Most of the time, Bunzie felt that he was a flunky who worked for Ruben Mistral; the great man never did the actual scutwork of writing, or editing scripts. That was Bunzie. Mistral was the glad-hander in Beverly Hills; the maven of the talk shows; the one with a thousand associates, contacts, and employees, but no friends. Bunzie had once had friends. Mistral had his business cronies and, now that the movie versions of his books had made him a celebrity, he had "people," those who were paid to like him, and paid to keep anyone else from ever getting close to him. Mistral was cold company for a nice guy like Bunzie. He was necessary though; Bunzie had to admit that. The cold and brilliant Ruben Mistral made merciless deals, paid all the bills, and he enabled Bunzie and Alma to live in a beautiful house in Topanga Canyon. He even tossed a few scraps to worthy charities from time to time. Not a bad guy by the local lights. He made so much money that he could afford to endow a hospital ward. What could good-hearted Bunzie have done without the ruthless Mistral ambition: give quarters to panhandlers? Bunzie knew that if there ever came a time when irreconcilable differences forced one of them to depart from the body for good, it would be Bunzie, not Mistral, who would have to go.
Still, in the brief periods of solitude when Mistral's presence was not required, Bunzie thought back on the old days with nostalgia and regret. If you were a true pal, he told himself, you'd have taken your buddies with you to the Promised Land.
"But I tried," said Bunzie to himself-or rather, to Ruben Mistral, who was sneering as usual. "Didn't I try to get Woodard to go to that Worldcon in the sixties and meet some people? Editors buy stuff from people they know, I told him. But he couldn't take the time off work, he said. And didn't I tell Stormy everything he needed to know about promotion, so that he could make a name for himself with his book? But, oh no, he wanted to be a college professor, and college professors are above that sort of merchandising." On the exercise bike, Bunzie kept pedaling. He had tried to help the old gang; not that some of them needed it. Surn was. a legend, and Deddingfield had been the richest required-reading author he knew. As for the others, he figured that there were some people who could not even have greatness thrust upon them. But he had tried. And sometimes, when Mistral was too busy to sneer at what a bunch of woolly-headed losers they were, Bunzie missed them.
He remembered the pizza. Years ago, when he had just moved out to California to pursue his dream of a screenwriting career, he was living on beans and buying old scripts at the Goodwill, trying to teach himself how to write one, but his letters to the gang scattered up and down the East Coast were always cheerful, full of hope. Bunzie agreed with Churchill that one should be an optimist; there wasn't much point in being anything else. Still, some glimpse of his dire straits must have shown through in the letters, because in the mail one day Bunzie found a check for fifteen dollars and a note saying: "You sound really down. Go buy yourself a pizza." And it was from Dale Dugger! Fifteen dollars must have been hard to spare for Dale back then, but he'd sent it anyhow, not even making it a loan. Just a gift from a pal. Bunzie never forgot that, and even these days, when Alma paid fifteen dollars for a cake of soap, Bunzie was still touched by the memory of that gesture. They had been his friends, not like this new bunch with their little axes to grind, their deals to make.
That was why Bunzie, ignoring the protests of Ruben Mistral, had agreed to organize the Lanthanides' reunion. George Woodard had called him about it, bubbling over with enthusiasm, but short of money as usual, and completely hopeless when it came to organization. If George handled it, it would end up being a three-man get-together in a cheap motel, and nothing would come of the book. Bunzie saw the potential, and he was pleased at George's eager display of gratitude when he volunteered to take over. Sometimes it helped to be famous. "Leave it to me," he had told George. Poor old humbug, thought Bunzie with a sigh; this reunion will be the thrill of a lifetime for George. Who could I bring along as a treat for him? Nimoy? Bob Silverberg? But he dismissed the idea of bringing other celebrities. That would mean that Ruben Mistral would have to come, too, and he'd insist on bringing some bimbo starlet to impress his pals. Bunzie didn't want that to happen. He wanted this weekend trip to yesteryear to belong just to him. But he wanted it well organized, and he wanted its potential mined to the fullest.
