by Unknown
"Bless you, beauty! – bless you!"
For six weeks I could discover nothing as to the power of Fledermausse: sometimes I saw her peeling potatoes, sometimes spreading her linen on the balustrade. Sometimes I saw her spin; but she never sang, as old women usually do, their quivering voices going so well with the humming of the spinning-wheel. Silence reigned about her. She had no cat – the favourite company of old maids; not a sparrow ever flew down to her yard, in passing over which the pigeons seemed to hurry their flight. It seemed as if everything were afraid of her look.
The spider alone took pleasure in her society.
I now look back with wonder at my patience during those long hours of observation; nothing escaped my attention, nothing was indifferent to me; at the least sound I lifted my slate. Mine was a boundless curiosity stimulated by an indefinable fear.
Toubec complained.
"What the devil are you doing with your time, Master Christian?" he would say to me. "Formerly, you had something ready for me every week; now, hardly once in a month. Oh, you painters! People may well say, 'Idle as a painter!' As soon as they have a few kreutzer before them, they put their hands in their pockets and go to sleep!"
I myself was beginning to lose courage. With all my watching and spying, I had discovered nothing extraordinary. I was inclining to think that the old woman might not be so dangerous after all – that I had been wrong, perhaps, to suspect her. In short, I tried to find excuses for her. But one fine evening, while, with my eye to the opening in the roof, I was giving myself up to these charitable reflections, the scene abruptly changed.
Fledermausse passed along her gallery with the swiftness of a flash of light. She was no longer herself: she was erect, her jaws knit, her look fixed, her neck extended; she moved with long strides, her grey hair streaming behind her.
"Oh, oh!" I said to myself, "something is going on – attention!"
But the shadows of night descended on the big house, the noises of the town died out, and all became silent. I was about to seek my bed, when, happening to look out of my skylight, I saw a light in the window of the green chamber of the Boeuf-gras – a traveller was occupying that terrible room!
All my fears were instantly revived. The old woman's excitement explained itself – she scented another victim!
I could not sleep all that night. The rustling of the straw of my mattress, the nibbling of a mouse under the floor, sent a chill through me. I rose and looked out of my window – I listened. The light I had seen was no longer visible in the green chamber.
During one of these moments of poignant anxiety – whether the result of illusion or of reality – I fancied I could discern the figure of the old witch, likewise watching and listening.
The night passed, the dawn showed grey against my window-panes, and, slowly increasing, the sounds and movements of the re-awakened town arose. Harassed with fatigue and emotion, I at last fell asleep; but my repose was of short duration, and by eight o'clock I was again at my post of observation.
It appeared that Fledermausse had passed a night no less stormy than mine had been; for, when she opened the door of the gallery, I saw that a livid pallor was upon her cheeks and skinny neck. She had nothing on but her chemise and a flannel petticoat; a few locks of rusty grey hair fell upon her shoulders. She looked up musingly towards my garrett; but she saw nothing – she was thinking of something else.
Suddenly she descended into the yard, leaving her shoes at the top of the stairs. Doubtless her object was to assure herself that the outer door was securely fastened. She then hurried up the stairs, taking three or four steps at a time. It was frightful to see! She rushed into one of the side rooms, and I heard the sound of a heavy box-lid fall. Then Fledermausse reappeared in the gallery, dragging with her a lay-figure the size of life – and this figure was dressed like the unfortunate student of Heidelberg!
With surprising dexterity the old woman suspended this hideous object to a beam of the over-hanging roof, then went down into the yard, to contemplate it from that point of view. A peal of grating laughter broke from her lips – she hurried up the stairs, and rushed down again, like a maniac; and every time she did this she burst into fresh fits of laughter.
A sound was heard outside the street door; the old woman sprang to the figure, snatched it from its fastening, and carried it into the house; then she reappeared and leaned over the balcony, with outstretched neck, glittering eyes, and eagerly listening ears. The sound passed away – the muscles of her face relaxed, she drew a long breath. The passing of a vehicle had alarmed the old witch.
