Contents
* * *
Title Page
Contents
Copyright
Dedication
Jeopardy
Double Jeopardy
Final Jeopardy
Acknowledgments
About the Author
Connect with HMH
Copyright © 2017 by Alison McGhee
All rights reserved
For information about permission to reproduce selections from this book, write to [email protected] or to Permissions, Houghton Mifflin Harcourt Publishing Company, 3 Park Avenue, 19th Floor, New York, New York 10016.
www.hmhco.com
Library of Congress Cataloging-in-Publication Data
Names: McGhee, Alison, date, author.
Title: Never coming back / Alison McGhee.
Description: Boston : Houghton Mifflin Harcourt, 2017.
Identifiers: LCCN 2017007452 (print) | LCCN 2017013821 (ebook) | ISBN 9781328764348 (ebook) | ISBN 9781328767561 (hardcover)
Subjects: LCSH: Mothers and daughters—Fiction. | Parent and adult child—Fiction. | Alzheimer’s disease—Fiction. | Domestic fiction. | BISAC: FICTION / Literary. | FICTION / Contemporary Women. | FICTION / Family Life. | FICTION / Medical.
Classification: LCC PS3563.C36378 (ebook) |LCC PS3563.C36378 N49 2017 (print) | DDC 813/.54—dc23
LC record available at https://lccn.loc.gov/2017007452
Cover design by Martha Kennedy
Cover photographs © Svetlana Sewell / Trevillion images (snowy street); Vanessa Skotnitsky/Arcangel (woman)
v1.0917
Lines from “The Love Song of J. Alfred Prufrock” by T. S. Eliot appear on page 71.
To MG
Jeopardy
Now that my mother was disappearing, I wondered when it began to happen. A few months before her neighbor called to tell me something was wrong, or maybe years ago, when I was in my nomadic twenties and home only once or twice a year? Or did something inside her change in a single moment? Quit working? Decide enough was enough?
Hard to say. Hard to know.
But happen it did, and when I left the southern wild and moved back north it was not to be with her, exactly, because where exactly are you when you begin to disappear? Where do your thoughts go, and the words you once used to express them? Are they still inside you somewhere? Not that she was ever big on words to begin with, my mother.
Was big on words? Had ever been big on words? Is. Was. Are. Were. These were the days of mixed-up tenses.
When Sylvia the nurse called and said, She is/was agitated, she is/was looking for you, she is/was having a tough time, I could get in the car and be there in an hour. They thought my presence would help, and it did. That was what they told me anyway. Which was something that surprised me.
There were many surprises.
“You’re coming back north, Clara?” Sunshine said. “Why? I mean, that’s fantastic, but why?”
“Have you forgotten that north is where winter lives?” Brown said. “The land of snow and ice? The season of your discontent?”
That was Sunshine, my best friend, and Brown, her husband and my other best friend. I pictured them sharing the phone next to their bed, both ears pressed against the receiver. They had cell phones but they still used a landline both upstairs and down. That was what happened when you lived in the Adirondacks, a place where cell service was spotty and things that elsewhere seemed essential, weren’t. Their phones were heavy and black, like old-time phones, because that was what they were, old-time phones, bought at a garage sale for a dollar apiece. Sunshine and Brown liked weight and heft. Or maybe what they liked was permanence.
“Shut up about winter, Brown,” Sunshine said. “Don’t scare her away.”
“If she moves back north, she has to live here,” Brown said, and “Absolutely,” Sunshine said. They were talking to each other in low tones, as if I couldn’t hear them on the other end of the line. This was not uncommon.
“In Old Forge?” I said.
“Duh!” They were still speaking at the same time. They both put the same exclamation mark at the end of the Duh. I could hear it. It scrolled across the bottom of my mind, a black jumpy line with a point at the bottom. ! ! !
“Have you two merged? Become a single entity? Can you no longer speak for yourselves?”
“No, no and yes,” Sunshine said, and “Old Forge,” Brown said again. “Old Forge is where you should live.”
They knew my mother and they had known her for a long time but I hadn’t said a word to them, or to anyone, about what was happening to her, about the fact that she was the reason I was even thinking about moving back. Tell no one, my mother had said, and no one had I told, not even Sunshine and Brown. But it was late that night, and monkey mind had taken over and I was clutching my tiny silver hammer earring for luck and wandering around in the dark until I figured out what to do.
My mother was disappearing and I didn’t know what to do, didn’t know how to keep her with me, in this world, on this plane of existence, thinking and talking the way I had always known her to think and talk. Sunshine and Brown were the people I had called because they were my best friends. And because even if they were already asleep, they would answer the phone if it rang. That was the kind of people they were.
They were the kind of people who had always been there.
What happens when someone close to you starts to disappear is that they aren’t always there. They are with you and then they aren’t. This happens while their hearts still beat, while their lungs still breathe, while they look directly at you. They talk and laugh and sing and then they don’t. They are here and they are gone, are and were, simultaneously.
“Did I wake you guys up?”
“No. Kind of. Who cares.”
Each of them speaking over the other.
“Old Forge?” I said again, like it was a place I’d never been to before, a kind of mythical place that existed on another planet.
