Table of Contents
Excerpt
Ocean Park
Copyright
Dedication
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Chapter 39
Chapter 40
Chapter 41
Chapter 42
Chapter 43
Chapter 44
Chapter 45
Chapter 46
A word about the author…
Thank you for purchasing this publication of The Wild Rose Press, Inc.
“The church is closing, you know.
Heartbreaking for the parishioners, what’s left of them anyway. Cardinal’s trying to convince us to combine with St. Margaret’s over on the west side. Never happen.”
She turned to the altar, aimed quickly, and snapped a single picture.
“I heard.”
“We’re hoping the Archdiocese reconsiders, what with the history and beauty you’ve just seen. I hope you include that in your story. Subtly, of course. No quotes or anything.”
“Which one’s the Madonna?”
He bowed his head, raised an arm weakly, and started toward the side altar. She passed him and stopped. He caught up.
“Would you like to light a candle, Ms. Feldman?”
She stared down at the bank of votive glasses, most of them empty, glass blackened, burnt wicks lying on the bottom. Two contained lit candles, one flickering, threatened by the liquid pool of wax it created. She drew a long taper from a holder, caught flame from the weak candle, and lit a fresh one.
He searched his pocket for change and found none. He placed his empty closed fist on the coin slot of the offertory can and shook the whole thing. The change inside rattled.
“Father, tell me about the miracle.”
“Pardon?”
She looked up at the statue. “When Victor Rodriguez’s body was found, the statue was crying.”
“Who told you that, Ms. Feldman?”
“I heard the tears were red, like blood.”
Ocean Park
by
Michael Walsh
The Ocean Park Series
This is a work of fiction. Names, characters, places, and incidents are either the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons living or dead, business establishments, events, or locales, is entirely coincidental.
Ocean Park
COPYRIGHT © 2015 by Michael Walsh
All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission of the author or The Wild Rose Press, Inc. except in the case of brief quotations embodied in critical articles or reviews.
Contact Information: [email protected]
Cover Art by Diana Carlile
The Wild Rose Press, Inc.
PO Box 708
Adams Basin, NY 14410-0708
Visit us at www.thewildrosepress.com
Publishing History
First Mainstream Mystery Edition, 2015
Print ISBN 978-1-5092-0364-2
Digital ISBN 978-1-5092-0365-9
The Ocean Park Series
Published in the United States of America
Dedication
To Jean,
love of my life
Chapter 1
Another corpse had been discovered in the Church of St. Ambrose, the second in a month.
Detective Matt Conley snapped the collar of his leather jacket up against the wind, exhaled a frosty breath, and heaved the oak door open on the church’s vestibule. Tonight it was as dark as a confessional.
“This ain’t right,” Eddie Jackson said, stepping in behind him and rubbing his palms together as if preparing to pray. “Church ain’t a place for dead people, and on a Sunday no less.”
“Really? What about funerals, Eddie? Been a couple of those in the hundred years of St. Amby’s.”
Jackson rested his head against the wall and folded his arms. Two lumps under his parka suggested breasts, but Conley knew the left bulge was a service revolver, the right one a pint of wine or Jim Beam. The choice depended on whether it had been a bad day or a real bad day for his partner.
Conley yanked the interior door open on the old church. Dusty yellow street light drifted in through the Stations of the Cross in the stained glass windows, past Jesus carrying his cross, past Mary, Simon of Cyrene, and the centurion. Light barely reached the wooden pews, their armrests and tops curled like dark waves rippling away from the altar. The altar was pitch dark, but the curved ceiling was discernible—painted clouds, blue skies, and saints in flowing robes.
A click sounded behind him. The narrow beam of a flashlight swept the pews.
“Smell him?” Jackson asked, waving the light too fast to distinguish anything. “Smells like fresh hamburger. No mistaking that stink. We ought to fine the priest, you know. Second time this month a homeless bum croaked in here. Unsafe as hell. Priest gotta lock the damn door.”
“So the homeless can die safely in the gutter, right?”
Jackson grabbed his arm. “Don’t need your fucking wisecracks. Keep it up and I’ll get you transferred to Vice. How’d you like to round up fags in the bus station shithouse?” he snarled, his face inches away.
Sweet, candied breath told Conley this was a Jim Beam night. He shrugged off the hand and continued forward.
Jackson was an ugly drunk. He’d gotten the two of them in scrapes more than once, fights Conley always had to finish alone. The only fighting Eddie ever did was for a bartender’s attention.
Jackson snorted, walked to the other side to search, and called over his shoulder, the cavernous building amplifying his voice just as it was designed to do. “Doesn’t matter, Matt. They’re closing this place in four months anyway. By May it’ll be a roller rink or a nightclub. Maybe they’ll hire me as a bouncer when I retire.”
I can hardly wait.
