THE MAN
WITHOUT
A FACE
RIVERHEAD BOOKS
a member of Penguin Group (USA) Inc.
New York
2012
THE MAN
WITHOUT
A FACE
The Unlikely Rise of
VLADIMIR PUTIN
Masha Gessen
RIVERHEAD BOOKS
Published by the Penguin Group
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Copyright © 2012 by Masha Gessen
All rights reserved. No part of this book may be reproduced, scanned, or distributed in any printed or electronic form without permission. Please do not participate in or encourage piracy of copyrighted materials in violation of the author’s rights. Purchase only authorized editions. Published simultaneously in Canada
Library of Congress Cataloging-in-Publication Data
Gessen, Masha.
The man without a face : the unlikely rise of Vladimir Putin /
Masha Gessen.
p. cm.
EISBN: 9781101560600
1. Putin, Vladimir Vladimirovich, 1952–. 2. Presidents—Russia (Federation).
3. Russia (Federation)—Politics and government—1991–. I. Title.
DK510.766.P87G47 2012 2011047578
947.0862092—dc23
[B]
Printed in the United States of America
1 3 5 7 9 10 8 6 4 2
BOOK DESIGN BY AMANDA DEWEY
While the author has made every effort to provide accurate telephone numbers and Internet addresses at the time of publication, neither the publisher nor the author assumes any responsibility for errors, or for changes that occur after publication. Further, the publisher does not have any control over and does not assume any responsibility for author or third-party websites or their content.
CONTENTS
Prologue
One. THE ACCIDENTAL PRESIDENT
Two. THE ELECTION WAR
Three. THE AUTOBIOGRAPHY OF A THUG
Four. ONCE A SPY
Five. A COUP AND A CRUSADE
Six. THE END OF A REFORMER
Seven. THE DAY THE MEDIA DIED
Eight. THE DISMANTLING OF DEMOCRACY
Nine. RULE OF TERROR
Ten. INSATIABLE GREED
Eleven. BACK TO THE USSR
Epilogue: A Week in December
Acknowledgments
Notes
Index
PROLOGUE
I woke up because someone was shaking me. Kate’s face looked terrified. “They are saying something about Galina on the radio,” she half whispered. “And a gun. I think … I don’t understand.”
I got out of bed and stumbled into the tiny kitchen, where Kate had been making breakfast and listening to Echo Moskvy, the country’s best news and talk radio station. It was a Saturday morning, unusually light and crisp for November in Moscow. And I was not worried: somehow, Kate’s fear did not impress me. Whatever she had heard—or, with her limited Russian, misheard—might be the beginning of yet another great story. As the chief correspondent for Russia’s leading newsmagazine, Itogi, I felt all great stories were my fiefdom. And there were a lot of great stories. In a country that was inventing itself, every city, every family, and every institution was, in some sense, uncharted territory. The year was 1998. Since the early 1990s, virtually every piece I wrote was a tale no one had told before: I spent about half my time outside Moscow, traveling to conflict zones and gold mines, orphanages and universities, abandoned villages and burgeoning oil towns, writing their stories. The magazine, which was owned and financed by the same magnate as Echo Moskvy, rewarded me by never questioning my extravagant travel schedule and by frequently placing my stories on the cover.
In other words, I was one of those young people who had gained everything in the 1990s. Many people older and younger than I was had paid dearly for the transition. The older generation had lost its savings to hyperinflation and its identities to the apparent destruction of all Soviet institutions. The younger generation was growing up in the shadow of its parents’ fear and, often, failure. But I had been twenty-four years old the year the Soviet Union collapsed, and my peers and I had spent the 1990s inventing our careers and what we thought were the ways and institutions of a new society. Even as violent crime seemed to become epidemic in Russia, we felt peculiarly secure: we observed and occasionally described the criminal underworld without ever feeling that it might affect our existence. Plus, I was certain that things would only get better: I had recently bought a dilapidated former communal apartment in the very heart of Moscow, and I was now renovating it before moving out of the flat I rented with Kate, a British editor working for an oil trade publication. I envisioned myself starting a family in that new apartment. And this particular Saturday, I had an appointment with the contractor to go shopping for bathroom fixtures.
