‘Well, there it be, Worship. If you can find yourself this Charto-whatever out there, then you knows your way around better than me. And I’ve been running these ugly humped demons out here for two indictions. It’s madness, Worship. I’ve seen it all happen, and it’s madness. Kept me busy, though.’
Constantine looked through the shimmering, late-summer heat that cloaked the Cappadocian valley. Incredible. Of course he had heard of it, but he had imagined a few dozen of these desert dwellers. Incredible. Spread out to the horizon was a land of dull almond and bronze colours, tortured by wind and rain into thousands and thousands of jagged, tooth-like spires, all of relatively uniform height, all crowded in dense, disordered row after row. The landscape in itself was something of a marvel, but what was truly remarkable was that this fantastic expanse of weathered stone was a city. Not a town or a village but a city of homes carved into these cone-shaped limestone spires; it was hard to distinguish a single spire that was not pocked with small square windows and rectangular doors and even large recessed balconies. The rock city crawled with life; brown- and black-cloaked monks scrambled up and down the wooden ladders that led to their perches, and the roads that ran into and around this strange metropolis were crowded with these eremites and their donkeys, laden with sacks of provisions and clay jars of fresh water or wine. Thousands of cooking fires further smudged the hazy atmosphere. Constantine could see a monk beating a rug on one of the balconies. The scene was not of this world.
Constantine tried to compose himself. The heat and dust were suffocating. He would die before he could possibly find one old monk out there. But he could not allow himself that despair. He was a man of ability. And a man of ability would use his superior intellect to conquer this forbidding, holy otherworld. Constantine wiped his drenched face with his dust-soiled veil. The Chartophylax, coming here, would go to a world he knew. Books. Manuscripts. Eremites would not have these things, at least in any abundance. Only a church would. Constantine squinted over the spiky terrain. Certainly some of the larger, more complex porches indicated chapels, but there were bound to be scores, probably even hundreds. ‘My esteemed sir,’ he asked the camel driver, ‘where ,would one find the largest chapel in this district?’
The camel driver spat into the floury dust. ‘There, Worship.’ He pointed to a large conglomeration of blunted cones that seemed much like a ragged, natural version of the piled-up, multiple domes of an Orthodox cathedral. This rock chapel was a good eight stades distant.
‘And where might one find a donkey and some water jugs?’
‘You’re in luck, Worship, as it is my cousin who sells mules to the eremites down there.’
Constantine looked out over the sweltering, tortured city of denial and told himself that the Hand of the Pantocrator was indeed upon this enterprise.
‘I am emphatically certain that his wife’s father had an Armenian on his mother’s side.’ Theophano Attalietes, wife of the Senator and Magister Nicon Attalietes, hefted, with a motion of her left elbow and entire vast bosom, the trail of her jewelled and gold-embroidered scarlet pallium as if the garment were some sort of volume bearing the genealogies of everyone present. She looked imperiously down her fat, painted nose at the almost as grotesquely splendid wife of another Senator. ‘By the Lord’s Hand, woman, he allowed his daughter to marry a merchant. And he has had Venetians at his home!’ As far as Theophano Attalietes was concerned, the matter was settled. She and her gaggle of bejewelled Dhynatoi cronies would not greet Andronicus Diogenes or his wife, despite the fact that Diogenes owned two dozen separate estates in Asia Minor and his father had been a distinguished general under the Bulgar-Slayer.
‘I am faint,’ muttered Theophano, who appeared about as faint as a charging bull. She nudged her companion and nodded towards the gilded presence of Nicephorus Argyrus. Snapping her fingers quickly, she organized her eunuchs and ladies-in-waiting, all of them attired in white silk, into a gleaming mother-of-pearl wall before her, lest the preening merchant attempt to approach her. She could have strangled her husband, Nicci, for having had anything to do with that man, but at least that was over. At least her baby, Ignatius, had not been forced to marry one of the disgusting merchant’s bastard daughters. ‘I am bleeding for our Empire!’ Theophano erupted. ‘Do you see it, or have the demons been sent to test my incomparable piety!’ She nodded her round, adipose head with frantic bobbing motions. ‘The brute! The Tauro-Scythian brute! He is in the costume of a stable boy, and with the Imperial Crest on his breast!’
