by Michael Haas
An die Freude (Schiller) (i)
Andreasfest (Gramman) (i)
Andromache (Windt) (i)
Ansermet, Ernest (i), (ii)
Antheil, George (i)
Anthony Adverse (film) (i)
Anthroposophy movement (i)
anti-Romantics (i)
anti-Romanticism (i)
Jewish response to neo-Romanticism (i)
overview (i)
Schott & Sons (i)
Wellesz (i)
anti-Semitism
anti-Romantics (i), (ii), (iii)
Berlin cabaret (i), (ii)
Catholicism (i), (ii)
exile and worse (i), (ii), (iii), (iv)
German and Jewish identity (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)
Krenek (i), (ii)
liberalism, Brahms and Hanslick (i), (ii), (iii), (iv), (v)
Mahler and Korngold (i), (ii), (iii)
musical migration (i), (ii), (iii)
music for the masses (i)
Nazi regime (i), (ii), (iii), (iv), (v), (vi), (vii)
Nordau (i), (ii)
resolute Romantics (i), (ii), (iii), (iv)
restitution after Hitler (i)
Schreker (i), (ii), (iii)
Wagner and German Jewish composers (i), (ii), (iii), (iv), (v)
Weininger (i), (ii)
Arandora Star, SS (i)
Arendt, Hannah (i), (ii), (iii)
Arlecchino (Busoni) (i)
Arma, Paul (Imre Weisshaus) (i)
Der arme Heinrich (Pfitzner) (i), (ii)
Arnold, Malcolm (i)
art
Altenberg on (i)
assimilation of Jews (i)
Eisler on (i), (ii)
ethics (i)
Expressionism (i), (ii)
Furtwängler and Goebbels (i)
liberalism (i)
modernism (i)
‘New Objectivity’ (i)
Reichskulturkammer (RKK) (i)
Arts Council (i), (ii), (iii)
The Art-work of the Future (Wagner) (i)
Der Arzt der Sobeide (Sobeide's Doctor) (Gál) (i)
Asquith, Margot (Lady Oxford) (i), (ii)
atonal music (i), (ii), (iii), (iv), (v), (vi), (vii)
Auernheimer, Raoul (i), (ii), (iii)
Aufstieg und Fall der Stadt Mahagonny (Weill) (i), (ii), (iii), (iv), (v)
Auschwitz (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)
Austria
annexation (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)
Austrian Leagues (i)
Catholicism (i)
dictatorship (i), (ii)
exile and worse (i), (ii), (iii), (iv)
fin de siècle (i)
German and Jewish identity (i), (ii), (iii), (iv), (v)
liberalism, Brahms and Hanslick (i), (ii)
musical migration (i), (ii), (iii), (iv), (v)
Republic declared (i), (ii)
restitution after Hitler (i), (ii), (iii), (iv)
World War I (i), (ii), (iii), (iv), (v)
Austria-Hungary (i), (ii), (iii), (iv), (v), (vi)
The Austrian Mind (Johnston) (i)
‘The Austrian Studio’ series (i)
Autobiographical Sketches (Wagner) (i)
Bab, Julius (i)
Babbitt, Milton (i)
Baby an der Bar (Grosz) (i)
Bach, Johann Sebastian (i), (ii)
Bacher, Eduard (i), (ii)
Baden-Baden festival (i), (ii), (iii), (iv)
Bahr, Hermann (i)
Die Bakchantinnen (Wellesz) (i), (ii), (iii), (iv)
Bakunin, Mikhail (i)
Balázs, Béla (i), (ii)
Ball, Hugo (i)
Ballin, Albert (i)
Bambi – a Life in the Woods (Salten) (i), (ii), (iii)
Bartók, Béla (i), (ii), (iii), (iv), (v)
Battleship Potemkin (film) (i), (ii), (iii)
Bauer-Lechner, Natalie (i)
Bauhaus (i), (ii), (iii)
Baumann, Kurt (i), (ii)
BBC (British Broadcasting Corporation) (i), (ii)
Becher, Johannes R. (i)
Beecham, Sir Thomas (i)
Beer, Joseph (i)
Beethoven, Ludwig van (i), (ii), (iii), (iv), (v), (vi)
Beethoven und die Moderne (Pfitzner) (i)
Die beiden Klaas (Gál) (i), (ii), (iii)
Bekenntnisoper (operas of avowal) (i)
Bekker, Paul (i), (ii), (iii), (iv), (v), (vi), (vii)
Benatzky, Ralph (i), (ii), (iii)
Benedikt, Ernst (i), (ii)
Benedikt, Moritz (i), (ii)
Ben-Haim, Paul (i)
