by Michael Haas
Neue Freie Presse (i), (ii), (iii), (iv), (v), (vi)
anti-Semitism (i)
anti-Wagnerian (i)
Expressionism (i)
fin de siècle Austria (i)
German and Jewish identity (i), (ii), (iii)
Hanslick's musical world (i), (ii), (iii), (iv), (v), (vi)
Krenek (i)
Mahler and Korngold (i), (ii), (iii), (iv), (v), (vi)
musical migration (i), (ii), (iii)
Nazi regime (i), (ii), (iii), (iv)
Nordau (i)
Schreker (i)
sex education (i)
Wellesz (i), (ii)
Neue Sachlichkeit see ‘New Objectivity’
Neues vom Tage (Hindemith) (i), (ii)
Neue Zeitschrift für Musik (Uhlig) (i)
Neumann, Angelo (i)
Neuwirth, Gösta (i)
The New Aesthetic of Musical Impotence (Pfitzner) (i), (ii), (iii)
‘New German School’ (i), (ii)
Newman, Alfred (i)
Newman, Ernest (i), (ii)
‘New Objectivity’ (Neue Sachlichkeit)
anti-Romantics (i), (ii), (iii)
Berlin cabaret (i)
Expressionism (i), (ii)
Jewish response to neo-Romanticism (i)
musical consequences of change (i)
music for the masses (i)
Nazi regime (i), (ii)
political science of music (i)
restitution after Hitler (i), (ii)
Toch (i), (ii)
‘The New Opera’ (Weill) (i)
New School of Social Research, New York (i)
Nicolai, Carl Otto Ehrenfried (i), (ii)
Niemann, Walter (i)
Nietzsche, Friedrich (i), (ii), (iii), (iv)
Nikisch, Arthur (i)
Nissel, Siegmund (i)
No Monkey Business (film) (i)
Nordau, Max (i), (ii)
Nordenstrom, Gladys (i)
‘November Group’ (‘Die Novembergruppe’) (i), (ii), (iii), (iv)
Nowak, Leopold (i), (ii), (iii)
Now Voyager (film) (i)
Nuit et brouillard (film) (i)
Nuremberg laws (i), (ii)
Das Nusch-Nuschi (Hindemith) (i)
Ocean symphony (Rubinstein) (i)
‘October Diploma’ of 1860 (i)
Oedipus Rex (Stravinsky) (i)
Offenbach, Jacob (Jacques) (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)
Of Musical Beauty (Vom Musikalisch-Schönen) (Hanslick) (i), (ii), (iii)
Ohlendorf, Otto (i)
Olbrich, Joseph Maria (i)
‘Old German School’ (i), (ii), (iii), (iv), (v)
‘Old Reich’ refugees (i)
The Oppermanns (Feuchtwanger) (i)
L'or dans la rue (film) (i)
Orff, Carl (i), (ii)
Ormandy, Eugene (Jenő Blau) (i)
Ornament and Crime (Loos) (i)
Orphée aux enfers (Offenbach) (i)
Der Österreichische Kulturbund (i)
Ottoman Empire (i), (ii), (iii), (iv)
Over the Moon (film) (i)
Pabst, Georg (i)
A Paean on Hate For England (Lissauer) (i)
Paganini, Niccolò (i)
Pahlen, Kurt (i)
Palestine (i)
Palestrina (Pfitzner) (i)
Palmström (Eisler) (i)
Panofsky, Erwin (i)
Parsifal (Wagner) (i), (ii), (iii), (iv), (v)
Passacaglia (Goldschmidt) (i)
Pataky, Koloman von (i)
Paul VI, Pope (i)
Paulskirche (St Paul's Church), Frankfurt (i), (ii)
Paulus (Mendelssohn) (i), (ii)
Paumgartner, Bernhard (i)
Pelléas et Mélisande (Debussy) (i)