The unheated church felt colder than outside. Its stillness captured the New England winter bite and held it with marble and thick wood and dark walls. Conley walked the main aisle slowly so his eyes could adjust, and touched the top of each bench, wood worn smooth by the countless touches of Ocean Park Catholics, people who found solace in fairy tales.
He’d been one of them—once.
Jackson’s noisy shuffle stopped and his flashlight clicked off. A bottle cap rasped as it was unscrewed. A pause, a contented sigh, another rasp. The light clicked back on and washed aimlessly around the quiet church.
Conley was halfway to the altar now, parallel with the window of Christ receiving his crown of thorns. He had enough night vision to see the rail guarding the altar, enough to see a dark form in the first row, right next to the aisle. An important seat, that one—sometimes functional, sometimes ceremonial. Funeral directors c
ommanded it, along with fathers of the bride and generous, self-important parishioners who must have slept through the gospel on humility.
He slowed. His partner approached from the other side of the church and settled his light on the dark hulk.
They each stopped at the end of the aisle and waited a beat as if doing the step-pause procession wedding parties were taught. Conley walked wide until he touched the red leather top of the wrought iron altar rail where St. Ambrose’s faithful had knelt together for a hundred years, elbows planted in the plush cover, chins thrust forward for communion.
Jackson’s unsteady flashlight flickered on the sitting body. Conley saw mostly darkness, a head, and an outline of formidable shoulders and chest. He reached the middle of the rail. Felt the latch to the gate that opened only for processions and spring cleaning. Waited for his partner to catch up.
Jackson shone his light on the person in the seat of honor. The body’s head was canted back way too far, resting on the seatback because the neck had been carved open in a wide smile of gaping pink flesh that looked like toothless gums. Blood painted the front of a white shirt in a jagged semicircle, darkened a red-and-white striped tie, and made a black vest glisten.
Conley approached the body, right hand up to signal “don’t move,” an unnecessary gesture. Jackson was drunk, swaying like an Easter palm, his wrinkled eyes drawn to reptilian slits. Pasty jowls and a high forehead comb-over shone pale in the spill of flashlight.
A crash rang out to the left, echoing rolling thunder around the church. Jackson dropped his light and it clanged, shut off, and clattered away on the worn tiles.
“Gun!” Jackson cried as he ran the zipper on his jacket, and the sound of his pint bottle breaking on the floor followed the word like an added exclamation point.
“No! Eddie!”
Jackson answered with a bullet. A buzz whistled close to Conley’s right ear. He dropped to the floor and rolled to the benches as breaking plaster pinged and metal clinked sharply.
“Eddie!” The sudden call brought more bullets—one into a window this time, more burying into plaster and lathe, another digging into wood with a sharp thwack.
Lights flicked on in the rectory next door. Conley knew Father McCarrick heard the gunfire, but hoped he’d call for help instead of entering the church.
Conley waited and listened. He knew the sacristies, and unless it had been the priest’s or the altar boys’ quarters that the intruder had entered, unbolting the heavily locked exit doors would be no easy task in the dark. Chances were he came in through St. Ambrose’s front door and would have to leave that way.
But the intruder wasn’t the immediate problem. Conley needed to take his partner’s firearm away because every bullet Jackson fired increased Conley’s chance of becoming the newest dead body in St. Amby’s.
Sirens in the distance. He crab-walked behind Jackson, stood, and grasped his forearm. Jackson fought back weakly, free hand clawing. A sharp bam sounded, a bullet twanged, and the ceiling sky crunched. Conley took the gun, shoved Jackson to the floor harder than he should have, and moved toward the altar. The church was quiet save for his partner’s muffled wheeze—until the hinges on the sacristy door squealed slowly. Steps tapped lightly and stopped at the side altar.
Conley called dispatch as he moved and requested backup in a whisper, knew he should wait for help, also knew he couldn’t let the suspect leave. He shuffled toward the sound, kicked the lost flashlight, snatched it as it rolled. He rounded the pews in a crouch, gun pointing, and approached the side altar, which was as dark as the inside of the tabernacle it housed.
He pointed the flashlight. The big candleholder lay flat on the floor, tall white candles broken and scattered on the marble. A child crouched behind it, her long dark hair and black clothes a stark contrast to the bone-white foundation of the Madonna statue. The girl was olive-skinned and refugee thin, with Asian eyes that tracked him like a cornered cat’s. She huddled closer to the stone base, a shivering creature curled into a question mark.
He fit the gun in the back of his waistband, laid the flashlight on the floor, and removed his jacket. She shrank farther away, pulling her high-topped sneakers under her. The flashlight lit the statue of St. Mary in flowing pastel robes—robin egg blue and flamingo pink, the nuns had always said—the life-size figurine that the little girls of St. Ambrose climbed wooden ladders to crown every May.
“It’s okay,” he said, opening his jacket. “Come.”
The church’s front doors opened. More flashlights. More voices.
“It’s all right,” he said to the girl. A drip splattered his bare forearm.
Jackson had composed himself and was standing at the entrance, calling orders to patrolmen. Doors banged. Men shouted.