Beninger, Eduard (i)
Benjamin, Arthur (i), (ii)
Benjamin, Walter (i)
Benn, Gottfried (i)
Berg, Alban
anti-Romantics (i), (ii), (iii)
Jewish response to neo-Romanticism (i)
Lulu (i), (ii), (iii), (iv)
Piano Sonata Op. 1 (i)
Schreker (i)
Three Orchestral Pieces (i)
Wozzeck (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix)
Bergman, Ingrid (i)
Berkeley, Lennox (i)
Berlau, Ruth (i)
Berlin
cabaret (i), (ii)
Eisler (i), (ii), (iii)
Jugendstil/Vereinigung (i)
migration to (i), (ii), (iii), (iv)
‘New Objectivity’ (i)
Berlin Alexanderplatz (film) (i)
Berlin Cabaret (Jelavich) (i)
Berlin: die Sinfonie der Großstadt (film) (i), (ii)
Berlioz, Hector (i), (ii), (iii), (iv)
Berman, Karel (i), (ii)
Bethge, Hans (i)
Bettauer, Hugo (i)
‘Between Hell and Purgatory’ (anon) (i)
Beveridge, William (i)
Bianca (Brüll) (i)
‘Biedermeier Age’ (i)
Bierbaum, Otto Julius (i), (ii)
Bilke, Rudolf (i)
Billroth, Theodor (i)
Billy Budd (Britten) (i)
Bing, Rudolf (i), (ii), (iii), (iv), (v)
The Birds (Braunfels) (i)
Bismarck, Otto von (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix)
Bittner, Julius (i), (ii), (iii), (iv), (v), (vi)
Blacher, Boris (i)
Der Blaue Reiter (i), (ii)
Blau, Jenő (Eugene Ormandy) (i)
Blech, Leo (i), (ii), (iii)
Blei, Franz (i)
Blessinger, Karl (i)
Bloch, Ernst (i)
Blücher, Heinrich (i)
The Blue Angel (film) (i), (ii), (iii)
Blum, Robert (i)
Bock, Gustav (i)
Boehmer, Konrad (i)
Bogart, Humphrey (i)
Bohemia (i), (ii), (iii), (iv), (v)
Des Bohémiens et de leur musique en Hongrie (Liszt) (i)
Böhm, Karl (i)
Bois, Curt (i)
Bolshevism (i), (ii), (iii), (iv), (v)
Bonno, Giuseppe (i)
Book of the Hanging Gardens (Schoenberg) (i), (ii)
Boris III, Tsar (i)
Borngräber, Otto (i)
Born, Max (i)
Bote & Bock (i), (ii)
Botstein, Leon (i), (ii), (iii)
Boulez, Pierre (i), (ii), (iii)
Boult, Adrian (i), (ii), (iii), (iv)
Brachvogel, Albert Emil (i)
Brahms, Johannes
Academic Festival Overture (i), (ii)
Aryanisation of music business (i)
death of (i)
Gál (i), (ii)
Goldmark, Hanslick and Brahms (i), (ii)
Hanslick (i), (ii), (iii), (iv), (v), (vi)
Hungarian Dances (i)
influence of (i)
Korngold (i)
liberalism (i), (ii), (iii)
musical world and Jews (i)
‘Old Germa
n School’ (i)
Triumphlied (i)
Wagner (i), (ii), (iii)
Zemlinsky and Schoenberg (i)
Brainin, Norbert (i)
Brand, Max (i), (ii), (iii), (iv), (v), (vi)
Brandts-Buys, Jan (i)
Braslavsky, Salomon (i)
Braunfels, Walter
The Birds (i)
Catholicism (i)
Don Gil von den grünen Hosen (i), (ii)
on emigration (i), (ii)
Jewish response to neo-Romanticism (i), (ii)
‘New Objectivity’ (i)
Prinzessin Brambilla (i)
Szenen aus den Leben der heiligen Johanna (i), (ii)
Der Traum ein Leben (i)
Die Verkundigung (i)
Die Vögel (i), (ii), (iii)
Brecher, Gustav (i)
Brecht, Bertolt
Eisler (i), (ii), (iii), (iv)
Expressionism (i)
films (i), (ii)
The Seven Deadly Sins (i)
Threepenny Opera (i), (ii), (iii)
Brendel, Franz (i)
Breuer, Josef (i)
Breuer, Robert (i)
Britain see Great Britain
Brith, B'nai (i)
British Petroleum (BP) (i)
British Union of Fascists (BUF) (i), (ii)
Britten, Benjamin (i), (ii), (iii)
Broch, Hermann (i)
Brod, Max (i), (ii)
Bruch, Max (i)
Die Brücke movement (i)
Bruckner, Anton (i), (ii), (iii), (iv), (v), (vi), (vii)
Brüll, Ignaz (i), (ii), (iii), (iv)
Buber, Martin (i), (ii)
Büchner, Georg (i), (ii), (iii)
Budai, Pál (i)
