by Jane Casey
‘Do you want to wait for DCI Burt?’ I asked.
‘She knows where we’re going.’ Courteously he held the door open for me, letting me walk into the flat first, and I scanned the hall as I passed through it, starting to form an opinion of Anna Melville from the things she had chosen to keep around her. The hall was painted a faded green and a collection of twelve vintage mirrors hung on one wall, spaced out exactly in rows of four. The floor was polished wood and the cream runner that lay on it was pristine. It wasn’t even rumpled. I looked for – and found – the shoe rack by the door. No one was allowed across the threshold without taking their shoes off. If she had let him in, the killer had been in his socks or barefoot, so we wouldn’t get shoe treads or soil fragments to match against an eventual suspect. The rack was neatly arranged with shoes that were predominantly pretty rather than functional – delicate, spindly high heels on everyday court shoes, embellished ballet flats for casual wear. Even her wellies were pale pink with silver stars. A girly girl.
‘No blood,’ I observed to Godley, who nodded. He moved past me into the sitting room.
‘Let’s start in here. Una will be in soon.’
The room wasn’t large but the furniture was expensive. The grey velvet upholstery on the two-seater sofa and armchair looked as if no one had ever sat on it. There was a fireplace, with candles sitting in the grate, and the alcoves on either side of the chimneybreast were shelved. They were filled with vases and ornaments rather than the books or DVDs that might have told us something about her personality. The fact that there weren’t any books or discs made me think she worked long hours and didn’t have time for entertainment. The giant grey wicker heart above the sofa made me suspect she was a romantic. The armfuls of cushions arranged on the sofa itself were impossibly feminine and dainty; I couldn’t imagine a man sitting there to watch television. And on another wall, there was a framed poster: the word ‘Beauty’ in elaborate writing. Pin your colours to the mast, I thought. If that’s what matters to you, why not frame it? And what harm was there in any of it? Still, something made me feel I wouldn’t have got on with Miss Melville. The array of photographs on the shelves gave me one reason.
‘What is it?’ Godley was watching me instead of looking around, which made me feel like a canary in a mine. ‘You’re frowning.’
‘Is this her?’ There were probably thirty pictures on the shelves and the same dark-haired woman appeared in almost all of them.
‘I believe so.’
‘She must have been massively insecure, then. Who has framed pictures of themselves when they live alone?’ I picked up one which was of a group of girls ready to go out, dressed to the nines. Two of them were talking, their mouths twisted halfway through a word, and one wasn’t even looking at the camera. The dark-haired girl was looking right at the lens with a dazzling smile. ‘And look at this. She’s the only one who looks good in this picture. Why would you choose to frame that?’
‘Being insecure isn’t a crime.’
‘But it makes you susceptible to flattery. The three women lived alone. They were all heading towards thirty and not in a relationship. That has to be one way he could have got in. Do we know if any of them did online dating?’
‘I’ll ask the other SIOs this afternoon.’
‘He’s seeing something vulnerable in them. This woman was hyper-feminine and very conscious of how she was perceived. What do you look for in a man if you are like that?’
‘Someone who comes across as traditionally masculine,’ Godley suggested. ‘Someone strong.’
‘And forceful. Someone who would take control. Sweep you off your feet. Someone confident.’
‘Confidence fits in with murdering them in their own home. He’s comfortable in their environment. He takes his time, too.’
‘What makes you say that?’ I asked.
‘How the bodies are left.’
I was staring at the only thing that was out of place in the room: a vase half-filled with greenish water and a few bits of leaves. ‘Where are the flowers?’
‘I think we’re about to find out.’ Godley checked his watch. ‘Come on, Una. Wind it up.’
She came through the door as if she’d been waiting for the invitation, rustling importantly in her boiler suit. ‘Sorry. All done.’
‘Are we finished in here?’ Godley asked me and I nodded, watching Una Burt scan the room.
