The Rise of Rome

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The Rise of Rome Page 30

by Anthony Everitt


  What a spectacle this must have been. The dead had reawakened—perhaps they had never fallen asleep—and were now listening attentively to the life story of their freshly deceased posterity. Today’s generation could see, with all the sharpened focus of a waking dream, that it was on trial before its ancestors.

  THERE WERE OTHER ways in the city of Rome by which the sanctified past kept company with the present. On every corner were shrines, temples, and holy groves, sacred to one divinity or another. Temples were storehouses of old trophies, bronze tablets with the texts of laws and treaties, votive offerings, and other obsolete odds and ends. In the Forum and elsewhere, paintings of famous military exploits, originally made for triumphs, were on display. Masterpieces of Greek art, captured in the sack of such cities as Syracuse and Tarentum, transformed Rome into an open-air museum. Here was a treasury of clutter, awaiting the explanations of both the historian and the antiquarian, although these were often inaccurate or imaginative.

  On the Sacred Way, Romulus and his Sabine counterpart, Titus Tatius, kept watch, in sculptural form, over the Forum below. In the middle of the square itself, the fig tree beneath which the founding brothers were suckled by the she-wolf still flourished. Nearby was a pool, now dried up, called the Lacus Curtius. Here a chasm had once split open; it was said that it would never close until Rome’s most valued possession had been deposited in it. Gold and jewelry were thrown in, to no effect. At last, a young cavalryman realized that the answer to the riddle was the Roman soldier. He galloped into the abyss and the earth closed above his head.

  Not far away, next to the Temple of Castor, with its lofty podium, was the spring of Iuturna, where the divine twins watered their horses after the Battle of Lake Regillus. At the other end of the Forum was the speakers’ platform, the Rostra. Orators addressing the populace had to compete for attention with a throng of half-life-size statues of ambassadors who had perished while on missions for the state.

  The hill of the Capitol was also littered with statues of famous Romans, kings, and that expeller of the kings, Marcus Brutus. Among them stood two colossi of the hero Hercules and another of Jupiter himself, erected in the fourth century. There were so many representations of the great men of old that visitors must have had the eerie impression that they were walking through a crowd turned into stone by some passing Medusa.

  Subterranean chambers beneath the temple of Jupiter Best and Greatest were packed not only with old dedications but also with sculptures that had fallen from the temple roof and a variety of superfluous gifts. Walls were covered with bronze tablets on which the terms of treaties and the texts of laws were inscribed. Victory trophies and votive monuments occupied every spare corner.

  OF COURSE, ROME was more than a space for memory, a cemetery field of relics; it was also a living city, expanding all the time and well on its way to becoming an early megalopolis. The Forum was the city’s center, part shopping center, part law courts, and part political arena. Human life in all its variety pushed its way up among the statues, the shrines, the temples.

  We are lucky to have a direct account of daily life from someone who lived and thrived in Rome during and after the wars with Carthage. He was the comedy playwright Titus Maccius Plautus. In one of his pieces, a character conducts a tour of the Forum, a locale where the best and worst of human nature can be found. “From virtue down to trash,” he says, “here is god’s plenty.” The lower or southern part of the piazza was the preserve of the respectable or, in Plautus’s words, “the good men and the opulent.” He comments, “For perjurers, you can apply to the courts of law,” which were held in the open air near the circular Comitium, where public assemblies were convened (there was room, at a squeeze, for perhaps five thousand citizens to attend and for ten thousand in the Forum as a whole). Liars and dishonest salesmen congregated at the little shrine of Venus Cloacina, or Venus of the Drain. A statue of Venus was said once to have fallen into the open drain here, hence her cognomen. The shrine was a low circular platform with two statues of the goddess, a pleasant enough place to loiter.

