Dean Koontz - Strange Highways
"Strange Highways" copyright (c) 1995 by Dean R. Koontz
"The Black Pumpkin" copyright (c) 1986 by Nkui, Inc., originally appeared in Twilight Zone Magazine, December, 1986; reprinted by permission of Nkui, Inc.
"Miss Attila the Hun" copyright (c) 1987 by Nkui, Inc., originally appeared in Night Visions 4, published by Dark Harvest, Arlington Heights, Illinois; reprinted by permission of Nkui, Inc.
"Down in the Darkness" copyright (c) 1986 by Nkui, Inc., originally appeared in The Horror Show, Summer 1986, reprinted by permission of Nkui, Inc.
"Ollie's Hands" copyright (c) 1972 by Dean R. Koontz, originally appeared in Infinity Four, edited by Robert Hoskins, published by Lancer Books; revised version copyright (c) 1995 by Dean R. Koontz.
"Snatcher" copyright (c) 1986 by Nkui, Inc ., originally appeared in Night Cry, Fall 1986; reprinted by permission of Nkui, Inc.
"Trapped" copyright (c) 1989 by Nkui, Inc., originally appeared in Stalkers, edited by Ed Gorman and Martin H. Greenberg , published by Dark Harvest, Arlington, Illinois, reprinted by permission of Nkui, Inc.
"Bruno" copyright (c) 1971 by Dean R. Koontz, originally appeared in The Magazine of Fantasy and Science Fiction, April, 1971; revised version copyright (c) 1995 by Dean R. Koontz.
"We Three" copyright (c) 1974 by Dean R. Koontz, originally appeared in Final Stage, edited by Edward L. Ferman and Barry N. Malzberg, published by Charterhouse, New York, New York; revised version copyright (c) 1995 by Dean R. Koontz.
"Hardshell" copyright (c) 1987 by Nkui, Inc., originally appeared in Night Visions 4, published by Dark Harvest, Arlington Heights, Illinois; reprinted by permission of Nkui, Inc.
"Kittens" copyright (c) 1966 by Dean R. Koontz, originally appeared in The Reflector, Shippensburg University, Shippensburg, Pennsylvania; revised version copyright (c) 1995 by Dean R. Koontz.
"The Night of the Storm" copyright (c) 1974 by Dean R. Koontz, originally appeared in Continuum 1, edited by Roger Elwood, published by G. P. Putnam's Sons, New York, New York; revised version copyright (c) 1995 by Dean R. Koontz.
"Twilight of the Dawn" copyright (c) 1987 by Nkui, Inc., originally appeared in Night Visions 4, published by Dark Harvest, Arlington Heights, Illinois; reprinted by permission of Nkui, Inc.
"Chase" copyright (c) 1972 by K. R. Dwyer (a pseudonym for Dean R. Koontz), published by Random House, New York, New York; revised version copyright (c) 1995 by Dean R. Koontz.
Copyright (c) 1995 by Dean Koontz
All rights reserved.
Warner Books, Inc., 1271 Avenue of the Americas, New York, NY 10020
A Time Warner Company
Printed in the United States of America
First Printing: May 1995
10 9 8 7 6 5 4 3 2 1
Library of Congress Cataloging-in-Publication Data
Koontz, Dean R. (Dean Ray), 1945-
Strange highways / Dean Koontz. p. cm.
"A Brandon Tartikoff book."
ISBN 0-446-51974-X
1. Horror tales, American. I. Title. PS35G1.O55S69 1995 94-49024
813'.54-dc20 CIP
Book design by Giorgetta Bell McRee
CONTENTS
STRANGE HIGHWAYS
THE BLACK PUMPKIN
MISS ATTILA THE HUN
DOWN IN THE DARKNESS
OLLIE'S HANDS
SNATCHER
TRAPPED
BRUNO
WE THREE
HARDSHELL
KITTENS
THE NIGHT OF THE STORM
TWILIGHT OF THE DAWN
CHASE
NOTES TO THE READER
STRANGE HIGHWAYS
1
ON THAT AUTUMN AFTERNOON, WHEN HE DROVE THE RENTAL CAR INTO Asherville, Joey Shannon broke out in an icy sweat. A sudden and intense hopelessness overcame him.