‘Lead on,’ Godley said to her, and I followed her through the hall, past a small bedroom that was primrose yellow and obviously for guests, past a tiny bathroom where the SOCOs were climbing over each other to collect swabs and empty U-bends, past a kitchen with red tulips in a vase on the table and the washing-up neatly stacked on the draining board. No secrets here – nothing that Anna would have been ashamed for us to see. It reminded me of a flat that had been tidied for viewing, down to the matching tea towels hanging neatly on their rail and the cutesy blackboard with ‘Nearly the weekend!’ written on it, above a shopping list. Organised, careful, feminine, self-conscious. And there was nothing wrong with being like that – I wished I was more like that myself – but I felt it had marked her as a victim and I wondered how he’d seen it, and known her, and calculated how he could have her.
How he had had her was laid out for our inspection in the main bedroom, as neatly and obsessively as everything else in Anna Melville’s home. I stopped short in the doorway despite myself and Godley collided with me, then leapt away as if I was burning to the touch.
‘Sorry. I just—’
‘Don’t worry,’ he said shortly. ‘Take your time.’
Burt had gone ahead and was leaning over the bed, peering intently at the body that lay on it. I skirted the bed, not quite looking at what lay on it. The floor was wood, painted white, and Kev was lying down shining a torch through the cracks between the boards. On the other side of the room another SOCO was doing the same, crawling on hands and knees. I recognised her – Caitriona Bennett, the pretty, soft-spoken technician whose work had led us to a killer during the summer. It was a slight comfort to me to know that Anna Melville was getting the best of everything in death. It gave us a chance to get something like justice for her.
Godley stepped over Kev’s prone body. ‘Found anything?’
‘Dust.’ He didn’t even look up, working his way along the gap inch by inch. ‘Stuff. We’ll have these up later to collect anything that seems interesting.’
I stopped beside the window, which was draped in gauzy voile panels. There was a hand-span gap between them where I assumed the uniformed officer had peered. Turning, I saw that the room showed the same feminine attention to detail as the rest of the flat, with a white-painted carved wooden beam nailed to the wall above the bed. Curtains hung down from it, draping the bed head. The bedclothes were white and embroidered with tiny stars, also white, but they had been drawn down to the end of the bed and folded over, out of the way, leaving a clean white sheet underneath the body. A mirrored bedside table had a carafe of water on it, an old-fashioned alarm clock and an iPad that I knew we would be taking away with us. I itched to start looking through it but there were protocols to observe. And a body, I reminded myself, forcing my eyes to where she was waiting.
She lay with her head pointing towards the foot of the bed, her feet together on the pillow. She wore white – a silk nightdress so fine I could see a dark shadow at the top of her thighs and the two faint smudges of her nipples through the fabric. She was small and slim, her bones fragile, her kneecaps sticking up like a child’s. Her hands were by her sides, palms up, loosely holding what he had cut out of her head. Her face was horrendous – dark with blood, her tongue protruding – but mercifully for me he had closed her eyelids over the empty sockets. The marks on her neck stood out like splashes of paint on snow. Her hair – her long, glossy dark hair – was gone. He had cut it off close to her head. She looked more vulnerable with her collaborator’s crop, and young, and I wondered if he’d cut it before she died or after. Was it to tormen
t her? For his own gratification? Or something more complicated?
‘Did he take the hair away with him?’
‘Nope. Found it in the bathroom. He dumped it in the bath,’ Kev said cheerily. ‘But he cut it in here. We found a lot of loose hairs over here in this corner.’
Two candles stood on either side of her head and on either side of her feet – fat ones, about eight inches high.
‘Did he bring these, do we think?’ Godley asked, pointing at them.
‘They’re the same as the ones in the living room,’ I said, my voice metallic in my ears. Robotic. Emotionless.
‘Were they burning when the uniforms got here?’ Una Burt asked.
‘No. He seems to have put them out when he was leaving,’ Godley said.
‘Never leave a naked flame unattended,’ floated up from the floor where Kev was approaching Godley’s feet.
