While the duke's band now played to the deeply interested assembly, Carlton, with a firm, bold touch, immediately supplied the indescribable something that had been wanting-the je ne sais quoi that had been referred to as being requisite to its proper finish. It was done with such judgment and skill, that the addition, though fresh, could not be detected unless by a very close observation. None save the author, who had purposely left that flaw, could so have remedied it. It was done almost instantly, yet with precision and accuracy.
The duke gazed upon the canvass for a moment, and then exclaimed with admiration:
"The Grand Chamberlain!-by our lady, what a likeness! Sir artist, thou hast the pencil of a Raphael!"
"Is your excellenza satisfied?"
"We are convinced that the piece is thine own. None other than its author could have accomplished that which we have just witnessed."
"Come hither, gentlemen," said the duke to several of his court about him; and pointing to the canvass, and the touch it had just received, said, "This proof is incontestable!"
"It is, indeed," was the response,
"Are you, too, satisfied, gentlemen?"
"We are."
"Enough."
The duke then assuming his seat of state, directed the artist to approach him. First complimenting him as a son of America, the glorious Republic of the West, and on his extraordinary genius-as he was pleased to express himself-he awarded him the rich prize prepared for the occasion, at the same time offering him a sum for the painting which would have rendered a man of moderate wishes independent for life.
"The prize, your excellenza," said Carlton, "I gladly accept as a token of your liberality in advancing the interests of the noble art I follow. But as it regards the high price you have set upon my humble effort, I can only say, that I had designed it from the first as a present for your excellenza, and only ask in return, that it may find a place in your private and unrivalled collection-if, indeed, it shall be deemed worthy of that honor."
"Signor Americano," said the duke, "it shall share the Tribune with our best pictures, and shall be prized alike with them."
Now the Tribune, so called, was a small apartment of the duke's gallery devoted to the gems of his collection, and so named after a similar appropriation in the departments of the grand gallery of Florence. The hanging of a picture in this place was of itself alone the highest compliment the author could receive through his production; and so did Carlton understand and appreciate the honor thus designed him, which also was the more welcome, being entirely unexpected.
He could hardly realize that his humble effort should be deemed worthy of such preferment, or that it could possibly possess such merit as to warrant its being placed side by side with those of the immortal masters, whose humblest follower he had ever deemed himself. No wonder his heart beat now so quickly, and he breathed so fast; the goal of his ambition was before him, and almost within his grasp. It seemed only necessary for him to reach out his hand and pluck the garland of success and of renown. The pause that had intervened here was but for a single moment of time, when it was once more broken by the duke himself, who spoke, as he felt, most kindly and in encouraging tones.
"Signor Americano," said the duke, "thy habiliments are those of one whose purse is but narrowly lined, and we are at a loss to account for this willingness to part with that which has cost thee labor of months, and in which thou hast been so eminently successful. We do much crave the picture, but will nevertheless forego its possession unless it can be had at our own valuation."
"As the picture was painted for your excellenza, and you design for it such honor, I could wish its free acceptance; but it must be yours on any terms," said Carlton.
The assembly then dispersed, and our hero received a purse of gold for his picture, exceeding in amount his wildest expectations of what he might earn by his art in years of industry and frugality.
The scene he had successfully perfected, represented two applicants for justice, standing before the Pope of Rome. They were priests, and had come before him for his judgment in the matter of contention between them. They were ushered into the presence of the pope by a high official, and to this usher had Carlton given the features of the duke's chamberlain. It was a superb design, and represented a late occurrence well-known to the people of Florence, and for this reason, aside from that of its acknowledged superiority, possessed peculiar interest at that time.
The deep, yet natural expression of feeling depicted in each countenance, the perfect harmony of the general conception and its completeness of finish, rendered the picture a study requiring time to comprehend and appreciate all its many excellences. It was finished, and the work of half a year, pursued with the utmost assiduity in secret, had proved successful. All his pains and self-denials were now forgotten; he was doubly paid for all his sufferings-he even looked back upon them with a conscientious pride, and deemed that he had bought his preferment cheaply.
And such is ever the fate of true genius; it rarely receives the aid of fortune in gaining fame, but struggles on, dependent upon its own slow but sure preferment. This is self-evident; for genius may remain ever latent, unless brought out and improved by stem necessity.
CHAPTER VI. THE MASQUERADE BALL.
Prosperity's the very bond of love.
-Winter's Tale.
WHAT a perfect chequer-board is this same game of life on which we all hold so transient a lease. Time is the board, and the various vicissitudes of life make up the chequered field, ourselves the wooden "men;" each and all strive for preferment, and whether it be gained or not, depends solely upon the shrewdness of him who plays the game. The "king-row" may designate the pinnacle of earthly wishes and hopes, while the various "moves" may show the struggle for that desirable goal-happiness. Ah! how many of us get "penned" and "cornered"—and many too, in their headlong course, are "jumped," and taken off the scene of action. Truly, there is a vast similitude between this game of chequers and the bolder one of life.
