"That's because he has something to believe in."
"P.J.? Something to believe in?"
"Himself. The sick creep believes in himself, in his cleverness and charm and intelligence. In his destiny. It's not much in the way of a religion, but he believes in himself with a real passion, which gives him a whole lot more than confidence. It gives him power."
Celeste's words electrified Joey, but at first he didn't quite understand why.
Then, with sudden excitement, he said, "You're right. He does believe in something. But he doesn't believe only in himself. He believes in something else all right. It's clear, isn't it? All the evidence is there, easy to see, but I didn't want to admit it. He believes, he's a true believer, and if we play into that belief, then we might be able to rattle him and get an advantage."
"I'm not following you," Celeste said worriedly.
"I'll explain later. Right now we don't have much time. You have to search the kitchen, see if you can find candles, matches. Get an empty bottle or jar and fill it with water."
Scrambling to his feet but staying in a crouch, he said, "Just find it if you can. I'll have to take the flashlight with me, so open the refrigerator door for more light if you need it. Don't turn on the overhead fluorescents. They're too bright. You'll throw a shadow on one of the blinds just when he's tired of waiting for us and ready to take a shot after all."
As Joey headed toward the open door to the dining room, leaving Celeste alone in the green gloom, she said, "Where're you going?"
"The living room. And upstairs. There's some stuff I need."
"What stuff?"
"You'll see."
In the living room, he used the flashlight judiciously, twice flicking it on and immediately off, to orient himself and avoid the three dead bodies. The second burst of light revealed Beth Bimmer's wide eyes as she stared at something beyond the ceiling of the room, beyond the confines of the house, far above the storm clouds outside, somewhere past the North Star.
To take down the crucifix, he had to climb onto the sofa and stand beside the body of the old woman. The long, affixing nail was driven not simply into plaster or dry wall but into a stud, and the head of it was larger than the brass loop through which it was driven, so he had to work hard to remove the stubborn cross from the wall. As he struggled in the darkness, he was afraid that Hannah's body would tip on its side and slump against his legs, but he managed to pry loose the prize and get down on the floor again without coming into contact with her.
A third flick of the light, a fourth, and he was at the stairs.
The second floor offered three small rooms and a bath, each revealed with a quick sweep of the flashlight.
If P.J. was watching outside, perhaps his curiosity had begun to be pricked by Joey's exploration of the house.
In spite of her advanced years and her cane, Hannah had slept on the second floor, and in her bedroom Joey found what he needed. A shrine to the Holy Mother stood in one corner, on a three-legged table in the shape of a pie slice: a ten-inch-tall ceramic statuette with a built-in three-watt bulb at the base, which cast a fan of light over the Virgin. Also on the table were three small ruby-red glasses containing votive candles - all extinguished.
Using the flashlight, he confirmed that the sheets on the bed were white, and then he pulled them off. He carefully bundled the statuette and other items in the sheets.
He went down to the living room again.
The wind was pushing through the broken window, tossing the drapes.
He stood tensely at the foot of the stairs for a moment, until he was certain that, in fact, nothing else was moving at the window besides those streaming panels of fabric.
The dead remained dead, and in spite of the inrushing night air, the room stank like the car trunk in which the tarp-wrapped blonde had been kept.
In the kitchen, the refrigerator door was open a few inches, and by that cold light, Celeste was still searching the cabinets. "Found a half-gallon plastic jug, filled it with water," she said. "Got some matches too, but no candles yet."
"Keep looking," Joey said as he put down the sheet-wrapped articles from Hannah's room.
In addition to the entrance to the dining room and the exit to the back porch, the kitchen contained a third door. He cracked it open. The influx of freezing air, bringing the faint scent of gasoline and motor oil, told him that he'd found the attached garage.
"Be right back," he said.
The flashlight revealed that the only window in the garage was in the back wall and covered with a flap of oilcloth. He switched on the overhead light.
An old but well-maintained Pontiac with a toothy chrome grin stood in the single stall.