Bulgaria (i), (ii)
Bülow, Bernhard von (i)
Bundestag (i), (ii)
Bunge, Hans (i)
Burckhard, Max (i)
Die Bürgschaft (Weill) (i), (ii)
Burgstaller, Valeska (i)
Burschenschaften (academic fraternities) (i), (ii)
Busch, Ernst (i), (ii)
Busch, Fritz (i), (ii), (iii), (iv), (v)
Bush, Alan (i)
Busoni, Ferruccio (i), (ii), (iii), (iv)
Butting, Max (i), (ii)
Byrns, Harold (i)
cabaret, Berlin (i)
Café des Westens (i)
Café Griensteidl (i)
Café Größenwahn (‘Café Megalomania’) (i)
Cage, John (i), (ii), (iii)
Cagliostro in Wien (Strauss) (i)
Cagney, James (i)
Canetti, Elias (i)
Cantata of the Bitter Herbs (Toch) (i)
Caplet, André (i)
Cardillac (Hindemith) (i)
Cargaison Blanche (film) (i)
Casablanca (film) (i), (ii)
Casals, Pablo (i)
Catherine the Great (film) (i)
Catholicism
anti-Semitism (i), (ii)
German and Jewish identity (i), (ii), (iii)
liberalism (i)
Mahler (i)
musical migration (i), (ii)
Nazi regime (i)
Nordau (i)
restitution after Hitler (i), (ii)
Wellesz (i), (ii)
CCF see Congress for Cultural Freedom
Celan, Paul (i)
Celibidache, Sergiu (i)
The Cenci (Shelley) (i)
Chamberlain, Hilda (i)
Chamberlain, Houston Stewart
The Foundations of the Nineteenth Century (i), (ii), (iii)
Jewish response to neo-Romanticism (i), (ii)
Romantic renewal (i)
Wagner's political and cultural legacy (i)
Wilhelm II (i)
Chamberlain, Joseph (i)
Chamberlain, Neville (i), (ii)
Chamber Symphony (Schreker) (i)
Les chants du silence (Arma) (i)
Chaplin, Charlie (i)
Chopin, Frédéric (i)
Das Christelflein (Pfitzner) (i)
Christianity (i), (ii), (iii), (iv), (v)
Christian Social Party (i), (ii)
Christie, Sir John (i)
Christophorus, oder die Vision einer Oper (Schreker) (i)
Churchill, Winston (i), (ii), (iii), (iv)
CIA (Central Intelligence Agency) (i), (ii), (iii), (iv)
cinema see film music
The City without Jews (Die Stadt ohne Juden) (Bettauer) (i)
Clemenceau, George (i)
Closel, Amaury du (i)
Clossmann, Eleonore von (i), (ii)
Coates, Albert (i)
Cold War (i), (ii)
Communism (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix)
Composing for Films (Eisler and Adorno) (i), (ii), (iii)
Concertante Musik (Blacher) (i)
Congress for Cultural Freedom (CCF) (i), (ii)
Congress of Vienna (i), (ii), (iii), (iv), (v), (vi)
Congreve, William (i)
Constitution of 21 December (i)
Contemporary German Music (Louis) (i)
Cooke, Deryck (i)
Cowell, Henry (i)
Cowen, Frederic Hymen (i)
Crimean War (i)
Le Crime de Monsieur Lange (film) (i)
La crise est finie (film) (i)
Csipák, Károly (i)
‘Cultural Federation for German Renewal’ (i)
Cultural League Orchestra and Chorus (i)
The Cunning Little Vixen (Janáček) (i), (ii)
Czechoslovakia (i), (ii), (iii), (iv), (v)
Dachau (i), (ii)
Dadaism (i)
DAF see Deutsche Arbeitsfront
Dammert, Udo (i)
Dantons Tod (Büchner) (i)
da Ponte, Lorenzo (i)
Darmstadt summer courses (i), (ii), (iii)
Dauber, Adolf ‘Dol’ (i)
Dauber, Robert (i)
David, Ferdinand (i)
David, Johann Nepomuk (i)
Davidov, Karl (i)
Debussy, Claude (i), (ii), (iii), (iv)
December Constitution of 1867 (i), (ii)
de Havilland, Olivia (i), (ii)
Dehmel, Richard (i)
Deirdre of the Sorrows (Rankl) (i), (ii)
Delius, Frederick (i)
denazification (i), (ii), (iii), (iv), (v), (vi), (vii)
Denison, John (i)
Denkmäler der Tonkunst in Österreich (Adler) (i), (ii), (iii), (iv)
Dent, Edward (i), (ii), (iii), (iv)
De Profundis (Gál) (i)
Descartes, René (i)