‘I’m not sure that was his priority.’
‘There were candles at Maxine’s house as well. None at Kirsty’s,’ Burt said. ‘So he makes do with what he can find.’
‘It makes her look like a sacrifice,’ I said. A memory drifted to the surface: helping one of the nuns to prepare the altar for an early-morning Mass. White linen altar cloth. Pure white candles in their low holders. And flowers, rammed by me into a brass container too small for them, because I was bored and wanted to be finished. The nun had taken them from me, tutting under her breath, and cut away the bruised stems with a short, stubby knife she’d produced from the folds of her habit, until the arrangement looked perfect. I moved forward to stand just behind Anna’s savaged head and looked down at her. From this angle I could see what I’d missed before: she was lying on a handful of lilies. Their heavy scent drifted up, mingling with the bitter smell of the burnt candles.
‘These will be the flowers from the living room.’
‘Probably,’ Godley said, leaning over beside me. His sleeve brushed mine and again I was aware of him flinching away. Not the way to convince people we weren’t having an affair, I thought sourly. Since I had no way of actually saying that to him without stepping a long way outside what was appropriate for my rank, and his, I affected not to notice.
‘What do you think the flowers signify?’
‘No idea. Part of the ritual, I suppose, along with the candles.’
‘Being outside?’ Burt suggested.
‘Did he do this with the others?’
Godley nodded.
‘With lilies? Or other flowers?’
‘Other flowers, I think.’ He frowned. ‘I have crime scene photos in the car.’
‘We should have a look,’ Burt said. ‘With the other SIOs.’
‘How did he know there would be flowers here?’ I bent down: from what I could see of the petals they didn’t look fresh. One or two were brown and coming away from the flower. Even allowing for them being crushed under the victim, they weren’t in the best condition. ‘Did he deliver these, maybe, earlier in the week? Is that how he saw her first?’
Una Burt didn’t hide her scepticism. ‘Why would she let him in again, though? There was no sign of a break-in. Even if she recognised him, she’d never let a delivery man into her house.’
‘Unless he was carrying something heavy.’
‘Like what?’
There was no evidence of anything having been delivered and I subsided, feeling squashed. But Una Burt was right, and she wasn’t trying to put me down, unlike Derwent. She was just saying what she thought.
‘What did he use to cut her hair? Scissors?’
‘Not that we found.’ Kev surfaced beside the bed. ‘If you ask me, looking at the way he left it, he used a knife.’
‘The same knife he used on her eyes?’ Burt suggested.
‘It’s possible.’
‘Did she fight?’ I asked. ‘What did the neighbour hear?’
‘Unusual noises, he said. Moving furniture. Thumps and bumps.’ Godley scanned the room. ‘Not that you’d know.’
‘If he made a mess, he took the time to tidy up afterwards. This was important to him – making this image.’ I stepped back to look at it as he might have, wondering what he wanted us to see. ‘He took the hair out of this room. He could have left it.’
Godley was using his torch to examine the woman’s face, peering at it from a distance of a couple of inches. He looked disturbingly like Prince Charming leaning over Sleeping Beauty, ready to wake her with a kiss.
‘Stop. Go back.’ Something had caught my attention. ‘Where you had the torch before – I saw something.’
He turned it back to the side, shining it across her bloodless skin, and again I saw a glint.
‘There’s something under her neck. A hair.’
‘Not surprising,’ Godley said, disappointment colouring his tone very slightly. ‘You’d expect him to miss a few.’
I reached over and took the torch out of his hand, shining it directly on what I had seen. Caitriona swooped in with tweezers and drew the hair out, holding it up so she could slip it into an evidence collection envelope. Now that I could see it properly, I could tell it was maybe fourteen inches long. It hung in an elongated ‘S’, the bottom curling out and up as if it had been styled to flick up. It was pure gold in colour.
‘Not one of hers,’ Kev said happily. ‘Where did that come from?’
