Small high shrieks
Low breath and growl sounds
Tapping of teeth or bone-rattlings
Piano—solo perform
Side B
Autoharp—solo perform
Vocal part of opening music
Glissing metal-rod on autoharp of opening music
Heartbeat—in clear
Slow upward portamento delay echo cluster
Gentle bells—“snow-like”
Winter’s Efx of bell sounds
Two Track #2 “Loops”
“Rocky Mountains” swaying 4ths, 5ths, and Am9ths in Brassy tones—rich (med. long cue)
“Low moanings” rich, a bit brassy and bassy—somber
More menacing low moans, rich, episodic—much bass (fairly loud)
Clustry, watery, soprano-like “ghosties”—ends in a high soft scream (short cue)
Medium watery “ghosties”, slow build up in pitch, then “cluster” goes loud and nasty, more and more (good cue)
“Ghosties”, solos, soprano and alto, sighs, siren-songs, music and very vocal-like, moves in waves (longish cue)
Moaning “Ghosties”, alto and soprano, very high and end (med.)
Richer solo moaning “Ghosties”, alto and tenor, soprano at end, moves up and in slow waves to scream
Duet—“Ghosties”, vocal efx, small moans collect and move slowly up into cresc., slow gliss down as engine (longish, good cue)
Am9th low chord slowly moves up after low pulsating start, up to very high chord (med. Cue) (good sound)
Two Track #5 “Wind and Textures”
Long wind—first low then “Stifled,” then full with soft “moaning”
Shorter, outdoor, nastier version, with shimmer
Indoor brooding wind-atmosphere
Outdoor shimmery wind and efx
“The Snow”—wind with low Dies Irae
Danny and Wendy play in snow—wind and glassy and melancholy
Long bed—very wind-like and neutral
Long bed—softly shifting and complex
Long bed—neutral and shifting
Five chromatic cluster 16-voiced polyphonic performances (sample mixes only) (very good sounds built to suit given scenes)
Two Track #6 “Piano and Autoharp efx and synth”
Side A
fairly long, wide spaces very scary squeals and squeaks—ghosts
Three fat “swoops” as on “Ballroom” cues
Two large heavy crashes
High pitched shining/shimmer efx
Polymoog “Blood Bath” Grady twins bursts
Side B
Many Polymoog and synthesizer passages on “Dies Irae and miscel. Colors……(demo material) (for pos. extension)
4 piano-renderings of “Dies Irae”
Wendy Carlos: Rediscovering Lost Scores, Volume I (2005, East Side Digital)
Colorado—‘The Shining’
The Rocky Mountains—‘The Shining’
Chase Music—‘The Shining’
Nocturnal Valse Triste—‘The Shining’
Greetings Ghosties—‘The Shining’
Horror Show—‘The Shining’
A Haunted Waltz—‘The Shining’
Psychic Shout #237—‘The Shining’
Danny—‘The Shining’
Heartbeats And Worry—‘The Shining’
Subliminal Ballroom—‘The Shining’
Thought Clusters—‘The Shining’
A Ghost Piano—‘The Shining’
Visitors—‘The Shining’
Dark Winds and Rustles—‘The Shining’
Bumps in the Wind—‘The Shining’
Setting with Medea—‘The Shining’
Two Polymoog Improvisations—‘The Shining’
Fanfare and Drunken ‘Dies’—‘The Shining’
Clockworks (Bloody Elevators)—‘The Shining’
Danny Bells Ascending—‘The Shining’
Postlude—‘The Shining’
Stately Purcell—‘Clockwork Orange’
Pop Purcell—‘Clockwork Orange’
Trumpet Voluntary—‘The Shining’
The Children of Peru—‘UNICEF Films’