  “Rich and errant husbands” frequented the Basilica, a business hall where bankers set up their tables and entrepreneurs sold shares in enterprises. Across the square a line of retail outlets, the tabernae veteres, or Old Shops, was largely peopled with moneylenders, and behind the Temple of Castor and Pollux “conmen extract loans from the unwary.” Near the Vicus Tuscus (Etruscan Street), was the rent boys’ cruising ground. The street led to the Velabrum, a saddle of land between the Palatine and Capitoline hills, where “you’ll find bakers, butchers and fortune-tellers.”

  Unlike Alexandria, the gleaming white, checkered capital of the Ptolemies, Rome was unplanned. Buildings grew up ad hoc along ancient pathways that led to the Palatine and Capitoline hills, until the city became a maze of gloomy, narrow alleys and little squares. The principles of hygiene were little understood and infectious diseases were rife. Some (not altogether successful) efforts were made to collect sewage for use as agricultural fertilizer, and it was recognized that a copious supply of clean water was essential. Two aqueducts, mainly running underground, were built in 312 (by Appius Claudius Caecus, see this page) and in 272. By the middle of the second century, a rising population had led to the construction of the Aqua Marcia, an astonishing feat of engineering that brought water to the top of the Capitol. Few people could afford baths at home, and by about 100 public baths had become a universal feature of daily life.

  Most thoroughfares in the city were unpaved, although they might have raised sidewalks; people dumped rubbish and sewage in them, as well as dead animals and the occasional unwanted corpse. Slops from pots often fell on the heads of unwary passersby (Laws were passed regulating claims for damages.) Unsanitary conditions were not the only danger, for wheeled traffic took up much of the available space and accidents were common.

  The urban unit was the vicus, a street that functioned as an artery for pedestrians and wheeled traffic and served the neighborhood around it. Each vicus had a central point of reference—a crossroads, a sacred grove, a shrine. To qualify officially for the title of street, or via, the Twelve Tables specified that a roadway should be eight feet wide when straight and sixteen at bends; only two roadways merited the title—the Via Sacra and the Via Nova (New Street), which ran between the Forum and the Palatine.

  A snatch of dialogue from the comic playwright Publius Terentius Afer (or Terence) from the middle of the second century, conveys the flavor of a well-to-do part of town. A slave is giving someone directions in a city that has no street signs.

  “Do you know that arcade by the market?”

  “Of course I do.”

  “Go uphill past it, straight along the road. When you get to the top, there’s a slope downward. Rattle your way down that. Next there’s a little shrine on this side, and there’s an alleyway thereabouts.”

  “Which one?”

  “There’s also a big fig tree.”

  “But you can’t get through that alleyway.”

  “You’re absolutely right! Really! … I made a mistake: go back to the arcade; yes, you’ll get there much more directly this way, and there isn’t so far to walk. Do you know the house of old Cratinus?”

  “I do.”

  “When you’ve passed that, go left straight along that road; when you come to the temple of Diana, go to the right. Before you reach the gate, just by the pond, there’s a bakery, and a workshop opposite: that’s where he is.”

  On main streets, one- or two-room shops or poky apartments for the poor faced one another along either side. These were usually open to the passersby and could be secured by wooden shutters. All sorts of goods were sold—food, cloth, kitchenware, jewelry, and books. Bars served wine mixed with water and flavored with herbs, honey, or resin (the ancestor of today’s Greek retsina). Soup with bread, stews, diced roasted meat, sausages, pies, fruit, and filled buns were also on offer, even a kind of proto-pizza. Restaurants with seating catered to the more a
ffluent customer.

  THE ROWS OF shops and apartments protected the houses of the well-to-do, which lay behind them, from the noises and stinks of the street. They were laid out according to a basic pattern on which those with money and space could expand. A front door led through a narrow vestibule to a semi-public waiting room or hallway; this was the atrium, with an opening to the sky, and lined on three sides by small dark bedrooms. The side facing the visitor was occupied by a raised space, the tablinum, originally the master bedroom but now the owner’s study, with rich frescoes on the walls and the masks of the family’s ancestors on pedestals. Nearby, the triclinium was a formal dining room where guests ate elaborate meals lying on couches. The back of the house was the family’s living quarters, dominated by a columned garden courtyard or peristyle. In the bigger houses there was a first floor and a summer triclinium by the peristyle.