‘Him?’ I said, dubious. My mental image of a serial killer didn’t really include styled, shoulder-length hair.
‘One of the other victims?’ Burt suggested.
‘They weren’t blondes either,’ Godley said. ‘Let’s hope it’s relevant.’
‘We’d have got it on the bedclothes,’ Caitriona pointed out, as defensive as if someone had told her she’d failed. ‘We were going to take the sheets away once the body was moved.’
‘No one is moving anything without my say-so.’ Glenn Hanshaw’s voice was grating as it cut through the room. We scattered away from the bed like cockroaches surprised by a light going on. ‘I’m sorry I’m late.’
He didn’t sound sorry. He sounded livid. I edged back, towards the door, as he folded his tall, bony frame into a crouch beside the bed and began unpacking his equipment. I appreciated that he was good at his job, but the snap of his rubber gloves going on and the rattle of the thermometer as he took it out of its case made me clench. He was exceptionally professional but his patients were beyond feeling and he was businesslike about the way he examined them, quick and somehow brutal. I felt it was uncomfortably close to a violation and as I watched him lever Anna Melville’s legs apart – moving quickly because he was late, and angry, and she was beyond caring if he was gentle – I felt a wave of unease that was close to distress. I went and stood in a corner of the hall, taking deep breaths, waiting for my heart rate to drop.
‘Are you okay?’ Una Burt’s face was close to mine when I looked up.
‘I hate that bit.’
‘So do I. But it’s not Hanshaw’s fault. He’s not the one who put her there.’
‘I know.’ And I did know it. ‘I don’t blame him. It’s just – this case feels a bit close to home. You were right. I do feel something for these victims. Not that it could be me.’ Although it nearly had been me when I’d thought my stalker Chris Swain was just a friendly neighbour. He had got closer than I liked to recall. ‘It could be someone I know. One of my friends. Someone more trusting than me.’
‘You think he gains their trust.’
‘She wasn’t tied up. She wasn’t beaten up. She was killed. How did he control her before that? The only thing I can think is that he had some authority over her. She did what he said because he asked her to.’
‘You could be right.’ She looked away from me, into the room where Anna Melville still lay, and the next thing she said proved I wasn’t following her train of thought at all, because I couldn’t tell why it had occurred to her. ‘If DI Derwent attempts to talk to you about this case, refer him to me.’
She was gone before I could ask why.
&
nbsp; Chapter 7
I was just about to go back in to confront the body and whatever Glenn Hanshaw was doing to it when I heard voices outside the front door. I scooted down the hall to see four men pulling on protective suits, watched by a crime-scene technician who had his arms folded. His name was Pierce, I recalled, and his voice was both camp and carrying.
‘It’s even more important for you guys to be careful about what you’re walking into the property, given who you are. One of you brings in some material from another crime scene and we are screwed, do you know what I’m saying?’
‘Yes, I think we have the idea.’ The testy response reminded me how uncharming I found Andrew Bradbury. He was thin and unsmiling behind glasses with heavy frames. Some men made going bald look good: Bradbury was not one of them.
‘I’m sorry if you don’t like it. I’m just doing my job. I’d be skinned alive if I let you in.’ If anything, Pierce sounded rather pleased to have a reason to tell the detectives what to do. I cleared my throat and he twisted around. ‘Oh, here’s DC Kerrigan. She’ll look after you.’
I was expecting some glimmer of recognition from Bradbury but it seemed I had made no impression on him at all. Since I encountered him he had been promoted, though he’d been one of the least impressive detective sergeants I’d ever met. Getting him out of harm’s way by pushing him up the ladder, Derwent had suggested. Derwent had given him quite a hard time, and Bradbury had conceded in a hurry to the alpha male. If Derwent had been there, Bradbury would have thought twice about pushing past me. As it was, he didn’t even say hello.
‘Where’s Superintendent Godley?’
‘The bedroom at the back, on the left.’