Shanty Town and Farewell—‘UNICEF Films’
Daycare and the Colonel—‘UNICEF Films’
Two Distant Walks—‘UNICEF Films’
Ethiopian Life—‘UNICEF Films’
Tanzanian Scenes—‘UNICEF Films’
Three Hopeful Places—‘UNICEF Films’
Wendy Carlos: Rediscovering Lost Scores, Volume II (2005, East Side Digital)
Shining Title Music—‘The Shining’
Paraphrase for ‘Cello—‘The Shining’
Where’s Jack?—‘The Shining’
The Overlook—‘The Shining’
Psychic—‘The Shining’
Day of Wrath—‘The Shining’
Paraphrase For Brass—‘The Shining’
Title Music ‘Dies’—‘The Shining’
Clockworks ‘Dies’—‘The Shining’
Creation of Tron Vol. I—‘Tron’
Creation of Tron Vol. II—‘Tron’
Lightcycle Games—‘Tron’
Anthem (Studio Version)—‘Tron’
Little Interludes—‘Tron’
Trinitron—‘Tron
Visit to a Morgue—‘Split Second’
Return to the Morgue—‘Split Second’
Woundings Title Music—‘Woundings’
Angela’s Walk—‘Woundings’
Jimmy—‘Woundings’
Louise—‘Woundings’
Doug Does Angela—‘Woundings’
Scattering Ashes—‘Woundings’
Angela’s Aftermath—‘Woundings’
Jimmy Kills Louise—‘Woundings’
In a Cemetery—‘Woundings’
Fly Away and End—‘Woundings’
Jiffy Test: Bee Dee Bei Mir—From Two Dolby Demos
Listen: Tannhauser—From Two Dolby Demos
Chapter 7: Complete Track Lists from Eyes Wide Shut
Music from the Motion Picture Eyes Wide Shut (1999, Reprise)
Musica Ricercata, II (Mesto, rigido e cerimoniale), György Ligeti; Dominic Harlan
Waltz 2 From Jazz Suite [sic], Dmitri Shostakovich, The Royal Concertgebouw Orchestra, Conducted by Riccardo Chailly
Baby Did a Bad, Bad Thing, Chris Isaak
When I Fall in Love, Victor Young and Edward Heyman, The Victor Silvester Orchestra
I Got it Bad (and That Ain’t Good), Duke Ellington and Paul Francis Webster; The Oscar Peterson Trio
Naval Officer, Jocelyn Pook; Jocelyn Pook, Conducted by Harvey Brough
The Dream, Jocelyn Pook; Jocelyn Pook, Conducted by Harvey Brough
Masked Ball, Jocelyn Pook
Migrations, Jocelyn Pook; Jocelyn Pook and the Jocelyn Pook Ensemble with Manickam Yogeswaran, Kelsey Michael and Harvey Brough
If I Had You, Shapiro, Campbell, and Connelly; Roy Gerson
Strangers in the Night, Snyder, Singleton, and Kaempfert, The Peter Hughes Orchestra
Blame It on My Youth, Oscar Levant and Edward Heyman; Brad Mehldau
Grey Clouds [Nuages Gris], Franz Liszt; Dominic Harlan
Musica Ricercata, II (Mesto, rigido e cerimoniale) [Reprise], György Ligeti; Dominic Harlan
Notes
1. The writers of this song are listed as Carter and Dewitt. On promotional versions of the release, the artist is listed as “Dr. Strangelove and the Fallouts.”
2. Billboard 22 June 1968, 48.
3. Joe Sikoryak, “Great Film Scores,” Film Score Monthly 5, no. 9 (November/December 2000): 36.
4. Billboard 19 April 1969, 35.
5. Billboard 1 July 1972, 21.
6. Billboard 4 March 1972, 41.
7. The album peaked at position thirty-four. Joel Whitburn, Billboard: Top Albums 1955–2001 (Menomonee Falls, WI: Record Research, Inc., 2001), 1002.
8. Walter Carlos’ C
lockwork Orange peaked at 146 on the Billboard chart. Joel Whitburn, Billboard: Top Albums 1955–2001 (Menomonee Falls, WI: Record Research, Inc., 2001),134.
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