The A. Merritt Megapack

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by Abraham Merritt


  “Put it down, Lakla,” the distress in O’Keefe’s voice was deep. Lakla laughed mischievously, caught the real fear for her in his eyes; opened her hand, gave another faint call—and back it flew to its fellows.

  “Why, it wouldn’t hurt me, Larry!” she expostulated. “They know me!”

  “Put it down!” he repeated hoarsely.

  She sighed, gave another sweet, prolonged call. The lake of gems—rubies and amethysts, mauves and scarlet-tinged blues—wavered and shook even as it had before—and swept swiftly back to that place whence she had drawn them!

  Then, with Larry and Lakla walking ahead, white arm about his brown neck; the O’Keefe still expostulating, the handmaiden laughing merrily, we passed through her bower to the domed castle.

  Glancing through a cleft I caught sight again of the far end of the bridge; noted among the clustered figures of its garrison of the frog-men a movement, a flashing of green fire like marshlights on spear tips; wondered idly what it was, and then, other thoughts crowding in, followed along, head bent, behind the pair who had found in what was Olaf’s hell, their true paradise.

  [1] I have no space here even to outline the eschatology of this people, nor to catalogue their pantheon. Siya and Siyana typified worldly love. Their ritual was, however, singularly free from those degrading elements usually found in love-cults. Priests and priestesses of all cults dwelt in the immense seven-terraced structure, of which the jet amphitheatre was the water side. The symbol, icon, representation, of Siya and Siyana—the globe and the up-striving figures—typified earthly love, feet bound to earth, but eyes among the stars. Hell or heaven I never heard formulated, nor their equivalents; unless that existence in the Shining One’s domain could serve for either. Over all this was Thanaroa, remote; unheeding, but still maker and ruler of all—an absentee First Cause personified! Thanaroa seemed to be the one article of belief in the creed of the soldiers—Rador, with his reverence for the Ancient Ones, was an exception. Whatever there was, indeed, of high, truly religious impulse among the Murians, this far, High God had. I found this exceedingly interesting, because it had long been my theory—to put the matter in the shape of a geometrical formula—that the real attractiveness of gods to man increases uniformly according to the square of their distance—W. T. G.

  [2] I find that I have neglected to explain the working of these interesting mechanisms that were telephonic, dictaphonic, telegraphic in one. I must assume that my readers are familiar with the receiving apparatus of wireless telegraphy, which must be “tuned” by the operator until its own vibratory quality is in exact harmony with the vibrations—the extremely rapid impacts—of those short electric wavelengths we call Hertzian, and which carry the wireless messages. I must assume also that they are familiar with the elementary fact of physics that the vibrations of light and sound are interchangeable. The hearing-talking globes utilize both these principles, and with consummate simplicity. The light with which they shone was produced by an atomic “motor” within their base, similar to that which activated the merely illuminating globes. The composition of the phonic spheres gave their surfaces an acute sensitivity and resonance. In conjunction with its energizing power, the metal set up what is called a “field of force,” which linked it with every particle of its kind no matter how distant. When vibrations of speech impinged upon the resonant surface its rhythmic light-vibrations were broken, just as a telephone transmitter breaks an electric current. Simultaneously these light-vibrations were changed into sound—on the surfaces of all spheres tuned to that particular instrument. The “crawling” colours which showed themselves at these times were literally the voice of the speaker in its spectrum equivalent. While usually the sounds produced required considerable familiarity with the apparatus to be understood quickly, they could, on occasion, be made startlingly loud and clear—as I was soon to realize—W. T. G.

  [3] A tal in Muria is the equivalent of thirty hours of earth surface time.—W. T. G.

  [4] The Akka are viviparous. The female produces progeny at five-year intervals, never more than two at a time. They are monogamous, like certain of our own Ranidae. Pending my monograph upon what little I had time to learn of their interesting habits and customs, the curious will find instruction and entertainment in Brandes and Schvenichen’s Brutpfleige der Schwanzlosen Bat rachier, p. 395; and Lilian V. Sampson’s Unusual Modes of Breeding among Anura, Amer. Nat. xxxiv., 1900.—W. T. G.