Pelleas und Melisande (Schoenberg) (i), (ii), (iii), (iv)
Peter Grimes (Britten) (i)
Peter Ibbetson (film) (i)
Peters (publisher) (i), (ii), (iii)
La petite de Parnasse (film) (i)
Petschull, Johannes (i)
Petyrek, Felix (i), (ii), (iii)
Un peu d'amour (film) (i)
Pfitzner, Hans
anti-Romantics (i), (ii), (iii)
Der arme Heinrich (i), (ii)
Beethoven und die Moderne (i)
Das Christelflein (i)
Das Herz (i)
Jewish response to neo-Romanticism (i)
Musical Impotence (i), (ii), (iii)
Palestrina (i)
Von deutscher Seele (i)
Phantastisches Intermezzo (Weigl) (i)
Pierrot Lunaire (Schoenberg) (i), (ii), (iii)
A Pilgrim's Progress (Vaughan Williams) (i)
Piscator, Erwin (i), (ii), (iii), (iv), (v)
Pisk, Paul (i), (ii), (iii), (iv)
Piston, Walter (i)
Pleasants, Henry (i)
pogroms (i), (ii), (iii), (iv)
Poland (i), (ii), (iii), (iv)
Pollak, Egon (i)
Pollock, Jackson (i)
Popper, David (i)
Portugal (i), (ii)
Posa, Oskar Karl (i)
Pötzl, Otto (i)
Prague (i), (ii)
Prélude à l'après-midi d'un faune (Debussy) (i)
Les Préludes (Liszt) (i)
Die Presse (i) see also Neue Freie Presse
Prévert, Jacques (i), (ii)
Previn, André (i)
Priberg, Fred (i)
The Prince and the Pauper (film) (i)
Pringsheim, Katya (i)
Pringsheim, Klaus (i), (ii)
Prinzessin Brambilla (Braunfels) (i)
Prinzessin Brambilla (Rubin) (i)
The Private Lives of Don Juan (film) (i)
‘Das Problem der Form’ (‘The Problem of Form’) (Wellesz) (i)
Prokofiev, Sergei (i)
Prosperos Beschwörungen (The Spells of Prospero) (Wellesz) (i), (ii), (iii)
Protestantism (i), (ii), (iii), (iv)
Protocols of the Elders of Zion (i)
Prussia (i), (ii), (iii), (iv), (v)
Prussian Academy of Arts (i), (ii), (iii)
Psalm 111 (Sulzer) (i)
Publikum und Popularität (The Public and Popularity) (Wagner) (i)
Puccini, Giacomo (i), (ii), (iii), (iv)
Quasi una fantasia (Adorno) (i)
Quasi una fantasia exhibition (i)
Raabe, Peter (i)
Rabinovitch, Freda (i)
Race and Culture (Hertz) (i)
racism (i), (ii), (iii), (iv), (v), (vi), (vii)
Radetzky March (Roth) (i)
Radetzky March (Strauss) (i)
radio (i)
Rain (film) (i)
Ramin, Günther (i), (ii)
Rankl, Karl (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)
Raphael, Günter (i)
Rathaus, Karol (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)
Raus mit den Männern! (Chuck out the Men!) (Holländer) (i)
Rauter, Ferdinand (i), (ii)
RAVAG (i), (ii)
Reagan, Ronald (i)
Redlich, Hans Ferdinand (i)
‘The Re-establishment of the Professional Civil Service’ law (i)
Refugee Children Movement (RCM) (i)
Reger, Max (i), (ii), (iii)
La Règle du jeu (film) (i)
Reichert, Heinz (i)
Reichskristallnacht (i), (ii)
Reichskulturkammer (RKK) (Reich's Chamber of Culture) (i)
Reichsmusikkammer (RMK) (Reich Chamber of Musical Affairs) (i), (ii), (iii)