Another drip made him look at the Madonna. Red tears ran from her pale doll eyes and sluiced between her plump plaster cheeks and noble nose like a grieving widow’s mascara.
No way.
The girl uncurled and shuffled to him. He wrapped her in his jacket, felt her warmth. The patrolmen were close now, and Father’s voice called a timid “Hello” from the sacristy. St. Ambrose’s lights came on, illuminating the crying Madonna, and dragging Conley into yesterday.
The choir organ bursts into song. Mrs. Kelly reads sheet music through butterfly glasses, a dozen shrill voices fluttering behind her. Young Father McCarrick climbs to the pulpit. St. Ambrose’s parishioners mumble “Peace be with you,” and minutes later do battle on the church steps when Mass is over, hurl accusations, and sow the seeds of hatred that will last years, all over a piece of plaster.
He looked at the statue and shook his head.
“Not again,” he whispered.
Chapter 2
The body was removed from the church on a gurney, its wheels clacking and squeaking. Harsh morning sunlight beamed through tall windows and revealed signs of St. Ambrose’s age—yellowed wood, jaundiced marble, floors scuffed to a gritty gray. A forensics team searched the church for evidence. Jackson was explaining the broken bourbon bottle to a state cop, hands gesturing, the sweet smell of spearmint gum flavoring his words.
Conley stood near Father McCarrick and the statue of the Madonna. McCarrick nodded toward the young priest at the altar.
“He’s a twit, that’s who he is.”
“I mean his name, Father. What’s his name?”
Keeping Father McCarrick focused was never easy. His mind wandered, banked and dove like a fighter jet, braked and cornered like a race car.
He sighed. “His name is Father Francesco Spinelli. I call him Frank. He hates that.”
“Why is he here? You never needed help at St. Ambrose.”
“He’s not here to help, Matt. He’s here to harm. Frank is the Archdiocese man those morons in Boston sent to close St. Ambrose.” He made a quick sign of the cross and genuflected. “He’s a bean counter, making an inventory before we lock the doors.”
Father Spinelli found the knuckle Jackson had shot off St. Michael the Archangel and held it to the saint’s hand, inspecting the fit.
“The moneychangers finally made it from the vestibule to the altar,” McCarrick said loud enough for Spinelli to turn and shake his head.
“So who made the call about the body, you or Father Spinelli?”
“I did, Matt. I did, of course. If Frank discovered someone here in the middle of the night, he’d pass the collection basket.”
“But didn’t you see the man was dead?”
“Matt, I just came into the sacristy to change a chasuble and stuck my head out to check the church. Never even put the overhead lights on. When I saw someone sitting in the dark, I called to him and he didn’t answer.”
“But he might have been sleeping.”
“Yes, but last time I tried to wake a homeless person, they were frozen as a fish stick. Fell over on my leg and gave me a nasty bruise.”
“So you called the police.”
Father Spinelli had found the wooden May Crowning lad
der and climbed the main altar to check the plaster behind the statue of St. Joseph. He poked his finger into a bullet hole in the wall.
“Yes, Matt. I called 9-1-1. Asked for you, in fact. St. Ambrose’s needs one of its own sorting out this horrible tragedy. Besides, it was the only way I could think of to get you to visit your church.”
Conley pointed at the Madonna. “What do you make of this, Father? More vandalism?”
McCarrick looked up at a policewoman in a white lab coat brushing particles of the dried tears into a plastic cup.
“Miracles happen every day.”
“It’s not a miracle, Father.”
“You said that awful fast, Matt.”
Father Spinelli’s ladder teetered and he held the statue’s arm for balance.
McCarrick grinned. “Maybe St. Joe will fall on Frank. Another miracle.”
“Father McCarrick,” Spinelli called, voice shaking. “I need some help, please.”
McCarrick cupped his hand next to his mouth and called, “God helps those who help themselves, Frank. I’m surprised you didn’t know that.”
A policeman ran to the altar and steadied the ladder as the young priest descended.
“I’m sure this is vandalism,” Conley said, “just like the time Simon O’Neil painted chicken blood on the statue many years ago. I was young, never knew the whole story. Why’d he do it?”
“Because he’s nuts, Matt. A crazy asshole.” McCarrick stopped and crossed himself again, quick knee to the floor this time—almost to the floor. He sighed before he spoke.
“Simon did it because of me, you could say. When I took over I modernized things—guitars at mass, teenage rec center in the basement, BINGO two nights a week. O’Neil fought me every step of the way, wanted to keep the Church in the Middle Ages. An extremist. He thought he’d recruit St. Mary to his side. Gave her chicken blood tears, can you imagine?”
“What did he think that would accomplish?”
“Said he thought the tears would be a sign the Blessed Mother was saddened by a modern St. Ambrose.” The priest shook his head. “Intimidation and extortion. Terrorism, that’s what it was. Religious terrorism.”
“Do you think he did it again?”
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