“Old Forge,” they said. “We’re here.”
“We’ll hike and cook and stack wood,” Sunshine said. “We’ll get breakfast at Walt’s Diner. Brown will write his code and I’ll sell my hats and you can do your Words by Winter thing—you can make a living at that, can’t you?—and maybe write another book. It’s been a long time since The Old Man was published.”
“No to writing another book. And yes, I can make a living at Words by Winter.”
“Good,” she said, in a soothing, motherish way, “very good.”
“We can all visit The Fearsome together,” Brown said. “The Fearsome” was his nickname for my mother. “Serenade her with Leonard Cohen songs, eat our dinner out of jars with cocktail forks, help her chop wood. We’ll protect you from her and her from you, more to the point. Unless you’re planning to move in with her in Sterns?”
“Not an option.”
“Didn’t think so. Then Old Forge it is. Come on home.”
“Old Forge isn’t home.”
“It’s half an hour north of Sterns. That makes it home-ish.”
Old Forge, where my mother used to take me once a year, in the summer. We went swimming in Fourth Lake, we had pancakes at Keyes Pancake House, we spent hours wandering through the multi-roomed palace of Adirondack Hardware. We went to the water park, where once, another mother, a mother who wasn’t my mother, took a Polaroid picture of me sitting inside Cinderella’s giant pumpkin and gave it to us. Old Forge was our big summer adventure. Now I thought, Why did we go only once a year? Since it was so close to home, we could have gone there every week if we wanted, every day, for God’s sake.
“Old Forget,” I said. “That’s what I used to call it, when I was a kid. I used to think of it as this m
agical place.”
“It is a magical place,” Sunshine said. “We’re magical, aren’t we? And we’re here. Come home, Clara.”
“Yeah,” Brown said. “Come home-ish.”
So home-ish I came.
* * *
That particular phone call happened roughly a month after I first noticed anything. I had come home for a long weekend, opened the kitchen cupboard to get a coffee mug and beheld a carton of orange juice, tucked between the plates and bowls, both of which had been pushed aside to make room for it.
“Hey there, Mr. Orange Juice,” I said. “Too cold in the fridge for you?”
I picked Mr. Orange Juice up and carried him out to the dining room, where my mother was deadheading her indoor geraniums. One October years ago she had uprooted them, transplanted them into buckets, and moved them inside to keep them safe from the cold, and then in the course of that long upstate New York winter, decided they were happier inside than outside.
“Ma?”
She looked up, her hands full of withered blossoms, and shook her head. “No. You know I don’t like orange juice. Too sweet. I got that for you.”
“I found it in the dishes cupboard.”
“What are you talking about?”
I jiggled the carton. “This. It was between the bowls and plates.”
“Stop,” she said, frowning. Still shaking her head. “Put it back where it belongs. Orange juice is expensive.”
It was then that a weird feeling came over me. When I remembered that moment I could still feel the heaviness of the carton in my hand, how I had spread my fingers out to hold it so it wouldn’t fall, how it was room temperature and not cold the way you expected orange juice to be. I saw the frown on her face, the way she glanced from the faded red and pink flowers in her hands back to me. I felt my other hand shove itself by instinct down into the pocket of my jeans to close around the silver hammer earring, the talisman that was always with me to keep bad things from happening.
“It was in the dishes cupboard,” I said again. This annoyed her.
“Stop it, Clara. If you can’t say anything nice, don’t say anything at all.”
Had my mother ever, even once in her life, said, If you can’t say anything nice, don’t say anything at all? She had not. Plenty of other mothers said that—I had heard it from other mothers all my life, directed at their own children in that singsong mother voice—but not my own. Had you asked me, I would have bet every bit of money I had that my mother had not uttered and would not ever utter that line. What did that sentence have to do with this orange juice situation anyway? The weird feeling spread.
“Ma?”
What was I hoping she’d do? Laugh, because what she’d just said was such a non-her thing to say? Turn it into a joke? My mother was not the joking type and never had been. Was I hoping that she would come up with some kind of an explanation, maybe explain that the orange juice in the cabinet was part of an elaborate ruse, and then explain what exactly that ruse was? Yes. That was what I hoped for. Because knowledge—of wrongness, of something-is-not-rightness—was creeping up from my feet, spreading through my body, on its way to my heart and from there to my mind.
I had come home for the weekend because it was her birthday.
She was about to turn fifty.
I was thirty-one.
Yes, my mother was eighteen and a half when she had me. And she had just turned fifty years old when they told us what she had. Not old enough. Way too young. Young young young young young was how old my mother was, when we heard those words “early” and “onset.”
And if I could tell you one thing, people, with regard to those clichés about the brevity of life and how fast it zips by and how it’ll be over before you know it? It would be that all of them, every damn one of them, was true.
* * *
The cabin on Turnip Hill Road that I bought when I moved back home-ish to the Adirondacks was one room. Two hundred and fifty square feet, which, spelled out like that, looked bigger than 250. The first time Sunshine and Brown came to see the cabin, I sat in the porch chair, angled because the porch was so narrow, and waited while their station wagon picked its way around the curve and up the dirt driveway.
