by Dixon, Jeff
THE KEY TO THE
Unlocking Walt Disney’s Magic Kingdom
THE KEY TO THE
Unlocking Walt Disney’s Magic Kingdom
Jeff Dixon
Jeff Dixon
www.jeffdixon.org
www.keytothekingdombook.com
[email protected]
The Key to the Kingdom: Unlocking Walt Disney’s Magic Kingdom
© 2010 Jeff Dixon
All rights reserved. This book or any portion thereof may not be reproduced or used in any manner whatsoever without the express written permission of the publisher except for the use of brief quotations in a book review.
The Bible version statement as follows: Scripture taken from the HOLY BIBLE, NEW INTERNATIONAL VERSION. Copyright © 1973, 1978, 1984 by International Bible Society. Used by permission of Zondervan. All rights reserved.
Published by
Deep River Books
Sisters, Oregon
http://www.deepriverbooks.com
ISBN: 978-1-935265-24-5
ISBN 13: 1-935265-24-5
Library of Congress: LOC 2010940072
Printed in the USA
Cover design by Joe Bailen
Contents
Chapter 1: Day One Night
Chapter 2: Day One Night
Chapter 3: Day Two Morning
Chapter 4: Day Two Afternoon
Chapter 5: Day Two Evening
Chapter 6: Day Three Morning
Chapter 7: Day Three Noon
Chapter 8: Day Four Morning
Chapter 9: Day Four Mid-Afternoon
Chapter 10: Day Four Evening
Chapter 11: Day Four Evening
Chapter 12: Day Four Night
Chapter 13: Day Four Night
Chapter 14: Day Five Morning
Chapter 15: Day Five Afternoon
Chapter 16: Day Five Afternoon
Chapter 17: Day Five Afternoon
Chapter 18: Day Five Afternoon
Chapter 19: Day Five Late Afternoon
Chapter 20: Day Five Evening 7:00 p.m
Chapter 21: Day Five Evening
Chapter 22: Day Five Night
Chapter 23: Day Five Late Night
Chapter 24: Day Six Early Morning
Chapter 25: Day Six Early Morning
Chapter 26: Day Six Morning
Chapter 27: Day Six Morning
Chapter 28: Day Six Afternoon
Chapter 29: Day Six Afternoon
Chapter 30: Day Six Late Afternoon
Chapter 31: Day Six Evening
Chapter 32: Day Six Evening
Chapter 33: Day Six Night
Chapter 34: Day Six Night
Chapter 35: Day Six Night
Chapter 36: Day Six Night
Chapter 37: Day Seven Early Morning
Chapter 38: Day Seven Early Morning
Chapter 39: Day Seven Early Morning
Chapter 40: Day Seven Early Morning
Chapter 41: Day Seven Early Morning
Chapter 42: Day Seven Morning
Chapter 43: Day Seven Mid-Morning
Chapter 44: Day Seven Mid-Morning
Chapter 45: Day Sevan Late Morning
Chapter 46: Day Seven Late Morning
Chapter 47: Day Seven Noon
Chapter 48: Day Seven Afternoon
Chapter 49: Day Seven Afternoon
Chapter 50: Day Seven Afternoon
Epilogue: Six Months Later
A Story That Will Never Be Completed . . .
Bibliography
THIS BOOK MAKES REFERENCES to various Disney copyrighted characters, trademarks, marks, and registered marks owned by the Walt Disney Company and Walt Disney Enterprises, Inc. This book is a work of fiction and is not authorized or endorsed by the Walt Disney Company or any other businesses named in this book. All attractions, product names, and other works mentioned in this book are trademarks of their respective owners and the names are used for editorial purposes; no commercial claim to their use is claimed by the author or publisher. These include but are not limited to: Walt Disney World, Inc., The Magic Kingdom, Adventureland, Liberty Square, Frontierland, Tomorrowland, Fantasyland, Main Street USA, Disney’s Animal Kingdom, Walt Disney’s Hollywood Studios, Disney’s Animal Kingdom, Epcot, Epcot Center, Audio-Animatronics, Carousel of Progress, Space Mountain, Big Thunder Mountain Railroad, Pirates of the Caribbean, Contemporary Resort, Expedition Everest, Cinderella Castle, Mickey Mouse, Pal Mickey, and Walt Disney. Nothing contained herein is intended to express judgment on, or affect the validity of legal status of, any character, term, or word as a trademark, service mark, or other proprietary mark. Neither the author nor publisher is associated with any product, vendor, or service provider mentioned in this fictitious work.