She then, once more, went back into her chamber, and I heard the lid of the box close heavily.
This strange scene utterly confounded all my ideas. What could that lay-figure mean?
I became more watchful and attentive than ever. Fledermausse went out with her basket, and I watched her to the top of the street; she had resumed her air of tottering agedness, walking with short steps, and from time to time half-turning her head, so as to enable her- self to look behind out of the corners of her eyes. For five long hours she remained abroad, while I went and came from my spying-place incessantly, meditating all the while – the sun heating the slates above my head till my brain was almost scorched.
I saw at his window the traveller who occupied the green chamber at the Boeuf-gras; he was a peasant of Nassau, wearing a three-cornered hat, a scarlet waistcoat, and having a broad laughing countenance. He was tranquilly smoking his Ulm pipe, unsuspicious of anything wrong. I felt impelled to call out to him, "My good fellow, be on your guard! Don't let yourself be fascinated by the old woman! – don't trust yourself!" But he could not have understood a word I said, even if he had heard me.
About two o'clock Fledermausse came back. The sound of her door opening echoed to the end of the passage. Presently she appeared alone, quite alone in the yard, and seated herself on the lowest step of the gallery-stairs. She placed her basket at her feet and drew from it, first several bunches of herbs, then some vegetables – then a three-cornered hat, a scarlet velvet waistcoat, a pair of plush breeches, and a pair of thick worsted stockings – the complete costume of a peasant of Nassau!
I reeled with giddiness – flames passed before my eyes.
I remembered those precipices that drew one towards them with irresistible power – wells that have had to be filled up because of persons throwing themselves into them – trees that have had to be cut down because of people hanging themselves upon them – the contagion of suicide and theft and murder, which at various times has taken possession of people's minds, by means well understood; that strange inducement, for example, which makes people yawn because they see others yawn – kill themselves because others kill themselves. My hair rose upon my head with horror!
But how could this Fledermausse – a creature so mean and wretched – have made discovery of so profound a law of nature? How had she found the means of turning it to the use of her sanguinary instincts? This I could neither understand nor imagine. Without more reflection, however, I resolved to turn the fatal law against her, and by its power to drag her into her own snare. So many innocent victims called for vengeance!
I began at once. I hurried to all the old clothes-dealers in Nuremberg; and by the evening I arrived at the Boeuf-gras, with an enormous parcel under my arm.
Nikel Schmidt had long known me. I had painted the portrait of his wife, a fat and comely dame.
"What! – Master Christian!" he cried, shaking me by the hand, "to what happy circumstance do I owe the pleasure of this visit?"
"My dear Mr. Schmidt, I feel a very strong desire to pass the night in that room of yours up yonder."
We were on the doorstop of the inn, and I pointed up to the green chamber. The good fellow looked suspiciously at me.
"Oh! don't be afraid," I said. "I've no desire to hang myself."
"I'm glad of it! I'm glad of it! for, frankly, I should be sorry – an artist of your talent. When do you want the room, M
aster Christian?"
"To-night."
"That's impossible – it's occupied."
"The gentleman can have it at once, if he likes," said a voice behind us; "I shan't stay in it."
We turned in surprise. It was the peasant of Nassau; his large three-cornered hat pressed down upon the back of his neck, and his bundle at the end of his travelling-stick. He had learned the story of the three travellers who had hanged themselves.
"Such chambers!" he cried, stammering with terror; "it's – it's murdering people to put them into such! – you – you deserve to be sent to the galleys!"
"Come, come, calm yourself," said the landlord; "you slept there comfortable enough last night."
"Thank Heaven! I said my prayers before going to rest, or where should I be now?"
And he hurried away, raising his hands to heaven.
"Well," said Master Schmidt, stupefied, "the chamber is empty, but don't go into it to do me an ill turn."
"I should be doing myself a much worse one," I replied.
Giving my parcel to the servant-girl, I went and seated myself provisionally among the guests who were drinking and smoking.
