I take a seat in the back row, one in from the aisle so that Jane can have the aisle. She shows up just after I do and sits down next to me, appraises the situation for a second, and then says, “Somewhere down there, Grayson, there’s someone who will have to look into your soul in order to properly embody you.”
I’m about to respond when Tiny’s shadow passes over us. He kneels next to us, handing us each a clipboard. “Please write a brief note about each person who you’d consider for the role of Phil. Also I’m thinking of writing in a small role for a character named Janey.”
Then he marches confidently down the aisle. “People!” he shouts. “People, please take a seat.” People scurry into the first few rows as Tiny hurtles onto the stage. “We haven’t much time,” he says, his voice weirdly affected. He’s talking like he thinks theater people talk, I guess. “First, I need to know if you can sing. One minute of a song from each of you; if you’re called back, you’ll read for a part then. You may choose your song, but know this: Tiny. Cooper. Hates. Over. The. Rainbow.”
He jumps off the stage dramatically, and then shouts, “Number One, make me love you.”
Number 1, a mousy blonde who identifies herself as Marie F, climbs the stairs beside the stage and slouches to a microphone. She looks up through her bangs toward the back of the auditorium, where it says in large purple block letters WILDKITS ROCK. She proceeds to prove otherwise with a stunningly bad rendition of a Kelly Clarkson ballad.
“Oh, my God,” Jane says under her breath. “Oh, God. Make it end.”
“I don’t know what you’re talking about,” I mumble. “This chick’s a lock for the role of Janey. She sings off-key, loves corporate pop, and dates bitchsquealers.” She elbows me.
Number 2 is a boy, a husky lad with hair too long to be considered normal but too short to be considered long. He sings a song by a band apparently called Damn Yankees—Jane knows them, natch. I don’t know how the original sounds, but this guy’s howler-monkey a cappella rendition of it leaves a lot to be desired. “He sounds like someone just kicked him in the nuts,” Jane says; to which I respond, “If he doesn’t stop soon, someone will.” By Number 5, I’m wishing for a mediocre rendition of something inoffensive like “Over the Rainbow,” and I suspect Tiny is, too, from the way his peppy, “That was great! We’ll get back to you.” has devolved into a, “Thanks. Next?”
The songs vary from jazz standards to boy band covers, but all the performers have one thing in common: they sort of suck. I mean, certainly, not everyone sucks in the same way, and not everyone sucks equally, but everyone sucks at least a little. I’m stunned when my lunch companion Ethan, Number 19, proves to be the best singer so far, singing a song from some musical called Spring Awakening. The dude can belt.
“He could play you,” Jane says. “If he grew his hair out and developed a bad attitude.”
“I don’t have a bad attitude—”
“—is the kind of thing that people with bad attitudes say.” Jane smiles.
I see a couple potential Janes over the next hour. Number 24 sings a weirdly good sticky-sweet version of a song from Guys and Dolls. The other girl, Number 43, has straight bleached hair streaked with blue and sings “Mary Had a Little Lamb.” Something about the distance between children’s songs and blue hair seems pretty Janeish to me.
“I vote for her,” Jane says as soon as the girl gets to the second Mary.
The last auditionee is a diminutive, large-eyed creature named Hazel who sings a song from Rent. After she’s finished, Tiny runs up onto the stage to thank everyone, and to say how brilliant they all were, and how impossibly hard this will be, and how callbacks will be posted the day after tomorrow. Everyone files out past us, and then finally Tiny slouches up the aisle.
“You’ve got your work cut out for you,” I tell him.
He makes a dramatic gesture of futility. “We did not see a lot of future Broadway stars,” he acknowledges.
Gary comes up and says, “I liked numbers six, nineteen, thirty-one, and forty-two. The others, well,” and then Gary puts his hand to his chest and begins to sing, “Somewhere over the rainbow, way up high / The sound of singing Wildkits, makes me want to die.”
“Jesus,” I say. “You’re like a real singer. You sound like Pavarotti.”
“Well, except he’s a baritone,” Jane says, her music pretension apparently extending even to the world of opera.
Tiny snaps the fingers of one hand excitedly while pointing at Gary. “You! You! You! For the part of Kaleb. Congratulations.”
“You want me to play a fictionalized version of my own ex-boyfriend?” Gary asks. “I think not.”
“Then Phil Wrayson! I don’t care. Pick your part. My God, you sing better than all of them.”
“Yes!” I say. “I cast you.”