He almost hung a hard U-turn in the middle of the street. He resisted the urge to jam the accelerator to the floorboards, speed away, and never look back.
The town was as bleak as any in Pennsylvania coal country, where the mines had shut down and most good jobs had been lost decades ago. Nevertheless, it wasn't such a desperate place that the very sight of it should chill his heart and bring him instantly to the edge of despair. He was puzzled by his peculiar reaction to this long-delayed homecoming.
Sustained by fewer than a thousand local residents and perhaps two thousand more in several smaller outlying towns, the commercial district was just two blocks long. The two- and three-story stone buildings erected in the 1850s and darkened by a century and a half of grime-were pretty much as he remembered them from his youth.
Evidently the merchants' association or the town council was engaged in a beautification project. All the doors, the window frames, the shutters, and the eaves appeared to have been freshly painted. Within the past few years, circular holes had been cut out of the sidewalks to allow the planting of young maple trees, which were now eight feet tall and still lashed to support poles.
The red and amber autumn foliage should have enlivened the town, but Asherville was grim, huddled, and forbidding on the brink of twilight. Balanced on the highest ridges of the western mountains, the sun seemed strangely shrunken, shedding light that didn't fully illuminate anything it touched. In the sour-yellow glow, the rapidly lengthening shadows of the new trees reached like grasping hands onto the cracked blacktop.
Joey adjusted the car heater. The greater rush of hot air did not immediately warm him.
Above the spire of Our Lady of Sorrows, as the retiring sun began to cast off purple cloaks of twilight, an enormous black bird wheeled in circles through the sky. The winged creature might have been a dark angel seeking shelter in a sacred bower.
A few people were on the streets, others in cars, but he didn't recognize any of them. He'd been gone a long time. Over the years, of course, people changed, moved away. Died.
When he turned onto the gravel driveway at the old house on the east edge of town, his fear deepened. The clapboard siding needed fresh paint, and the asphalt-shingle roof could have used repair, but the place wasn't ominous by any measure, not even as vaguely Gothic as the buildings in the heart of town. Modest. Dreary. Shabby. Nothing worse. He'd had a happy childhood here in spite of deprivation. As a kid, he hadn't even realized that his family was poor; that truth hadn't occurred to him until he went away to college and was able to look back on their life in Asherville from a distance. Yet for a few minutes, he waited in the driveway, overcome by inexplicable dread, unwilling to get out of the car and go inside.
He switched off the engine and the headlights. Although the heater hadn't relieved his chill, he immediately grew even colder without the hot air from the vents.
The house waited.
Maybe he was afraid of facing up to his guilt and coming to terms with his grief. He hadn't been a good son. And now he would never have another opportunity to atone for all the pain that he had caused. Maybe he was frightened by the realization that he would have to live the rest of his life with the burden of what he'd done, with his remorse unexpressed and forgiveness forever beyond reach.
No. That was a fearful weight, but it wasn't what scared him. Neither guilt nor grief made his mouth go dry and his heart pound as he stared at the old homestead. Something else.
In its wake, the recessional twilight drew in a breeze from the northeast. A row of twenty-foot pines stood along the driveway, and their boughs began to stir with the onset of night.
At first Joey's mood seemed extraordinary: a portentous sense that he was on the brink of a supernatural encounter. It was akin to what he had sometimes felt as an altar boy a long time ago, when he'd stood a
t the priest's side and tried to sense the instant at which the ordinary wine in the chalice became the sacred blood of Christ.
After a while, however, he decided that he was being foolish. His anxiety was as irrational as any child's apprehension over an imaginary troll lurking in the darkness under his bed.