“But there’s no room for anyone but you,” Sunshine said. “You and your computer.”
Her voice was full of wonder. She peered through the door as if she were in a museum looking at a diorama.
“Why so tiny?” Brown said, his eyes lit up, as if there had to be a fascinating reason.
But there wasn’t. If there was a reason at all it was about excess, the existence of it and the not wanting it. It was about not having room for anything more than was physically in the cabin. Because there was already something huge in my nonphysical life, something that couldn’t be wrestled down into a manageable, handle-able size.
Sunshine and Brown stepped inside the single room and stood on either side of the ladder that led to the sleeping loft and looked around. They didn’t touch anything that first visit. It must have looked like a dollhouse. Like a museum. Everything perfectly in its place because there were so few places for anything. Two towels, one in use and one hung over the door to dry. Three pairs of socks in a drawer with two shirts and two pairs of jeans. No waffle iron, no hair dryer, no cupboards filled with dishes and pots and pans. A half-full bottle of Jack Daniel’s sat on top of the miniature fridge next to the miniature stove next to a small blue ceramic jug that held the ashes of Dog.
“Nothing in excess, I see,” Brown said.
“Except books,” Sunshine said. “Books are definitely in excess.”
They were talking to each other as if I weren’t right there in the room with them.
“Correct me if I’m wrong, but is that coffee table made of books?”
“It is. So is that lamp stand.”
“So is this dining table,” Brown said. He crouched to examine the construction of my table. A piece of plywood set on four cornered stacks of books. He gave the plywood an experimental push. It slid, but not much. Plywood was heavier than it looked.
“Oh my God, Brown,” Sunshine said. She had climbed up into the sleeping loft. “Get up here and take a look at her bed. She’s literally sleeping with books. On books. Books as box spring.”
“Hello,” I said. “Hello? I’m right here. I can hear you.”
They ignored me.
“How do I love thee, books?” Brown said. “Let me count the ways.”
“Her one true love,” Sunshine said. “Some things do not change.”
I lifted the bottle of Jack from its perch and went out onto the porch to wait until they finished with their self-guided tour. It’s a monument to minimalism, I heard Brown say from the sleeping loft, and She’s winnowed, Sunshine said, but isn’t she too young to be winnowed? Winnow, winnowing, winnowed, which was a word that sounded like “widowed.” Once you started giving things up, it became easy. Or easier.
Not everything, though. Not everything could be given up.
If my mother could not remain the same, then something else must. That first little fool of a pig built a house of straw, and the second pig built one of sticks, and down they both came. But the third little pig, that little pig built a house of bricks, and it stood.
Books were something real. Books were something true. Books would be my bricks.
* * *
After the Mr. Orange Juice incident, things went downhill fast. My mother forgot to call two Thursdays in a row. When I called her instead, she was first surprised and then annoyed and then insistent that we had already spoken. Then, a week later, she was pulled over on top of Starr Hill, driving erratically, suspicion of DWI, but there was no alcohol in her bloodstream. Which I could have told them; she didn’t drink and never had. The state trooper knew her, from back in the days when she was justice of the peace of the town of Sterns, and he let her off with a warning. Then he tracked me down on the Panhandle, via her neighbor William T. Jones, who had my phone number in case
of emergency, and filled me in. And back I came, into Syracuse and from there in a rental car to Sterns, where I found her sitting at the kitchen table, an open can of olives on her right and an open jar of marinated artichoke hearts on her left. My mother had always eaten straight out of jars and cans, with a cocktail fork as her sole utensil. It was one of her peculiarities.
“Hi, Ma.”
Her cocktail fork was balanced between her thumb and index finger, close to her mouth, as if it were a joint that had just been passed to her and she wasn’t sure what to do with it. Getting high was something else my mother had never done.
“Clara.”
“How are you, Ma?”
She looked straight at me and locked eyes. “I don’t want anyone to know about this,” she said. “No one.”
“About what?”
She waved the cocktail fork/joint at me. A slash in the air. Zip it, Clara.
“Alzheimer’s,” she said. “You know it. I know it. Annabelle and William T. know it. The doctor knows it. No one else.”
In the time that had passed between Mr. Orange Juice and the state trooper’s warning she had taken herself down to Utica, to a specialist. She had been through multiple tests. She had gone to the library—my mother, a computerless woman—and read up on the disease.
None of this had she told me.
Her fourth doctor’s appointment was the following morning. She sat silently next to me, the doctor on one side of the desk, my mother and I on the other. It wasn’t an examining room, because the examination was over. She couldn’t draw a clock. You had to be able to draw a clock. I willed her hand to start moving in the right direction—Clock, Ma, clock—but no.
“Ms. Winter,” the doctor said. “I wish I had better news.”
He looked straight at her when he said that. Some people looked anywhere but straight at you when they had bad news, like when you had failed the exam and now you were being expelled, like when two roads diverged in a yellow wood and you, you took the third road, the unpaved road, the unplowed-in-winter road. This doctor? He looked my mother in the eye and didn’t sugarcoat his words. I had to give him that.
Never Coming Back Page 1