  [5] The Yekta of the Crimson Sea, are as extraordinary developments of hydroid forms as the giant Medusae, of which, of course, they are not too remote cousins. The closest resemblances to them in outer water forms are among the Gymnoblastic Hydroids, notably Clavetella prolifera, a most interesting ambulatory form of six tentacles. Almost every bather in Southern waters, Northern too, knows the pain that contact with certain “jelly fish” produces. The Yekta’s development was prodigious and, to us, monstrous. It secretes in its five heads an almost incredibly swiftly acting poison which I suspect, for I had no chance to verify the theory, destroys the entire nervous system to the accompaniment of truly infernal agony; carrying at the same time the illusion that the torment stretches through infinities of time. Both ether and nitrous oxide gas produce in the majority this sensation of time extension, without of course the pain symptom. What Lakla called the Yekta kiss is I imagine about as close to the orthodox idea of Hell as can be conceived. The secret of her control over them I had no opportunity of learning in the rush of events that followed. Knowledge of the appalling effects of their touch came, she told me, from those few “who had been kissed so lightly” that they recovered. Certainly nothing, not even the Shining One, was dreaded by the Murians as these were—W. T. G.

  THE MOON POOL [Part 3]

  CHAPTER XXVII

  The Coming of Yolara

  “Never was there such a girl!” Thus Larry, dreamily, leaning head in hand on one of the wide divans of the chamber where Lakla had left us, pleading service to the Silent Ones.

  “An’, by the faith and the honour of the O’Keefes, an’ by my dead mother’s soul may God do with me as I do by her!” he whispered fervently.

  He relapsed into open-eyed dreaming.

  I walked about the room, examining it—the first opportunity I had gained to inspect carefully any of the rooms in the abode of the Three. It was octagonal, carpeted with the thick rugs that seemed almost as though woven of soft mineral wool, faintly shimmering, palest blue. I paced its diagonal; it was fifty yards; the ceiling was arched, and either of pale rose metal or metallic covering; it collected the light from the high, slitted windows, and shed it, diffused, through the room.

  Around the octagon ran a low gallery not two feet from the floor, balustraded with slender pillars, close set; broken at opposite curtained entrances over which hung thick, dull-gold curtainings giving the same suggestion of metallic or mineral substance as the rugs. Set within each of the eight sides, above the balcony, were colossal slabs of lapis lazuli, inset with graceful but unplaceable designs in scarlet and sapphire blue.

  There was the great divan on which mused Larry; two smaller ones, half a dozen low seats and chairs carved apparently of ivory and of dull soft gold.

  Most curious were tripods, strong, pikelike legs of golden metal four feet high, holding small circles of the lapis with intaglios of one curious symbol somewhat resembling the ideographs of the Chinese.

  There was no dust—nowhere in these caverned spaces had I found this constant companion of ours in the world overhead. My eyes caught a sparkle from a corner. Pursuing it I found upon one of the low seats a flat, clear crystal oval, remarkably like a lens. I took it and stepped up on the balcony. Standing on tiptoe I found I commanded from the bottom of a window slit a view of the bridge approach. Scanning it I could see no trace of the garrison there, nor of the green spear flashes. I placed the crystal to my eyes—and with a disconcerting abruptness the cavern mouth leaped before me, apparently not a hundred feet away; decidedly the crystal was a very excell
ent lens—but where were the guards?

  I peered closely. Nothing! But now against the aperture I saw a score or more of tiny, dancing sparks. An optical illusion, I thought, and turned the crystal in another direction. There were no sparklings there. I turned it back again—and there they were. And what were they like? Realization came to me—they were like the little, dancing, radiant atoms that had played for a time about the emptiness where had stood Sorgar of the Lower Waters before he had been shaken into the nothingness! And that green light I had noticed—the Keth!

  A cry on my lips, I turned to Larry—and the cry died as the heavy curtainings at the entrance on my right undulated, parted as though a body had slipped through, shook and parted again and again—with the dreadful passing of unseen things!

  “Larry!” I cried. “Here! Quick!”