He got out of the car and went around to the back to retrieve his suitcase. As he unlocked the trunk, he suddenly had the crazy notion that something monstrous was waiting in there for him, and as the lid rose, his heart knocked explosively against his ribs. He actually stepped back in alarm.
The trunk contained only his scuffed and scarred suitcase, of course. After taking a deep breath to steady his nerves, he withdrew the single piece of luggage and slammed the trunk lid.
He needed a drink to settle his nerves. He always needed a drink. Whiskey was the only solution that he cared to apply to most problems. Sometimes, it even worked.
The front steps were swaybacked. The floorboards on the porch hadn't been painted in years, and they creaked and popped noisily under his feet. He wouldn't have been surprised if he had crashed through the rotting
wood.
The house had deteriorated in the two decades since he had last seen it, which surprised him. For the past twelve years, on the first of each month, his brother had sent a generous check to their father, enough to allow the old man either to afford a better house or to renovate this place. What had Dad been doing with the money?
The key was under the rubber-backed hemp mat, where he'd been told that he would find it. Though Asherville might give him the heebie-jeebies, it was a town where a spare key could be kept in an obvious place or a house could even be left unlocked with virtually no risk of burglary.
The door opened directly into the living room. He put his bag at the foot of the stairs to the second floor.
He switched on the lights.
The sofa and the armchair recliner were not the same as those that had been there twenty years ago, but they were so similar as to be indistinguishable from the previous furniture. Nothing else appeared to have been changed at all - except the television, which was big enough to belong to God.
The rest of the first floor was occupied by the combined kitchen and dining area. The green Formica table with its wide chrome edge band was the one at which they had eaten meals throughout his childhood. The chairs were the same too, although the tie-on cushions had been changed.
He had the curious feeling that the house had been untenanted for an age, sealed tomb-tight, and that he was the first in centuries to invade its silent spaces. His mother had been dead sixteen years, his dad for only a day and a half, but both seemed to have been gone since time immemorial.
In one corner of the kitchen was the cellar door, on which hung a gift calendar from the First National Bank. The picture for October showed a pile of orange pumpkins in a drift of leaves. One had been carved into a jack-o'-lantern.
Joey went to the door but didn't open it right away.
He clearly remembered the cellar. It was divided into two rooms, each with its own outside entrance. One contained the furnace and the hot-water heater. The other had been his brother's room.
For a while he stood with his hand on the old cast-iron knob. It was icy under his palm, and his body heat didn't warm it.
The knob creaked softly when he finally turned it.
Two dim, dust-covered, bare bulbs came on when he flicked the switch: one halfway down the cellar stairs, the second in the furnace room below. But neither chased off all the darkness.
He didn't have to go into the cellar first thing, at night. The morning would be soon enough. In fact, he could think of no reason why he had to go down there at all.
The illuminated square of concrete floor at the foot of the steps was veined with cracks, just as he remembered it, and the surrounding shadows seemed to seep from those narrow fissures and rise along the walls.
"Hello?" he called.
He was surprised to hear himself speak, because he knew that he was alone in the house.
Nevertheless, he waited for a response. None came.
"Is someone there?" he asked.
Nothing.
At last he shut off the cellar lights and closed the door.
He carried his suitcase to the second floor. A short, narrow hallway with badly worn gray-and-yellow-flecked linoleum led from the head of the stairs to the bathroom at the back.
Beyond the single door on the right was his parents' room. Actually, for sixteen years, since his mother's death, his dad had slept there alone. And now it was nobody's room.
The single door on the left side of the hall led to his old bedroom, into which he had not set foot in twenty years.
The flesh prickled on the nape of his neck, and he turned to look down the stairs into the living room, half expecting to discover that someone was ascending after him. But who might have been there? Everyone was gone. Dead and gone. The stairs were deserted.