Here was poor Carlton but lately struggling along the chequered field, now moving literally towards the king-row. In a few subsequent weeks, with a well-filled purse, he was enjoying life and his art like a true gentleman, and was the envy of every artist in Florence; and yet they all strove to do him honor, at least; so it appeared, orders for his productions crowded upon him from all the nobility, not only of Florence, but of all Tuscany. The private palaces of the environs of the city were thought incomplete in their collections, unless supplied with one at least of his pictures, the patronage of the Grand Duke, and his own work, which occupied the favored place in the Pitti Palace, having raised him to the pinnacle of fame as an artist.
All Italy honored the productions of the fortunate American, and scarcely could a Raphael or a Titian have been more respected or honored. It was his own genius that had raised him and no accident of fortune.
"This young American monopolizes the market with his brush just now," said one artist to another.
"Ay, and gets such princely prices, too, for his pictures! Funny world, this! It is scarcely three months since he was likely to starve for want of work."
"All the Grand Duke's doings; he can make as easily as he can mar a man", replied the other.
"But a man must have genius to fill the place Carlton holds."
"As much as you might put on a knife's point-no more," said the other, enviously.
The long Italian day is past, and its shadows have died over the neighboring mountains, giving place to the voluptuous and dewy twilight, which lightly wraps itself with its soft mantle of studded stars closely about the lovely breast of the Val d'Arno. But a few hours later, and the Palazzo Pitti is one blaze of light, and the thrilling music of the duke's favorite band resounds already among the fountains and groves of the gardens; already have commenced to congregate the gay courtiers and lovely dames of this land of the sun. The diamond tiaras that sparkle on those lovely brows are less dazzling than the lovely and soul-ravishing eyes t
hat look out from that mental diamond, the soul within; the jewelled stars upon those manly breasts well become the noble bearing of the wearers. Brilliant indeed was the soiree of the rich and liberal Grand Duke of Tuscany. The Austrian-born monarch seemed to delight in surrounding the nobles of his court with the most magnificent luxury and display that wealth could procure, as if he would fain show his Italian subjects his own national taste.
"The duke spares no expense in his entertainments," said the English consul to a friend, by whom he was standing.
"I have known him send to Rome frequently for an artifice to serve him a single evening," was the reply.
"It may be a weakness thus to lavish expenditure, but it is a most brilliant one," said the consul.
"And one which is dictated as much by policy as by his own personal gratification," said the other.
"Perhaps so; but without questioning his motives, we may at all events enjoy the feast he spreads."
"That is but proper and reasonable, and I most heartily subscribe to the same,"
It is a masked ball that occupies the gay throng in the ducal palace. That is to say, in accordance with a general custom of the times, those who please are masked until midnight, when, at the sound of the hour from the great throat of the bell, all masks are removed, and all disguises laid aside. Carlton as the successful protege of the Grand Duke, and Carlton the humble artist, was a very different person. He was the observed of all observers; and many a rich belle sought his side-nay, even leaned upon his arm, as he strolled through the gorgeous rooms of the palace. They were sufficiently disguised by their masks to remove any fear of personal recognition; and therefore, those who knew him not, save by the late scene of winning the prize, besought his escort for the dance-a piece of forwardness quite allowable during the masked part of the ball. Many were the eyes that were bent upon him; and more than one glance of jealousy was shot towards him by s young nobles, as they saw the belles drawn to his side.
[SEE ENGRAVING.]
Carlton was naturally graceful, dignified and handsome, and bore his new position as though he had ever filled it-now chatting gaily with this lady, now with that, but all the while striving to detect through the many disguises of dresses and masks, the one form that was to him all in all-the queen of his heart and his love, Signorina Florinda. He was himself unmasked, and wore a rich Grecian head-dress, a tunic of dark velvet, trimmed with rich ermine, and clasped close about the throat with checks of gold. His silken hose, and velvet shoes faced with silver thread, set off his fine limbs to perfection. A light, graceful dirk hung at his silver girdle, finishing a costume of great simplicity and beauty. On his right arm there now leans the peerless figure of a countess, with whom he promenades and chats in his gay and spirited way, while she is evidently much captivated with him-indeed, so much is this apparent, that a figure of less height, dressed in a simple peasant's garb and masked, steals up to his side and whispers some words into his ear; but though the reader may easily guess who that peasant girl really was, for the moment Carlton knew her not, and gently declining some proposal from her lips, he turns and walks on with the countess through the blaze of light and grandeur.
"That fellow carries it with a high hand," said one young noble to another, referring to Carlton.
"Ay, but he has the full countenance and favor of the duke, and none can gainsay him."
"Well, he is deuced clever," said the English consul, who was talking with the other two.
"Is it a fact that he is American?" asked the first speaker, still regarding him.
"Undoubtedly. You know he was announced as such when he won the duke's prize."
"How the ladies take to him," said the English consul.
"And he to them," added another.
"The Signora Florinda is said particularly to affect him, and he may win a prize there," said one of the group.
"That would be too bad-the richest heiress in Florence to throw herself away thus!"
"'There's many a slip 'twixt the cup and the lip,'" quoted the English consul, and then walking away.