Wall Hollow, Tennessee?, one of his "people" had sneered. Is that anywhere near Hooterville?
But for once Bunzie had overruled the snobbery of Ruben Mistral and his minions. This time he wasn't going to take no for an answer. Dale Dugger had been dead for thirty years, but still there was a debt there that Bunzie wanted to pay. And a debt of friendship to poor old hopeless George Woodard, and to Conyers and Erik, and to the memory of that silly ass Pat Malone, who might have made it if he'd lived.
So Ruben Mistral would call in favors from a few influential people in the media, and he'd start the publicity ball rolling about the proposed anthology in the time capsule. He couldn't even remember what he'd written for it anymore. But he did remember doing one, handwritten with a cartridge pen in peacock-blue ink. Maybe he could revise it a little before publication. There are limits to the charm of nostalgia. He'd get a couple of his editor friends and his New York agent, and some movie people to film the event, and he'd fly the whole caboodle of them first class to the Tri-Cities Airport outside Blountville, Tennessee.
Then what? God only knew what accommodations there'd be. He had people working on it, though. They would charter the nearest acceptable motel. Maybe two motels. No point in having the press and the editors underfoot all the time. They were all a bunch of kids, anyway.
The thing was a natural from a publicity standpoint. A sunken city, a buried time capsule full of priceless manuscripts, a reunion of the giants-hell, the thing could be a movie in itself. (The Mistral part of his mind delegated somebody to work on that.) With all the hype he could arrange (Steve King to write the introduction to the anthology, maybe?), the collection of stories in that time capsule could be worth a pot of money. They could easily get a million at a literary auction. Not that Ruben Mistral needed the money-Bunzie hastily told himself that he was doing it for old times' sake-but the prospect of a big literary kill would make things more interesting. Why shouldn't they capitalize on it? And he'd split it with the gang. They certainly needed the cash. Say, ten percent for each of them, the rest to him…
The wall phone by the exercise bike buzzed once, and, still pedaling rhythmically, he picked it up. "Ruben Mistral here," said a cold, smooth voice.
And he was.
Chapter 5
Real Soon Now-When the MSFS/DSFL was going to have: a convention, a decent fanzine,
an active membership, a properly run meeting, and many other fine things that didn't quite happen.
– Fancyclopedia II
"I am looking," said Marion Farley. "It isn't on the map, I tell you!"
It was a blazing day in late July, and the reunion journey to Tennessee had begun. Jay Omega was driving his other car (the gray Oldsmobile he used for trips and for times that his MG was in the shop; i.e. the car he used), and Marion had been assigned to the front passenger seat on the condition that she act as navigator and that she use her reading glasses when consulting the map. She was dressed for the expedition in khaki shorts, an Earth Day T-shirt, and several layers of sun block. Jay had suggested that the outfit needed chukka boots and a riding crop to really complete the look, but Marion was not amused.
Erik Giles, in a white suit and straw hat, looking like a clean-shaven version of Mark Twain, was settled into the backseat, reading the current issue of Atlantic.
"I thought they saved Wall Hollow," said Marion, running her finger over the area south of Johnson City. "I mean, I thought that a new town bearing that name still existed. Didn't the TVA move the church and several of the town buildings to higher ground? I thought that some of the residents moved there."
"They did," said Jay Omega. "I asked Wulff in civil engineering about it. Dams are his specialty. According
to him, the present village of Wall Hollow is one street, with half a dozen buildings, one general store, and a scattering of houses. It's smaller than it was in the old days before the lake. Rand-McNally didn't think it worth mentioning."
Erik Giles leaned forward and peered between the seats for a closer look at the map of Tennessee. "Never mind," he said. "I know how to get there. See if you can find Hampton on the map."
With her nose almost touching the map, Marion finally announced, "Hampton. Got it. Highway 321. It doesn't look very large, either."
"I don't suppose it is. It wasn't much more than a crossroads in the early fifties. Back when we lived on the farm, the little diner and service station there kept a black bear in a cage as a tourist attraction. Tourists used to buy bottles of chocolate soda to feed it, and the bear would hold the bottle in its forepaws and chug it down in one gulp."