  He leaped to his feet, gazed about wildly—and disappeared! Yes—vanished from my sight like the snuffed flame of a candle or as though something moving with the speed of light itself had snatched him away!

  Then from the divan came the sounds of struggle, the hissing of straining breaths, the noise of Larry cursing. I leaped over the balustrade, drawing my own pistol—was caught in a pair of mighty arms, my elbows crushed to my sides, drawn down until my face pressed close to a broad, hairy breast—and through that obstacle—formless, shadowless, transparent as air itself—I could still see the battle on the divan!

  Now there were two sharp reports; the struggle abruptly ceased. From a point not a foot over the great couch, as though oozing from the air itself, blood began to drop, faster and ever faster, pouring out of nothingness.

  And out of that same air, now a dozen feet away, leaped the face of Larry—bodyless, poised six feet above the floor, blazing with rage—floating weirdly, uncannily to a hideous degree, in vacancy.

  His hands flashed out—armless; they wavered, appearing, disappearing—swiftly tearing something from him. Then there, feet hidden, stiff on legs that vanished at the ankles, striking out into vision with all the dizzy abruptness with which he had been stricken from sight was the O’Keefe, a smoking pistol in hand.

  And ever that red stream trickled out of vacancy and spread over the couch, dripping to the floor.

  I made a mighty movement to escape; was held more firmly—and then close to the face of Larry, flashing out with that terrifying instantaneousness even as had his, was the head of Yolara, as devilishly mocking as I had ever seen it, the cruelty shining through it like delicate white flames from hell—and beautiful!

  “Stir not! Strike not—until I command!” She flung the words beyond her, addressed to the invisible ones who had accompanied her; whose presences I sensed filling the chamber. The floating, beautiful head, crowned high with corn-silk hair, darted toward the Irishman. He took a swift step backward. The eyes of the priestess deepened toward purple; sparkled with malice.

  “So,” she said. “So, Larree—you thought you could go from me so easily!” She laughed softly. “In my hidden hand I hold the Keth cone,” she murmured. “Before you can raise the death tube I can smite you—and will. And consider, Larree, if the handmaiden, the choya comes, I can vanish—so”—the mocking head disappeared, burst forth again—“and slay her with the Keth—or bid my people seize her and bear her to the Shining One!”

  Tiny beads of sweat stood out on O’Keefe’s forehead, and I knew he was thinking not of himself, but of Lakla.

  “What do you want with me, Yolara?” he asked hoarsely.

  “Nay,” came the mocking voice. “Not Yolara to you, Larree—call me by those sweet names you taught me—Honey of the Wild Bee-e-s, Net of Hearts—” Again her laughter tinkled.

  “What do you want with me?” his voice was strained, the lips rigid.

  “Ah, you are afraid, Larree.” There was diabolic jubilation in the words. “What should I want but that you return with me? Why else did I creep through the lair of the dragon worm and pass the path of perils but to ask you that? And the choya guards you not well.” Again she laughed. “We came to the cavern’s end and, there were her Akka. And the Akka can see us—as shadows. But it was my desire to surprise you with my coming, Larree,” the voice was silken. “And I feared that they would hasten to be first to bring you that message to delight in your joy. And so, Larree, I loosed the Keth upon them—and gave them peace and rest within the nothingness. And the portal below was open—almost in welcome!”

  Once more the malignant, silver pealing of her laughter.

  “What do you want with me?” There was wrath in his eyes, and plainly he strove for control.

  “Want!” the silver voice hissed, grew calm. “Do not Siya and Siyana grieve that the rite I pledged them is but half done—and do they not desire it finished? And am I not beautiful? More beautiful than your choya?”

  The fiendishness died from the eyes; they grew blue, wondrous; the veil of invisibility slipped down from the neck, the shoulders, half revealing the gleaming breasts. And weird, weird beyond all telling was that exquisite head and bust floating there in air—and beautiful, sinisterly beautiful beyond all telling, too. So even might Lilith, the serpent woman, have shown herself tempting Adam!

  “And perhaps,” she said, “perhaps I want you because I hate you; perhaps because I love you—or perhaps for Lugur or perhaps for the Shining One.”

