by Ruth Rendell
'We are trying. Of course, we haven't a proper photograph but all the newspapers have carried detailed descrip
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lions. They must show themselves in the next couple of days if they're still alive, and why shouldn't they be? They wouldn't have to be more than in their forties.'
Wexford said carefully, 'Would you mind if tomorrow I sort of poke about a bit at Garmisch Terrace, talk to people and so on?'
'Poke about all you like,' Howard said affectionately. 'I need your help, Reg.'
Wexford was up by seven-thirty, bent on leaving by car with Howard, and this defiance sent both women into a flurry. Dora had only just come downstairs and there had been no time to prepare a special breakfast for him.
'Just boil me an egg, my dear,' he said airily to Denise, 'and I'll have a cup of coffee.'
'If you hadn't worried us nearly to death yesterday, we'd have gone out and bought you some of that Austrian cereal with the dried fruit and the extra vitimins.'
Wexford shuddered and helped himself surreptitiously to a slice of white bread.
'Your pills,' said his wife, trying to sound cold. 'Oh, Reg.' she wailed suddenly, 'carry them with you and please, please, don't forget to take them!'
'I won't,' said Wexford, pocketing the bottle.
The rush-hour traffic was heavy and nearly forty minutes elapsed before Howard dropped him outside 22 Garmisch Terrace. The pavements were wet and darkly glittering. As he slammed the car door, he saw a black-caped figure come out of the church and scurry off towards the shops.
The only living creature visible, apart from a cat peering through a grating into sewer depths, was a young man who sat on the top step of number 22, reading a copy of The Stage.
'The entry phone doesn't work,' he said as Wexford approached.
'I know.'
'I'll let you in if you like,' said the young man with the lazy indifference of the Frog Footman. He looked, if no means
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t~ of entering had been available, capable of sitting there until tomorrow. But he had a key, or said he had, and he pro- ceeded to search for it through the pockets of a smelly Afghan jacket. In fashionable usage, Wexford decided, he would be termed one of the Beautiful People, and if like went to like, this must be Johnny.
'I believe you were friendly with the dead girl,' he said.
'Don't know about friendly. I sort of knew her. You the police?'
Wexford nodded. 'You're called Johnny. What's your other name?'
'Lamont.' Johnny wasn't disposed to be talkative. He found his key and let them into the hall where he stood gazing rather moodily at the chief inspector, a lock of dark chestnut hair falling over his brow. He was certainly very handsome with the look of an unkempt and undernourished Byron.
'Who was she friendly with in this house?'
'Don't know,' said Johnny. 'She said she hadn't any friends.' He seemed even more gloomy and indifferent than Peggy Pope and a good deal less communicative. 'She never spoke to anyone here but Peggy and me.' With a kind of lugubrious satis- faction he added: 'No one here can tell you anything. Besides, they'll all be at work by now.' He shrugged heavily, stuffed his magazine into his pocket and shambled off towards the basement stairs.
Wexford took the upward flight. Johnny had been correct in his assumption that most of the tenants would be out at work. He had expected the door of Loveday's room to be sealed up, but it stood ajar. Two plain-clothes men and one in uniform stood by the small sash window talking in low voices. Wexford paused and looked curiously into the room. It was very small and very bare, containing only a narrow bed, a chest of drawers and a bentwood chair. One corner, curtained off with a strip of thin yellow cretonne, provided storage space for clothes. The view from the window was of a plain and uncompromising brick wall, the side evidently of a deep well between this house and the one next door. The well acted
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as a sounding box, and the cooing of a pigeon perched somewhere higher up came to Wexford's ears as a raucous and hollow bray.
One of the men, seeing him and taking him for a sightseer, stepped briskly over and slammed the door. He went on up. On the third floor he found two tenants at home, an Indian whose room smelt of curry and jogs-sticks and a girl who said she worked in a nightclub. Neither had ever spoken to Loveday Morgan but they remembered her as self-effacing, quiet and sad. Somewhat breathless by now, he reached the top of the fourth flight, where he encountered Peggy Pope, a pile of bedlinen in her arms, talking to a girl with a plain but vivacious face.
'Oh, it's you,' said Peggy. 'Who let you in?'
'Your friend Johnny.'