Marion looked stern. "If that is an example of the good old days, I'm thankful to have missed them."
"Look at the map again," said Jay Omega, hoping to forestall another of Marion's lectures. "We're not going to Wall Hollow, are we? I thought the reunion was being held somewhere nearby."
Marion consulted the reunion brochure, a three-paneled flier on baronial ivory paper. It had been printed in considerable style by MistralWorld, Inc. and mailed to everyone connected with the science fiction genre. On the front was a blue computer-designed graphic of Atlantis sinking beneath the waves, and above it in gold-foil avant garde script were the words: Return of the Lanthanides. The first panel gave a brief history of the Lanthanides and the fate of Dugger's farm, probably taken from a reference work on science fiction, since several of the less important members were omitted altogether (Woodard, Giles, Conyers). The center panel gave a schedule of events, culminating with the Saturday trek to the newly drained Fan Farm to recover the time capsule (proceedings to be filmed by the television program A Current Affair). The literary auction would take place on Sunday morning, followed by a press conference with the surviving Lanthanides and their newly acquired publisher, the high bidder of the auction. The last panel, authorship credited to George Woodard of Alluvial, listed the contents of the time capsule and a brief description of the mini-con weekend that led to its creation. One of the two back panels provided a map of the Gene C. Breedlove Lake area of east Tennessee, with instructions on how to get there by air or car, and the last panel said "MistralWorld Productions" in the customary and instantly recognizable flourish.
"There is a map on the back of the folder," Marion announced. "According to this, we are staying at a state park motel on the shores of Breedlove Lake."
Jay Omega snickered. "Not the Breedlove Inn?"
"Alas, no," grinned Marion. "It's called the Mountaineer Lodge. It's beside the dam, on the western side of the lake, a few miles from the present Wall Hollow."
"The best local motel by a dam site," chuckled Erik Giles.
Marion turned to stare at him. "I thought you didn't make puns anymore."
He sighed. "It's the reunion. God knows what I shall be saying and doing after a few hours of their collective presence. Singing 'Shrimp Boats,' I expect. I hope we don't shock the editors."
Marion consulted the brochure. "Not much chance of that. I believe they will be lodging at the Holiday Inn in Johnson City so as not to cramp your style."
"I suppose Bunzie will have them bused in for the auction."
"You wouldn't shock the editors, anyway," said Jay Omega. "Writers are supposed to be eccentric. Besides, they're filming this reunion, aren't they? If you all clown around, the media will love it. It will be good for the auction."
"They're having a literary auction in Wall Hollow, Tennessee?" said Marion. "That doesn't sound like publishing as we know it, Jay, because your editor wouldn't cross the street…"
"I know," said Jay, "but this is a publicity deal. Remember that the whole thing is going to be filmed for national television, and Mistral is connected with the movies. Even New York is impressed by the presence of movie people."
"It's Bunzie's doing, I am certain," said Erik Giles. "He had an instinctive grasp of publicity. He faxed press releases to Publishers Weekly and to all the major newspapers, announcing the reunion. A couple of reporters are actually being sent down to cover it. To me it all sounds like a scheme to get an outrageous sum for the anthology. I confess that I am not averse to such a plan."
"It will probably work, too," said Marion after a moment's consideration. "People don't buy books unless they've heard of them. All of this star-studded publicity could turn this into a bestseller."
"That would be a pleasant surprise after all these years."
"Aren't you worried about what the English department will say when they find out who you really are?" asked Jay Omega.
Erik Giles looked startled. "What do you mean?"
"C. A. Stormcock."
The professor smiled. "I imagine that the department will forgive that youthful indiscretion if I promise not to lapse again."
"Don't you think you might like to write science fiction again?"
He shook his head. "Definitely not. To quote Mr. Woody Alien, I plan to take the money and run."
"Well, the auction should provide you with plenty of that," said Jay Omega.
"Do you think Alien Books will be there to bid?" asked Giles.
"No," said Jay, reddening a little at the mention of his neglectful publishers. "They only do paperbacks. I don't think they could afford a deal of this magnitude."