Reichsverband Jüdischer Kulturbünde (JKB) (i), (ii)
Reiner, Fritz (i), (ii), (iii)
Reinhardt, Max
Berlin cabaret (i), (ii), (iii)
Erich Korngold (i), (ii), (iii), (iv)
ISCM (i)
A Midsummer Night's Dream (i), (ii), (iii)
move to Berlin (i)
return to A
ustria (i)
Weill (i)
Zuckerkandl circle (i)
Reitler, Josef (i), (ii)
Reizenstein, Franz (i)
Renner, Karl (i), (ii)
Renoir, Jean (i)
Resnais, Alain (i)
Réti, Rudolf (i), (ii), (iii), (iv)
Rettich, Wilhelm (i)
Revolution of 1848 (i), (ii), (iii), (iv)
Reznicek, Emil von (i)
Rhine Federation (i), (ii)
Rhineland (i), (ii), (iii)
Richter, Alfred (i)
Richter, Ernst (i)
Riefenstahl, Leni (i)
Rilke, Rainer Maria (i)
Ringelnatz, Joachim (i), (ii)
Ring (Wagner) (i)
RKK see Reichskulturkammer
RMK see Reichsmusikkammer
Robert der Teufel (Robert le Diable) (Meyerbeer) (i)
Robert, Richard (i), (ii)
Rode, Wilhelm (i)
Roger, Kurt (i)
Roller, Alfred (i)
Romanticism
anti-Romantics (i)
anti-Romanticism (i)
overview (i)
Schott & Sons (i)
Wellesz (i)
art and ethics (i), (ii)
Expressionism (i), (ii)
liberalism, Brahms and Hanslick (i), (ii), (iii)
music for the masses (i)
‘New Objectivity’ (i), (ii), (iii), (iv)
resolute Romantics
Chamberlain (i)
Erich Korngold (i)
Hollywood (i)
Jewish response to neo-Romanticism (i)
Romantic renewal (i)
unexpected developments (i)
Wagner and German Jewish composers (i), (ii), (iii)
Romantik in der Musik (Weill) (i)
Rooney, Mickey (i)
Roosevelt, Franklin D. (i), (ii), (iii)
Rosé, Alma (i)
Rosé, Arnold (i)
Rosé Quartet (i), (ii)
Rosen aus Florida (Fall) (i)
Rosenberg, Alfred (i), (ii), (iii), (iv), (v)
Der Rosenkavalier (Strauss) (i), (ii), (iii)
Rosenstock, Joseph (i), (ii), (iii), (iv)
Rossini, Gioachino (i), (ii), (iii)
Rostal, Max (i)
Die Rote Fahne (The Red Flag) (i), (ii)
Rothermere, Lord (i), (ii)
Roth, Joseph (i), (ii), (iii), (iv)
Royal College of Music (i)
Rubenstein, Joseph (i)
Rubin, Marcel (i), (ii)
Rubinstein, Anton (i), (ii), (iii), (iv)
Rubinstein, Arthur (i)
Rudolf, Crown Prince (i), (ii)
Rund um die Gedächniskirche (Ring-Round the Memorial Church) (Holländer) (i)
Russia (i), (ii), (iii), (iv), (v), (vi), (vii)
Ruttmann, Walter (i)
Saar, Ferdinand von (i)
The Sacred Duck (Die heilige Ente) (Gál) (i), (ii), (iii), (iv)
Sadler's Wells (i)
Saint-Germain, Treaty of (i), (ii)
St Louis, MS (i)
St Matthew Passion (Bach) (i)
Sakuntala (Goldmark) (i), (ii)
Salieri, Antonio (i)
Salis, Rodolphe (i)
salons (i), (ii)
Salten, Felix (i), (ii), (iii), (iv), (v), (vi)
Sancta Susanna (Hindemith) (i)
Sander, August (i)
Sander, Horst (i)
Sanderling, Kurt (i)
Šarlatán (Haas) (i)
Sassmann, Hanns (i)
Saunders, Frances Stonor (i)
Sawabe, Yukiko (i)