‘He ... he is ... rather well spoken,’ offered the wife of Senator Scylitzes timidly but nonetheless suicidally. ‘He . . . he did . . . save our Emperor.’ Theophano turned to Madame Scylitzes like an executioner. ‘Woman,’ she intoned in an acid voice, ‘the Emperor’s horse also served him in battle. We do not invite the horse to walk among ladies of ancient and noble lineage, nor do we consider the beast “well spoken” simply because it can stamp its hoof three times when its master utters the word three. I suggest that you endow an icon to the Mother Church, woman, and pray to the Holy Mother to be released from your untoward empathy for savages.’
‘I believe your costume has drawn the ire of Theophano Attalietes,’ said Nicephorus Argyrus to Haraldr; they were close enough to catch a few words of the woman’s exclamations. Haraldr had worn the controversial new men’s fashion to the Empress’s ball, a thigh-length tunic worn with hose. ‘Or perhaps it is merely your fair complexion.’ Argyrus pointed to Theophano among the cluster of tongue-wagging Senatorial wives. ‘Do you realize I could arrange for you to own that fat sow before this evening is over?’
Haraldr laughed. ‘I would sign over to you my entire fortune for the privilege of not owning that.’
Argyrus gestured theatrically at the vast interior court of the Empress’s villa; the colonnaded square was variously filled with set tables, a stage, fountains buried beneath trays of delicacies and silver ewers of wine, and a glittering crowd of hundreds of dignitaries in a display of silks and jewels beside which an Imperial coronation paled. Bonnets and pearl collars framed the beefy jowls of the magnates, and silk parasols held by uniformed eunuchs shielded the painted faces of their ladies from a sun that had already disappeared behind the court’s soaring peristyle. ‘There are more prejudices here than gold earrings,’ Argyrus said. ‘The Dhynatoi of undilute blood - or so they think - look down on the Dhynatoi who have an Armenian or Persian in their history, but then any Dhynatoi from the Eastern themes looks down on the Dhynatoi from the western themes, and all the Dhynatoi look down on a merchant like myself, though I could buy any one of them. Needless to say, you barbaroi do not deserve consideration. Then there are the eunuchs, who think they are quite above everybody except another eunuch who holds a higher office. The priests, meanwhile, look down on the monks, whom they consider unwashed primitives, and the monks look at everyone else as sinful. The civil bureaucrat despises the military man, and of course the military man despises everyone except for the Seljuk warrior, whom he secretly admires. The Hellenes at court consider everyone else untutored louts, and everyone else considers them pompous, heathen windbags. It is a miracle that anyone in Rome talks to anyone else.’ Argyrus looked around and tipped his gold goblet towards the peristyle. ‘A friend of yours has arrived. Someone who really has risen above all this.’
The level of noise was too high to hear the comments Maria inspired, but she clearly created a ripple of sensation in the crowd. Haraldr had wondered what new innovation would distinguish her attire, since her Greek-style costume had already inspired many imitations. This time she wore a dancer’s uniform, except that her short, thigh-length tunic was cut from embroidered white silk and her long underskirt was of sheer chiffon and slit to the waist. The sight of her scarcely veiled legs gave Haraldr a queasy feeling in his stomach. The thought of wanting her that much frightened him.
‘Hetairarch, have you ever considered making a wife of our Helen, our Maria?’ Argyrus eyed Haraldr’s frown warily. �
��I hope I have not presumed on our friendship.’
‘No. I have . . . thought of it.’
Maria wended her way through the crowd, her teeth sparkling at the many compliments and greetings, her blue eyes blazing challenges at the disapproving Dhynatoi matrons. By the time she reached Haraldr, a troupe of young women and their ladies-in-waiting followed behind her, eager to watch the woman their parents so vehemently condemned. Maria greeted Haraldr and Argyrus with impeccable formality, nodding and then introducing her lady-in-waiting. But then she glanced over at Theophano Attalietes and the glaring Senatorial contingent and placed her hand on Haraldr’s arm. ‘I must introduce you to the wife of our foremost Senator,’ she said. ‘And you as well, Nicephorus Argyrus.’