Beside a rough workbench was an unlocked cabinet that proved to be full of tools. After choosing the heftiest of three hammers, he searched through boxes of nails until he found the size that he needed.
By the time Joey returned to the kitchen, Celeste had located six candles. Beth Bimmer evidently had bought them to decorate the house or the dining table at Christmas. They were about six inches tall, three to four inches in diameter: three red, three green, all scented with
bayberry.
Joey had been hoping for simple, tall, white candles. "These will have to do."
He opened the sack that he'd made by gathering the bed sheets, and he added the candles, matches, hammer, and nails to the items that he had collected earlier.
"What is all this?" she asked.
"We're going to play into his fantasy."
"What fantasy?"
"No time to explain. You'll see. Come on."
She carried her shotgun and the half-gallon jug of water. He carried the makeshift sack in one hand and his shotgun in the other. Thus encumbered, if they were threatened, they wouldn't be able to raise a weapon and fire with any accuracy or quickly enough to save themselves.
Joey was counting on his brother's desire to play games with them for a while yet. P.J. was enjoying their fear, feeding on it.
They left by the front door - boldly, without hesitation. The point was not to give P.J. the slip but to draw his attention and engage his curiosity. Joey's gut was clenched in dread anticipation of a rifle shot - not so much one aimed at him but one that might smash the porcelain beauty of Celeste's face.
They descended the porch steps into the rain, went to the end of the front walk, and turned left. They headed back toward Coal Valley Road.
The series of mine vents along North Avenue, set sixty feet on center, suddenly whooshed like a row of gas-stove burners being ignited all at once. Columns of baleful yellow fire, shot through with tongues of blue, erupted from the top of every pipe along the street.
Celeste cried out in surprise.
Joey dropped the bed-sheet sack, grabbed the shotgun with both hands, spun to the left swung to the right. He was so jumpy that he half thought P.J. was somehow responsible for the spontaneous venting of the fires under the town.
If he was nearby, however, P.J. did not reveal himself.
Fire didn't merely flap like bright banners at the tops of the vent pipes and dissolve in the storm wind. Instead, it shot four or five feet above the iron rims, under considerable pressure, like flames from the nozzles of blowtorches.
The ground didn't rumble, as it had done earlier, but the fierce rush of gases escaping up those metal shafts from far below produced a great roar that vibrated in Joey's bones. Strangely, the sound had a disturbing quality of rage about it, as though it had been produced not by natural forces but by some colossus trapped in the inferno and less pained than infuriated by it.
"What's happening?" he asked, raising his voice though Celeste was close beside him.
"I don't know."
"Ever see anything like this before?"
"No!" she said, looking around in fearful wonder.
As though they were the pipes of a gargantuan carnival calliope, the vents pumped forth a midnight music of roars and growls and huffs and whistles and occasi
onal mad shrieks. Echoes ricocheted off the smoke-mottled walls of the abandoned houses, off windows as dark as blind eyes.
In the backwash of spectral light from the ferocious gushes of fire, pterodactyl silhouettes swooped through the rain-shattered night. Mammoth shadows lurched across North Avenue as if thrown by an army of giants marching through the street one block to the east.
Joey picked up the bundle that he had dropped. With a sense that time was swiftly running out, he said, "Come on. Hurry."
While he and Celeste sprinted along the deeply puddled street toward Coal Valley Road, the burn-off of subterranean gases ended as abruptly as it had begun. The queer light throbbed once, then again, and was gone. The flying-lurching shadows vanished into an immobilizing darkness.
Rain turned to steam when it struck the fiercely hot iron pipes, and even above the sounds of the storm there arose a hissing as if Coal Valley had been invaded by thousands upon thousands of serpents.
15
THE DOORS OF THE CHURCH STILL STOOD OPEN. THE LIGHTS GLOWED softly inside, as Joey had left them.