And thus Carlton was the unconscious theme of comment to a large portion of the assembly. But the hour approaches when the heavy bell of the palace strikes the midnight hour, and the masquerade will be broken up, and each and all appear before each other in their true characters. Peasant girls will don the attire more fitting their station; kings and queens will descend to their true estates; brigands will lay by the threatening paraphernalia of the mountain-robber, and hooded monks will assume a more worldly attire. The hour is struck, and the scene changes!
All is once more life and gayety, but the mask is discarded, and each one is undisguised. See, as the grand chamberlain, with the golden key of office wrought ostentatiously upon his ample velvet mantle, aids in arranging the preliminaries of the dance, he pauses to address with respect, and yet with a degree of familiarity, a tall, manly person of noble bearing, and of handsome features, opposite to whom stands, as partner for the dance, Signora Florinda, the duke's ward. The queenly beauty of her person is the same as when we first met her, so lovely and captivating. The few months which have intervened since that period, have only served still more to perfect her ripening mould; and though scarcely nineteen summers have shed their golden wealth upon that genial land since her natal hour, yet she is in the full bloom of lovely womanhood.
See how gracefully glides that beautiful form through the mazes of the dance!-how fondly, as she rests within the encircling arm of her partner, does she look up into his face, drinking from the eloquent eyes that meet her own of the nectar of love, as the Suri rose of Syria sips the dewy treasures of the twilight hour. That partner on whom she rests so fondly, gentle reader, is the humble painter who won the prize of the Grand Duke; the now rich and honored Carlton, the protege of Leopold.
The generous monarch who ruled over that portion of Italy under his charge with the liberal and provident hand of a father, held most regal court-spending of his enormous revenue with a gallant and open hand. His excellency was a connoisseur in all matters of the arts, to which he was enthusiastically devoted, and also a most liberal patron to their interest; consequently he lavished all honor on him whom he thought so deserving of it, and the entire court now pointed to the envied artist as being the favorite of the Grand Duke. Carlton's new patron found qualities in the young American artist to admire and love, and there grew up between him and the duke a real and earnest friendship quite remarkable.
"No more thanks," said the duke to him one day as they were together. "You challenge me to praise, to reward, and to love you, and I cannot help doing all three."
"Your highness is only too lavishly kind to me," was the earnest reply.
"But touching this affection which has sprung up between you and my ward. I shall have plenty of opposition in that matter; but if Florinda loves you, by our lady, she shall be yours."
"Your highness is ever adding to my indebtedness to you," said Carlton.
"Say no more, say no more, Carlton, but make your own terms."
The consent of the duke was thus freely obtained to the marriage of Florinda and Carlton, and the observant monarch discovered the preference of his ward long before it was announced formally to him. So far from opposing the object, he even encouraged it in every way that propriety suggested; forwarding its interests by such delicate promptings as his feelings would permit. He loved Florinda as though she had been his own child. This feeling, as we have seen, was first induced by the affection which existed between his ward and his lamented wife, and was afterward strengthened by her many beauties of mind and person.
Carlton and Florinda sat together in a private apartment in the royal palace. The latter was playing a favorite air upon the guitar to the artist, who sat at her feet watching with admiration every movement of that beautiful and dearly loved form. He found every attribute there worthy a heart's devotion. Like the worshippers of the sun, who believe that God sits there on his throne, so did he, in his homa
ge, picture the good angel of all things in the heart of Florinda.
Let us pause for a moment, to describe the apartment in the Palazzo Pitti, devoted to the fair Signora Florinda, and where she now sat with him she loved. It was fittingly chosen, being in a retired yet easily accessible angle of the palace; an apartment lofty and large, yet not so much so as to impart the vacant and lonely feeling that a large room is wont to do over the feelings of the occupant when alone.
It was lighted by two extensive windows, reaching nearly from the ceiling to the floor. The magnificence of the furniture, the rich and well chosen paintings that ornamented the walls, and in short, the air of unostentatious richness that struck the beholder on entering it, showed at once the good taste and general character of the occupant.
On a little table of elaborate and beautiful workmanship, were placed with a few rare and favorite books, some curious ornaments from the hands of the cunning artificers of the East, most beautifully fancied, and from which a moral might be read telling the fair occupant of the unhappy state of her own sex in that far off clime.
The broad, heavy and richly-wrought curtains that tempered the light admitted through the gorgeously stained glass windows, were of Tuscan satin, blending, like the skies under which they were manufactured, a most happy conceit of rich and rosy colors. Pendant from the hoops in which both were gathered, hung a bunch of ostrich feathers of showy whiteness belieing, as it were, the country of their nativity-swarthy Africa. They were more for fancy than for use, though they did sometimes serve to chase the flies.
The seats and couches were of stuffed and figured velvet from the manufactories of the queen of the Adriatic, Venice. The scarcely less soft and pliant carpet was of eastern ingenuity, and no richer served the Turkish Sultan himself. Two opposite sides of the apartment were ornamented each with a mirror of extensive size. About their richly gilded frames was wound, in graceful festoons, the finest Mechlin lace as a screen for the eye.
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