KATE GESTURED AT THE BOOM BOX as though it were a source of toxins, and looked at me questioningly. Galina Starovoitova, whose name the newscaster was repeating over and over, was a member of the lower house of parliament, one of Russia’s best-known politicians, and a friend. In the late 1980s, when the empire teetered on the brink of collapse, Starovoitova, an ethnographer, became a pro-democracy activist and the most prominent spokesperson for the people of Nagorno-Karabakh, an Armenian exclave in Azerbaijan that was then engulfed in the first of many armed ethnic conflicts that would mark the dissolution of the Eastern Bloc. Like several other academics turned politicians, she had seemed to emerge in the spotlight instantly. Though she had lived in Leningrad since she was an infant, the people of Armenia nominated her as their representative to the first quasi-democratically elected Supreme Soviet, and in 1989 she was voted into office by an overwhelming majority. In the Supreme Soviet, she became a leader of the Interregional Group, a minority pro-democracy faction whose leadership also included Andrei Sakharov and Boris Yeltsin. As soon as Yeltsin was elected president of Russia in 1990—at that point largely a ceremonial and even aspirational post—Galina became his closest adviser, counseling him officially on ethnic issues and unofficially on everything else, including government appointments. In 1992, Yeltsin was considering Galina for the post of minister of defense; such an appointment, of a civilian and a woman whose views bordered on the pacifist, would have been a grand gesture in classic early-1990s Yeltsin style, a message that nothing would ever be the same in Russia and perhaps in the world.
That nothing should ever be the same was the crux of Galina’s agenda, radical even by early-nineties pro-democracy activist standards. As part of a small group of lawyers and politicians, she tried unsuccessfully to put the Communist Party of the USSR on
trial. She authored a draft law on lustratsiya (lustration), the word deriving from the ancient Greek for “purification,” a concept that was now coming into use in former Eastern Bloc countries to denote the process of banning former Party and secret police operatives from holding public office. In 1992, she learned that the KGB had reconstituted an internal Party organization—a direct violation of Yeltsin’s August 1991 post–failed-coup decree outlawing the Russian Communist Party. At a public meeting in July 1992, she tried to confront Yeltsin with this fact, and he had rudely dismissed her, signaling both the end of Galina’s career in his administration and his own increasingly conciliatory stance toward the security services and the many die-hard Communists who remained in power or close to it. Dismissed from the administration, Galina made a push for the lustration law, which failed, and then left Russian politics altogether and decamped to the United States, first to the U.S. Institute for Peace in Washington, and then to teach at Brown University.
THE FIRST TIME I SAW GALINA, I could not see her: she was obscured by hundreds of thousands of people who came out into Moscow’s Maya-kovsky Square on March 28, 1991, to take part in a rally in support of Yeltsin. Soviet president Mikhail Gorbachev had recently publicly dressed down Yeltsin; he had also issued a decree forbidding protests in the city. Tanks rolled into Moscow that morning and were positioned in such a way as to make it as difficult as possible for people to make their way to the banned pro-democracy rally. The organizers, in response, split their rally into two, to make it easier for people to find a way to at least one of the locations. It was my first visit to Moscow after ten years as an émigré; I happened to be staying at my grandmother’s apartment near the Mayakovsky Square site. With the main street, Tverskaya, blocked off, I wound my way through a series of courtyards, diving out through an archway and immediately finding myself in the thick of a crowd. I could see nothing but the backs of people’s heads and a series of almost identical gray and black woolen coats. But I could hear a woman’s voice booming over the crowd, speaking about the inviolability of the constitutional right to assembly. I turned to a man standing next to me; he was holding a yellow plastic bag in one hand and a child by the hand with the other. “Who is speaking?” I asked. “Starovoitova,” he responded. Just then the woman began leading the crowd in a five-syllable chant that reverberated, it seemed, through the entire city: “Ros-si-ya! Yel-tsin!” In less than half a year, the Soviet Union would effectively collapse and Yeltsin would become the leader of a new, democratic Russia. That this was inevitable had become clear to many people, including me, that March day, when the people of Moscow had defied the Communist government and its tanks and insisted on having their say in the public square.
I do not actually remember when I met Galina in person, but we became friendly the year she was teaching at Brown: she was a frequent guest at my father’s house in the Boston area; I was shuttling back and forth between the United States and Moscow, and Galina became something of a mentor to me in the world of Russian politics, though she occasionally protested that she had completely returned to academe. Those protestations must have ended in December 1994, when Yeltsin launched a military offensive in the breakaway republic of Chechnya: the people advising him now apparently assured him that the insurgency could be tamed quickly and painlessly for the federal center. Galina perceived the new war as the certain disaster it was, and as the biggest threat yet to Russian democracy. In the spring she went to the Urals to chair a congress aimed at resurrecting her political party, Democratic Russia, which had once been the country’s most potent political force. I covered the congress for the leading Russian newspaper at the time, but on my way to the city of Chelyabinsk—a journey that involved a three-hour flight, followed by a three-hour bus ride—I managed to get myself robbed. I arrived in Chelyabinsk close to midnight, shaken and penniless, and ran into Galina in the hotel lobby: she had just emerged from a long day of tense meetings. Before I had a chance to say anything, she pulled me up to her room, where she placed a glass of vodka in my hands and sat down at a glass coffee table to make me a bunch of tiny salami sandwiches. She lent me money for the ticket back to Moscow.