This novel being a work of fiction, set in an imagined future, suggests no claim to the events or characters in the book, including the imagined future of the Company. All characters, places, and events either real or imagined are used only fictitiously as storytelling devices.
For my Dad
While this story was being written you have regained your sight and can actually see these words on the printed page. You remind me to believe in miracles all over again. You are my hero.
This book is built upon the following facts:
November 15, 1965—The Disney brothers, Walt and Roy, met at the Cherry Plaza Hotel in Orlando, Florida for a press conference. Sitting on either side of Florida Governor Haydon Burns they announced to the public their plans to build a new Disney theme park in Central Florida.
December 15, 1966—Walter Elias Disney passed away at the age of 65 in St. Joseph’s Hospital in Burbank, California.
December 16, 1966—A private memorial ceremony was held at the Little Church of the Flowers at Forest Lawn Cemetery in Glendale, California. No announcement of the funeral was made until after it had taken place. No staff or executives from Disney Studios were invited, and only immediate family members were in attendance. Forest Lawn officials refused to disclose any details of the funeral or disposition of the body, stating only that “Mr. Disney’s wishes were very specific and had been spelled out in great detail.”
January 1967—Disney department heads were invited to a screening room at the Disney Studios. Sitting in assigned seats they viewed a film featuring Walt Disney sitting behind his desk and addressing them as individuals, gesturing toward them as he spoke, and laying out future plans. Roy Disney postpones retirement to complete the Florida project.
February 2, 1967—Roy Disney is the host at Wometco’s Park Theatre in Central Florida for Project Florida. This invitation-only event screens the film Walt Disney World Resort-Phase 1 followed by a press conference. The film includes portions of the documentary EPCOT featuring Walt Disney filmed just months before his death.
October 1, 1971—The Walt Disney World Resort opens the gates to the Magic Kingdom theme park.
October 23, 1971—Roy Disney dedicates the Magic Kingdom theme park based upon the philosophies and vision of his brother, Walt Disney.
December 20, 1971—Roy Disney passes away at the age of 78, with Walt Disney World being their last great project.
Today—The legacy of the Disney Brothers continues to touch the lives of people around the world.
CHAPTER ONE
* * *
Day One
Night
HALOGEN HEADLAMPS PIERCED the darkness of the cool central Florida night. The GPS guided the Mustang surging toward the coastal community of Port Orange. Racing along Taylor Road, Dr. Grayson Hawkes approached an unknown destination. Questions swirled in the tornado of curiosity whipping through the preacher’s mind. The glow of the dashboard light illuminated the business card
propped against the gearshift; “1819 Taylor Road, Port Orange” had been neatly printed in blue ink. Flipping the card he read the name on the other side.
Farren Rales
Imagineering Ambassador
Walt Disney Company
Reading the name of his dear friend brought a slight smile to his face. Rales had been hired by the late Walt Disney himself as an animator at the Walt Disney Studios on Rales’s thirtieth birthday. In the years that followed he had worked on animated features, been involved in projects at Disneyland, and eventually became a part of that exclusive group of creative Walt Disney Company designers known as Imagineers. Rales was part Disney historian, part Disney philosopher, and a modern day keeper of the dream that Walt himself had begun.