Nothing, not even her fortress of attendants, could save Theophano; Maria’s ceremonial title. Mistress of the Robes, was exceeded only by the dignity of purple-born Augusta, and of course that of Empress. Maria performed the introductions in front of the bosom-heaving, almost apoplectic woman. Theophano was forced by her own rigid sense of etiquette to croak ‘Hetairarch’ and ‘Sir’ at the two subhumans. Satisfied, Maria led Haraldr and Argyrus away. ‘She will suffer the torments of the damned when she sees that you are to be seated to the right of the Empress.’ Haraldr became almost rigid. ‘Of course,’ explained Maria, ‘I am always at the Empress’s left, and you are across from me.’ Haraldr wondered at how small Rome had become.
‘I think the man you want never left Caesarea, my brother,’ said the monk, his eyes reddened and his brow furrowed from the effort of painting deep inside this rock . . . tomb. There was no other word for it, thought Constantine. Yet the raw fervour of this painter’s vision had converted the rock chapel into a primitive paradise where brilliant polychrome apostles hovered in precisely carved niches and gold-haloed Pantocrators looked down from the smooth-surfaced, perfectly contoured apse and dome. The pungency of fresh pigment challenged the omnipresent smell of limestone dust.
Constantine thanked the monk, left him a copper follis from his dwindling supply of coins, and stooped beneath the arched doorway into the fast-approaching, still-searing Cappadocian twilight. Despair had returned. He had already visited half a dozen of the largest chapels, and the suggestion that the Chartophylax had remained at the Bishopric in Caesarea was beginning to have credence, even though Constantine had already ascertained that there was no record of him in the Episcopal files. There was now only one large chapel left that might have any significant documentation. Constantine wearily mounted his wheezing mule.
The treacherous pathways between the cones were now crowded with monks scurrying to reach their sanctuaries before dark. This city of monks had attracted the usual urban vermin; Constantine had seen the secular ‘clergy’ of this place lurking in the shadows or just blithely sleeping in the shade, waiting for the darkness to come so that they could perform their sacraments of assault and thievery. Constantine identified the final chapel, and when he reached the broad base of the spire, he could hear evidence of expansion going on within the cone. He laboriously ascended the wavering wooden ladder - his hands were already blistered - and pulled himself over the lip of the porch. The noise was thunderous and the dust a hot talc thrust up his nostrils. Constantine pulled his veil tight around his nose and mouth and entered the single doorway.
Inside, bare-chested monks were visible through the reddish pall; they pounded iron chisels with heavy mallets like wretches condemned to the inferno. A monk working with a file smoothed the surface of one of a whole row of columns that these men had hewn out of solid rock. The sound of the hammering caused actual physical pain to the ears, and Constantine’s head ached. One of the brothers shouted at him through the din.
‘How can I succour you, brother!’ The monk was as powerful as a wrestler, and sweat yellowed with limestone dust beaded his entire face and beard. He signalled one of the brothers to bring Constantine a drink of water. The monk who brought the clay jug had dark, furious eyes; a strip of cloth was wrapped around the middle of his face, covering the slits where his nose had been. Constantine ignored the fearsome visage and greedily slurped from the noseless man’s wooden ladle.
‘The Lord’s work is unceasing!’ screamed the monk over the unremitting din. ‘I will not close my eyes in sleep, or my eyelids in slumber, until I find a sanctuary for the Lord, a dwelling for the mighty one of Jacob!’ thundered the monk, quoting Psalms.
Constantine had no reason to be encouraged; even the least scholarly monk knew Psalter by heart. He shouted back into the sweat-glistened ear of the monk. ‘I am looking for a Chartophylax, formerly of Prote! He would have come here five, perhaps six years ago.’
There was a flash of recognition in the monk’s eyes. He signalled his brethren to stop hammering. But his words were a disappointment. ‘A Chartophylax of Prote, you say?’ The monk shook his head and wrung the silted sweat out of his beard. Still, Constantine noticed that the other monks seemed to betray some knowledge; the noseless monk’s eyes shifted from Constantine’s scrutinizing gaze. ‘Well, of course, we have archives that go back to the time of Gregory of Nyssa. You are welcome to inspect them.’ He signalled the noseless monk to show Constantine the way.