Galina clearly felt motherly toward me—I was the same age as her son, who had moved to England with his father just as his mother was becoming a major politician—but the scene with the sandwiches was part of something else too: in a country where political role models ran from leather-jacketed commissar to decrepit apparatchik, Galina was trying to be an entirely new creature, a politician who was also a human. At a Russian feminist conference, she shocked the audience by lifting her skirt to display her legs: she was trying to prove that a male politician who had accused her of being bowlegged was wrong. She spoke to one of the first Russian glossy magazines about the difficulty someone who is seriously overweight, as she was, has choosing clothes. At the same time, she pursued her legislative agenda furiously, stubbornly. In late 1997, for example, she again tried to push through her lustration bill—and failed again. In 1998 she immersed herself in an investigation of campaign financing of some of her most powerful political enemies, including the Communist speaker of the Duma, the lower house of parliament. (The Communist Party was legal again, and popular.)
I had asked her why she had decided to return to politics, when she knew full well she would never again have the kind of influence that had once been hers. She had tried to answer me several times, always stumbling over her own motivation. Finally, she called me from a hospital where she was going to have surgery; about to go under anesthesia, she had been trying to fix her view of her life and had finally found an image she liked. “There is an ancient Greek legend about harpies,” she told me. “They are shadows that can come to life only if they drink human blood. The life of a scholar is the life of a shadow. When one participates in making the future happen, even a small part of the future—and this is what politics is about—that is when one who was a shadow can come to life. But for that, one has to drink blood, including one’s own.”
I FOLLOWED KATE’S STARE to the boom box, which crackled slightly, as though the words emerging from its speakers were causing it strain. The newscaster was saying Galina had been shot dead several hours earlier, in the stairway of her apartment building in St. Petersburg. She had flown in from Moscow in the evening. She and her legislative aide, Ruslan Linkov, had stopped by Galina’s parents’ house for a short visit before continuing to her apartment building on the Griboyedov Embankment, one of the city’s most beautiful streets. When they entered the building, the stairway was dark: the gunmen waiting on the stairs had removed the lightbulbs. They continued up the steps nonetheless, speaking about a court case recently filed against Galina by a nationalist political party. Then there was a clapping sound, and a flash of light; Galina’s speech halted. Ruslan screamed, “What are you doing?” and ran at the source of light and sound. He took the next two bullets.
Ruslan had apparently lost consciousness briefly and then regained it long enough to call a journalist from his cell phone. It was the journalist who called the police. And now, the voice from the boom box was telling me, Galina was dead and Ruslan, whom I also knew and liked, was in the hospital, in critical condition.
IF THIS BOOK WERE A NOVEL, my character probably would have dropped everything upon hearing the news of her friend’s death and, already knowing that life had changed forever, would have rushed off to do something—anything to give the moment its due. In real life, we rarely know when our lives are changed irrevocably or how to act when tragedy strikes. I went shopping for bathroom fixtures for my new apartment. It was when the construction crew leader who went with me said, “Have you heard about Starovoitova?” that I stopped in my tracks. I remember staring down at my boots and the snow, gray and packed hard under the feet of thousands of aspiring homeowners. “We were under contract to build a garage for her,” he said. Somehow, it was then, when I thought how my friend would never need that garage, that I knew just how helpless, scared, and angry
I felt. I hopped in my car, drove to the train station, and went to St. Petersburg to try to write the story of what happened to Galina Starovoitova.
Over the following couple of years, I would spend weeks on end in St. Petersburg. Here was another story no one had told before—but it was a much bigger story than any I had written, a much bigger story even than that of the murder, in cold blood, of one of the country’s best-known politicians. What I found in St. Petersburg was a city—Russia’s second-largest city—that was a state within a state. It was a place where the KGB—the organization against which Starovoitova had waged her most important and most hopeless battle—was all-powerful. Local politicians and journalists believed their phones and offices were tapped, and it seemed they were right. It was a place where the murder of major political and business players was a regular occurrence. And it was a place where business deals gone sour could easily land someone behind bars. In other words, it was very much like what Russia itself would become in a few years, once it came to be ruled by the people who ruled St. Petersburg in the 1990s.
I never found out who ordered the killing of Galina Starovoitova (the two men who were convicted of the murders years later were merely hired hands). Nor did I ever find out why. What I did find was that throughout the 1990s, while young people like me were constructing new lives in a new country, a parallel world had existed alongside ours. St. Petersburg had preserved and perfected many of the key features of the Soviet state: it was a system of government that worked to annihilate its enemies—a paranoid, closed system that strove to control everything and to wipe out anything that it could not control. It was impossible to determine what had gotten Starovoitova killed, precisely because her standing as an enemy of the system had made her a marked woman, a doomed one. I had been to many war zones, I had worked under shrapnel fire, but this was the most frightening story I ever had to write: never before had I been forced to describe a reality so emotionless and cruel, so clear and so merciless, so corrupt and so utterly void of remorse.
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