Saxe-Coburg-Gothas (i), (ii)
Scandinavian Symphony (Cowen) (i)
Schacht, Peter (i)
Schalk, Franz (i)
Schall und Rauch (‘Sound and Smoke’) cabaret (i), (ii), (iii)
Der Schatzgräber (Schreker) (i), (ii), (iii), (iv), (v)
Schenk, Erich (i), (ii), (iii), (iv), (v)
Schenker, Heinrich (i)
Scherchen, Hermann (i), (ii)
Schidlof, Peter (i)
Schiffer, Marcellus (i), (ii)
Schiller, Friedrich (i), (ii), (iii)
Schillings, Max von (i), (ii), (iii), (iv)
Schindler, Alma (i)
Schirach, Baldur von (i)
Schlee, Alfred (i)
Schlesinger, Lotte (i)
Schmidt, Franz (i), (ii), (iii), (iv)
Schmidt, Joseph (i), (ii)
Der Schmied von Gent (Schreker) (i), (ii), (iii), (iv)
Schmitt, Florent (i), (ii)
Schnabel, Artur (i), (ii), (iii), (iv), (v), (vi)
Schnittke, Alfred (i)
Schnitzler, Arthur (i), (ii), (iii), (iv), (v), (vi)
Schnitzler, Heini (i)
Schoenberg, Arnold
anti-Romantics (i), (ii), (iii), (iv), (v)
as arranger (i)
Berlin cabaret (i), (ii), (iii), (iv)
Book of the Hanging Gardens (i), (ii)
Eisler (i), (ii), (iii)
emigration (i), (ii), (iii)
Erwartung (i), (ii), (iii), (iv)
ethics (i), (ii), (iii), (iv)
Expressionism (i), (ii), (iii)
Five Orchestral Pieces (i)
German and Jewish identity (i)
Gurrelieder (i), (ii), (iii)
Harmonielehre (i), (ii), (iii), (iv), (v)
Jewish response to neo-Romanticism (i), (ii)
Kandinsky (i)
Mahler and Korngold (i), (ii)
modernism (i)
Nazi music policy (i), (ii)
Pelleas und Melisande (i), (ii), (iii), (iv)
Pierrot Lunaire (i), (ii), (iii)
purity of art (i)
reconversion (i)
restitution after Hitler (i), (ii)
Schreker (i), (ii), (iii), (iv), (v)
serialism (i), (ii), (iii)
Society of Creative Musicians (i), (ii), (iii)
symphonies (i)
Verklärte Nacht (i), (ii)
Wagner's legacy (i)
Weill (i)
Zemlinsky (i)
Schoenberg, Mathilde (i)
Scholz, Roman Karl (i)
Die schöne Helene (Offenbach/Korngold) (i), (ii)
Schönerer, Ritter von (i)
Schopenhauer, Arthur (i), (ii), (iii), (iv)
Schott (publisher) (i), (ii), (iii), (iv), (v), (vi), (vii)
Schrattenholz, Leo (i)
Schrecker, Ignácz Ferenz (i)
Schrečker, Isak (i), (ii)
Schreker, Franz
Anbruch (i)
anti-Romantics (i), (ii), (iii)
Chamber Symphony (i)
Christophorus, oder die Vision einer Oper (i)
death of (i), (ii), (iii)
Expressionism and composition pupils (i), (ii)
Der ferne Klang (i), (ii), (iii), (iv), (v)
German and Jewish identity (i), (ii)
Die Gezeichneten (i), (ii), (iii), (iv), (v)
Havemann (i), (ii)
Irrelohe (i), (ii)
Jugendstil school (i), (ii), (iii)
Korngold (i), (ii)
resolute Romantics (i), (ii), (iii), (iv), (v)
Der Schatzgräber (i), (ii), (iii), (iv), (v)
Der Schmied von Gent (i), (ii), (iii), (iv)
Der Singende Teufel (i), (ii)
Das Spielwerk und die Prinzessin (i), (ii), (iii)