  As always, some parts of town were more fashionable—and costly—than others. The most expensive houses could be found on the Palatine and the Velia, a ridge of ground running down alongside the Sacred Way into the Forum, the hub of élite transactions. The land surrounding the city was taken up with market gardens that produced flowers and vegetables. During the second century, many of these horti were purchased by the rich and powerful, who built villas in them: calm, green retreats where they could escape the din and anger of city life. This was rus in urbe, an urban countryside.

  There was too little space inside the city walls to meet Rome’s requirements, and buildings began to appear on the Campus Martius, the Field of Mars. This was an open area beyond the Capitol that was used for pasturage and military exercises. Scipio Africanus built a villa and garden there. The Circus Flaminius, a public square, was commissioned in 221 for the Plebeian Games by Gaius Flaminius, the populist leader who fell at Lake Trasimene a few years later. It also served as a marketplace and a display area for triumphal booty. There were government structures on the Campus, too; the Ovile was an enclosure rather like a sheep pen where the comitia centuriata held its votes; the adjoining Villa Publica, rebuilt and enlarged in 194, was a headquarters for state officials in which the census was taken and troops were levied.

  Rome’s increasing wealth in the second century led to civic improvements. The rich and famous built triumphal arches (Scipio among them), porticoes, and basilicas as public amenities. More streets were paved and the drainage system was improved. Concrete, opus caementicium, was widely used and new temples were constructed, in the Greek manner, from marble or travertine. But the city’s largest entertainment venue, the Circus Maximus, remained a less than glamorous construction of painted wood.

  Rome had a long way to go before it could match the magnificence of the Hellenic cities of the East.

  AS EVER, THE poor had a hard time of it. There were plenty of jobs in service industries such as food supplies (grain, meat, fish), in construction, in retail and crafts of various kinds (ceramics, glassware, metalwork). But Rome’s population was growing rapidly and slaves soaked up much available work. We can assume high levels of unemployment or part-time employment, at least periodically.

  Space was at a premium. As in modern cities, developers began to look skyward and built apartment blocks as many as eight stories high. At first, these were rickety wood-framed structures that had an alarming tendency to catch fire. With the introduction of concrete, something rather more solid was created; the Romans called it an insula, or island. This solidity was more apparent than real, however, for insulae often collapsed without warning.

  Many people joined associations (collegia, sodalicia, corpora, or curiae), which would give their lives some stability beyond the family. There was little in the way of local government, and no regular police force or fire service. However, the four aediles (two were originally deputies to the tribunes and were joined in 387 by another pair elected by patricians only) were responsible for the upkeep of the city’s fabric, presentation of the Games, the supply of grain and water, and oversight of the markets. Membership in a trade guild, a professional association, or a cult group provided some protection against the vicissitudes and injustice of life. Members of these organizations met regularly (say, once a month), held a sacrifice, and ate a meal together. There were neighborhood societies, which took part in the annual festival of the Compitalia, a celebration in honor of the Lares Compitales, the gods of local crossroads. Some collegia were burial clubs, to which members made small, regular financial contributions to pay for their funeral costs.

  The state was uneasy about these societies, as its reaction to the Bacchanalia crisis showed, because it did not know what they were up to. At times of political upheaval, they might conspire against good order. But potentially subversive “horizontal” social structures were counteracted by the “vertical” pyramid of the clientela. As we have seen, everyone, except those at the very pinnacle of society, was a cliens helpful to and dependent on one or more richer patrons. The relationship was hereditary and recognized, albeit not enforced, by law. If a man was lucky enough to be the client of a senator, he was expected to call on this person at home first thing in the morning and accompany him to the Forum; the more followers in a great man’s train, the greater his prestige. In return, he could expect a sportula—some food or pocket money.

