yet established their calculations on scrupulously exact measurements; there were neither establishments which were shut at a given hour, nor trains which departed at a precise moment. In the evening the curfew bell sounded; and at night the hours were cried amid the universal silence. Certainly people did not live so long, if existence is measured by the amount of business done; but they lived better. The mind was enriched with the noble sentiments born of the contemplation of chefs-d'oeuvré. They built a church in two centuries, a painter painted but few pictures in the course of his life, a poet only composed one great work; but these were so many masterpieces for after-ages to appreciate.