For a long time I had not felt more calm, more happy to be in the world. After so much anxiety, I saw approaching my end – the horizon seemed to grow lighter. I know not by what formidable power I was being led on. I lit my pipe, and with my elbow on the table and a jug of wine before me, listened to the hunting-chorus from "Der Freischutz," played by a band of Zigeuners from Schwartz-Wald. The trumpet, the hunting-horn, the hautbois by turns, plunged me into vague reverie; and sometimes rousing myself to look at the woman's house, I seriously asked myself whether all that had happened to me was more than a dream. But when the watchman came, to request us to vacate the room, graver thoughts took possession of my mind, and I followed, in meditative mood, the little servant-girl who preceded me with a candle in her hand.
* * *
We mounted the window flight of stairs to the third storey; arrived there, she placed the candle in my hand, and pointed to a door.
"That's it," she said, and hurried back down the stairs as fast as she could go.
I opened the door. The green chamber was like all other inn bedchambers; the ceiling was low, the bed was high. After casting a glance around the room, I stepped across to the window.
Nothing was yet noticeable in Fledermausse's house, with the exception of a light, which shone at the back of a deep obscure bedchamber – a nightlight, doubtless.
"So much the better," I said to myself, as I re-closed the window-curtains; "I shall have plenty of time."
I opened my parcel, and from its contents put on a woman's cap with a broad frilled border; then, with a piece of pointed charcoal, in front of the glass, I marked my forehead with a number of wrinkles. This took me a full hour to do; but after I had put on a gown and a large shawl, I was afraid of myself; Fledermausse herself was looking at me from the depths of the glass!
At that moment the watchman announced the hour of eleven. I rapidly dressed the lay-figure I had brought with me like the one prepared by the old witch. I then drew apart the window-curtains.
Certainly, after all I had seen of the old woman – her infernal cunning, her prudence, and her address – nothing ought to have surprised even me; yet I was positively terrified.
The light, which I had observed at the back of the room, now cast its yellow rays on her lay-figure, dressed like the peasant of Nassau, which sat huddled up on the side of the bed, its head dropped upon its chest, the large three-cornered hat drawn down over its features, its arms pendant by its sides, and its whole attitude that of a person plunged in despair.
Managed with diabolical art, the shadow permitted only a general view of the figure, the red waistcoat and its six rounded buttons alone caught the light; but the silence of night, the complete immobility of the figure, and its air of terrible dejection, all served to impress the beholder with irresistible force; even I myself, though not in the least taken by surprise, felt chilled to the marrow of my bones. How, then, would a poor countryman taken completely off his guard have felt? He would have been utterly overthrown; he would have lost all control of will, and the spirit of imitation would have done the rest.
Scarcely had I drawn aside the curtains than I discovered Fledermausse on the watch behind her window-panes.
She could not see me. I opened the window softly, the window over the way softly opened too; then the lay-figure appeared to rise slowly and advance towards me; I did the same, and seizing my candle with one hand, with the other threw the casement wide open.
The old woman and I were face to face; for, overwhelmed with astonishment, she had let the lay-figure fall from her hands. Our two looks crossed with an equal terror.
She stretched forth a finger, I did the same; her lips moved, I moved mine; she heaved a deep sigh and leant upon elbow, I rested in the same way.
How frightful the enacting of this scene was I cannot describe; it was made up of delirium, bewilderment, madness. It was a struggle between two wills, two intelligences, two souls, one of which sought to crush the other; and in this struggle I had the advantage. The dead were on my side.
After having for some seconds imitated all the movements of Fledermausse, I drew a cord from the folds of my petticoat and tied it to the iron stanchion of the signboard.
The old woman watched me with open mouth. I passed the cord round my neck. Her tawny eyeballs glittered; her features became convulsed–
"No, no!" she cried, in a hissing tone; "no!"
I proceeded with the impassibility of a hangman. Then Fledermausse was seized with rage.
"You're mad; you're mad!" she cried, springing up and clutching wildly at the sill of the window; "you're mad!"