'Oh God, he's supposed to be down the Labour. He'll just lie about in bed now till the pubs open. I don't know what's got into him lately, he's going to pieces.'
The other girl giggled.
'Did you know Loveday Morgan?' Wexford asked her sharply.
'I said hello to her once or twice. She wasn't my sort. The only time I really talked to her was to ask her to a park I was giving. That's right, isn't it, Peggy''
'I reckon.' Peggy turned dourly to Wexford. 'She has a party every Saturday night and a bloody awful row they make. Sets my kid off screaming half the night.'
'Come off it, Peggy. You know you and Johnny have a great time at my parties.'
'Did Loveday accept your invitation?' Wexford asked.
'Of course not. She looked quite shocked like as if I'd asked her to an orgy. Mind you, she was very nice about it. She said not to worry about the noise. She liked to hear people enjoying themselves, but I thought, well, you're more like an old aunt than a kid of twenty.'
'She'd got no life in her at all,' said Peggy with a heavy sigh.
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At the top of the last flight Wexford had much the same sensation as he had received when coming from the dingy wastes of Kenbourne into the light and space which surrounded the Montfort house. The arch at the head of the stairs had been filled in with a glass door set in a frame of polished wood and from this frame, hooked to white trellis, hung a display of house plants. These were so well arranged and well tended as to have satisfied even Denise.
The air smelt cleaner, fresher. Wexford stood still for a moment, getting his breath back, and then he put his finger to the bell above a small plaque which read: 'Chez Teal.'
S1
6 There be divers kinds of religion not only in sundry parts of the island, but also in divers places of every city
(I THOUGHT you'd turn up sooner or later,' said Ivan Teal. The look he gave Wexford was not the insolent stare of the previous day, but slightly mocking, containing a kind of intense inner amusement. 'Come in. You seem rather out of breath. Perhaps you've been afraid to breathe in case you might inhale something nasty? The stairs do smell, don't they? There must be some very unusual germs lurking in those cracks. I'm sure they'd be a source of fascination to a bacteriologist.' He closed the door and continued to talk in the same light indulgent tone. 'You may wonder why I live here. In point of fact, it has its advantages. The view, for instance. and I have plenty of space for a low rent. Besides, I'm sure you'll agree I've made the flat rather nice.'
It would have seemed nice in any surroundings. Here it was like a jewel in a pigsty. Apart from being spotlessly clean, the flat was decorated with an artist's taste in intense clear colours, the carpets deep, the walls hung here and there with abstract paintings. Wexford walked ahead of Teal into a long lounge running the length of the back of the house. The small sash windows had been removed and replaced by a fifteenfoot-long sheet of plate glass through which could be seen, starkly and almost indecently, the full windswept panorama of Kenbourne Cemetery. He stepped back, disconcerted, and saw
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Teal's lips twitch.
'Our guest thinks we have an unhealthy taste for the macabre,' he said. 'Perhaps, child, we should get some pretty little lace curtains.'
Wexford had been so drawn to the window that he had not noticed the boy who knelt on the fl
oor beside a wall-length well-stocked bookcase. As Teal addressed him, he got up and stood awkwardly, fidgeting with the girdle of his towelling dressing gown. He was perhaps twenty-two, slim, fair, with huge rather dull eyes.
'Let me introduce Philip Chell, the other consenting adult in this establishment.' Teal's twitching mouth broke into a grin. 'You've no idea what a pleasure it is to say that openly to a policeman.'
'Oh, Ivan! ' said the boy.
'Oh, even! ' Teal mocked. 'There's nothing to be afraid of. We're doing nothing wrong. At your age you can surely hardly remember when it was wrong.' Still smiling, but rather less pleasantly, he said to Wexford, 'Unlike me who have suffered much from policemen.' He shrugged in the boy's direction. 'We must let bygones be bygones and give him some coffee. Go and get it, child.'
Philip Chell went with a sulky flounce.
Teal stared out at the cemetery, his head slightly on one side. 'I'm badly hung-up about it, aren't I? Shall I tell you a joke? It's quite proper, though you might not think so from the way it starts.' He turned his pale grey insolent eyes full on Wexford's face. 'Three men, an Englishman, a Frenchman and a Russian. Each tells the others what gives him the greatest pleasure. The Englishman says cricket on the village green on a fine Saturday afternoon in June. A bowl of bouillabaisse made by line Erie Marseillaise, says the Frenchman. It is night, says the Russian, I am in my flat. There comes a knock at my door the secret police are outside, soft hats, raincoats concealing guns. And my greatest pleasure comes when they ask for Ivan Ivanovitch and I can tell them that Ivan Ivanovitch lives next door.'