After following Celeste into the narthex, he pulled the double doors shut behind them. The big hinges rasped noisily - as he had expected. Now, if P.J. followed them by that route, he would not be able to enter
quietly.
At the archway between the narthex and the nave, Joey indicated the marble font, which was as white as an ancient skull and every bit as dry. "Empty the jug."
"Just do it," he said urgently.
Celeste propped her shotgun against the wall and unscrewed the cap from the half-gallon container. The water splashed and gurgled into the bowl.
"Bring the empty jug," Joey said. "Don't leave it where he can see it."
He led her down the center aisle, through the low gate in the sanctuary railing, along the ambulatory that curved around the choir enclosure.
The body of Beverly Korshak, swaddled in heavy plastic, still lay on the altar platform. A pale mound.
"What now?" Celeste asked, following him along the presbytery to the altar platform.
Joey put down the white bundle, behind the dead woman. "Help me move her."
Grimacing in disgust at the prospect of that task, Celeste said, "Move her where?"
"Out of the sanctuary into the sacristy. She shouldn't be here like this. It's a desecration of the church."
"This isn't a church any more," she reminded him.
"It will be again soon."
"What are you talking about?"
"When we're done with it."
"We don't have the power to make it a church again. That takes a bishop or something, doesn't it?"
"We don't have the authority officially, no, but maybe that's not necessary to play into P.J.'s twisted fantasy. Maybe all we need is a little stage setting. Celeste, please, help me."
Reluctantly she obliged, and together they moved the corpse out of the sanctuary and put it down gently in a corner of the sacristy, that small room where priests had once prepared themselves for Mass.
On the first visit to St. Thomas's, Joey had found the exterior sacristy door open. He had closed and locked it. When he checked it now, he found that the door was still securely locked.
Another door opened onto a set of descending stairs. Gazing into that darkness, Joey said, "You've gone to church here for most of your life, right? Is there an outside entrance to the basement?"
"No. Not even windows. It's all below ground."
P.J. wouldn't be able to get into the church that way either, which left only the front doors.
Returning with Celeste to the sanctuary, Joey wished that they had been able to bring a card table or other small piece of furniture to serve as an altar. But the low, bare platform itself would have to suffice.
He unfolded the twisted ends of the sheets, with which he had formed the sack, and he set aside the hammer, box of nails, red and green candles, votive candles, matches, crucifix, and statuette of the Holy Mother.
At Joey's instruction, Celeste helped him cover the platform with the two white sheets.
"Maybe he nailed her to a floor while he ... did what he wanted," he said as they worked. "But he wasn't just torturing her. It meant more to him than that. It was a sacrilegious act, blasphemy. More likely than not, the whole rape and murder was part of a ceremony."
"Ceremony?" she asked with a shudder.
"You said that he's strong and difficult to rattle because he believes in something. Himself, you said. But I think he believes in more than that. He believes in the dark side."
"Satanism?" she asked doubtfully. "P.J. Shannon, football hero, Mr. Nice Guy?"
"We both already know that person doesn't exist any more - if he ever did. Beverly Korshak's body tells us that much."
"But he got a scholarship to Notre Dame, Joey, and I don't think they encourage Black Masses out there in South Bend."
"Maybe it all began right here, before he ever went away to the university or eventually to New York."
"It's so far out," she said.
"Here in 1975, okay, it's a little far out," he agreed as he finished straightening the sheets. "But by 1995, a troubled high-school kid getting into Satanism - it's not so unusual. Believe me. And it was happening in the sixties and seventies too - just not as often."
"I don't think I'd much like this 1995 of yours."
"You're not the only one."
"Did P.J. seem troubled in high school?"
"No. But sometimes the most deeply disturbed ones don't much show
it."
The cloth was pulled taut across the altar platform. Most of the wrinkles had been smoothed. The white cotton seemed to be whiter now than when they had first unfolded the sheets - radiant.
