New Rose hotel (tales)

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New Rose hotel (tales) Page 2

by William Gibson


  Christ, he said, pouring himself a Black Label, they've got their whole bio section in there right now. One bomb. He shook his head. One grenade in the right place at the right time … I reminded him of the saturation techniques Hosaka security was obviously employing. Hosaka had lines to the heart of the Diet, and their massive infiltration of agents into Marrakech could only be taking place with the knowledge and cooperation of the Moroccan government.

  Hang it up. I said. It's over. You've sold them Hiroshi. Now forget him.

  I know what it is, he said. I know. I saw it once before.

  He said that there was a certain wild factor in lab work. The edge of Edge, he called it. When a researcher develops a breakthrough, others sometimes find it impossible to duplicate the first researcher's results. This was even more likely with Hiroshi, whose work went against the conceptual grain of his field. The answer, often, was to fly the breakthrough boy from lab to corporate lab for a ritual laying on of hands. A few pointless adjustments in the equipment, and the process would work. Crazy thing, he said, nobody knows why it works that way, but it does. He grinned.

  But they're taking a chance, he said. Bastards told us they wanted to isolate Hiroshi, keep him away from their central research thrust. Balls. Bet your ass there's some kind of power struggle going on in Hosaka research. Somebody big's flying his favorites in and rubbing them all over Hiroshi for luck. When Hiroshi shoots the legs out from under genetic engineering, the Medina crowd's going to be ready.

  He drank his scotch and shrugged.

  Go to bed, he said. You're right, it's over.

  I did go to bed, but the phone woke me. Marrakech again, the white static of a satellite link, a rush of frightened Portuguese.

  Hosaka didn't freeze our credit, they caused it to evaporate. Fairy gold. One minute we were millionaires in the world's hardest currency, and the next we were paupers. I woke Fox.

  Sandii, he said. She sold out. Maas security turned her in Vienna. Sweet Jesus.

  I watched him slit his battered suitcase apart with a Swiss Army knife. He had three gold bars glued in there with contact cement. Soft plates, each one proofed and stamped by the treasury of some extinct African government. I should've seen it, he said, his voice flat.

  I said no. I think I said your name. Forget her, he said. Hosaka wants us dead. They'll assume we crossed them. Get on the phone and check our credit.

  Our credit was gone. They denied that either of us had ever had an account. Haul ass, Fox said.

  We ran. Out a service door, into Tokyo traffic, and down into Shinjuku. That was when I understood for the first time the real extent of Hosaka's reach.

  Every door was closed. People we'd done business with for two years saw us coming, and I'd see steel shutters slam behind their eyes. We'd get out before they had a chance to reach for the phone. The surface tension of the underworld had been tripled, and everywhere we'd meet that same taut membrane and be thrown back. No chance to sink, to get out of sight.

  Hosaka let us run for most of that first day. Then they sent someone to break Fox's back a second time. I didn't see them do it, but I saw him fall. We were in a Ginza department store an hour before closing, and I saw his arc off that polished mezzanine, down into all the wares of the new Asia. They missed me somehow, and I just kept running. Fox took the gold with him, but I had a hundred new yen in my pocket. I ran. All the way to the New Rose Hotel.

  Now it's time.

  Come with me, Sandii. Hear the neon humming on the road to Narita International. A few late moths trace stopmotion circles around the floodlights that shine on New Rose. And the funny thing, Sandii, is how sometimes you just don't seem real to me. Fox once said you were ectoplasm, a ghost called up by the extremes of economics. Ghost of the new century, congealing on a thousand beds in the world's Hyatts, the world's Hiltons.

  Now I've got your gun in my hand, jacket pocket, and my hand seems so far away. Disconnected. I remember my Portuguese business friend forgetting his English, trying to get it across in four languages I barely understood, and I thought he was telling me that the Medina was burning. Not the Medina. The brains of Hosaka's best research people. Plague, he was whispering, my businessman, plague and fever and death. Smart Fox, he put it together on the run. I didn't even have to mention finding the diskette in your bag in Germany.

  Someone had reprogrammed the DNA synthesizer, he said. The thing was there for the overnight construction of just the right macromolecule. With its in-built computer and its custom software. Expensive, Sandii. But not as expensive as you turned out to be for Hosaka.

  I hope you got a good price from Maas.

  The diskette in my hand. Rain on the river. I knew, but I couldn't face it. I put the code for that meningial virus back into your purse and lay down beside you.

  So Moenner died, along with other Hosaka researchers. Including Hiroshi. Chedanne suffered permanent brain damage.

  Hiroshi hadn't worried about contamination. The proteins he punched for were harmless. So the synthesizer hummed to itself all night long building a virus to the specifications of Maas Biolabs GmbH. Maas. Small, fast, ruthless' — All Edge.

  The airport road is a long, straight shot. Keep to the shadows.

  And I was shouting at that Portuguese voice, I made him tell me what happened to the girl, to Hiroshi's woman. Vanished, he said. The whir of Victorian clockwork.

  So Fox had to fall, fall with his three pathetic plates of gold, and snap his spine for the last time. On the floor of a Ginza department store, every shopper staring in the instant before they screamed. I just can't hate you, baby.

  And Hosaka's helicopter is back, no lights at all, hunting on infrared, feeling for body heat. A muffled whine as it turns, a kilometer away, swinging back toward us, toward New Rose. Too fast a shadow, against the glow of Narita.

  It's all right, baby. Only please come here. Hold my hand.

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