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Wexford laughed.
'But you see, my friend, I wasn't able to say that, for Ivan lived here. And on two occasions I had to go with them.' His voice changed and he said lightly. 'Now my pleasure is to have policemen in for coffee. You know, one advantage the straight has over the gay is that he has a woman in the house and women are better at chores. That boy's hopeless. Make yourself at home while I go and rescue him.'
The bookshelves contained Proust, Gide and Wilde, as he might have expected, and a lot more he didn't expect. If Teal had read all these books Teal was well read. He reached for a calf-bound volume and, as he did so, its owner's voice said at his dbow:
'John Addington Symonds? Isn't he rather old-hat? Poor fellow. Swinburne called him Mr Soddington Symonds, you know.'
'I didn't know,' said Wexford, laughing, 'and 1 don't want Symonds. I see you've Robinson's translation of Utopia.'
'Borrow it.' Teal took the book down and handed it to Wexford. 'Do you take cream with your coffee? No? My friend has retired to the bedroom. I think he's afraid I'm going to make all sorts of revelations to you.'
'I hope you are, Mr Teal, though not of a kind that would embarrass Mr Chell. I want you to talk to me about Loveday Morgan.'
Teal placed himself on the window-seat, resting one arm along the sill. Sitting down, Wexford couldn't see the cemetery. Teal's face, one of those polished brown faces, both youthless and ageless, was framed against the milky sky. 'I knew her only very slightly,' he said. 'She was a strange repressed child. She had that look about her of a person who had been brought up by strict old-fashioned parents. Once or twice on Sunday mornings I saw her go off to church, go creeping off as if she were doing something both wrong and irresistible.'
'To church?' Suddenly he remembered the Bible. It had been hers then, after all.
'Why not?' exclaimed Teal, his voice loud and impatient.
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'Some people still go to church even in these enlightened times.'
'Which church?'
'That one up at the end of the street, of course. I wouldn't have known she was going to church if she'd been trotting off to St Paul's, would I?'
'You needn't get so heated,' Wexford said mildly. 'Is that place C. of E.? No, I shouldn't think so.'
'They call themselves the Children of the Revelation. They're rather like Exclusives or Plymouth Bretheren. There's this chapel temple, they call it and another one up north somewhere and one in South London. Surely you as a policeman remember the fuss a year or two back when one of their ministers was up in court for some sort of indecency. Poor sod. It was in all the papers.' He added reflectively, 'It always is.'
'Was Loveday a er, Child of the Revelation?'
'Hardly. She worked in a television shop, and to them television, newspapers and films are synonymous with sin. She probably went there because it was the nearest church and she wanted some comfort. I never discussed it with her.'
'What did you discuss with her, Mr Teal?'
'I'm coming to that. More coffee?' He refilled Wexford's cup and stretched out his legs, yawning. 'She was a quiet, sad sort of a girl as I daresay you've gathered. I don't think I'd ever seen her smile or look cheerful until one day about a fortnight ago. It was February the 14th, if that's any help to you. I remember' he smiled sourly 'because that idiot child Philip had seen fit to send me a Valentine and we had a row about it. Sentimental nonsense! Well, instead of going out with him as we'd arranged, I was going for a quiet drink on my own to the Queen's Arms when I met Loveday coming along Queen's Lane that's the street at the bottom here, in case you didn't know looking as if she'd come into a fortune. It was just before six and she was on her way home from work. I'd never seen her looking the way she looked that evening. She was almost laughing, like a child laughs, you know, from joy.'
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Wexford nodded. 'Go on.'
'She almost bumped into me. She didn't know where she was going. I asked her if she was all right and she stopped smiling and gave me a rather a stunned look. For a moment I thought she was going to faint. "Are you all right?" I said again. "I don't know," she said. "I feel funny. I don't know what I feel, Mr Teal. I'd like to sit down." Anyway, the upshot of it was I took her into the Queen's Arms and bought her a brandy. She was rather reluctant about that, but she didn't seem to have much resistance left. I don't think she'd ever had brandy before. The colour came back into her face, what colour she ever had, and I thought she'd open her heart to me.'