Farren Rales had given him the business card with an invitation to meet the old Imagineer at ten o’clock this evening. The GPS announced a turn seconds before an inconspicuous dirt road veered to the right. Hawk responded sluggishly and shot past it. He instantly banked his ride into a U-turn that corrected his course. Slowly navigating the heavily wooded, chassis-jarring dirt road, he watched for signage. The headlights threw a glow on a sign that read Gamble Place Parking with an arrow that pointed right. He turned the wheel. A gate immediately came into view, blocking forward progress. Hawk looked over the steering wheel trying to decide whether he had managed to bungle the directions and gotten hopelessly lost. With the car idling, he got out and walked to the gate. Grasping the chain that held the gate closed, he saw the lock had been secured to the chain, but the chain was not fastened. When he dropped the chain, the gate lazily swung open. Hawk slid back behind the wheel of the car and it crawled forward as the dirt became softer below the tires. The Mustang eased up to a parking barrier, above which the headlights shone on a yellow house trimmed in green.
Exiting the automobile, Hawk left the parking area and made his way toward the house. There was a display in front of the walkway to the house that probably explained where he was. The automatic timer for the headlamps clicked off, leaving him standing in darkness. Sensing his eyes would never adjust in the moonless night to read the display, he remembered a flashlight that was hopefully still in the trunk of the car. He retraced his steps. In addition to the soft sound of his shoe steps in the sand, Hawk thought he heard something else moving near him. He came to an abrupt halt. Rales? Listening closely, he now only heard the sounds of the outdoor evening. The trunk popped open, producing a blast of light that momentarily blinded him. He fumbled for the flashlight and flicked the switch. The beam shone strongly as he slammed the trunk shut. He again moved toward the house. Sweeping the beam around him, he saw a large historical marker looming in the dark, over his left shoulder. He refocused the attention of the light on this newly discovered sign.
Gamble Place
In 1898, James N. Gamble, of the Proctor and Gamble Company and a longtime winter resident of Daytona Beach, bought this land on Spruce Creek for use as a rural retreat. In 1907 he built a small cracker cottage with an open front porch and a breezeway connecting a separate kitchen and dining room . . . In 1938, Gamble’s son-in-law, Alfred K. Nippert, completed the “Snow White House,” a Black Forest style cottage inspired by the Disney animated film classic, Snow White and the Seven Dwarfs. The house is surrounded by a Witch’s Hut, the Dwarfs’ Mine Shaft, and an elaborate network of rock gardens. Collectively these buildings and grounds form a historic landscape now known as Gamble Place. This property was listed in the National Register of Historic Places in 1993.
Obviously Rales had asked Hawk here because of the Disney connection. It had been a Disney connection that had started the friendship between the two men. Hawk had been introduced to Rales and asked the Imagineer if he would meet with him and his church staff to teach them the art of storytelling. The first meeting had gone so well it turned into a standing appointment each month. However this evening the invitation was for Hawk alone. Sighing deeply in an attempt to relax, Hawk listened closely and his ears tuned in to the sound of water gently playing along an unseen shoreline. The unexpected snap of a branch unleashed a wave of adrenaline spinning him in the direction of the noise. He peered into the blackness of the trees, searching for the maker of the sound, but heard nothing.
“Farren, is that you?” Hawk spoke with a bit more edge than he anticipated.
Silence confirmed Rales was not the source of the sound. “So when did you get so scared of the dark?” he muttered to himself. “And when did you start talking to yourself?”
Out of the corner of his vision he noticed a glimmer of light across the wooded darkness. With a bit of reservation he moved toward it. His shoes cracked sticks and crushed leaves, creating a symphony of sound that shattered the haunting noises of nature that had moments ago surrounded him. His flashlight began to dim. Shaking it violently he resurrected the brilliance of the beam, only to watch it fade into a momentary glow, and then disappear completely.
“Tremendous,” he said in frustration at the malfunctioning light. “Still talking to . . . and answering yourself.”
The point of light he had been moving toward disappeared as well. Pressing onward, he drew nearer to where it had been. Once again it appeared and this time looked brighter and stronger. Hawk’s trudging through the undergrowth yielded to softer ground as he heard a familiar voice cut quietly through the night.