“But I’d have to kiss a girl,” he says. “Ew.” I don’t remember my character kissing any girls, and I start to ask Tiny about it, but he cuts me off, saying, “I’ve been in rewrites.” Tiny flatters Gary some more and then he agrees to play the part of me, and honestly, I’ll take it. As we walk up the aisle on the way out of the cafeteria, Gary turns to me, cocking his head and squinting. “What’s it like to be Will Grayson? I need to know what it’s like from the inside.” He’s laughing, but then he also seems to be waiting for an answer. I always thought that being Will Grayson meant being me, but apparently not. The other Will Grayson is also Will Grayson, and now Gary will be, too.
“I just try to shut up and not care,” I say.
“Such stirring words.” Gary smiles. “I will base your character upon the attributes of the boulders on the lake-shore: silent, apathetic, and—considering how little they exercise—surprisingly chiseled.” Everybody laughs, except Tiny, who’s texting. As we exit the hallway, I see Ethan standing against the Wildkit trophy stand, his backpack on. I walk up to him and say, “Not bad today,” and he smiles and says, “I just hope I’m not too hot to play you.” He smiles. I smile back, even though he seems a little serious. “See you on Friday at Clint’s?” he asks.
“Yeah, maybe,” I say. He adjusts the backpack over one shoulder and takes off with a nod. Behind me, I hear Tiny dramatically plead, “Someone tell me it will be okay!”
“It’ll be okay,” Jane says. “Mediocre actors rise to great material.”
Tiny takes a deep breath, shakes some thought out of his mind, and says, “You’re right. Together they will be greater than the sum of their parts. Fifty-five people tried out for my play! My hair looks amazing today! I got a B on an English paper!” His phone chirps. “And I just got a text from my new favorite Will Grayson. You’re totally right, Jane: everything’s coming up Tiny.”
chapter twelve
it starts when i get home from chicago. i already have twenty-seven texts from tiny on my phone. and he has twenty-seven texts from me. that took up most of the train ride. the rest of the time, i figured out what i needed to do the moment i walked through the door. because if isaac’s nonexistence is going to weigh me down, i have to let go of some other things in order not to crash right into the ground. i no longer give a fuck. i mean, i didn’t think i gave a fuck before. but that was amateur not-giving-a-fuck. this is stop-at-nothing, don’t-give-a-fuck freedom.
mom’s waiting for me in the kitchen, sipping some tea, flipping through one of those stupid rich-celebrities-show-off-their-houses magazines. she looks up when i come in.
mom: how was chicago?
me: look, mom, i’m totally gay, and i’d appreciate it if you could get the whole freakout over with now, because, yeah, we have the rest of our lives to deal with it, but the sooner we get through the agony part, the better.
mom: the agony part?
me: you know, you praying for my soul and cursing me for not giving you grandbabies with a wifey and saying how incredibly disappointed you are.
mom: you really think i’d do that?
me: it’s your right, i guess. but if you want to skip that step, it�
�s fine with me.
mom: i think i want to skip that step.
me: really?
mom: really.
me: wow. i mean, that’s cool.
mom: can i at least have a moment or two for surprise?
me: sure. i mean, it can’t be the answer you were expecting when you asked me how chicago was.
mom: i think it’s safe to say that wasn’t the answer i was expecting.
i’m looking at her face to see if she’s holding things back, but it seems like it is what it is. which is pretty spectacular, all things considered.
me: are you going to tell me you knew all along?
mom: no. but i was wondering who isaac was.
oh, shit.
me: isaac? were you spying on me, too?
mom: no. it’s just—
me: what?
mom: you would say his name in your sleep. i wasn’t spying. but i could hear it.
me: wow.
mom: don’t be mad.
me: how could i be mad?
i know that’s a silly question. i’ve proven that i can be mad about pretty much anything. there was this one time i woke up in the middle of the night and swore that my mother had installed a smoke alarm on the ceiling while i was asleep. so i burst into her room and started yelling about how could she just go and put something in my room without telling me, and she woke up and calmly told me the smoke alarm was in the hallway, and i actually dragged her out of bed to show her, and of course there wasn’t anything on the ceiling - i’d just dreamed it. and she didn’t yell at me or anything like that. she just told me to go back to sleep. and the next day was total crap for her, but not once did she say it was tied to me waking her up in the middle of the night.
mom: did you see isaac when you were in chicago?
how can i explain this to her? i mean, if i tell her i just traveled into the city to go to a porn store to meet some guy who didn’t end up existing, the next few weeks’ poker night earnings are going to be spent on a visit to dr. keebler. but she can tell when i’m lying if she’s looking for it. i don’t want to lie right now. so i bend the truth.
me: yeah, i saw him. his nickname’s tiny. that’s what i call him, even if he’s huge. he’s actually, you know, really nice.
we are in completely uncharted mother-son territory here. not just in this house - maybe in all of america.
me: don’t get all worried. we just went to millennium park and talked a while. some of his friends were there, too. i’m not going to get pregnant.