'But she didn't?'
'No. She looked as if she wanted to. She couldn't. Years of repression had made it impossible for her to confide in anyone. Instead she began asking me about Johnny and Peggy Pope. Were they trustworthy? Did I think Johnny would stay with Peggy? I couldn't tell her. They've only been here four months, not much longer than Loveday herself. I asked her in what way trustworthy, but she only said, "I don't know." Then I brought her back here and the only other time I ever spoke to her was last week when she asked me about Johnny and Peggy again. She wanted to know if they were very poor.'
'Strange question. She couldn't have helped them financially.'
'Certainly not. She hadn't any money.'
'What does Lamont do for a living?'
'Peggy told me he's a bricklayer by trade but that kind of work spoils the hands, if you please, and our Johnny has ambitions to act. He did a bit of modelling once and since then he's had some very grandiose ideas about his future. He's scared Peggy'll leave him and take the baby, but not scared enough apparently to settle down to a job of work. I imagine Loveday was a bit in love with him but he wouldn't have looked at her. Peggy's quite dazzlingly beautiful, don't you think, in spite of the dirt?'
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Wexford agreed, thanking Teal for the coffee and the information, although it had let in little daylight.
The bedroom door moved slightly as they came out into the hall.
'She had no friends, no callers?' Wexford asked.
'I wouldn't know.' Teal eyed the door narrowly, then flung it open. 'Come out of there, child! There's no need to eavesdrop.'
'I wasn't eavesdropping, Ivan.' In the interim the boy had dressed himself in a scarlet sweater and velvet trousers. He looked pretty and he smelt of toilet water. 'I do live here,' he said sulkily. 'You shouldn't shut me up.'
'Perhaps Mr Chell can help us.' Wexford did his best not to laugh.
&nbs
p; 'As a matter of fact, maybe I can.' Chell turned a coquettish shoulder in Teal's direction and gave the chief inspector a winning smile. 'I saw a girl looking for Loveday.'
'When was that, Mr Chell?'
'Oh, I don't know. Not very long ago. She was young. She came in a car, a red Mini. I was going out and this girl was standing on the step, looking at the bells. She said she'd rung at Flat Eight but the young lady seemed to be out. Funny thing for one girl to say about another, wasn't it? The young lady? Then Loveday came along the street and said hello to her and took her upstairs with her.'
Teal looked piqued. He seemed put out because Chell had told Wexford so much and he had told him so little. 'Well, describe this girl, child,' he said pettishly. 'Describe her. You see, Mr Wexford, that here we have a close observer who looks quite through the deeds of men.'
Wexford ignored him. 'What was she like?'
'Not exactly "with it", if you know what I mean.' The boy giggled. 'She'd got short hair and she was wearing a sort of dark blue coat Oh, and gloves,' he added as if these last were part of some almost unheard-of tribal paraphernalia.
'A full and detailed portrait,' sneered Teal. 'Never mind what colour her eyes were or if she were five feet or six feet
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tall. She wore gloves. Now all you have to do is find a conventional young lady who wears gloves and there's your murderer. Hey presto! Run along, now, back to your mirror. Be good, sweet child, and let who will be clever!'
It wasn't until Wexford was out in the street that he realised he had left Utopia lying on Teal's table. Let it stay there. He didn't relish the thought of climbing all those stairs again to fetch it and perhaps intruding into the monumental row he guessed had broken out between the two men. Instead, he walked to the limit of the cul-de-sac where two stumpy stone posts sprouted out of the pavement and eyed the strange ugly church.
Like Peggy Pope's clothes, every item which went to make up this unprepossessing whole seemed chosen with a deliberate eye to the hideous. What manner of man, or group of men, he asked himself, had designed this building and seen it as fit for the worship of their God? It was hard to say when it had been built. There was no trace of the Classical or the Gothic in its architecture, no analogy with any familiar style of construc- tion. It was squat, shabby and mean. Perhaps in some seamy depths at its rear there were windows, but here at the front there was only a single circle of red glass not much bigger than a bicycle wheel, set under a rounded gable of portcoloured brick. Scattered over the whole facade was a noughts and crosses pattern of black and ochre bricks among the red.