The noseless monk lit a taper and led Constantine through a narrow series of galleries, then up a carved staircase to a room fairly well illuminated by two small square windows. Constantine sighed; the rock-walled scriptorium, with a single dust-covered writing table - apparently the monks here were more interested in works of stone than works on parchment -was lined with shelves full of dusty sheaves, many bound in ancient wood covers. He would be there late into the night, after an already exhausting day. But something told him that it was important he begin.
‘If he slips,’ said Zoe, leaning forward in her golden throne and pointing to the oil-glazed acrobat performing atop a pole balanced in the middle of the table, ‘then Lady Manganes will have a virtually naked man in her plate.’
‘Yes,’ said Maria. ‘I wonder if she will ask for some garos sauce to be ladled over him.’
Zoe laughed and lifted her fluted, scarlet-tinted wineglass. Haraldr felt both very sorry for her and very devoted to her. The pain of the continued separation from her husband showed in a kind of haunted darkness around her blue eyes; it was clear that she had hoped the Emperor might appear and surprise her. And yet in spite of how cruelly love had treated her, she obviously did not begrudge Maria and Haraldr their long, adoring looks. Instead she had played the gracious messenger of Aphrodite; she even had silenced the voukaloi and organs and made a toast to love, with an obvious inference to the couple sitting next to her.
‘Well,’ said Zoe, her disappointment a thin edge on a voice determined to provide others joy, ‘I have tipped everyone, toasted everyone who deserves to be toasted, sent enough bared acrobats’ breasts and buttocks among them to enact the forty martyrs of Sebaste’ - the martyrs in question had been forced to strip and stand in the snows of Rus until they perished - ‘shown them the latest beasts from the Indus, provided them with unremitting chorales, and have successfully commissioned a mime of the liaison of Ariadne and Theseus so explicit that I believe Lady Attalietes split her scaramangium in a combination of ecstasy and outrage. I believe that I can only exceed myself by ordering our illusionist to begin.’
Maria slid her arms across the table and leaned towards Haraldr. She was slightly taken by the wine but to charming effect. ‘You must tell me what you see,’ she said. ‘Some people will see nothing, some will see different things, many will see the same thing. It is interesting to compare.’
Zoe touched Haraldr’s arm. ‘Think of this as a waking dream. Do not be alarmed. The first time you see it, if you see it, you may think that angels - or demons - have taken hold of you, it is so wondrous.’ She smiled warmly and wistfully at him. Haraldr settled back, tense with anticipation despite the wine. He had considered much he had already seen in Rome magic. Now he would see what the Romans themselves considered magic.
‘Abelas!’ yelled some of the young men and women who apparently had seen the man perform before. Abelas listened for his name and then whirled like a cyclone, and when he was still again, his face was as white as a corpse and streaked with brilliant tendrils of fresh blood that ran down from his thick black hair. ‘Who am I!’ he shrieked, and whirled again. When he faced the audience this time, he was the old workman. He began to shuffle off the stage. Then a burst of light and a flock of white pigeons fluttered above the stage and carried Abelas away, leaving only a mist where he had been. It was incredible; Haraldr could see the birds, a dozen of them at least, transport Abelas over the roof of the villa and off into the night.
Haraldr heard murmuring among the crowd and looked back to the stage. A dwarf in a black robe stood where Abelas had been. ‘Who am I?’ asked the dwarf in a voice identical to Abelas’s. ‘Abelas!’ came the return chorus. The dwarf clapped his stubby hands as if applauding the audience for this feat of identification. ‘Who am I?’ The dwarf flew up into the air, his black robe trailing like a column of smoke, and then the smoke cleared and a woman stood there, naked except for a single leaf over her pubic triangle. The crowd tittered. ‘Who am I?’ asked the woman in Abelas’s voice. ‘Abelas!’ The woman bowed and skipped off the stage; two huge cranes rose up from where she had stood, flapped their wings, and flew off into the night. The crowd applauded wildly.
Byzantium - A Novel Page 65