The house was so humble, small, narrow, plain - yet at the moment it felt vast, a place of unexpected dimensions and hidden rooms where unknown lives were lived, where secret dramas unfolded. The silence was not an ordinary quiet, and it cut through him as a woman's scream might have
done.
He opened the door and went into his bedroom.
Home again.
He was scared. And he didn't know why. Or if he knew, the knowledge existed somewhere between instinct and recollection.
2
THAT NIGHT, AN AUTUMN STORM MOVED IN FROM THE NORTHwest, and all hope of stars was lost. Darkness congealed into clouds that pressed against the mountains and settled between the high slopes, until the heavens were devoid of light and as oppressive as a low vault of cold stone.
When he was a teenager, Joey Shannon had sometimes sat by the single window of his second-floor bedroom, gazing at the wedge of sky that the surrounding mountains permitted him. The stars and the brief transit of the moon across the gap between the ridges were a much needed reminder that beyond Asherville, Pennsylvania, other worlds existed where possibilities were infinite and where even a boy from a poor coal-country family might change his luck and become anything that he wished to be, especially if he were a boy with big dreams and the passion to pursue
them.
This night, at the age of forty, Joey sat at the same window, with the lights off, but the sight of stars was denied him. Instead, he had a bottle of Jack Daniel's.
Twenty years ago, in another October when the world had been a far better place, he'd come home for one of his quick, infrequent visits from Shippensburg State College, where with the help of a partial scholarship, he had been paying his way by working evenings and weekends as a supermarket stock clerk. His mom had cooked his favorite dinner - meatloaf with tomato gravy, mashed potatoes, baked corn - and he had played some two-hand pinochle with his dad.
His older brother, P.J. (for Paul John), also had been home that weekend, so there had been a lot of laughter, affection, a comforting sense of family. Any time spent with P.J. was always memorable. He was successful at everything that he tried - the valedictorian of his high-school and college graduating classes, a football hero, a shrewd poker player who seldom lost, a guy at whom all the prettiest girls looked with doe-eyed interest - but the best thing about him was his singular way with people and the upbeat atmosphere that he created wherever he went. P.J. had a natural gift for friendship, a sincere liking for most people, and an uncanny empathy that made it possible for him to understand what made a person tick virtually upon first meeting. Routinely and without apparent effort, P.J. became the center of every social circle that he entered. Highly intelligent yet self-effacing, handsome yet free of vanity, acerbically witty but never mean, P.J. had been a terrific big brother when they had been growing up. More than that, he'd been - and after all these years, still was - the standard by which Joey Shannon measured himself, the one person into whom he would have remade himself if that had been possible.
Now he took a few ice cubes from the bowl on the floor beside his straight-backed chair and dropped them into his glass. He added two inches of Jack Daniel's.
One thing that Joey hadn't failed at was drinking. Although his bank account had seldom been above two thousand dollars in his entire adult life, he always managed to afford the best blended whiskey. No one could say that Joey Shannon was a cheap drunk.
On the most recent night that he'd spent at home - Saturday, October twenty-fifth, 1975 - he had sat at this window with a bottle of RC Cola in his hand. He hadn't been a boozer back then. Diamond-bright stars had adorned the sky, and there had seemed to be an infinite number of possible lives waiting for him beyond the mountains.
Now he had the whiskey. He was grateful for it.
It was October twenty-first, 1995 - another Saturday. Saturday was always the worst night of the week for him, although he didn't know why. Maybe he disliked Saturday because most people dressed up to go out to dinner or dancing or to a show to celebrate the passage of another workweek - while Joey found nothing to celebrate about having endured another seven days in the prison that was his life.
Shortly before eleven o'clock the storm broke. Brilliant chains of molten-silver lightning flashed and rattled across the wedge of sky, providing him with flickering, unwanted reflections of himself in the window. Rolling thunder shook the first fat raindrops from the clouds; they snapped and spattered against the glass, and the ghostly image of Joey's face dissolved before him.
Dean Koontz - Strange Highways Page 1