mom actually laughs.
mom: well, that’s a relief.
she gets up from the kitchen table and, before i know it, she’s giving me a hug. and it’s like for a moment i don’t know what to do with my hands, and then i’m like, you dumbfuck, hug her back. so i do, and i expect her to start crying, because one of us should be crying. but she’s dry-eyed when she pulls away - a little misty, maybe, but i’ve seen her when things aren’t all right, when things have totally gone to shit, and so i know enough to recognize that this isn’t one of those times. we’re okay.
mom: maura called a few times. she sounded upset.
me: well, she can go to hell.
mom: will!
me: sorry. i didn’t mean to say that out loud.
mom: what happened?
me: i don’t want to get into it. i’m just going to tell you that she really, really hurt me, and i need for that to be enough. if she calls here, i want you to tell her that i never want to speak to her again. don’t tell her i’m not here. don’t lie when i’m in the other room. tell her the truth - that it’s over and it’s never going to be un-over. please.
whether it’s because she agrees or whether it’s because she knows there’s no point in disagreeing when i’m like this, mom nods. i have a very smart mom, all things considered. it’s time for her to leave the room - i thought that’s what was going to happen after the hug - but since she’s still hovering, i make the move.
me: i’m going to head off to bed. i’ll see you in the morning.
mom: will . . .
me: really, it’s been a long day. thank you for being so, you know, understanding. i owe you one. a big one.
mom: it’s not about owing - me: i know. but you know what i mean.
i don’t want to leave until it’s clear it’s okay for me to leave. i mean, that’s the least i can do.
she leans in and kisses me on the forehead.
mom: good night.
me: good night.
then i go back to my room, turn on my computer, and create a new screenname.
willupleasebequiet: tiny?
bluejeanbaby: here!
willupleasebequiet: are you ready?
bluejeanbaby: for what?
willupleasebequiet: the future
willupleasebequiet: because i think it just started
tiny sends me a file of one of the songs from tiny dancer. he says he hopes it will give me inspiration. i put it on my ipod and listen to it as i’m heading to school the next morning.
There was a time
When I thought I liked vagina
But then came a summer
When i realized something finer
I knew from the moment he took top bunk
How desperately i wanted into his trunk
Joseph Templeton Oglethorpe the Third
Left my heart singing like a little bird
Summer of gay!
So lovely! So queer!
Summer of gay!
Set the tone for my year!
Mama and Papa didn’t know they were lighting the lamp
The moment they sent me to Starstruck Drama Camp
So many Hamlets to choose from
Some tortured, some cute
I was all ready to swordfight
Or take the Ophelia route
There were boys who called me sister
And sistahs who taught me about boys
Joseph whispered me sweet nothings
And i fed him Almond Joys
Summer of gay!
So fruity! So whole!
Summer of gay!
I realized Angel would be my role!
Mama and Papa didn’t know how well their money was spent
When I learned about love from our production of Rent
Such kissing on the catwalks
Such competition for the leads
We fell in love so often and fully
Across all races and sexualities and creeds . . .
Summer of gay!
Ended soon! Lasted long!
Summer of gay!
My heart still carries its song!
Joseph and I didn’t make it to September
But you can’t unlight a gay-colored ember
I will never go back
To the heterosexual way
’Cause now every day
(Yes, every day)
Is the sum-mer
of gay!
since i’ve never really listened to musicals, i don’t know if they all sound this gay, or if it’s just tiny’s. i suspect that i would find all of them this gay. i’m not entirely sure how this is supposed to inspire me to do anything except join drama club, which right now is about as likely as me asking maura on a date. still, tiny told me i was the first person to hear the song besides his mom, so that counts for something. even if it’s lame, it’s a sweet kind of lame.
it even manages to take my mind off of school and maura for a few minutes. but once i get there, she’s right in front of me, and the mountain reminds me it’s a volcano, and i can’t help but want to spray lava everywhere. i walk right past the place we usually meet up, but that doesn’t stop her. she launches right behind me, saying all the things that would be in a hallmark card if hallmark made cards for people who invented internet boyfriends for other people and then were suddenly caught in the lie.
maura: i’m sorry, will. i didn’t mean to hurt you or anything. i was just playing around. i didn’t reali
ze how serious you were taking it. and i’m a total bitch for that, i know. but i was only doing it because it was the only way to get through to you. don’t ignore me, will. talk to me!
i am just going to pretend that she doesn’t exist. because all the other options would get me expelled and/or arrested.
maura: please, will. i’m really, really sorry.
she’s crying now, and i don’t care. the tears are for her own benefit, not mine. let her feel the pain her poetry desires. it has nothing to do with me. not anymore.
John Green & David Levithan Page 14