I gave her no time to continue. Suddenly blowing out my light, I stooped like a man preparing to make a vigorous spring, then seizing the lay-figure, slipped the cord about its neck and hurled it into the air.
A terrible shriek resounded through the street; then all was silent again.
Perspiration bathed my forehead. I listened a long time. At the end of an hour I heard far off – very far off – the cry of the watchman, announcing to the inhabitants of Nuremberg that midnight had struck.
"Justice is at last done," I murmured to myself; "the three victims are avenged. Heaven forgive me!"
This was five minutes after I had heard the last cry of the watchman, and when I had seen the old witch drawn by the likeness of herself, a cord about her neck, hanging from the iron stanchion projecting from her house. I saw the thrill of death run through her limbs and the moon, calm and silent, rose above the edge of the roof, and shed its cold pale rays upon her dishevelled head.
As I had seen the poor student of Heidelberg, I now saw Fledermausse.
The next day all Nuremberg knew that "that Bat" had hanged herself. It was the last event of the kind in the Rue des Minnesangers.
THE HAUNTED STATION
Hume Nisbet
It looked as if a curse rested upon it, even under that glorious southern moon which transformed all that it touched into old oak and silver-bronze.
I use the term silver-bronze, because I can think of no other combination to express that peculiar bronzy tarnish, like silver that has lain covered for a time, which the moonlight in the tropics gives to the near objects upon which it falls – tarnished silver surfaces and deep sepia-tinted shadows.
I felt the weird influences of that curse even as I crawled into the gully that led to it; a shiver ran over me as one feels when they say some stranger is passing over your future grave; a chill gripped at my vitals as I glanced about me apprehensively, expectant of something ghoulish and unnatural to come upon me from the sepulchral gloom and mystery of the overhanging boulders under which I was dragging my wearied limbs. A deathly silence brooded within this rut-like and treeless gully that formed the only passage from the arid desert over which I had struggled, famishing and desperate; where it led to
I neither knew nor cared, so that it did not end in a cul-de-sac.
At last I came to what I least expected to see in that part, a house of two storeys, with the double gables facing me, as it stood on a mound in front of a water-hole, the mellow full moon behind the shingly roof, and glittering whitely as it repeated itself in the still water against the inky blackness of the reflections cast by the denser masses of the house and vegetation about it.
It seemed to be a wooden erection, such as squatters first raise for their homesteads after they have decided to stay; the intermediate kind of station, which takes the place of the temporary shanty while the proprietor's bank account is rapidly swelling, and his children are being educated in the city boarding schools to know their own social importance. By and by, when he is out of the mortgagee's hands, he may discard this comfortable house, as he has done his shanty, and go in for stateliness and stone-work, but to the tramp or the bushranger, the present house is the most welcome sight, for it promises to be the one shelter, and to the other a prospect of loot.
There was a verandah round the basement that stood clear above the earth on piles, with a broad ladder stair leading down to the garden walk which terminated at the edge of the pool or water-hole; under the iron roofing of the verandah I could make out the vague indications of french doors that led to the reception rooms, etc., while above them were bedroom windows, all dark with the exception of one of the upper windows, the second one from the end of the gable, through which a pale greenish light streamed faintly.
Behind the house, or rather from the centre of it, as I afterwards found out, projected a gigantic and lifeless gum tree, which spread its fantastic limbs and branches wildly over the roof, and behind that again a mass of chaotic and planted greenery, all softened and generalised in the thin silvery mist which emanated from the pool and hovered over the ground.
At the first glance it appeared to be the abode of a romantic owner, who had fixed upon a picturesque site, and afterwards devoted himself to making it comfortable as well as beautiful. He had planted creepers and trained them over the walls, passion-fruit and vines clung closely to the posts and trellis work and broke the square outlines of windows and angles, a wild tangle of shrubs and flowers covered the mound in front and trailed into the water without much order, so that it looked like the abode of an imaginative poet rather than the station of a practical, money-grubbing squatter.