spirituality of music (i)
Vorspiel zu einer großen Oper (i)
Schreker, Maria (i), (ii), (iii)
Schröder, Gustav (i)
Schubert, Franz (i), (ii), (iii), (iv), (v)
Schulhoff, Erwin (i), (ii), (iii), (iv), (v)
Schul, Zikmund (Siegmund) (i)
Schumann, Clara (i)
Schumann, Robert (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)
Schuricht, Carl (i)
Schusschnigg, Kurt (i), (ii), (iii)
Schütz, Max (i)
Schwarzkopf, Elisabeth (i)
Die schweigsame Frau (Strauss/Zweig) (i), (ii)
Schwitters, Kurt (i)
science (i), (ii), (iii), (iv), (v)
Scott, Cyril (i), (ii)
Scott, William (i)
The Sea Wolf (film) (i)
Secessionist movement (i), (ii), (iii), (iv), (v)
‘The Secret Terror’ (Heinsheimer) (i)
Die Seejungfrau (Zemlinsky) (i), (ii), (iii)
Seiber, Mátyás (i), (ii)
Semigotha (Witkenberg) (i), (ii)
Serbia (i), (ii), (iii), (iv)
Serenade (Dauber) (i)
serialism (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix)
Serkin, Rudolf (i), (ii)
The Seven Deadly Sins (Weill/Brecht) (i)
sex (i), (ii), (iii), (iv), (v)
Sex and Character (Weininger) (i), (ii)
Sgarnarelle (Grosz) (i)
Shakespeare, William (i), (ii), (iii), (iv)
Shelley, Percy Bysshe (i)
Shir Zion (Sulzer) (i)
Short, Hassard (i)
Shostakovich, Dmitri (i), (ii), (iii)
shtetls (i), (ii)
Der Silbersee (Weill) (i), (ii)
Silone, Ignazio (i)
Simon, James (i), (ii), (iii)
Simon, Sir John (i)
Simplicissimus (‘Simpl’),Munich (i)
Simpson, Sir John Hope (i)
Simrock (publisher) (i), (ii)
Der Singende Teufel (Schreker) (i), (ii)
Singer, Kurt (i), (ii), (iii), (iv)
Sketch of a New Aesthetic of Music (Busoni) (i), (ii)
Smith, Jack (i)
Smyth, Ethel (i)
Socialist Realism (i), (ii)
Society for the Promotion of Jewish Music (i), (ii)
Society of Creative Musicians (Vereinigung schaffender Tonkünstler) (i), (ii), (iii), (iv), (v)
Sonnenthal, Adolf Ritter von (i), (ii)
Sonnenthal, Luise von (i)
Sontag, Susan (i), (ii)
Soviet Union (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)
Spartacus League (i)
Spengler, Oswald (i)
Sperber, Manès (i)
Spiel, Hilde (i)
Spieloper (comic opera) (i)
Das Spielwerk und die Prinzessin (Schreker) (i), (ii), (iii)
Spinner, Leopold (i), (ii)
Spinoza, Baruch (i), (ii), (iii)
Spitzer, Daniel (i)
Spoliansky, Mischa (i), (ii), (iii), (iv), (v), (vi)
Sprechgesang (i)
Springer, Max (i)
Stabat Mater (Rossini) (i)
Stadlen, Peter (i)
Die Stadt ohne Juden (The City without Jews) (Bettauer) (i)
STAGMA (i)
Stalin, Joseph (i), (ii), (iii), (iv), (v), (vi), (vii)
Stanford, Charles (i)
A Star fell from Heaven (film) (i)
Stefan, Paul (i), (ii)
Steinberg, Wilhelm (William) (i), (ii), (iii), (iv)
Stein, Edwin (i)
Steiner, Max (i), (ii), (iii), (iv), (v)
Steiner, Rudolf (i)
Stein, Fritz (i)