"Earlier," Joey reminded her, "you said he behaves recklessly, so arrogantly it's as if he thinks he's blessed. Well, maybe that's exactly what he thinks. Maybe he thinks he's made a bargain that protects him, and now he can get away with just about anything."
"You're saying he sold his soul?"
"No. I'm not saying there is a soul or that it could be sold even if it existed. I'm only telling you what he might think he's done and why that ugly little fantasy gives him such extraordinary self-confidence."
"We do have souls," she said quietly, firmly.
Picking up the hammer and the box of nails, Joey said, "Bring the crucifix."
He went to the back of the sanctuary where a twelve-foot-high carving of Christ in blessed agony had once hung. No overhead spots were focused on the wall; instead, the plaster was washed with light from a pair of floor-mounted lamps. The rising light had been meant to lead the eye upward to the contemplation of the divine. He drove a nail into the plaster slightly above eye level.
Celeste slipped the brass loop over the nail, and once more St. Thomas's had a crucifix behind and above its altar platform.
Glancing at the rain-streaked windows and the unrelieved night beyond, Joey wondered if P.J. was watching them. What interpretation might he put upon their actions? Did he find these developments laughable - or alarming?
Joey said, "The tableau that he seems to want to create here - a mockery of the twelve apostles, arranged in a deconsecrated church, at the expense of twelve lives - it's not just an act of madness. It's almost ... an offering."
"A while ago, you said he thinks he's like Judas."
"The Betrayer. Betraying his community, his family, his faith, even God. And passing along the corruption wherever he can. Pushing thirty dollars into my pocket in his car that night before sending me back to school."
"Thirty dollars - thirty pieces of silver."
Returning to the altar platform and putting aside the hammer, he grouped the six Christmas candles at one end of the white sheet. "Thirty dollars. Just a little symbolic gesture to amuse himself. Payment for my cooperation in letting him get away with her murder, making a little Judas out of me."
Frowning as she picked up the pack of matches and began to light the candles, Cel
este said, "So he sees Judas Iscariot as - what? - like his patron saint on the dark side?"
"Something like that, I think."
"Did Judas go to Hell for betraying Christ?" she wondered.
"If you believe there's a Hell, then I guess he has one of the deepest rooms there," Joey said.
"You, of course, don't believe in Hell."
"Look, it doesn't really matter what I believe in, only what P.J. believes in."
"You're wrong about that."
Ignoring her comment, he said, "I don't pretend to know all the twists and turns of his delusions - just maybe the overall design of it. I think even a first-rate psychiatrist would have trouble mapping the weird landscape in my big brother's head."
As she finished lighting the six bayberry candles, Celeste said, "So P.J. comes home from New York, takes a ride around the county, and he sees how weird things have gotten here in Coal Valley. All the abandoned houses. The subsidence everywhere. More vent pipes than ever. The open pit of fire out on the edge of town. The church deconsecrated, condemned. It's as if the whole town's sliding into Hell. Sliding pretty fast, in fact, and right before his eyes. And it excites him. Is that what you think?"
"Yeah. A lot of psychotics are very susceptible to symbolism. They live in a different reality from ours. In their world, everyone and everything has secret meanings. There are no coincidences."
"You sound like you've crammed the subject for a test."
"Over the years I read lots of books about aberrant psychology. At first I told myself it was all research for novels I'd write. Then, when I admitted I'd never be a writer, I kept reading - as a hobby."
"But subconsciously, you were trying to understand P.J."
"A homicidal sociopath with religious delusions, of the sort that P.J. seems to have, might see demons and angels masquerading as ordinary people. He believes cosmic forces are at work in the simplest events. His world is a place of constant high drama and immense conspiracies."
Celeste nodded. She was the principal's daughter, after all, raised in a house full of books. "He's a citizen of Paranoialand. Yeah, okay, so maybe he's been killing for years, since he went away to college if not before, one girl here, one there, little offerings from time to time. But the situation in Coal Valley really gets his juices up, makes him want to do something special, something big."
Dean Koontz - Strange Highways Page 13