"They're probably all in summer school, anyhow," giggled Marion, who contended that Alien Books filled its editorial vacancies by calling the Runaway Hotline.
"Well, it should be a very profitable venture for you, Erik," said
Jay. "Imagine getting thousands of dollars for a short story thirty-five years later. What was your story about, anyhow?"
Erik Giles smiled ruefully. "I've been trying to remember. I believe that all our stories were very much in the style we later became known for. Surn did a story on colonialism set on a distant planet; my old friend-er-Pete-Deddingfield, I mean, wrote a poetic alien encounter thing that reminded me of Moby Dick. Or maybe / wrote that one. We lived in each other's pockets in those days, and some of us dabbled in each other's styles. Well, if Pete wrote that one, then I think I wrote one about a man dying of radiation poisoning."
Marion shuddered. "In 1954?"
"Oh, yes. The Fan Farm library had a paperback copy of Hiroshima by John Hersey, and I remember being very struck by his account of the aftermath of the bombing."
"It will be an interesting story to read in today's world," Jay remarked.
Giles blushed. "I hope I got my details right. We didn't do much research in our Fan Farm days. Too far from a library."
"Do you remember anyone else's story?"
"Dugger wrote a high-tech yarn from the point of view of an alien PFC. He was drawing on his army experiences. I remember laughing a lot when he read it. Dugger had a keen sense of irony." He paused for a moment, remembering his friend. "Let's see, who have I forgotten? Woodard. I can't remember Woodard's story. I never could. Not even five minutes after I'd read one of them. And, of course, poor old Curtis wrote about demons."
Marion nodded. "Curtis Phillips. I don't suppose any of you realized back then?"
"No, of course not. We thought he was a fine storyteller with a gifted imagination and a genius for description. We had no idea."
"Such a pity," sighed Marion. "He was a gifted writer."
"I'm not following this," said Jay Omega. "What didn't they realize? What was a pity?"
"About Curtis Phillips," said Marion. "The great fantasy author who wrote Demon in My View. He was considered the successor to Lovecraft, and he wrote a whole series of novels and stories relating his characters' lives and even world events to the intercessions of demons."
"I haven't read any of Phillips' books, but I've heard of him. He's supposed to have been a brilliant fantasy writer. What is so tragic about hi
m?"
"He was writing nonfiction," said Marion softly.
The four-lane highway that led from southwest Virginia into east Tennessee was built to run through the flattest and widest of the valleys so that it missed most of the beautiful mountain scenery of the Blue Ridge, but it was the fastest and most efficient route. On this trip, no one bothered to look at the scenery. When the three professors ran out of conversation, Jay Omega turned the car radio to the local National Public Radio station and lost himself in a program of classical music, while Erik Giles dozed in the backseat.
Marion soon lost interest in the novel she had brought along. The bulletin board was right about Warren, she thought. Deprived of other distractions, she thought about the weekend ahead, and the phrase there but for the grace of God go I came to mind and would not be dispelled.
The prospect of attending a reunion of old fans of science fiction reminded Marion of the days when she had been a member of fandom herself, and her memories were not altogether pleasant ones. I wonder why Erik asked us to come along with him, she thought. They had never asked him to explain the invitation, which, after all, could be considered an honor, but after the initial excitement wore off, Marion found herself questioning her colleague's motives. Erik Giles had hinted that he was worried about his health and that he did not want to travel alone, but he seemed completely recovered from his heart attack of the year before, and she wondered if that was the real reason for his asking them or just a convenient excuse. Of course, meeting the famous Lanthanides, and all the agents and movie people who attended them, might be good for Jay's career, but she doubted if he had the drive to pursue it. Although Jay Omega was a nationally published novelist, he was essentially a hobby writer, quite content to be an electrical engineer. He had no reason-financial or otherwise-to put forth the time and effort to become a successful full-time writer. He was happy in engineering, and in that profession he was considerably better paid than most writers. If Jay had wanted to try for a serious career as a novelist, Marion would have helped him, but she knew better than to push him. You couldn't change people. She had learned that finally, after ten years and half that many relationships.
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