Dessau, Paul (i), (ii), (iii), (iv), (v)
Deutsch, Jenő (i)
Deutsch, Otto Erich (i)
Deutsche Arbeitsfront (DAF) (German Workers’ Front) (i)
Deutsche Chansons (Bierbaum) (i)
Deutsche Musikalien Verleger Verein (DMVV) (i)
Deutsche Sinfonie (Eisler) (i), (ii)
Dietrich, Marlene (i), (ii), (iii)
dodecaphonic (twelve-tone) composition (‘serialism’) (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix)
Dohnányi, Ernst von (i)
Dohnányi, Hans von (i)
Doktor Faustus (Mann) (i), (ii), (iii)
Dollfuß, Engelbert (i), (ii), (iii), (iv), (v)
Donaueschingen festival (i), (ii), (iii)
Don Gil von den grünen Hosen (Braunfels) (i), (ii)
Don Juan's Last Adventure (Graener) (i)
Doráti, Antal (i)
Downfall of Western Civilisation (Spengler) (i)
Dreigroschenoper (Weill) (i)
Die Drei Pintos (Weber) (i)
Dreyfus Affair (i), (ii), (iii)
Dudow, Slatan (i)
Duke Bluebeard's Castle (Bartók) (i)
Dunera (ship) (i)
Dvořák, Antonin (i)
Dyson, Sir George (i)
Ebert, Carl (i), (ii)
Ebinger, Blandine (i)
Ebner, Ferdinand (i)
Eckermann, Johann Peter (i)
Edinburgh Festival (i), (ii)
Edschmid, Kasimir (i)
Eggebrecht, Hans Heinrich (i)
Eichendorff, Joseph Freiherr von (i)
Eichrodt, Ludwig (i)
Eine Nacht in Venedig (Strauss) (i)
Ein Lied geht um die Welt (film) (i)
Einsatzgruppe D (i)
Einstein, Albert (i)
Einstein, Alfred (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix)
Eisenstein, Sergei (i), (ii), (iii)
Eisler, Charlotte (i)
Eisler, Elfriede (Ruth Fischer) (i), (ii), (iii), (iv)
Eisler, Gerhart (i), (ii), (iii), (iv)
Eisler, Hanns
agitprop (i), (ii), (iii)
Berlin (i), (ii), (iii), (iv)
Composing for Films (i), (ii), (iii)
Deutsche Sinfonie (i), (ii)
Eisler family (i)
emigration (i), (ii), (iii), (iv), (v), (vi)
Erich Korngold (i), (ii)
Expressionism (i)
film music (i), (ii), (iii), (iv), (v), (vi)
Gál (i)
Holländer (i)
Hollywood Songbook (i)
Jugendstil school (i), (ii)
Krenek (i)
‘New Objectivity’ (i), (ii), (iii)
overview (i)
Palmström (i)
restitution after Hitler (i), (ii), (iii), (iv)
Vierzehn Arten den Regen zu Beschreiben (Fourteen Ways of Describing the Rain) (i), (ii)
Zeitungsausschnitte (Newspaper Clippings) (i)
Eisler, Ida Maria (i)
Eisler, Louise (i), (ii), (iii)
Eisler, Rudolf (i), (ii), (iii)
Elektra (Strauss) (i)
Eleonore Maria Windisch-Graetz, Princess (i), (ii)
Elijah (Mendelssohn) (i)
Émigrés in the Classroom (Hailey) (i)
Emil and the Detectives (film) (i)
Enabling Act (i)
Endler, Franz (i)
Engel, Joel (i)
England (i), (ii), (iii), (iv)
Enlightenment (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)
Epstein, Julius (i)
Erdmann, Eduard (i)
Erkenne Dich selbst (Know yourself) (Wagner) (i)
Erlanger, Camille (i)
Eroica (Beethoven) (i)
Erwartung (Schoenberg) (i), (ii), (iii), (iv)
Essai sur l'inégalité des races humaines (Gobineau) (i)
Esslin, Martin (i)
Es war einmal (Zemlinsky) (i), (ii), (iii)
ethics (i), (ii), (iii), (iv)
Etienne, Michael (i)
Ettinger, Max (i)
Eulenburg, Kurt (i)
Évian Conference (i), (ii)
Expressionism (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix)
Der Fächer (Toch) (i)
Die Fackel (i), (ii), (iii)
Falke, Gustav (i), (ii)
Falling in Love Again (Holländer) (i)
Fall, Leo (i), (ii), (iii), (iv), (v), (vi)
Fall, Richard (i)
Fanta, Robert (i)
fascism (i), (ii), (iii)
Fata Morgana (Hellmesberger) (i)
Fatherland Europe (Huberman) (i)