“I began to think you weren’t going to make it.”
“I was starting to think you were playing a practical joke on me,” Hawk whispered back.
“Now, would I do that to you?” Rales laughed softly.
Hawk could now see much better as he approached the place where Rales stood. Farren had brought a lantern that illuminated the place he was standing and cast long shadows in multiple directions. Hawk descended the steps to join Rales on what appeared to be a recently created platform. The sound of the creek was closer and Hawk assumed they were now on the edge of the river. Rales was dressed in a pair of black slacks with a lightweight black windbreaker. Hawk did not miss the stealth attire and was getting ready to comment on it when Rales again spoke in a hushed tone.
“Any trouble finding the place?”
“I suppose not, since it’s out in the middle of nowhere!” Hawk decided to satisfy his curiosity. “And could you tell me why we’re whispering?”
“Didn’t you read the sign? We’re in a state park. It closed at dusk. We could get arrested for being here.”
“Then why didn’t we come here in the daylight?”
“Now, that wouldn’t be as much fun, would it?”
“Farren, we should clarify our definitions of fun.”
“Breaking into a state park is a story you’ll be able to tell for years!”
“I didn’t break in, the gate was unlocked.”
“So you opened it and drove on in.”
“You invited me.”
“Shhh,” Rales interrupted.
Hawk grew quiet and strained to hear sounds coming out of the darkness. He studied Rales’s tense features, trying to decide whether the old man was toying with him or was actually concerned that they might be caught after hours in the park. Rales’s face softened and he turned away from Hawk, letting his lantern shine toward a nearby wooden cottage that looked as if it had been plucked off of an animation cell from an antique piece of film. Hawk’s mouth opened slightly. Rales moved forward and panned the light across the front of this cottage that did not belong in this time or any other. It was recognizable as the cottage in the Black Forest of the classic cartoon Snow White and the Seven Dwarfs. Hawk’s eyes followed the movement of the lantern to the carved lintel and a stone trough. Rales moved toward the front door, fumbled with the handle, and then opened it. Looking back to Hawk, he motioned for him to follow him inside. Hawk entered, feeling like he was stepping into a fairy tale as Rales silently closed the door behind them.
CHAPTER TWO
* * *
Day One
Night
THE FLOOR CREA
KED with age as Hawk shifted his weight in the center of the room. There was a fireplace to his left with a rocking chair in front of it. On the mantel above the fireplace was a painting of Snow White taken from a scene in the movie. A staircase on the opposite wall crawled up to a second story of the cottage. Perched on each stair, looking through the banisters, were wooden cutouts of each of the seven dwarfs. Fourteen unseeing eyes peered at the two men as they stood in the cottage.
Hawk broke the silence.
“Unbelievable.”
“Not a lot of people have seen this place. I assume you read the historical marker down by the cracker cottage.”
“The son of the Procter and Gamble guy built this place because he was a fan of the movie,” Hawks recalled.
“Not exactly.” Rales walked over to the fireplace and set the light on the mantel. The indirect glow bouncing off the ceiling creating a surreal atmosphere. Specks of light glinted off Rales’s eyes.
“You are standing in the real cottage of the Seven Dwarfs.”
“The real one?” asked Hawk, realizing that Rales intended to unravel the real history of this place.
“Certainly,” Rales continued. “Think about it. The one in the original story is nothing but imagination. The cottage in Walt’s cartoon was merely a drawing. But this is where the imagination and the drawing were combined to create the real thing.”
“Are you suggesting that there were dwarfs that lived here?”
“Of course not, but what I am suggesting is that this place was here before Walt Disney World came into existence in the real world.”
Hawk studied the Imagineer and wondered how many more secret places like this he had discovered through the years. Farren always managed to surprise him. His ability to blend ideas and thoughts in unique ways ignited Hawk’s own creativity and curiosity.