  This system of mutual exchange of goods and services bound society together and made revolt from below or the emergence of reform movements unlikely. Of course, patrons could sometimes be mean or fall on hard times for one reason or another. Plautus imagines an unemployed and half-starved client lamenting his fate:

  Why, just now in the Forum I worked on a couple of

  fellows I knew, young lawyers, and, “Going to lunch, then?”

  I in my innocence ask. And a terrible silence

  settles upon us. Does anyone say “You come too!”?

  Heads begin shaking. I tell them a nice little story,

  one of my best. God knows how often it’s fed me.

  Laughter then? No. Smiles? No.

  Rome was a great and growing community, it was the center of government, it was where the action was. In fact, its inhabitants often dispensed with its name and instead referred to it as urbs—not any ordinary city but the city. However, urban life was corrupting; money made the rich idle, and unemployment did the same for the moneyless. Responsible citizens believed that the countryside was a far, far better place. After all, it was to his small farm that the dictator Cincinnatus retired after saving the state, eschewing glory and wealth. It was from smallholders that the Republic’s victorious legions were recruited. Cicero’s friend the antiquarian and polymath Varro wrote in De re rustica, his compendium of country lore: “It was not without reason that those great men, our ancestors, put the Romans who lived in the country ahead of those who lived in the city.”

  An ordinary Roman farmer has left us his summary of the good life in his own words, found on an inscription at Forlì, in Italy. It expresses the tough, hardworking, sober values of the countrymen:

  Take all this as true advice, whoever wants to live really well and freely. First, show respect where it is due. Next, want what’s best for your master. Honor your parents. Earn others’ trust. Don’t speak or listen to slander. If you don’t harm or betray anyone, you will lead a pleasant life, uprightly and happily, giving no offense.

  A new generation of politicians emerged after the end of the wars with Carthage, the most able but most unlikable of whom was Marcus Porcius Cato (called the Elder, or the Censor, to distinguish him from his first-century namesake). He came from yeoman stock and spent the earlier years of his adult life, when not fighting in the army, tilling his own fields, just like a latter-day Cincinnatus. Plutarch said of him:

  Early in the morning, Cato went on foot to the [local] marketplace and pleaded the cases of all who wished his aid. Then he came back to his farm, where, wearing a working blouse if it was winter, and stripped to the waist if it was summer, he worked alongside his slaves, then sat down with them to eat
the same bread and drink the same wine.

  Talent-spotted by an aristocratic neighbor, he was introduced to Roman politics in the capital and soon rose to the top.

  For Cato, there was something unforgivably Greek about the sophisticated self-indulgences of city life. Every true Roman’s moral guide, the mos maiorum, was a treasury of rural virtues. In his book on farming, De agri cultura, Cato observed that trade was more profitable than farming, but too risky; the same went for banking, with the addition that it was more dishonorable. By contrast, he wrote, “it is from the farming class that the bravest men and the sturdiest soldiers come, their calling is most highly respected, their livelihood is most assured and is looked on with the least hostility.” The citizen, in the field with his plow and on the battlefield with his sword and spear, stood for all that was best about Rome.

  Cato did in fact farm his own acres himself, but only when he was young and poor. An austere hypocrite, he lived very simply but amassed a fortune, against his fine principles, as a moneylender and a property investor. Once he had made his way in the world, he ran his estates as an absentee landlord. He gives the game away in his book. In it, he offers copious practical advice to a landowner like himself, who pays his farm only the occasional visit. The overseer or bailiff, who runs the business on his behalf and manages the workers, some of them slaves and others freeborn, is to be kept on a tight rein:

  He must not be a gadabout; he must always be sober, and must not go out to dine. He must keep the farm laborers busy, and see that the master’s orders are carried out. He must not assume that he knows more than the master.… He must not consult a fortune-teller, or prophet, or diviner, or astrologer [an echo here of official fears of Bacchic cults and the like]…. He must be the first out of bed, the last to go to bed.

 

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