  “And if I go with you?” He said it quietly.

  “Then shall I spare the handmaiden—and—who knows?—take back my armies that even now gather at the portal and let the Silent Ones rot in peace in their abode—from which they had no power to keep me,” she added venomously.

  “You will swear that, Yolara; swear to go without harming the handmaiden?” he asked eagerly. The little devils danced in her eyes. I wrenched my face from the smothering contact.

  “Don’t trust her, Larry!” I cried—and again the grip choked me.

  “Is that devil in front of you or behind you, old man?” he asked quietly, eyes never leaving the priestess. “If he’s in front I’ll take a chance and wing him—and then you scoot and warn Lakla.”

  But I could not answer; nor, remembering Yolara’s threat, would I, had I been able.

  “Decide quickly!” There was cold threat in her voice.

  The curtains toward which O’Keefe had slowly, step by step, drawn close, opened. They framed the handmaiden! The face of Yolara changed to that gorgon mask that had transformed it once before at sight of the Golden Girl. In her blind rage she forgot to cast the occulting veil. Her hand darted like a snake out of the folds; poising itself with the little silver cone aimed at Lakla.

  But before it was wholly poised, before the priestess could loose its force, the handmaiden was upon her. Swift as the lithe white wolf hound she leaped, and one slender hand gripped Yolara’s throat, the other the wrist that lifted the quivering death; white limbs wrapped about the hidden ones, I saw the golden head bend, the hand that held the Keth swept up with a vicious jerk; saw Lakla’s teeth sink into the wrist—the blood spurt forth and heard the priestess shriek. The cone fell, bounded toward me; with all my strength I wrenched free the hand that held my pistol, thrust it against the pressing breast and fired.

  The clasp upon me relaxed; a red rain stained me; at my feet a little pillar of blood jetted; a hand thrust itself from nothingness, clawed—and was still.

  Now Yolara was down, Lakla meshed in her writhings and fighting like some wild mother whose babes are serpent menaced. Over the two of them, astride, stood the O’Keefe, a pike from one of the high tripods in his hand—thrusting, parrying, beating on every side as with a broadsword against poniard-clutching hands that thrust themselves out of vacancy striving to strike him; stepping here and there, always covering, protecting Lakla with his own body even as a caveman of old who does battle with his mate for their lives.

  The sword-club struck—and on the floor lay the half body of a dwarf, writhing with vanishments and reappearings of legs and arms. Beside him was the shattered tripod from which Larry had w
renched his weapon. I flung myself upon it, dashed it down to break loose one of the remaining supports, struck in midfall one of the unseen even as his dagger darted toward me! The seat splintered, leaving in my clutch a golden bar. I jumped to Larry’s side, guarding his back, whirling it like a staff; felt it crunch once—twice—through unseen bone and muscle.

  At the door was a booming. Into the chamber rushed a dozen of the frog-men. While some guarded the entrances, others leaped straight to us, and forming a circle about us began to strike with talons and spurs at unseen things that screamed and sought to escape. Now here and there about the blue rugs great stains of blood appeared; heads of dwarfs, torn arms and gashed bodies, half occulted, half revealed. And at last the priestess lay silent, vanquished, white body gleaming with that uncanny—fragmentariness—from her torn robes. Then O’Keefe reached down, drew Lakla from her. Shakily, Yolara rose to her feet. The handmaiden, face still blazing with wrath, stepped before her; with difficulty she steadied her voice.

  “Yolara,” she said, “you have defied the Silent Ones, you have desecrated their abode, you came to slay these men who are the guests of the Silent Ones and me, who am their handmaiden—why did you do these things?”

  “I came for him!” gasped the priestess; she pointed to O’Keefe.

  “Why?” asked Lakla.

  “Because he is pledged to me,” replied Yolara, all the devils that were hers in her face. “Because he wooed me! Because he is mine!”

  “That is a lie!” The handmaiden’s voice shook with rage. “It is a lie! But here and now he shall choose, Yolara. And if you he choose, you and he shall go forth from here unmolested—for Yolara, it is his happiness that I most desire, and if you are that happiness—you shall go together. And now, Larry, choose!”

 

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